My photography is an ongoing dialogue between people, place, and time. I seek to bridge the widening rural–urban divide in India by documenting the dignity, resilience, and quiet poetry of everyday life in communities that often remain unseen or unheard. My work focuses primarily on Bengal, where tradition, labor, faith, and survival intersect in subtle yet powerful ways. I am drawn to the beauty of the ordinary — a fleeting gesture, a weathered face, a ritual performed without spectacle. These moments carry profound emotional weight. I photograph not to sensationalize hardship, but to honor humanity.

At the heart of my practice is a belief that photography can preserve memory. In a rapidly urbanizing nation, rural lives and traditions are disappearing at an alarming pace. Through long-term engagement with villages, labor communities, and aging populations, my work becomes an archive of lived experiences — not frozen in nostalgia, but alive with truth and complexity. My photography is both personal and political. Choosing to look closely is an act of resistance against indifference. Photography, for me, is an ethical commitment — to see with care, to represent with integrity, and to tell stories that endure beyond the moment they are captured.