In this project, Sharon chose to use the visual language of street photography, which is the genre of photography she loves most and in which she is well-versed. Using this visual language provided Sharon with comfort and familiarity, a sort of safety net as she embarked on her journey catching this outside perspective, "I came in with a familiar skillset to catch an unfamiliar perspective on my own home," she explains. This series includes both candid photographs and ones that were taken with the cooperation of strangers Sharon and her collaborative partner met on the streets just a few minutes earlier. "Of course, I can't talk about this project without mentioning the wonderful Ohad Huri, the model I collaborated with to bring this vision to life."

Sharon had a great connection with Ohad, both sharing a similar view on this project, which made it easy to work with each other. "What surprised us both was how easy it was to work in public," she discusses. "We both expected a hesitance or even a hostile approach from other people in the frame, but most times that wasn’t the case. Wondrously enough, curious bystanders had asked us what we were doing, asked to get their pictures taken with Ohad, and joined in on the project, so we got a great deal of cooperation."

With expectation, there were some raised eyebrows, but most people were simply curious and happy to help, and a few times people even got into Sharon's frame out of their own volition. This general readiness to help, to join in, represents exactly what Sharon was hoping to convey in the photos – the spirit of the Israeli people. "People aren't shy to offer a helping hand or ask what we're doing, and even though we're strangers, somehow, it's always enveloped in a sense of warmness and familiarity. We have no qualms about reaching out, about connecting, and for me, this is a special trait of our society, one that should be celebrated."

To examine this, Sharon placed Ohad in a variety of typical locations that represent life in Israel for her, this warm country home to warm people. She took photos at the sunny beach, the marketplace, at the park, running into the familiar sight of people making use of the good weather and barbequing. These locations were an entryway to meeting the Israeli people in them. Sharon remembers, "We ran into a father who coaxed his young daughter to take a picture with Ohad, into a folk dancing class; we met a man who came to the same beach every day for twenty years and fed the egrets, so now they recognize him and come to sit on his arm. We came across a couple in love at the beach, a family picnicking in the park that invited us to join them, young men working out, a religious man helping men lay phylacteries. We encountered the loud joyful sellers in the market, as well as one butcher who, even though doesn't usually agree to have his photo taken, agreed to participate and even added his own humoristic take on the photo."