PICTORIAL STORY | BOOK January 27, 2023 THE APPLEBY HORSE FAIR ​ Photography and story by David Gilbert Wright Deep in the heart of the County once called Westmorland, near to the Lake District lies the small town of Appleby, nestled on the side of a valley straddling the River Eden. The Settle to Carlisle railway runs through this town, being one of the stops on it on what is known as the most scenic railway journey in England. Appleby has become known for the horse fair that first came into being in 1685. It is the biggest horse fair of its kind attracting thousands of people. So what actually happens at the fair? Travellers, Gipsy and Roma come from across the British Isles in the week preceding, a fair that is usually held in June. They travelled to Appleby using both motorised and horse drawn vehicles. Horses and ponies of all kinds, sizes and breeds arrive at the town to be exhibited, shown off and sold. The traveller community pitch up there bow-tops, motorhomes and mobile caravans in up to severn fields outside of the town boundary. They have been doing this now for centuries and as such, it has become a time when they meet and renew friendships, acquaintances and business bonds. I first became aware of the Appleby horse fair in the early 1980s quite by chance and in a totally different context. I was travelling India engaged in a different photographic project. I arrived in the desert town Jaisalmer in Rajasthan. It was the home of the Pushchair Camel Fair. It was here that a local told me of the horse fair in England. Many years passed before I got around to photographing it. I had seen other photographers’ pictures of the fair. They concentrated on the show parts like ‘The flash’, which is where those selling their horses ride them at speed up and down the hill into the town. Another well photographed scene is the horses being ridden around the River Eden. I realised that one aspect of the fair seemed to be relatively under photographed. It was the actual trading aspect. This involved getting the horses ready by washing and grooming and then doing the deal. It all takes place way out of town in the quiet roads and farm tracks near Gallows Hill and the Long Marton crossroads. Here you can find, if you are lucky, groups of mainly men sizing up the horses, haggling and eventually sealing the deals. Listening in to one deal, I heard the man suggest a horse was past it in order to keep the price down, while the other argued that it was capable of pulling a trap at speed. Each tried to position the price until a compromise was reached. Bluff and bravado were key and eventually they would spit on their palms and seal the deal with a handshake. (I was witnessing something that had not changed for centuries). Traveller, Gypsy and Romany people have for a long time been heavily involved with horses. They take them seriously and care for them greatly. However, these people have traditionally been regarded with suspicion when they arrive in a town or village. Why is that? Humanity has moved through a number of phases from its origins as hunter-gatherers. The advent of arable farming brought a need to settle and enclose the land to protect the crops. As production increased so did the need to trade surpluses. Settlements grew into market towns and the enclosure of more and more land put pressure on those still moving their livestock to give up that lifestyle. It is easy to see how the communities would regard such people as 'other' or outsiders. To protect their own way of life, settled people started to invent stories about the travellers as untrustworthy. Crimes were attributed wrongly to them. Even in recent times, we were told "Don't trust a tinker!" My grandparents were collectively grouping anyone who seemed to fit the bill of living in a caravan and moving around the country. The business of buying and selling horses was the province of men. Caring for the horses, exercising them and learning the ropes are what the young boys do prior to their rite of passage. Becoming a man to these families involves many things but one thing that is apparent is that horsemanship is in the blood. This can be seen during the fair as boys and girls come and go along the country lanes, riding the horses. Look closer and you realise that most ride 'bareback' with just a pair of reins. And the speed! What is it about the young? They seem to love speed. Galloping along with the wind in their faces, they are natural riders. Another thing you cannot help noticing is the boys sport very smart, hairstyles. Shaved around the back and sides and long on top, neatly combed and greased back. As they ride past or stand holding their horses they chat to each other, unaware of the way girls are looking at them. The fair is not just a place where people renew friendships and trade horses. It is where the emerging adolescents begin their journey into relationships and adulthood. Teenager boys would brag about how fast their horses were in the way that teenagers in our wider society talked about their cars. Teenage girls, who were just coming of age would be dressed so glamorously you might be mistaken thinking that you were at a prestigious fashion show. Their aim, I was told was “to get the attention of the of the lads” and they certainly did that! © David Gilbert Wright © David Gilbert Wright © David Gilbert Wright © David Gilbert Wright © David Gilbert Wright © David Gilbert Wright © David Gilbert Wright © David Gilbert Wright © David Gilbert Wright © David Gilbert Wright © David Gilbert Wright © David Gilbert Wright © David Gilbert Wright © David Gilbert Wright © David Gilbert Wright Pressure has been on the Authorities to curtail or even end the Horse Fair. However, the reasons put forward are dubious. The Police have stated that given the size of the fair with up to 10,000 visitors, the level of crime is extremely low with only 7 arrests in 2021, mostly for drunkenness. Only 29 tonnes of litter was left in 2021, much from the small businesses and all was cleared at no expense the ratepayers. Indeed, many local businesses benefit from the fair. It would be wrong to stop the Appleby Horse Fair for unsubstantiated reasons. It seems to be more a case of prejudice than actually evidence. view David's portfolio Read more of David's projects - "Disappearing Ireland" >>> "Activists For Change" >>> Read an interview with David >>> Website >>> Instagram >>> The views, thoughts, and opinions expressed in the text belong solely to the author, and are not necessarily shared by The Pictorial List and the team. read more stories >>> THE RED POPPY AND THE SUN By blending archival and contemporary images, Mei Seva creates a visual story that captures the ongoing struggles and moments of triumph for those impacted by displacement and circumstance. FIRE AND FORGE Alexandros Zilos delves deep into the harsh reality of sulfur mining, while also capturing the allure of the blue fire phenomenon created by sulfur deposits in the crater. 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INTERVIEW March 31, 2023 NEW REALITIES IN VISUAL POETRY ​ Photography by Monika Jurga Interview by Karen Ghostlaw Pomarico Monika Jurga is from Poland, living in different areas, from East to West, while residing for a while in the capital, Warsaw. Monika does not work as a professional photographer, giving her the freedom to explore the photographic world in her own artistic ways. She creates uninhibited by the pressures of producing her work for anyone but herself. She is not burdened with photographic equipment, and often her phone is the catalyst for capturing what is in her mind's eye. Monika’s images are playful, toying with exaggerated surreal elements, juxtaposed to photographic visual clues based in reality. She ignites the imagination, asking the viewer to embrace the bizarre, captivating them to enter her world, where the traces of reality are blurred and fantasy becomes the new reality. Monika is a visual storyteller, who finds unique ways of defining the world around her, where anything she can imagine becomes the inspiration that drives her work. She has been described as a “Visual Poetess” translating her imagery into poetic prose. We have the pleasure of presenting the work of Monika Jurga. Enter her surreal world, and find out how and ultimately why she creates these fantastical photographic images where her imagination will become your reality. “Telling stories is what is important to me, because I think to myself that one life is not enough, so I live my life in my stories. When people say that they find themselves in my stories, that they are their stories too, it makes me very happy.” IN CONVERSATION WITH MONIKA JURGA THE PICTORIAL LIST: Hello Monika, please tell us about yourself. MONIKA JURGA: I am from Poland. I do not do photography professionally. Sometimes what I do can hardly be called photography at all. Even my camera is not a camera “Sensu Stricto”, because it is mostly just a cell phone. All that I do is just a hobby. The nicest and most beloved hobby in the world! TPL: What would you say first drew you to photography? What is it about the medium that supports your work? MJ: I grew up in a house full of art. An artist dad and a mom, a woman full of imagination. I was surrounded by paintings, drawings, lots of albums and books on art. My two uncles had photographic ateliers, my aunt meticulously documented my childhood on slides, and my mother developed color films herself in a small bathroom. Something must have grown out of that. I got my first camera when I was 8, but to be honest, I wasn't attracted to it then. I'm not sure what exactly attracted me to photography but I think it was my inability to draw combined with the desire to express myself and show my world...and that's how it started. TPL: How would you describe your photography, and what would you say you are always trying to achieve artistically? MJ: I find it difficult to describe my photographs. Each work is different, because I have a thousand ideas and a thousand ways to express them. In the end it is what satisfies me. I am not trying to achieve anything artistically. I would not dare to call myself an artist. I go my own way and I'm very happy that someone likes my works, that someone can relate with it. That's very nice. TPL: Monika, your work has a surreal aesthetic, can you describe the creative process involved with the capturing of your photographs, and then the inspiration you find in editing them? MJ: The creative process looks very different. For sure, it always starts with a photo and then I play with textures, overlays, make collages, add-on, cut, peel and stick, mix and mix for so long, until something that I like appears. And so, from an ordinary photo a picture or a whole story is made, often surreal. TPL: How have you trained your eye to see the surreal world you portray, making references to reality, emphasizing everyday objects? MJ: This kind of looking is due to my parents, home, books, paintings, exhibitions, thanks to which I have a kind of sensitivity that helps me see more sometimes. Despite my chaotic nature, I am very attentive, both to people and to everything around me, even the simplest objects. TPL: What importance does storytelling or key themes hold for you? MJ: I tell these stories mostly to myself. It often happens that I do a very cheerful and bright job when I am sad and would preferably not get out from under the blanket, and vice versa, when I am gushing with happiness, I do something gloomy. It's all about balance. In my photo bag is: wallet, keys, raspberry lipstick and of course...cell phone because it is my current camera. TPL: Do you have any favorite artists or photographers you would like to share with us, and the reason for their significance? MJ: I have many favorite artists. Sometimes I worship their entire oeuvre, sometimes it is one tiny picture, a few sounds, a few gestures or a detail that impressed me at different stages of my life. I will try to list them in one breath: Klee, Miró, Chagall, Hundertwasser, Eliasson, Zaha Hadid, Lewis Carroll, Leiter, Bruno Schulz, Roy Andersson, Kafka, Calvino, Maria Anto, Steinberg, William Blake, Ueda, Konopka, Batsheva Dance Company, Quay, Koudelka, Narahara, Wes Anderson, Woodman, Satie, Ballen,...uff, I could go on listing like this until tomorrow! TPL: What’s in your camera bag, is your equipment an integral part of your practice? What software do you use to process and visually render your compelling imagery? MJ: In my photo bag is: wallet, keys, raspberry lipstick and of course...cell phone because it is my current camera. My cameras have always been small and did not require special bags, because they used to be either matchbox cameras or Holga medium format, and Lomo, Lomography cameras. In my house, of course, there are the truest and most diverse cameras but I don't touch them, because they are not necessary for me. On the other hand, if I have to talk about software then there is more. I use a lot of programs and applications, but I will let their names remain my sweet secret. I use these programs depending on the need, and as I mentioned I mix and match. TPL: Are there any special projects that you are currently working on that you would like to let everyone know about? What are some of your photography goals? Where do you hope to see yourself in five years? MJ: At the moment I am working on the project “Light”, for which I was invited to Amsterdam. It's a big challenge for me but slowly the ideas are coming out of the shadows, brightening up and heading towards “Light”. I hope that by the end of May everything will be clear. I don't have specific photographic goals, I let it all flow. Where would I like to be in 5 years? You'll probably be surprised, but in 5 years I'd like to be exactly where I am, because I feel like this is my happy time and happy place. TPL: If you could just choose one photographer or artist to shoot or collaborate with for a day...who would you choose? And why? MJ: I have so many favorite photographers that I could spend each of the 365 days of the year with each one separately but yes most, most, I would like to wander around the city with Ms. Eva Rubinstein. She is my great love at the moment and I think we would have a great time together. TPL: What is the most rewarding part of being a photographer for you? MJ: What I enjoy most are the kind words and gestures and the emergence of a kind of bond and understanding between us. That is the nicest thing! TPL: “When I am not out photographing, I (like to)… I like London fog, traditional Jewish songs, Czech films, Scandinavian crime stories, French language, Spanish spring, Portuguese wine, Norwegian fjords, Breton pancakes, Scottish tartan and Italian ice creams, but most of all, I love traveling the world.” The Pictorial List would like to thank Monika for her expressive approach to photography. As photographers we can often get bogged down in camera equipment, creating work professionally to satisfy a clients needs, while Monika creates without inhibition and her inspirational motivation is pure imagination. Follow Monika on Instagram and experience a new reality for yourself. VIEW MONIKA'S PORTFOLIO Instagram >>> read more interviews >>> THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography. UNDER THE COVERS WITH AMERICAN BEDROOM Barbara Peacock, opens the door to her subjects' bedroom, revealing their intimate thoughts and emotions. Discover the confidence and trust shared between the photographer and subject for an authentic and inspiring experience. BEYOND SIGHT Doug Winter is a photographic artist using his unique perspective as a semi-sighted individual to explore the experiences of partial blindness and vision disabilities.

INTERVIEW February 20, 2020 SPECTACULAR VISIONS ​ Photography by Karin Svadlenak Gomez Interview by Melanie Meggs Karin Svadlenak Gomez is far more than just a public relations manager for an university department in Vienna, Austria. She is a world traveler, an avid photographer, an art lover, and a passionate magazine editor and blogger. Her photography captures the essence of various genres, from landscapes to documentaries, and her appreciation for the arts has led her to explore different performances and exhibitions around the world. She is the Editor for The Pictorial List and the Founder and Editor in Chief of Spectaculum Magazine, and through her Viennacultgram blog, Karin shares her personal experiences and insights with the world. From her vibrant career to her creative endeavors, she is sure to inspire all with her journey. “I started getting into photography as a teenager, before digital photography came along, but it was mostly just travel and family photography. I knew nothing about cameras or composition. But I loved capturing beautiful landscapes. It stayed like that for many years. Only for the last three years or so photography has become a major passion and occupies my mind fairly constantly. Now it can happen that I am watching a theatre performance, and suddenly there is a moment where my mind goes, “I wish I could photograph that!”. The odd thing about it is that this passion actually originated with Instagram. In my home town Vienna, we have an active community of photographers on Instagram (@IgersAustria and @IgersVienna) who regularly get together for events. And one day a friend asked me to join one of these ‘Instawalks’ - well, the rest is history, as they say.” IN CONVERSATION WITH KARIN SVADLENAK GOMEZ THE PICTORIAL LIST: What is your source of inspiration, Karin? KARIN SVADLENAK GOMEZ: The discovery of different cultures gets me really excited. And nature provides constant inspiration. But these days I am also inspired by everyday scenes and by the architecture and culture of my own city. TPL: Do you think your style of photography has evolved since you started taking pictures? KSG: Yes, it has changed a lot. When I started out I knew nothing about composition or even how to use aperture or speed. A year ago or so I took a few basic photo workshops and also learned by trial and error. It is a process that is ongoing, and I do not think what I do now is necessarily what I will be doing in photography in a year's time. For me diversity has always been the spice of life, and I do not want to be limited to one particular style, or topic. But I would say I have moved from a point where I tried to exclude people from photos (focusing mostly on empty landscapes) to an approach that tries to include human life. At the moment, what most excites me is street photography, capturing people in their environment, moments of life or, as the case may be, still-life. So now when I travel to a new place, the types of pictures I take are quite different from before, although of course I still take your average tourist picture too. I am also quite attracted to documentary photography, but have not yet got seriously into it. But maybe that is what I will be exploring next. Telling stories. ​ ​ TPL: Where is your favourite place to photograph? KSG: Anywhere. Although I would say, the more different from my own culture zone, the more exciting. I also really like shooting performances, like at the circus or other performances, where you have wonderful light situations and great colours. TPL: Do you think equipment is important in achieving your vision in your photography? Do you have any tips for someone just starting out? KSG: I am definitely not an expert on equipment. I photograph with a small mirrorless system camera, for which I have several different lenses. I think it is more important to have an eye for composition and for beauty, if that is the goal. These days you can even do a lot with mobile cams, although I still find that the camera gives me more/different options. If you're just starting out, I think it is definitely more important to get some background on composition and understand the basic settings of the camera rather than going out and buying super-duper expensive equipment. ​ ​ The discovery of different cultures gets me really excited. And nature provides constant inspiration. TPL: What characteristics do you think you need to become a 'great' photographer? KSG: A good eye. The ability to observe your environment and decide on what is worth capturing, and how. Storytelling is an important aspect. Ask yourself...What do I want to communicate about or with a picture? TPL: Have you ever been involved in the artistic world before photography? KSG: Only as a spectator. I would have liked to draw and paint, but I do not have the skills. But I have always enjoyed the arts (theatre, music, and fine arts). TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? KSG: That is difficult to say. I find quite a lot of good photography on Instagram (and quite a lot of bad too, of course). When I first started out, I was mainly keen on landscape photography, and there are a few of the well-known photographers in that genre whose books I acquired. There was Galen Rowell, a wilderness photographer whose mountain photos I loved. And of course Ansel Adams, whose black and white landscape photography I have always loved. If we're talking big names, I also quite like the portraits by Annie Leibovitz. In the last couple of years or so I have become very interested in street photography, and in that genre I adore the work of Henri Cartier Bresson and Elliott Erwitt. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? KSG: Generally, I like to produce series about a place or a topic, rather than just putting out individual pictures on Instagram. It forces me to think more clearly and curate my pictures so that I can tell a story or document something. I also write a blog, about cultural and travel activities in my city and elsewhere. So this also is a project where I am putting my photos in series to document a particular event or theme, together with background information. And perhaps I do want to mention something we recently started at The Pictorial List: "Pictorial Stories", in-depth photo reportages about different topics. I really enjoy the process of putting such stories together with the photographers who contribute their work and ideas to the stories. TPL: “When I am not out photographing, I (like to)… KSG: Read, or walk out in nature with my dog.” ​ ​ Karin combines an insatiable curiosity for art, culture, and photography with a love for storytelling. The Pictorial List is truly privileged to have Karin as an Editor, and the work she has done is invaluable to us. Please connect with Karin through the links below. VIEW KARIN'S PORTFOLIO Read Karin's blog >>> Karin's instagram >>> Go to Spectaculum Magazine >>> read more interviews >>> THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography. UNDER THE COVERS WITH AMERICAN BEDROOM Barbara Peacock, opens the door to her subjects' bedroom, revealing their intimate thoughts and emotions. Discover the confidence and trust shared between the photographer and subject for an authentic and inspiring experience. BEYOND SIGHT Doug Winter is a photographic artist using his unique perspective as a semi-sighted individual to explore the experiences of partial blindness and vision disabilities.

INTERVIEW July 8, 2020 MILANO ROMANCE ​ Photography by Marco Riccardo Flores Interview by Melanie Meggs The hustle and bustle of the vibrant metropolis of Milan is captured in all its beauty, romance and style by photographer Marco Riccardo Flores. From the daily lives of people to the unique landscapes and artists that inhabit the city, Marco captures it all. Through his lens, you can feel the energy of the city, feel connected to its spirit and explore its many wonders. A visit to Milan is made all the more special through the eyes of this talented photographer and with each image, Marco transports us to a place far away from our own realities. Come and let Marco take you on a journey within the city of Milan. “I am a painter that uses the camera instead of the brushes. I just can’t draw what my mind creates. My visions come and go away too quickly. Only the camera can somehow fix my imagination.” IN CONVERSATION WITH MARCO RICCARDO FLORES TPL: Marco, when did you start getting interested in photography? MRF: Maybe when I was a child, about 12 yrs old. During school trips I have always taken with me a little camera, an analog one. TPL: Who are your favourite artists? MRF: I don’t know. I like beautiful photography, whoever the artist is. For the portraits I think Bob Krieger. I like old style fashion photography. Vivian Maier is an artist I'm interested in quite recently. Reportage photography and wildlife photography are also my favorites sources of inspiration. TPL: Has your style of photographing changed since you first started? MRF: Yes, it is still changing every day. I like to experiment, even if this means to make some mistakes. TPL: Where is your favourite place to photograph? MRF: Hiding among the crowd...'spying' on people. 😉 TPL: Do you think equipment is important in achieving your vision in your photography? What would you say to someone just starting out? MRF: It is important to have the right equipment at the right moment. Starting with something simple and easy to use can help you improve faster. You should try new gear only when you understand that you are missing something useful. ​ ​ I like to experiment, even if this means to make some mistakes. TPL: Have you ever been involved in the arts before photography? MRF: I’ve been in the show biz for a season now, following musicians and dreaming their lives. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? MRF: I’m working on a project about buskers performing around Milan. I started this work last year but the Corona virus outbreak has stopped me. I hope to resume my work as soon as possible. ​ ​ ​ ​ TPL: "If I wasn't photographing what would I (like to) be doing?... MRF: Riding fast and expensive bikes." ​ ​ Marco Riccardo Flores is a photographer who has spent countless hours capturing the beauty of Milan. His photographs portray a romantic and stylish view of the city, with its people, landscapes and artists. If you are looking to experience the magnificent city of Milan, Marco’s work is a great place to start. Connect with Marco to learn more about his work and make a plan to experience Milan through his stunning photography. VIEW MARCO'S PORTFOLIO read more interviews >>> THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography. UNDER THE COVERS WITH AMERICAN BEDROOM Barbara Peacock, opens the door to her subjects' bedroom, revealing their intimate thoughts and emotions. Discover the confidence and trust shared between the photographer and subject for an authentic and inspiring experience. BEYOND SIGHT Doug Winter is a photographic artist using his unique perspective as a semi-sighted individual to explore the experiences of partial blindness and vision disabilities.

FABIO BARZAGHI be inspired Gallery // ARTIST STATEMENT // I have always been interested in photography. When I was a teenager I was gifted a camera that I took everywhere I could and during any occasion - I really have used it to its full potential! Classic story, you know. It was only when my girlfriend started gifting me photography books (about 10 years ago) that something clicked in me and I began taking photographs with a different, more focused and more mature approach. In particular street photography is the genre I fell in love with and it still keeps me motivated to grab my camera, exploring places through people and tell stories with photos. LOCATION ITALY CAMERA Fujifilm X100S CATEGORY street ​ @TWISTAROUND ​ ​ FEATURES // The Big Brexit Mess Visual Communication

PICTORIAL STORY September 10, 2022 WONDERLAND ​ Photography and story by Karen Ghostlaw Pomarico Introduction by Melanie Meggs Amidst the chaos of the pandemic, Karen Ghostlaw Pomarico chose to look inward and explore her own creativity, discovering a powerful and important identity through her photography. As a multi-faceted and multi-disciplinary artist, Karen has pushed the boundaries of photography to tell her story through her craft. Karen began an exploration in self portraiture and reflectivity over 14 years ago. This began as an exploration to find herself, and an investigation into who she was. Karen had committed her creative energies over the years to homeschooling her four children through high school, and began to address herself as an individual as the children became more independent in their studies. Karen shares with us some of her most recent self portraiture work coming out of the pandemic. She has found self portraiture to be a safe and familiar place during the isolating times of the pandemic. Karen is an Editor here at The Pictorial List and loves working with other photographers to help them tell their stories and find inspiration in each other's work and processes. She is passionate about connecting with her audience and using her camera to bring the world around us into focus. With each photograph, Karen hopes to transport viewers to a space of exploration and creative understanding. WONDERLAND takes an in-depth look at the abstract work of Karen Ghostlaw Pomarico, exploring how she uses her camera to find her own identity and tell stories of the world around her. We will also explore her latest self-portrait series, which emerged out of the pandemic and is set to be exhibited in Paris this November. We invite you to join us on Karen Ghostlaw Pomarico’s journey as she uses her camera as a catalyst to tell her story and share with the world her unique vision of life. The global pandemic has brought humanity on an unexpected journey. Isolation and self contemplation became unavoidable. We have searched our souls and lived with our thoughts, and discovered new realities in the midst of the abstraction and surreal environment of the pandemic. I saw a future understanding of our individualities and strengths in our independence, moving from the unconscious to the conscious. This body of work takes the viewer on a visual excavation, like unearthed sarcophagi, their wiser and enlightened souls emerging. I ask the viewer to understand their weaknesses and commit to making them their strengths, weaving together the layers of the past and present, to create a new future. What began as a study in self portraiture, led to a fascination in reflectivity. I have examined a multitude of reflective surfaces to fully understand the refractive properties of light and how I could define these properties through my lens. I discovered many unique attributes that are magically expressed in these elusive spaces. The attributing colors of the photographs play a key role in how the reflective space is translated. Color provokes an emotional response, making personal connections to the images. Over the years I have developed a visual language to describe the reflective world I live in, translating what I see in my mind's eye, with the tool of my camera. The interpretations lead to a more thorough understanding, creating constant inspiration for new ways to express exactly what I see. Reflectivity has become my playground for insightful investigations, challenging my critical and creative thinking skills to rendure photographically the abstractions I see and help you perceive. Reflections have a depth of field, a real three dimensional space, and this is where I connect to my world. Like stepping through the looking glass, I step into the universe of reflection, my ‘Wonderland’. My stories often exist in the shadows, the darkness becoming the canvas for color and light. I see a ‘Wonderland’ of abstractions that can be defined in a multitude of ways. The definition of these abstractions is where the magic happens for me, evoking such questions as, what do I uncover, bring to light? What is the visual story that these details tell? Reflectivity inspires my creative and critical thinking, expanding my capabilities for creating complex images. I want my photography to inspire the viewer to look carefully, stimulating them to question what they see, asking them to make their own conclusions. The strongest connections we make in life are through having an authentic experience. I invite one to step through my looking glass with me, and experience ‘Wonderland’ for themselves. I encourage them to peel away the layers and uncover the magic that happens when they see new things they never would have imagined. I have become even more aware recently with reflectivity in standing water in urban environments. With global warming and the change in weather patterns, my exploration of the urban reflective landscape explores the industrial world and its changes due to the effects caused by man, while depicting these man made environments being reconstructed throughout the layers of reflection found in these waters. The surface of water reflects the environment around us. While currents of running waters rush through the estuaries of suburbia and the remote countryside, pedestrians move through the canyons of the urban landscapes. The ebb and flow create the abstractions and aberrations in the reflective surfaces. Whether it is a splash from a footstep in a puddle of the city, or fish swimming upstream in the wilderness, the layers of complexity are overlapped and transformed. Our world is round, front to back, top to bottom, side to side, we revolve and as we do we evolve. What an important time for us to reconnect with nature and to reflect on the natural elements in our world and the fragilities and intricacies we have to balance. It is a new age for discovery, when we turn the world upside down or inside out to see everything we have missed. The threads of the present are intertwined with the past, the woven tapestry changing as we change. Through my investigations I illuminate these changes to engage us to think and ultimately act in new ways. My latest work “Metropolis” examines details of the urban landscape in the abstracted chaotic layers of reflective surfaces found throughout a cityscape. They explore the friction, tension and energy of the city in the expanded dimension of space in time, the 4th dimension of reflectivity becomes the new reality. I don't change what you see, I change the way you perceive it, rediscovering a new world through investigating the old. Cities have an even greater variety of surfaces that create visual abstractions. Textures and colors unique to the urban environment, with the inherent movement that rapidly changes what can be witnessed in the reflected image. Like a symphony orchestra with many contributing factors, there is a tempo, a beat, with the shutter releasing at the height of the notes. Since the Pandemic the reflected urban landscape has changed. The vacant spaces now add a volume and depth of field creating dynamic juxtapositions and scale relationships. There can be a large sense of emptiness and solitude, or it can feel like rush hour and pure chaos. Light plays a key role in what you will see, as well as in what you don’t. There are many tricks that city reflections can play on you, sleight of eye you might say. © Karen Ghostlaw © Karen Ghostlaw © Karen Ghostlaw © Karen Ghostlaw © Karen Ghostlaw © Karen Ghostlaw © Karen Ghostlaw © Karen Ghostlaw © Karen Ghostlaw © Karen Ghostlaw © Karen Ghostlaw © Karen Ghostlaw © Karen Ghostlaw © Karen Ghostlaw © Karen Ghostlaw © Karen Ghostlaw © Karen Ghostlaw I see challenges and change as inspiration, not as obstacles. I am always ready to engage in art and photography, and love to share and connect through my work, and through making meaningful lasting relationships along the way. I have found recent inspiration in collaborating on projects and contributing to something larger than myself. It is because of my in depth self exploration and experimental investigation in reflective photography, I have expanded the world I exist in to include and accept the influences of others, helping to develop new ideologies through a collective experience. I truly believe that creating new connections working in unity in collaboration is needed after the isolating times of the pandemic. It is more important now than ever before for us to create new important work as a society. Let’s open the doors of solitude, reconnect to humanity, and create a new renaissance coming out of the dark ages of the pandemic, stepping forward into the future together in a positive way. view Karen's portfolio Read an interview with Karen >>> Website >>> Instagram >>> The views, thoughts, and opinions expressed in the text belong solely to the author/s, and are not necessarily shared by The Pictorial List and the team. read more stories >>> THE RED POPPY AND THE SUN By blending archival and contemporary images, Mei Seva creates a visual story that captures the ongoing struggles and moments of triumph for those impacted by displacement and circumstance. FIRE AND FORGE Alexandros Zilos delves deep into the harsh reality of sulfur mining, while also capturing the allure of the blue fire phenomenon created by sulfur deposits in the crater. IN-VISIBLE PAIN Through black and white self-portraiture, Isabelle brings to light the stark reality of living with chronic pain — a reality often dismissed by a world that requires physical evidence to believe in one’s suffering. CELEBRATION OF LIFE Ahsanul Haque Fahim's photography captures Holi in Bangladesh, celebrating life with vibrant colors and reflecting human emotions, diversity, and interconnectedness in Dhaka's streets. KOALA COUNTRY Sean Paris invites viewers on a transformative journey, challenging our perceptions and fostering a new appreciation for rural Australia through mesmerizing infrared photography. MOMMIE Arlene Gottfried’s poignant exploration of motherhood in “Mommie” is not just a collection of photographs but a profound tribute to the enduring bonds of family and the universal experiences of love, loss, and resilience. BIFRÖST In "Bifröst," Romain Coudrier masterfully captures Norway's timeless beauty, blending myth with modernity through black and white photography. A stunning exploration. MUD Dedipya Basak's documentary project explores an 800-year-old lake's struggle against global warming, highlighting its relevance and urgency in modern times. A WORLD WITHIN REACH In his Cuba project, Pedro Vidal celebrates human resilience and warmth through captivating imagery, revealing photography's profound ability to encapsulate emotions and memories. UNVEILING VULNERABILITY In a world where masculinity is often synonymous with stoicism and strength, Francesca Tiboni challenges us to reevaluate our perceptions of masculinity, inviting us to embrace the complexity of the male emotional experience. TRANSCENDENTS: SPIRIT MEDIUMS IN BURMA AND THAILAND Mariette Pathy Allen's visual narrative celebrates authenticity, spotlighting Spirit Mediums' enigmatic presence in both possession and daily life. She portrays them as essential to cultures steeped in Animism, reflecting the enduring essence of human authenticity. COALESCENCE Visual diptychs intricately depicting the intimate exchange between a mother and daughter, transcending personal narratives to explore universal themes of transition, acceptance, and the beauty of change. IN THE FOOTSTEPS OF ANSEL ADAMS In following the footsteps of the masterful Ansel Adams, Karin Svadlenak Gomez not only paid homage to his timeless work but also embarked on a transformative journey. PARALELL REALITIES Through her lens, Catia Montagna explores the impact of socioeconomic factors and social norms on our daily lives, revealing the subtle poetry of small, insignificant moments that capture the ‘existential’ and the ephemeral, in the human condition. A TALE OF NATURE AND HERITAGE With her words and photographs, Ana-Maria Alb invites readers to join her on a journey through the breathtaking Carpathians. ON THE TRAIL OF LOVE LOST Through Sasha’s photo essay, we are given a glimpse into a beautiful love story and the unbreakable strength and resilience of the human spirit. Join us as we explore Sasha Ivanov’s heartfelt tribute to Lydia and Nikolai. SAHIB: THE FRANKINCENSE BOY France Leclerc’s documentary exploration embraces the community finding captivating stories for her visual translations. Her story takes us to the village of Poshina, where we meet Sahib. THEY HAVE GONE Lorenzo Vitali felt compelled to explore the landscapes of Eastern Veneto, to understand its emotional affective relationship and document it through his photography. I AM WATER Paola Ferrarotti explores her deep connection with the water and how it has transformed her understanding of life and herself. THE STRANDED PAKISTANIS Anwar Ehtesham captures the beauty of human emotion in all its rawest forms in the face of adversity and offers an insight into the complexity of the lives of the Bihari people and their relationship with their environment. BLINDFOLD CHESS Anastasiya Pentyukhina’s documentation of blindfolded chess provides an insight into this often overlooked world of sports, and sheds light on the unique challenges faced by visually impaired players. SKIN STORIES Tony Reddrop strives to look beyond the ink in his latest project, believing that by looking beyond the physical appearance of a person you will find their unique story. WHERE THE WAVES MEET THE OCEAN Uma Muthuraaman explores the idea of finding in ourselves what we seek in other people and places — like waves searching for the ocean, being it, and not knowing it. THE ARTISANAL SALT FARMERS OF GOZO Naima Hall takes us on a journey with the Cini family, giving us a glimpse into their artisanal salt-farming practices and uncovering the broader geo-heritage of Gozo. CRACKS TO MEND Through her powerful photographs, Ida Di Pasquale shares the story of her birth house in Italy - a village that was left in ruins after two fatal earthquakes.

JOSÉ LUIS BLACH LEYENDA be inspired Gallery // ARTIST STATEMENT // I am an autodidact living in The Netherlands. A few years ago I started photography using the Fujifilm X system seeking to capture urban scenes to improve my basic skills and learn the art of photography. Out of curiosity and a bit of nostalgia for my father in his young years, I did have an analog Canon and used a projector to see the film results. My Tokyo trip ignited my passion. Then I switched to the Fujifilm X system. I am still learning. LOCATION NETHERLANDS CAMERA Fujifilm X - pro 1 CATEGORY urban, architecture, street ​ @BLACH_LEYENDA.J.L ​ ​ FEATURES // Netherlands Nostalgia

INTERVIEW August 24, 2020 LONELY URBAN PEOPLE ​ Photography by Belinda Corney Interview by John St. Have you ever wondered what it takes to turn a love of photography into a life-long passion? For Australian-born Belinda Corney, the answer is simple – a single street photography workshop in London. With just one introduction to the art form, Belinda was hooked and has never looked back. Originally from the beautiful Whitsunday region of Queensland, Australia, Belinda relocated to London in 2017 and discovered street photography. Finding an artistic outlet she had been missing for a long time, Belinda has since explored the city with her camera and captured images that show her love of light, shadow and reflections. From captivating solo figures to silhouettes in the unique light of the city, Belinda’s work captures the beauty of human interaction within their environment. This collection of images is a testament to her eye for detail and appreciation of interesting shapes. Join us as we explore Belinda’s journey in street photography, learning along the way just how she has managed to turn an experiment into a lifelong passion. It's an honour to be able to make a good photograph of anyone, and it’s a great privilege. It's the only tool that will stop time itself. - Jill Freedman “I watched the documentary EVERYBODY STREET for the first time last year and Jill Freedman was one of the photographers featured and what she said stuck with me. This whole documentary is full of some pretty inspirational and motivating stuff, I highly recommend it to anyone who has an interest in documentary or street photography!” IN CONVERSATION WITH BELINDA CORNEY THE PICTORIAL LIST: Belinda please tell us about yourself. When did you start getting interested in photography? BELINDA CORNEY: I am originally from Airlie Beach, Australia and moved to London in 2004. I currently work as a Graphic Designer and photography is a much loved hobby. I have always enjoyed taking photos but had no specific genre I gravitated towards. What piqued my interest in photography was a 2003 documentary called Dreamlives about photographers Trent Parke and Narelle Autio. You can also follow their work @chillioctopus. I got caught up in their passion and exuberance for chasing the amazing Australian light and that perfect moment. This documentary inspired me to go out buy my first SLR camera, then I came to London and this is when my love of shadow and light started to translate into my photography. My interest in street photography came much later after participating in a workshop with Joshua K. Jackson @joshkjack and Craig Whitehead @sixstreetunder in 2017. This workshop instantly kick-started my love of getting out and photographing the amazing city I live in. TPL: Where do you find your inspiration? BC: Instagram, YouTube, documentaries, books, but mostly when I am out and about exploring London, you see a scene or location and it inspires you to create something from it. TPL: What do you want to express through your photography? And what are some of the elements you always try to include in your photographs? BC: I am drawn to the interesting shapes that shadow and light create, as well as capturing the interaction of human beings, usually solitary or in silhouette, within their environment. I do love a sense of mystery, it developed in college and I haven’t been able to shake it! TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? BC: The artists Edward Hopper and Jeffrey Smart were big influences during college. I was drawn to how they portray lonely urban vistas and isolated individuals. Magnum photographer Trent Parke who I mentioned earlier. I especially love his Dream/Life series. I was drawn to how he has captured the franticness of city life, but how it also conveys a sense of isolation that can come with living in a large city. There are also so many great photographers who inspire me on a daily basis via Instagram: Mavis CW - @onechapter, Mark Fearnley - @mark.fearnley, Josh Edgoose - @spicy.meatball, Eric Kogan - @erickogan, Nina Welch-Kling - @ninakling, Mo Barzegar - @mo.barzegar, Hiroshi - @hiro_ig101, Sara Melhuish - @swendeluk to name a few...there are so many! TPL: Has your style of shooting changed since you first started? BC: A little. I am still drawn to light and shadow, but I do try to take a few more typically candid shots here and there looking for interesting moments and faces. I am not very good at it but it is fun! TPL: Where is your favourite place to photograph? BC: I love brutalist architecture, so Barbican and the Southbank Centre in London are favourite spots of mine, I enjoy capturing moments in these spaces and along the Southbank itself. I also love the Tate Modern which is another iconic landmark in London, it’s a beautiful building and space to photograph in and around. I am drawn to the interesting shapes that shadow and light create, as well as capturing the interaction of human beings, usually solitary or in silhouette, within their environment. TPL: How does the equipment you use help you in achieving your vision in your photography? Do you have a preferred lens/focal length? What would you say to someone wanting to start out in your genre of photography? BC: I have the Fujifilm X-T2. I find the tactile nature of the dials and aperture ring helped me fully understand the relationship between ISO, shutter speed and aperture, but the rest is on me! My 50mm f2 is my preferred lens at the moment. I am trying to use my 23mm f2 more but I do neglect it as jumping between the two can be quite jarring due to the difference in focal length! For someone wanting to start out in street photography, I would say always have your camera with you. Also, have your camera on and the lens cap off so it is ready to use, you don't want to be fumbling with your camera and miss the shot! It is only since I have been doing this that I have noticed my photography style improve. You will end up taking a lot of photos and only one or two may be good out of the hundreds you do take, but when you get that shot you are proud of it makes all your efforts worthwhile and encourages to you keep going. TPL: Do you prefer to photograph alone or with friends? BC: I find photographing on my own more relaxing, you can just wander and lose yourself in a walk around London. But I do enjoy meeting up with fellow photographers every now and then, it’s fun to have a walk and a chat and bounce ideas and compositions of each other. I have met some lovely photographers through photo walks and meetups here in London. TPL: Have you ever been involved in the artistic world before photography? BC: I studied Visual Arts majoring in illustration and printmaking in college, I also used to draw a lot, but when I came to London I just stopped. TPL: Are there any special projects you are currently working on? BC: Not at the moment. I have thought about creating a zine, I am a terrible procrastinator though! TPL: What are some of your goals as an artist? Where do you see yourself or hope to see yourself in five years? BC: I am not great at setting myself goals, but in five years I hope to be back in Australia. I would love to set up a studio of some sort and get back into my printmaking, perhaps even creating prints from photos I have taken over the years. TPL: “When I am not out photographing, I (like to)... Meet up with friends, walk, but I normally always have my camera with me when I do this! I do love to lose myself in a good book or TV series, I have been doing a lot of this during lockdown." Belinda Corney is an inspiring photographer who has mastered the art of capturing light, shadows, and reflections in her portraits. We are thankful for the journey she has shared with us, and we encourage everyone to explore her fascinating portfolio. Connect with Belinda and get inspired by her beautiful photography by using the links below. VIEW BELINDA'S PORTFOLIO Instagram >>> read more interviews >>> THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography. UNDER THE COVERS WITH AMERICAN BEDROOM Barbara Peacock, opens the door to her subjects' bedroom, revealing their intimate thoughts and emotions. Discover the confidence and trust shared between the photographer and subject for an authentic and inspiring experience. BEYOND SIGHT Doug Winter is a photographic artist using his unique perspective as a semi-sighted individual to explore the experiences of partial blindness and vision disabilities.

INTERVIEW September 3, 2021 FINDING COMMUNITY ​ Photography by Leigh Ann Edmonds Interview by Melanie Meggs Leigh Ann Edmonds is a true artist in every sense of the word. She has been a photographer for over 25 years and she has an unending passion for the craft and a deep connection to the people and places she photographs. Growing up in a small town in Alabama has given Leigh Ann an appreciation for life, adventure, and the outdoors that shines through in her work. Whether it's a wedding, a family gathering, or a scenic shot of the lake near her home, Leigh Ann brings her vibrant spirit and unique eye to every photograph. Her marriage to a full-time working musician has also opened her up to new experiences, and she loves to capture those moments of joy and love. With each shot, she takes us on a visual journey that allows us to appreciate the little moments in life that we often overlook. Leigh Ann is a rare individual who lives her life with an intense passion and a creative spark that is evident in her photographs. So let's take some time and get to know the person behind the lens and discover how Leigh Ann Edmonds captures the beauty of life one photograph at a time. “Working on documentary projects reminds me of the old days when people knew their neighbors...getting out, meeting people and speaking with so many others has helped enrich my sense of connections when it comes to living in a community.” IN CONVERSATION WITH LEIGH ANN EDMONDS THE PICTORIAL LIST: Leigh Ann please tell us about yourself. LEIGH ANN EDMONDS: I was born in a small blue collar town of Mount Olive, Alabama, where the majority of the community has a known trade in carpentry, construction, and auto mechanic work. My family owns a small building supply store where I grew up around a lot of this type of work. I moved off to college and moved around afterwards to larger cities and did a good bit of international travel. I always thought I would not want to return and live in a small town but after life experiences, I realized, this is where I feel most at home. So I am proud to say, I have returned to reside in my small hometown for about nine years now. It just took me moving around to realize there is nowhere else I'd want to be but home. TPL: How did you become interested in photography? What does photography mean to you? Describe your style and how has it evolved over the course of your career? Where or how do you find your inspiration? LE: I was always active outdoors as a child and had a natural sense of adventure. I can't remember life without some sort of camera from my childhood years. I took pictures because I wanted to share with others some of the things I would experience or see while out exploring and it was also a great way for me to remember moments with friends and loved ones. Over time, my friends started asking me to take their photos when I was around 15. I never intended on becoming a portrait photographer, but with time, I found that portrait photography was enjoyable for me when you could capture the innermost being of someone...overtime, I evolved from taking images because they were pretty to wanting to capture an image with more substance. My knowledge continued to grow over the years on photography from the classes I took to eventually receiving a degree in photography from the University of Alabama. My love of documentary photography didn't really surface until after I graduated from university in 2004 when I was mentored by a photojournalist at a local magazine I interned with. TPL: Your documentary projects depicts a sense of community, focusing on storytelling and pulling the viewer into your own inner thoughts. What do you want your viewers to experience when they look at your images? LE: I hope that when others view my work that it takes them there, in that moment and connects them with that time, place or person. TPL: What did the act of photographing your projects personally reveal about you? What new connections have you made both personally and with people? LE: I probably never would have realized this about my work if I would have never started shooting for myself again because for so long, I would predominantly only pick my camera up for client commissions...the whole process of shooting for me again has revealed to me my love of community, family and having a place to belong. The new connections I've made over the past year from working on recent projects has allowed me to meet and discover new found appreciation for the ranchers, farmers and neighbors I didn't know I had. It reminds me of the old days when people knew their neighbors...getting out, meeting people and speaking with so many others has helped enrich my sense of connections when it comes to living in a community. TPL: Do you have any favourite memories or moments from when you have been on the road? LE: Road with the band or just independent travels? Most of my memories from being on the road with the band or independently would be the concept of freedom, no routine, being carefree and spontaneous with my photography and having the opportunity to create new work. I find it's the best way to feel alive, stay inspired and feed my creative spirit. TPL: You have been doing photography for over 20 years. What are some tips/advice you would give yourself if you started photography all over again? LE: Most definitely would tell myself to shoot more for me and continue to work on personal projects. I feel I lost the way when I became a professional full time because it was about making a living, creating work that clients wanted and approved of. I was shooting so much for others that when I was off from work, I didn't feel like doing anything photography related. I burned out hard to where I had to find work elsewhere in order to love photography again. When I see something that intrigues me, it feels like lightning running through my body and I know right then to take the shot. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? LE: I prefer the classic black and white street photographers, such as Elliott Erwitt, Henri Cartier-Bresson, Robert Frank and just recently discovered and fell in love with Vivian Maier's black and white portrait work. I love work that helps take me back to that moment of a different era. It's like reliving that moment again regardless how much time passes by. TPL: When you are out shooting - how much of it is instinctual versus planned? LE: I shoot predominantly on intuition when out exploring with my camera. When I see something that intrigues me, it feels like lightning running through my body and I know right then to take the shot. Sometimes I'm not quick enough and sometimes I dont have the meter set properly or the focus is soft but that is what makes it so much more rewarding when I do grab that shot and get it right. TPL: Does the equipment you use help you in achieving your vision in your photography? What camera do you use? Do you have a preferred lens/focal length? LE: Right now, my equipment is a Nikon D800. It is amazing how quickly gear can become outdated these days...so I don't think it helps my work. It is probably harder because the newer mirrorless cameras allow you to shoot more discreetly. I probably would still be shooting film if digital wasn't so easily accessible these days. I am always the last to swap gear and probably will use this gear until it dies. I can't say I'm overly enthusiastic about the tech side of photography. I predominantly don't use anything over my 50mm. The 20mm, 35mm and my 50mm are my go to lenses right now. I enjoy being able to give the viewer a sense of location with storytelling details that are achieved with the use of a wider lens. TPL: Are there any projects you are currently working on that you would like to let everyone know about? What are some of your goals as an artist or photographer? Where do you hope to see yourself in five years? LE: I haven't started this project yet, but would love to document one of my friends running one of the ULTRA trail Marathons we compete in. They have a 27 mile, 50 mile and 100 mile distance category this coming spring of 2022. I competed in the 27 mile race this year and hope to return to document the race scheduled for 2022 . There is so much detail, emotion and grit that goes into these 100 mile races, that I would love to have the opportunity to show others what these individuals are capable of enduring. In five years, I would love to have the ability to return to full time photography again but with the right clients that embrace realistic documentary portraiture.There are just too many individuals that are so critical of themselves that it takes the joy out of photography for me (they don't want to have wrinkles, they think they look fat, they hate their expressions...I've heard it all). So hopefully, my goal would be to help educate prospective clients on the value of documentary portrait photography with loved ones over the mainstream 'pretty' and 'perfect' portraits. TPL: "When I am not out photographing, I (like to)… LE: Run...after my "retirement" from being a full time photographer, I magically discovered the beauty of having free weekends again. I picked up endurance running and have now successfully completed two back to back marathons and countless half marathons. I am currently involved with a local ultra trail running community that I run with regularly." ​ ​ Leigh Ann is an inspirational artist who has shown us the importance of storytelling through her projects. By connecting us to her inner thoughts, she has opened a world of new possibilities and explored the concept of community in a unique way. We should all be inspired by Leigh Ann's work and be motivated to create stories of our own. VIEW LEIGH ANN'S PORTFOLIO Read TURNING NEGATIVES INTO POSITIVES >>> Website >>> Instagram >>> read more interviews >>> THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography. UNDER THE COVERS WITH AMERICAN BEDROOM Barbara Peacock, opens the door to her subjects' bedroom, revealing their intimate thoughts and emotions. Discover the confidence and trust shared between the photographer and subject for an authentic and inspiring experience. BEYOND SIGHT Doug Winter is a photographic artist using his unique perspective as a semi-sighted individual to explore the experiences of partial blindness and vision disabilities.

PICTORIAL STORY June 25, 2021 THIS IS ESSEX ​ Photography and story by Danny Jackson Introduction by Karin Svadlenak Gomez Danny Jackson has captured the sometimes weird and often wonderful everyday lives of residents in Essex in pictures. As a passionate people watcher, in 2019 Danny started working on a portrait series called 'Eccentric Essex'. The Pandemic has given him the opportunity to go through his work, which in turn has led to the development of the series 'This Is Essex', and 'Eccentricity'. Both of these series focus on eccentric and interesting people. Why Eccentrics? Danny has asked himself that question quite a lot, and his main reasoning is that eccentric people seem to live life somewhat differently from the norm, they rebel or let their interests and passions determine how they live their lives. When I was a child growing up in Basildon, a new town in South Essex, in the 80s and 90s, I became aware of a growing stigma attached to my county. The expression 'Essex Girl' had recently found purchase in modern lingo; a derogatory term that was used to describe women who were considered promiscuous or lacking in intellect. It was a stereotype that was compounded by the television programme ‘Birds of a Feather’ with its own archetypal Sharon and Tracy; vacuous characters who bumbled through each episode with dropped Hs and glottal stops galore. The Essex boys fared little better. They found their representative in Harry Enfield’s creation 'Loadsa Money.' Enfield’s depiction of a brash, up and coming man with oodles of money and no accompanying substance or class was a clear comment on the generation of young Essex men who had found lucrative jobs in the nearby city of London. And so it went on…Big Brother, Pop Stars, X factor and more recently TOWIE. Any contestant that hailed from the county of Essex inevitably conformed to the classic stereotypes of the pretty but vapid Essex Girl and the materialistic and loutish Essex Boy. Modern culture has been saturated with the media’s propagation of this unkind and unfair stereotype, but if we look a little deeper then maybe we will find that there’s more to the Essex species than these narrow and restrictive generalisations acknowledge. Essex, as we know it now, has evolved and expanded over the duration of the last hundred years; a relatively short time. Before then it was mostly small farming communities and Victorian seaside towns. But after the Second World War and the devastation of London’s East End, the Labour government created a series of “new towns” across the country and Essex was the birthplace of two such towns: Harlow in North Essex and Basildon in the south. These new towns offered hope and fresh starts to a bruised and beleaguered generation of Eastenders. Massive council estates sprung up, the largest in Europe being one in Dagenham, and many Londoners flocked to Essex to join friends and relatives who had already settled here. Both sets of my grandparents originated from East London, as are my wife’s, and this is the same for the large majority of my friends too. So, to understand the nature of the people of Essex, we must first start with their forebears, the Eastenders. Just as Essex has a stereotype, so too have the people of East London. Ask any one from around the world what a cockney or an Eastender is like and a list of attributes common to this Londoner will be reeled off: speakers of Cockney rhyming slang; consumers of jellied eels and pie and mash; images of The Artful Dodger, Dickens’s famous pickpocket from 'Oliver Twist', or the Kray twins (gangsters of 50s and 60s London) spring to mind. But just as the Essex stereotype is narrow and reductive, so too is this one. It’s important to remember what happened to the East End of London during the Second World War; German planes bombed the area relentlessly during “The Blitz” of 1940. Thousands of homes were bombed out and lives lost. Parents had to evacuate their children to the countryside to live with unknown families. My nan was one of those children, who with her two sisters, was sent to Norfolk and spent the war living with a farmer and his wife. The phrase “Keep Calm and Carry On” can be said to embody the attitude of the nation as a whole, but it seems particularly pertinent to the East End. I believe that going through such hardship and embracing the ‘war-time spirit’ solidified in them those attributes of resilience, determination and kind heartedness and highlighted the importance of family and fun, even in the face of adversity. When broken down, what really is the idea of a ‘wartime spirit’? It’s a commitment to carry on no matter what; a conscious stance of thinking positively when times are hard; to move on and to move forward. So who are the people of Essex now? Essex has a population of about 1.9 million. It borders Suffolk, Cambridgeshire, Hertfordshire, London and Kent. During the census a few years back Castle point in South Essex had the highest percentage in England of people identifying their ethnicity as ‘White British.’ Essex also has a very high percentage of over 65s, much higher than the national average. Much of the densely populated towns are on the coast where many older people go to retire; seaside towns like Southend on Sea and Clacton on Sea being a mix of young families and older residents. Leigh on Sea was recently voted the best place to live in England, with large 1930s family homes close to a classic British high Street and an old fishing village. Many Essex residents are tradesman or office workers who commute up to the City daily via the motorways or railway. And as for that perception of the people of Essex as being less academic; the University of Essex ranked 25th out of 130 in the most recent University League Table. Regardless of where you are in Essex, there are some common strains that seem cemented in the Essex persona like the letters in a stick of rock: the people of Essex have a friendly, warm nature - if workmen enter their home they will immediately be offered cups of tea, and at the end of the job a tip or drink will be given as a thank you; “Get yourself a beer,” they might say. Essex people love a bargain, with a glut of Pound Shops punctuating most high streets and Sunday mornings frequently being spent rifling through the goods at local car boot sales. The people of Essex are: fun loving, neighbourly, sometimes eccentric, cheeky, money driven and confident. They can also drink far too much, burn in the sun far too easily, love a bit of gossip, are occasionally rowdy and sometimes vain. They love their fish and chips and English breakfasts, shop at Lakeside Shopping Centre and in the evenings many flock to Southend amusements or “Peter Pans,’ a theme park by the pier that’s been called Adventure Island for over 20 years but everyone still calls “Peter Pan’s Playground’. The V-festival is a yearly event where some of the biggest names in the music business come to play and for thousands across Essex this a must see event of the summer. Another place that every Essex resident is familiar with is Southend Pier, the longest pleasure pier in the world at 1.34 miles long. Built in 1830, this pier is very much part of Essex’s heritage, in fact to quote Sir John Betjeman (the English Poet and broadcaster), “The pier is Southend, Southend is the Pier.’ © Danny Jackson © Danny Jackson © Danny Jackson © Danny Jackson © Danny Jackson © Danny Jackson © Danny Jackson © Danny Jackson © Danny Jackson © Danny Jackson © Danny Jackson © Danny Jackson © Danny Jackson So in conclusion, when describing this collection of people…my people… it is clear that the people of Essex have a quirkiness to them, an eccentricity, a cheekiness. They have their own language - a mix of slang and colloquialisms - and they have certain habits that counts them apart from other people, much of this coming from their cockney ancestors. Their warmth and friendliness, family orientated attitude and gritty determinism have resulted in a can-do attitude and work hardy strength that comes from generations of tradesmen, dockworkers and factory workers. As a people they are strong, loyal and neighbourly. This is all a far cry from the crass ‘Essex Lad’ or the promiscuous and unintelligent ‘Essex girls,’ in fact quite the opposite. Maybe in time the idea of who the people of Essex actually are will change and develop and we will finally be allowed to transgress these reductive and disparaging stereotypes, however whatever happens I’m happy to be one of them and I’m proud to be able to photograph them and document the county I love. view Danny's portfolio Read an interview with Danny >>> Instagram >>> The views, thoughts, and opinions expressed in the text belong solely to the author/s, and are not necessarily shared by The Pictorial List and the team. read more stories >>> THE RED POPPY AND THE SUN By blending archival and contemporary images, Mei Seva creates a visual story that captures the ongoing struggles and moments of triumph for those impacted by displacement and circumstance. FIRE AND FORGE Alexandros Zilos delves deep into the harsh reality of sulfur mining, while also capturing the allure of the blue fire phenomenon created by sulfur deposits in the crater. IN-VISIBLE PAIN Through black and white self-portraiture, Isabelle brings to light the stark reality of living with chronic pain — a reality often dismissed by a world that requires physical evidence to believe in one’s suffering. CELEBRATION OF LIFE Ahsanul Haque Fahim's photography captures Holi in Bangladesh, celebrating life with vibrant colors and reflecting human emotions, diversity, and interconnectedness in Dhaka's streets. KOALA COUNTRY Sean Paris invites viewers on a transformative journey, challenging our perceptions and fostering a new appreciation for rural Australia through mesmerizing infrared photography. MOMMIE Arlene Gottfried’s poignant exploration of motherhood in “Mommie” is not just a collection of photographs but a profound tribute to the enduring bonds of family and the universal experiences of love, loss, and resilience. BIFRÖST In "Bifröst," Romain Coudrier masterfully captures Norway's timeless beauty, blending myth with modernity through black and white photography. A stunning exploration. MUD Dedipya Basak's documentary project explores an 800-year-old lake's struggle against global warming, highlighting its relevance and urgency in modern times. A WORLD WITHIN REACH In his Cuba project, Pedro Vidal celebrates human resilience and warmth through captivating imagery, revealing photography's profound ability to encapsulate emotions and memories. UNVEILING VULNERABILITY In a world where masculinity is often synonymous with stoicism and strength, Francesca Tiboni challenges us to reevaluate our perceptions of masculinity, inviting us to embrace the complexity of the male emotional experience. TRANSCENDENTS: SPIRIT MEDIUMS IN BURMA AND THAILAND Mariette Pathy Allen's visual narrative celebrates authenticity, spotlighting Spirit Mediums' enigmatic presence in both possession and daily life. She portrays them as essential to cultures steeped in Animism, reflecting the enduring essence of human authenticity. COALESCENCE Visual diptychs intricately depicting the intimate exchange between a mother and daughter, transcending personal narratives to explore universal themes of transition, acceptance, and the beauty of change. IN THE FOOTSTEPS OF ANSEL ADAMS In following the footsteps of the masterful Ansel Adams, Karin Svadlenak Gomez not only paid homage to his timeless work but also embarked on a transformative journey. PARALELL REALITIES Through her lens, Catia Montagna explores the impact of socioeconomic factors and social norms on our daily lives, revealing the subtle poetry of small, insignificant moments that capture the ‘existential’ and the ephemeral, in the human condition. A TALE OF NATURE AND HERITAGE With her words and photographs, Ana-Maria Alb invites readers to join her on a journey through the breathtaking Carpathians. ON THE TRAIL OF LOVE LOST Through Sasha’s photo essay, we are given a glimpse into a beautiful love story and the unbreakable strength and resilience of the human spirit. Join us as we explore Sasha Ivanov’s heartfelt tribute to Lydia and Nikolai. SAHIB: THE FRANKINCENSE BOY France Leclerc’s documentary exploration embraces the community finding captivating stories for her visual translations. Her story takes us to the village of Poshina, where we meet Sahib. THEY HAVE GONE Lorenzo Vitali felt compelled to explore the landscapes of Eastern Veneto, to understand its emotional affective relationship and document it through his photography. I AM WATER Paola Ferrarotti explores her deep connection with the water and how it has transformed her understanding of life and herself. THE STRANDED PAKISTANIS Anwar Ehtesham captures the beauty of human emotion in all its rawest forms in the face of adversity and offers an insight into the complexity of the lives of the Bihari people and their relationship with their environment. BLINDFOLD CHESS Anastasiya Pentyukhina’s documentation of blindfolded chess provides an insight into this often overlooked world of sports, and sheds light on the unique challenges faced by visually impaired players. SKIN STORIES Tony Reddrop strives to look beyond the ink in his latest project, believing that by looking beyond the physical appearance of a person you will find their unique story. WHERE THE WAVES MEET THE OCEAN Uma Muthuraaman explores the idea of finding in ourselves what we seek in other people and places — like waves searching for the ocean, being it, and not knowing it. THE ARTISANAL SALT FARMERS OF GOZO Naima Hall takes us on a journey with the Cini family, giving us a glimpse into their artisanal salt-farming practices and uncovering the broader geo-heritage of Gozo. CRACKS TO MEND Through her powerful photographs, Ida Di Pasquale shares the story of her birth house in Italy - a village that was left in ruins after two fatal earthquakes.

INTERVIEW May 7, 2020 HOW I SEE THE WORLD ​ Photography by Yoel Gracia Interview by Melanie Meggs Yoel Gracia is a street photographer who takes the everyday and turns it into unique visual stories. With a unique eye and a vibrant palette, Yoel captures the beauty of life that often goes unnoticed by most. From bustling cityscapes to serene landscapes, Yoel's photography has a distinct style that oozes emotion. Through his vivid colour and contrast, Yoel shines a light on the awe-inspiring beauty of the world, allowing us to appreciate the world around us in a different way. Yoel travels the world, capturing remarkable moments and turning them into unforgettable works of art. This interview will explore how Yoel Gracia uses photography to communicate the world as he sees it – a place of beauty and inspiration. “I always try to experiment with new planes, compositions and colors. I used to try to show everyday and sometimes implausible scenes, but, nowadays I try to look at the games of lights and shadows always applied to my vision of street photography.” IN CONVERSATION WITH YOEL GRACIA THE PICTORIAL LIST: Yoel, when did you start getting interested in photography? YOEL GRACIA: I've always liked art and capturing moments from around me. One and a half years ago was when I started getting serious about photography. Thanks to street photography I can now express myself and free my soul. TPL: Where do you find your inspiration to photograph? YG: I find my inspiration on Instagram and in some of the street photography magazines. ​ ​ TPL: Who are your favourite artists and photographers? YG: Alex Webb, Trent Parke, Joakim Möller, Lydia Roberts, Joaquin Pastor Genzor and Çağdaş Kul. TPL: Do you think equipment is important in achieving your vision in your photography? What would you say to someone just starting out? YG: I know what is usually said in these cases but it's the truth...You have to go outside take all the photos that suggest something for you and train your photographic eye daily. No matter what camera you use, the place you're with, or the people you're with. ​ ​ I'm going to show the world how my eyes see it. TPL: Have you ever been involved in the arts before photography? YG: No, I didn't. Although today I need art to make sense of my existence. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? YG: No I don't. At the moment I take the pictures I see without thinking that they have to go down a path. It's just natural. ​ ​ ​ ​ TPL: “If I wasn't photographing what would I be doing?... YG: I'm a primary school teacher and I like to travel each time that I can.” ​ ​ Yoel Gracia's unique perspective allows us to appreciate the simple things in life that we often take for granted. Yoel's photography is a reminder of the beauty of the world and a powerful tool to communicate messages that words cannot express. Whether you are a fan of photography or just curious to see the world in a different way, following Yoel on his journey is sure to be an inspiring experience. VIEW YOEL'S PORTFOLIO Yoel's instagram >>> read more interviews >>> THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography. UNDER THE COVERS WITH AMERICAN BEDROOM Barbara Peacock, opens the door to her subjects' bedroom, revealing their intimate thoughts and emotions. Discover the confidence and trust shared between the photographer and subject for an authentic and inspiring experience. BEYOND SIGHT Doug Winter is a photographic artist using his unique perspective as a semi-sighted individual to explore the experiences of partial blindness and vision disabilities.

JAYESH KUMAR SHARMA be inspired Gallery // ARTIST'S STATEMENT // Jayesh is driven by the inspiration he finds in his culture, and commits his photography to breathing new life into dying and disappearing traditions. Jayesh does not change what he sees, but visually translates with the authenticity of his culture. “It is said that change is the law of nature, and that change has become a part of my nature. Changing the world means changing the experience of seeing the world, it does not mean that you will leave the real world and go to the world of dreams, I make my pictures with the stream of focus. My job is to know what is the truth or reality, but this depends on what your point of view is.” LOCATION Varanasi INDIA CAMERA Canon 5D IV CATEGORY documentary WEBSITE https://www.jayeshsharma.in/ @JAYESHSHARMA.N01 ​ ​ FEATURES // India's Lost Children of Postmodernism