INTERVIEW November 4, 2022 AROUND ANGELUS: The Poetry of Everyday Life ​ Photography and words by Paolo Ricca Interview by Karen Ghostlaw Pomarico Strangest things happen around the streets of Angelus. Children, men, women and the elderly of all ethnic groups and ages, are hurrying to reach the place where the religious event will take place, in thanksgiving for the mystery of the Incarnation. There is no better time to remember that you are a Christian. Every person, whether it is a tourist who passed there by chance, or an enthusiastic believer, gets carried away by the sounds and sensations of that atmosphere. The energy is palpable, it transpires strongly in the air and intoxicates passers-by, making them more docile and more meek. The light is warm, enveloping. Everything seems to be perfect, created ad hoc for the occasion. It is a day of celebration and, regardless of the knowledge of religions and local customs, the most important moment is not the event itself but rather what happens around it, the instants that precede it and define it in that atmosphere. only. This is how, in homage to childhood memories, I went back through the same streets I walked with my family when I went to St. Peter's Square to listen to the Angelus, the Catholic prayer that devotees recite every Sunday in thanksgiving for the mystery of the incarnation. The series, entitled 'The Poetry of Everyday Life', evokes an alien dimension that smells of a bubble, a protected and alternative environment in which everything, even the most banal, takes on a different connotation from normal. The subjects framed on the streets of the Angelus express the serenity that accompanies them in their faces and which, at times, takes the form of an extravagant representation. In this feast for the eyes, people move excitedly in a preserved space that appears as a small oasis within the chaos of the city. The camera goes unnoticed, because there, in that idyllic dimension, everything seems to be allowed. Screams and noises are the background to a potpourri of visual experiences, moments ready to be captured and told. “AROUND ANGELUS evokes the sensations of a special day, the memory of a magical and timeless atmosphere. Fragments of a past future in which the protagonists, far from being contemporary citizens or time travelers, are the main actors of this eternal story: a continuous seduction, which tastes like a story and a spiritual journey to which no one, not even the strongest, can resist. Around the streets of the Angelus, adults and children let themselves be seduced by the poetry of everyday life.” IN CONVERSATION WITH PAOLO RICCA Born in Rome, Paolo Ricca is a freelance photographer based in Italy. Paolo graduated in advertising graphics and later breathed the atmosphere of inks working in an old printing shop. This is where he deepened his knowledge of the use of color that would later be chosen for the realisation of his projects. Today, through his intimate photographs, cancelling the distance between the subject and the observer, Paolo loves to tell stories and fragments of everyday life. Stories of humility and determination, looking into traditions to cultivate the roots of one's future that aim to take on a documentary and at the same time artistic value. The art of framing poetry of everyday life, this is photography, for Paolo. THE PICTORIAL LIST: Paolo, The Angelus is unique to Rome, a thanksgiving for the mystery of the incarnation, when God became man, or Jesus Christ. This celebration of mortality is the inspiration for unification throughout the city. Describe for us what this means to the people of Rome, and why it is so contagious. PAOLO RICCA: The capital is one of the oldest cities in the world, with a great architectural charm and rich cultural heritage. But it is also a difficult, hectic and rather chaotic metropolis, especially for all who were born and lives here from many years. In this scenario, the Vatican is a unique city-state, situated in the center of Rome, Italy, and represents the heart of Roman Catholic Church. Something changes while entering the boundary of this reality, everything seems better and good, even the people. So, the Angelus is a historical event that attracts everyone, adults and children, of all ethnic groups and ages. TPL: Tell us more about the atmosphere around this magical event, how does your community prepare? You talk about the sensory perceptions that hypnotize and seduce the participants of the Angelus, are these foods that fill the air creating an unmistakable aroma that instantly brings you back to that specific moment in time? Are bells ringing? Music or hymns? PR: Every Sunday is a day of celebration and, with the first light of sunrise, many people approach the place of the event. It's early morning and many people arrives directly by subway or bicycle. Few minutes after, also the full bus of tourists arrives in the streets of the Vatican. One, two, and more, Traffic becomes chaotic, some people have breakfast, others buy souvenirs, still others, with patience, are already waiting to goes St. Peter's Square. Here, along streets of the Angelus, the atmosphere is magical. Air is crisp and you can almost touch it with your hands. The energy of street artists, the sound of the bells coming from one of the many churches nearly. Small improvised bazaars, with their souvenirs and freshly prepared foods, everything seems created to make unique this moment. TPL: You talk about the serenity you find in the faces of the people you photograph, you mention their eyes. Can you explain to us what you think this serenity is and where it comes from? PR: I think each of us has our own defects, vices and fragility, but it's often difficult to accept. Here, among the streets of the Angelus, people do not judge and everyone, like a liberation, becomes equal when compared to the greatness of everyday life. This is what makes everyone more serenity and free. TPL: In this serenity, you have discovered the extravagance of feeling free to be oneself, and to celebrate mortality to the fullest. Tell us more about this transformation that takes place, the seduction. PR: In many situations, even for unbelievers, Angelus represents a social event of aggregation brings everyone together, an opportunity to redeem themselves and, in some way, become better for at least one day. TPL: What advice would you give to someone not familiar with Rome and the Angelus, on how to participate, and the best way to share in the experience? PR: Most significant experience is not the event, important and already well known all over the world, but everything who happens around it. Here, everything, even it's most banal, if accepted with a free soul, unveils a different meaning from normal. So, you have to open your eyes and observe with the curiosity of a child, stay tuned with open heart. TPL: Could you tell us what living in Rome has inspired in your work? What special qualities unique to the ‘Eternal City’ influence your both your street and documentary photography and the way you portray your community? PR: Rome is a city of great beauty but also it comes a thousand contradictions, so, to understand it, I decided to explore it's most important and characterise themes: religious and cultural roots. First, the contrast between sacred and the profane emerges, two sides of the same coin that coexist on the border of a peaceful armistice that does not fear judgments and prejudices. Second, a lot traces of past are today present on the edge of the suburbs, where culture of fatigue still follows the ancIent gestures of one's own ancestors. In the primary colors there is humility, determination and sacrifice; a human pulse, a crossroads to overcome, a hard climb, the solidarity between people, the difficult relationship between human beings, courage and love. TPL: There is an intimacy with your subjects, an up close and personal engagement. Do you know your subjects? Please tell us about the candor you share with your subjects, and what this brings to your portraits. PR: Happiness, fear and hope. As documentary photographer I need to explore emotions lived by the subjects I decided to follow. To do this, I talk them a lot and generally shoot little at start. I explore their activities and try to really understand their daily. I often immerse myself in their personality and this approach creates a special relationship which will then be fundamental during shooting. TPL: Colour is an important thread in your work, tell us how you use your colour to create your photographic frame. The flash creates a shallow depth of field, could you explain to our readers why this is important to you in the way you create your imagery. PR: 'The Poetry of Primary Colors', is the title of the cover image of my photographic project that pays tribute who work the land. In the primary colors there is humility, determination and sacrifice; a human pulse, a crossroads to overcome, a hard climb, the solidarity between people, the difficult relationship between human beings, courage and love. I think the primary colors translates good the fragility of soul because are really raw and honest. Also, if light is good, I prefer to work with no flash because this allow me to express the authentic dignity of the subjects, and cancel the distance between subject and observer, I think. So, here is the passion of red, the hope of green, and the whiteness of blue. An authentic metaphor of life that comes out so honored. TPL: What artists have inspired you in your photographic journey? PR: I like to think my images aspire to take a documentary and artistic value, at the same time. So, as a documentary photographer, William Albert Allard and Michael Yamashita are my favorite photographers because their images capture the essence of a story through absolutely poetic language and a great light management. As street photographer, my favorite photographers are Fred Herzog, Harry Gruyaert and Alex Webb, for their great skill in composition and color management, but, mostly, for their ability to transform everyday life into art. TPL: What equipment do you use that have become the tools of your trade? Anything on your Wishlist? PR: I really started to focus on the essence of my projects when I decided to mainly use two fixed lenses. For documentary project and street photography, I mainly use the 28mm and sometimes the 35mm, for posed portraits and candid landscapes. More rarely I use flash, especially when the sun is strong and want to add more details in the shadows. My main camera is a compact, light and professional mirrorless. This is my main gear and I think it will be like that for a long time. TPL: What projects do you have planned for the future, and what they should look forward to? PR: I generally work on long term projects and spend a lot of time in searching and editorial contents. So, I would like to work soon on a dedicated project to the strength of elderly, they has really much to share and tell. PR: “When I am not out photographing, I (like to)… I love being with my family, listening to music and walking a lot. I love so much to explore a place by walking. This recharges my batteries." Paolo Ricca is an inspiring freelance photographer from Italy who uses his knowledge of color and his intimate photographs to tell stories of everyday life. He has managed to bridge the gap between subject and observer and use his art to capture the poetry of everyday life. Through his work, we can witness the humility and determination of those he meets, while also cultivating the roots of our future. We invite you to join Paolo in this journey and discover the art of framing poetry of everyday life for yourself. VIEW PAOLO'S PORTFOLIO Website >>> Instagram >>> read more interviews >>> COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography. UNDER THE COVERS WITH AMERICAN BEDROOM Barbara Peacock, opens the door to her subjects' bedroom, revealing their intimate thoughts and emotions. Discover the confidence and trust shared between the photographer and subject for an authentic and inspiring experience. BEYOND SIGHT Doug Winter is a photographic artist using his unique perspective as a semi-sighted individual to explore the experiences of partial blindness and vision disabilities. ETERNITY Eternity is a pictorial story about Konrad Hellfeuer's own personal journey with religion and how photography has helped him find peace within it. CROSSING THE AVENUE Get ready to be transported by the street photography of Juan Sostre. His mastery of technique and ability to observe the world around him, allows us to experience the street in a whole different light. HUMAN CONTACT By walking through the streets and observing people's behaviours, Jan Ponnet tries to develop a keen eye for the subtle nuances and rhythms of life on the street, and learns to anticipate and capture these moments that might otherwise go unnoticed. FREEDOM TASTES OF REALITY Juan Barte does not choose to document what he sees, but creates a photograph that constricts the flow of information, allowing for the viewer to further investigate and question what they see.

CARLA HENOUD be inspired Gallery // ARTIST'S STATEMENT // I am a journalist and a photographer and work in a French Lebanese daily newspaper L'Orient - Le Jour. My pictures for the last three years were specially about the Coniche (Front Sea) in Beirut. I even did a book about the subject with a story (fiction) called "Le Chariot de Farah", edited in 2018 and an exhibition. I love this place, it speaks very well about this city that is passing through a lot lately. I love sceneries, skies, sea (always the sea) but with people, faces, attitudes that can give emotions. LOCATION Beirut LEBANON CAMERA Leica D Lux, Fuji X T1 CATEGORY documentary, street ​ ​ @CARLAHENOUD ​ FEATURES // Farah's Chariot

NAZANIN DAVARI ARTIST'S STATEMENT // I was born in 1992. I have a Bachelor's degree in Graphics and a graduate of photography at Karnameh Institute. I have attended several group exhibitions in Tehran. And have had my photos published in many books and magazines such as Glamour Affair, MP Magazine, and Articulate. I have obtained a diploma of honour in the conceptual minimalism section of 35 Awards in Russia and acceptance of my photos and participation in the exhibition at the Durbin Net and Image of the Year festivals in Tehran. My photographs are formed based on my initial mental image. After my mental imaging I will look for it in the outside world. My photographs are minimalist style and concept by expressing my mental images of liberation, flight, freedom and silence and thinking. LOCATION Tehran IRAN CAMERA/S Canon 30D, iPhone 13 CATEGORY fine art, street ​ @NAZANIN_DAVARI71 ​ ​ FEATURES // Minimalist Reverie

KONRAD HELLFEUER be inspired Gallery // ARTIST'S STATEMENT // Konrad Hellfeuer is a German freelance artist who specialises in photography and drawing. He has always been interested in art and started to develop his skills at a young age. After completing his schooling, he decided to pursue a career as an artist and has been working as a freelance artist ever since. Konrad's work is characterised by its attention to detail and its ability to capture the essence of a moment or subject. He has a keen eye for composition and light, which results in stunning images that are often evocative and thought-provoking. LOCATION Görlitz GERMANY CAMERA Sony Alpha 99 CATEGORY architecture, abstract, street WEBSITE https://www.konradhellfeuer.com/ @HELLFEUERKONRAD ​ ​ FEATURES // Eternity

GIORGIO GERARDI be inspired Gallery // ARTIST'S STATEMENT // I have always liked the history of art and around the age of twenty I started my own personal research with the use of the camera. In this last period I have been interested in clouds, leaves and trees, earth, sand, objects and things that we have under our sight every day. I rework a single photograph several times, always in a different way, until I get the shapes and colors that I like. We are daily surrounded by the same things. We are so used to their presence that we no longer notice them, we no longer see them; even if our eyes are set on them, we do not notice them and it is as if we do not see them. In the DAILY project I want to represent everyday objects, to decontextualise them, to make them assume their own identity and a new life. LOCATION Venice ITALY CAMERA Canon Eos 550D CATEGORY conceptual WEBSITE https://www.giorgiogerardi.com @GIORGO.GERARDI_ ​ ​ FEATURES // Daily

SPOTLIGHT Adrian Pelegrin Playa del Carmen, MEXICO see portfolio explore all 2022 Photographers // ADRIAN PELEGRIN Playa del Carmen MEXICO AHSANUL HAQUE FAHIM Dhaka, BANGLADESH AJ BERNSTEIN New York UNITED STATES ANWAR EHTESHAM Dhaka BANGLADESH ASEN GEORGIEV Sofia BULGARIA ASLI GONEN Eskisehir TURKEY BRIAN DOUGLAS Ontario CANADA CAHLEEN HUDSON New Taipei City TAIWAN CHETAN VERMA Gurgaon INDIA DEAN GOLDBERG New York UNITED STATES ELIZABETH PAOLETTI UNITED STATES EMIR SEVIM Istanbul TURKEY EMY MAIKE Baden Württemberg GERMANY FRANCESCA TIBONI Cagliari ITALY GABRIEL MIELES GUZMÁN Guayaquil ECUADOR GABRIELE GENTILE Parma ITALY GIANLUCA MORTAROTTI London UNITED KINGDOM GIORGIO GERARDI Venice ITALY JAN ENKELMANN London UNITED KINGDOM JEAN ROSS New York UNITED STATES JELISA PETERSON Texas UNITED STATES JENS F. KRUSE Mallorca SPAIN JONAS WELTEN Salzburg AUSTRIA LAINE MULLALLY Stockholm SWEDEN LELE BISSOLI Vercelli ITALY

JELISA PETERSON be inspired Gallery // ARTIST'S STATEMENT // So many of the images of Africans we see in first world settings are based on negative stereotypes of people devastated by poverty, disease and war; showing people who come from a place that is wild and dangerous. This results in a very distorted vision of an entire continent of people with diverse lives and circumstances. I believe that these characterizations tend to limit our understanding of the very humanity of African people. With my work from Mozambique, I want to resist these one dimensional characterizations to express what I see and have experienced over the years. It is the Mozambicans themselves who are my inspiration to create photography to be shared as widely as I am able. There is nothing more motivating to me than starting my day before the sun rises to walk, to meet and talk with people and observe them in their natural environments doing their daily activities. What is always remarkable to me as the day passes is not the invalidating distortions of actual lives but the tenderness, the curiosity and the beauty of the people. My desire as an artist is to challenge the viewer to be more conscious of what they see and conclude when they consume images of Africans, like Mozambicans. My images advance a more positive and sensitive vision of people who are worthy of more insightful representation. LOCATION Texas UNITED STATES CAMERA Canon Eos Rebel and Canon Eos 50D CATEGORY documentary WEBSITE https://jelisapeterson.com/ @JELISAPETERSON ​ ​ FEATURES // Into Africa

INTERVIEW July 30, 2021 STORIES TO REMEMBER ​ Photography by Jimmy Spaceman Interview by Melanie Meggs In an increasingly digitalised world, social documentary photographer Jimmy Spaceman stands out for his commitment to conveying important stories through the honest representation of people and everyday life. Jimmy's powerful images of Palestinians crossing Israeli Checkpoints in the Westbank, capturing life in Mumbai's Dharavi Slum India, and other works have been used in the political theatre play 'My Jerusalem', featured on Broad Magazines Instagram page weekly special, and have been the subject of a main feature on The Dummy's Tales blog magazine. His work is an ever-evolving journey of personal growth and a journey to make social change through photography. In this interview, we speak to Jimmy Spaceman about his life as a social documentary photographer, his unique approach to photography, and his mission to capture and convey powerful stories through powerful imagery. Join us as we delve deeper into the mind and work of this talented photographer. “I currently live in Sheffield, but I am originally from Merseyside in the United Kingdom. I became interested in photography around ten years ago. I am also a musician. I found myself taking photos of mates' bands at events where we putting on at the time. This led on to a passion for street photography, which became the training ground for my social documentary work. I try to get out with my camera daily or at least as often as I can. I have always had a day job during my creative adventures. I do gardening jobs and a bit of painting and decorating to pay the bills and fund to any photographic adventures. It’s a hard way of doing things I suppose, I am often physically tired after work, but whilst grafting I am usually dreaming of my next adventure. I carry a camera with me at all times.” IN CONVERSATION WITH JIMMY SPACEMAN THE PICTORIAL LIST: Jimmy, documentary photography is important to you but you also do some street photography. Talk to us about the similarities and the differences between both genres. What happens when you go out with your camera? Do people respond positively to you, or do you sometimes get negative reactions? If yes, how do you handle it? JIMMY SPACEMAN: I love the ability to pause a moment in time. Not staged one, a real moment in time. Recording history correctly including life’s emotion, humour, sadness, ups and downs. Whilst I’m out on daily street photography walks, I like to give myself little challenges such as window reflections shots or each photo must contain purple. I think little games like these help to develop your "photographer's eye". Photographing people can be difficult, you definitely need to be street wise. On occasion, in the UK, people can get paranoid or annoyed. I feel that I have a good rapport with people in general and I treat people with respect. Most of the time I do take the photo and worry about the reactions later. Humour always comes in handy. I won’t just take a photo of a homeless person and walk off I will hang out with them for a while and make sure they are happy (and usually buy them some food). I nearly always try and show the image to the subject. If I get any negative reactions I just quickly move on and apologise. One time I took a photo of a butcher in Sheffield market chopping some meat and the staff all got annoyed with me. They all had their meat cleavers raised. I hung around and explained myself and apologised for the distress I had caused them. I explained that I was working on a project showing hard working people in Yorkshire. They were worried about my motives. There was way less photography paranoia in India. I had people jumping in front of my camera and wanting me to take photos of their friends and family. I suppose when out doing street photography I am looking for the photo, but with my documentary photography it is more about the project as a whole. When I was spending time in Dharavi Slum, I was generally trying to make friends and contacts with the residents and workers. I spent time getting to know my subjects and gaining their trust. Two years later I am still in contact with people from Dharavi. I do find it wonderful the people and places my camera has taken me! TPL: Talk to us about your process on what makes a documentary series. What experience would you like your viewers to come away with after viewing your series? JS: I like the idea of making positive change with photography. Giving people a voice who wouldn’t otherwise have one. Truth. I see so much misinformation in the media, everyone has an agenda. I want my work to be honest and heartfelt. I have no hidden agenda apart from documenting life in front of me. I do lots of research beforehand. Knowledge can show and gain respect, whilst a lack of knowledge can be potentially dangerous. TPL: How has COVID-19 impacted you personally and your work? JS: Covid has affected everyone in the world. Early in 2021 I lost one of my best friends. She was a care worker and died at the age of 45. This was before any lockdown. I also lost my uncle aged 56. He had no underlying health issues and was a massive influence on me. He was an amazing colourful character who always nurtured and encouraged my creativity. The obvious travel restrictions have hindered most people’s plans. Personally I spent this time re-exploring my local surroundings and using it as an opportunity to brush up on camera techniques, and of course plotting future photography projects. TPL: Where has been the most significant place that you have photographed? What did you take away from this experience? JS: I photographed checkpoints at the West-bank with an organisation called Machsom Watch. Photography was prohibited in some military areas, so I had to be discreet. Machsom Watch is a volunteer organisation of Israeli women who are peace activists. They oppose the Israeli occupation in the area known as the West Bank and oppose the appropriation of Palestinian land and denial of Palestinian human rights. They support the right of Palestinians to move freely in their land and oppose the checkpoints which severely restrict Palestinian daily life. Since 2001 they have been observing and reporting on the occupation. On a daily basis, they monitor the West Bank Checkpoints. What struck me was how young the Israeli Soldiers were, some looked only about 18 years of age. National service is mandatory for all Israeli citizens over the age of 18. Most of the Soldiers were not comfortable with me taking photographs so I had to be careful, although one soldier shouted “Pink Floyd” at me and signalled a peace symbol. Most of the Palestinians I met on the other hand seemed happy to have their photographs taken. Some of my Israel Palestine photos were used in a political theatre piece by Avital Raz - "My Jerusalem", which has toured around the UK. I feel that as a photojournalist or social documentary photographer I don’t take sides. I want peace for everyone. I know both Palestinians and Israelis and treat them both with equal respect. I felt privileged to be able to photograph part of a conflict. I don’t feel I should take “sides”, especially when it isn’t my conflict. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? JS: Suzanne Stein…I love Rob Bremner’s work. He has captured Liverpool and Merseyside throughout the 80’s and 90’s (reminds me of my childhood)…Vivian Maier, Josef Koudelka, Martin Parr, Don McCullin, and the list goes on... ​ ​ I love the ability to pause a moment in time. Not staged one, a real moment in time. Recording history correctly including life’s emotion, humour, sadness, ups and downs. TPL: Does the equipment you use help you in achieving your vision in your photography? What camera do you use? Do you have a preferred lens/focal length? JS: I own a Canon 70D, and a couple of lenses, but I am thinking about moving over to Fuji. I invested in a large iMac, I love working with a big screen, although for my street photography and social documentary work I do very minimal editing, a slight bit of cropping, if that. I like to get it right in the camera. I also have a Canon pro-1000 printer, which has blown my mind seeing my work in print and has definitely impacted the way I do my photography. TPL: What are some of your goals as an artist or photographer? Where do you hope to see yourself in five years? JS: As a photographer I hope to have many more adventures. I am planning another visit to Dharavi Slum as soon as possible to do a follow up project investigating the effects Corona has had on one of the world's poorest and overpopulated slums. ​ ​ TPL: Are there any special projects you are currently working on that you would like to let everyone know about? JS: I have been preparing for an exhibition of my work in Sheffield of my time in Dharavi. I am trying to also include a live video feed directly from the Slum with some local residents. We have been working out technical issues, and are aiming for a Q&A session during the exhibition, with some of the subjects of my photos. I feel that this could be a great collaboration and will also help them out as I will pay them a UK salary for their time. Covid obviously delayed these plans and a couple of galleries I know have even had to close. I am also working on my first photo book which is nearing completion. TPL: "When I am not out photographing, I (like to)… JS: I make Electronic Ambient Music in my spare time." ​ ​ Jimmy Spaceman is a remarkable social documentary photographer whose commitment to conveying important stories through honest photography makes him stand out. To explore his work further and gain insight into the struggles of people around the world, we encourage you to read his Dharavi story and to see more of his photography by viewing the links below. VIEW JIMMY'S PORTFOLIO Read DHARAVI by Jimmy >>> Website >>> Instagram >>> read more interviews >>> COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography. UNDER THE COVERS WITH AMERICAN BEDROOM Barbara Peacock, opens the door to her subjects' bedroom, revealing their intimate thoughts and emotions. Discover the confidence and trust shared between the photographer and subject for an authentic and inspiring experience. BEYOND SIGHT Doug Winter is a photographic artist using his unique perspective as a semi-sighted individual to explore the experiences of partial blindness and vision disabilities. ETERNITY Eternity is a pictorial story about Konrad Hellfeuer's own personal journey with religion and how photography has helped him find peace within it. CROSSING THE AVENUE Get ready to be transported by the street photography of Juan Sostre. His mastery of technique and ability to observe the world around him, allows us to experience the street in a whole different light. HUMAN CONTACT By walking through the streets and observing people's behaviours, Jan Ponnet tries to develop a keen eye for the subtle nuances and rhythms of life on the street, and learns to anticipate and capture these moments that might otherwise go unnoticed. FREEDOM TASTES OF REALITY Juan Barte does not choose to document what he sees, but creates a photograph that constricts the flow of information, allowing for the viewer to further investigate and question what they see.

INTERVIEW October 9, 2020 GRATUITY INCLUDED ​ Photography by Chris Suspect Interview by Melanie Meggs Chris Suspect is an acclaimed street and documentary photographer whose work has been exhibited around the globe and has won numerous awards. His photography captures the absurd and profound moments in everyday life, as well as the results of his deep dives into various subcultures. He is currently the chairperson of the Focus on the Story Festival in Washington, DC, and a guest lecturer at StreetFoto San Francisco and Street Photo Milano. His work has been published in the form of a book titled Suspect Device, which is held in the Leica Galerie Archives. In this interview, we delve into Chris Suspect's relationship with photography and uncover the stories that have shaped his approach to the craft. We explore the creative processes that inform his work, the events and experiences that inspire him, and the impact photography has had on his life and career. “Photography has literally taken me around the world. My first publication, Suspect Device, in 2014, brought me to Photokina in Germany where my work was included in a massive exhibit on music photography. This was part of Leica’s presence at Photokina, and they flew me to Germany to participate. While there, I shared my work with several German gallerists, and those connections brought me to Tbilisi, Georgia, for an exhibit of the same work as part of the Kolga Tbilisi Photo Festival. While this was going on I was also entering my street photography work into several street photography competitions in Miami, San Francisco, London, Brussels, etc. I often was a finalist in these events and over time I have been asked to present my work in these locations. All of this served as a springboard to other opportunities, which led me to Romania, Italy, the Middle East, etc. It’s been a nice and surprising journey.” IN CONVERSATION WITH CHRIS SUSPECT THE PICTORIAL LIST: Chris please tell us more about yourself. What led you to photography? CHRIS SUSPECT: I am from Hyattsville, MD, just over the border of Washington, D.C. While the DC area has been my home for most of these years, I have lived in Moscow, Bangkok and Copenhagen. In addition to being a photographer, I am also a musician, video producer and podcaster. My interest in photography started in my early 20s. I was not a photographer at that time but a bass player for a punk band called The Suspects. I used to go to the library to browse photo books and then make copies of the photos I liked for band flyers. I was primarily interested in war and crime photography because these kinds of graphic images lend themselves to great promotional posters for the kind of music we played. Fast forward 15 years and I wound up getting my first point and shoot camera to document the birth of my son. I read the manual and would go out on my own and try to see what I could do creatively with the camera settings. I had no idea I was doing “street photography” at the time, I was really looking to recreate the style of images I used for flyers many years ago. After some positive feedback on Flickr, many stolen images by bloggers, and requests by a few magazines, I decided to get more serious and started to pursue photography by enrolling in a colour photography class as a continuing education student at the Corcoran School of the Arts and Design. TPL: What excites you about the photography you are creating? CS: Ultimately what inspires me is that I do photography for myself. When I started out I told myself I did not want to do photography for money or earn a living off of it. In the past, I have started many creative ventures, for example music publishing, videography, and podcasting, that have turned successful and have become a job. Meaning, I started doing work for clients. What ultimately happens in each case is that I found myself doing work more for the money than for the sake of doing the work itself. This sucks the passion for it right out of the process for me. I think by not caving in to the lure of financial gain, I have been able to maintain my passion for my photographic work. It doesn’t matter if I make money or not. That is not what photography is about for me. Just the ability to create what I want to create, whether successful or not, is what keeps me going and still excites me to this day. TPL: How do you choose your subjects and your projects? Also tell us a bit about your two previous published books? CS: Almost everything for me begins with a serendipitous act. Often I don’t choose a project, it finds me. For example, I have a body of work called Faith that explores gay African Americans and their relationship with religion. This came about by witnessing a car accident in Washington, D.C. I photographed the scene and gave copies of the images to the person who was hit by the car. Months later this person called me up and asked me to shoot a party. Knowing he was black and gay I thought it could be interesting, as I had never been to a party like that before. This experience opened up a whole new world to me that eventually led me to shooting underground African American Baptist Church services. Going to Romania for the VSLO photography and visual arts festival is what led to working on “Old Customs.” I wasn’t planning on starting a project when I went there, but once I got interested in their youth culture I just kept pulling on those threads and pursuing it, doing my best to make sense of what I was doing. At the start of 2020 I made a New Year’s resolution to publish 4 books, 1 for each quarter of the year. Old Customs is book number 3. The previous books are Gratuity Included, a collection of wild party-type photos from over the past 8 years that reads like a fever dream or an Alice in Wonderland-type sequence, and Leather Boyz, a deep dive into the gay BDSM culture in Washington, DC. The fourth book will likely be a return to my roots with an emphasis on music photography. All of these other books are black and white. Old Customs is the only one in colour. TPL: What was the process of getting the people in Vama Veche to be open to you photographing them? Can you describe your creative process in your project/book OLD CUSTOMS that you shared in our stories? CS: A lot of photographs in the book are straight street photography style observations, so I basically just shot freely, like I do in any public space situation. Unlike a lot of countries in Europe, Romania seems more open to candid photography. As far as the conceptual mirror shots go, that came about by meeting people through the photography festival I attended and who were open to my ideas. There are a couple of exceptions where I just met people on the beach or in the town and they were willing to be part of the project. What’s interesting is when I share an image of a mirror shot from my phone, people become really intrigued and open up to the idea of being a subject. It helps that you do not see the person’s face so it allows for anonymity as well. TPL: Do you have a favourite quote/lyric/saying that resonates with you the best? CS: Yes I do! The quote is, “In the fields of observation chance favours only the prepared mind.” This was said by Louis Pasteur, the great French biologist, chemist and microbiologist. Even though he is referring to the process of scientific discovery it also applies to the art of photography. How do you prepare your photographic mind? You take classes, you read photo books, you study the masters, etc. Having all of this photographic history and knowledge in the back of your mind while you are out shooting helps you to better identify interesting situations and challenges, things you may miss if you don’t study this sort of background material. Once you get to this point, you can really start to develop your own unique visual identity or voice. ​ ​ Just the ability to create what I want to create, whether successful or not, is what keeps me going and still excites me to this day. TPL: What do you want to express through your photography? What are some of the elements you always try to include in your photographs? CS: A lot of what I am trying to express is really dependent on the project or goal. For example “Old Customs” is partly about expressing the feeling of freedom. However, there are numerous photographic tropes and elements that I often return to or explore. One of these is trying to have the viewer feel as if they too are in the midst of the action. I like to get close and I want the viewer to be part of it. Another is humour, I am a sucker for visual puns and juxtapositions. I think gestures can be very telling. And light is very important. I always try to consider the role and meaning of light (or lack of it) in my images to convey a feeling or an intentional interpretation I want to bestow on the viewer. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? CS: I am inspired by many different photographers and artists, from Lee Friedlander and Dawoud Bey to Barbara Kruger and Jeff Wall. All of them have opened my eyes to different approaches and techniques. I often “borrow” or reinterpret ideas from various photographers from time to time depending on my end goals. For my black and white work I am definitely inspired by people like Weegee, Anders Petersen, Larry Fink, Daido Moriyama, and Robert Frank. In my colour work I often look to folks like Joel Sternfeld, Alex Webb, Harry Gruyaert and Ryan McGinley. TPL: Has your style of shooting changed since you first started? CS: I don’t know if it has changed as much as it has been refined. I first gained notice as a music photographer, then as a street photographer and documentarian. I have since moved on to personal diary type work and I am now exploring ideas of conceptual work. I think all of these genres or styles for me still contain the principal elements of my photographic voice. They just get adapted to the genre I am shooting in. If you study the work of Lee Friedlander you will notice his particular viewpoint weaves itself through a wide variety of styles, from street photography to landscapes and nudes. The same holds true for numerous other photographers that have had a long and varied career. TPL: How does the equipment you use help you in achieving your vision in your photography? Do you have a preferred lens/focal length? CS: I have two cameras that I have stuck with throughout the years, mainly for their form and image quality. I have a Leica MP and Ricoh GR II. And, I usually stick with a 35mm or 28mm focal length depending on what I am shooting. Both the Leica and Ricoh are unassuming cameras. I always use my Leica during the day and sometimes at night when I know I am going to be shooting something with purpose. The Ricoh I often take with me at night when I have no real plans. It’s just super handy and can produce fantastic images with the on camera flash aesthetic you see in a lot of Japanese street photography and fashion photography from the 90s and 2000s. As far as focal length goes I use the 35mm during the day and the 28 mm for when I am in close quarters and want to capture as much of the scene as possible. TPL: What are some of your goals as an artist? Where do you see yourself or hope to see yourself in five years? CS: Once the COVID-19 nightmare is over I’d like to return to shooting and travelling more. This has really been a tough year for me photographically as all of my work involves people. I have been thinking about what I’d like to explore and I have some ideas of what I’d like to pursue. But for now my main goal is working on this current books project. I hope the ground work that I am laying in 2020 with these publications will offer me more opportunities in the future for exhibits, travel and workshops. I also have a few more book ideas that I already have content for. So essentially in five years I hope to be doing more of the same while broadening my photographic practices. TPL: “When I am not out photographing, I (like to)… CS: I love cooking so I am always working on new recipe ideas and food combinations. I also enjoy playing music with friends and neighbours. And, I am a fitness freak to some extent. I exercise almost everyday, whether running or lifting weights." Chris captures the absurd and profound moments in the quotidian, and dives into various subcultures over the course of years in his documentary work. Connect with Chris through the links below and see more of his brilliant projects. VIEW CHRIS'S PORTFOLIO Read OLD CUSTOMS by Chris Website >>> Instagram >>> read more interviews >>> COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography. UNDER THE COVERS WITH AMERICAN BEDROOM Barbara Peacock, opens the door to her subjects' bedroom, revealing their intimate thoughts and emotions. Discover the confidence and trust shared between the photographer and subject for an authentic and inspiring experience. BEYOND SIGHT Doug Winter is a photographic artist using his unique perspective as a semi-sighted individual to explore the experiences of partial blindness and vision disabilities. ETERNITY Eternity is a pictorial story about Konrad Hellfeuer's own personal journey with religion and how photography has helped him find peace within it. CROSSING THE AVENUE Get ready to be transported by the street photography of Juan Sostre. His mastery of technique and ability to observe the world around him, allows us to experience the street in a whole different light. HUMAN CONTACT By walking through the streets and observing people's behaviours, Jan Ponnet tries to develop a keen eye for the subtle nuances and rhythms of life on the street, and learns to anticipate and capture these moments that might otherwise go unnoticed. FREEDOM TASTES OF REALITY Juan Barte does not choose to document what he sees, but creates a photograph that constricts the flow of information, allowing for the viewer to further investigate and question what they see.

PICTORIAL STORY June 15, 2022 NEAR KUDROS ​ Photography by Francesco Mercadante Words by Daniela Cerrato Near Kudros (Cutro) ...where the imagination takes you by the hand There are places where nature plays a decisive role in our thoughts and words sometimes struggle to express the enormous charm captured by the senses. Therefore it happens that to reinforce the idea of ​​beauty, a synergy of expressive forms (painting, photography, storytelling, poetry, music...) comes to the aid which together make a creative effort useful to better convey the idea of ​​how "powerful" the influence of a landscape. This is where this need arises, the idea is from Francesco Mercadante, passionate about painting and photography, who thought of an interaction between photography and poetry to bring out the best of the beauty of Cutro, of which he comes from, offering me the opportunity to express in verse what he has captured with the lens. Let's start by getting to know the history that Cutro went through, interspersing the news with the splendid shots by Francesco Mercadante that highlight a particular area…. Cutro was a town in ancient Magna Graecia and in Greek it was called Kyterion, Koutro/Kudros in Latin times, probably with the meaning of "potter" in Greek, since a lot of pottery was produced due to its clayey nature. Jumping to the second half of the 1500s, under Spanish rule, it became the most important granary in the area until it obtained the title of city from King Philip II in 1575. On March 8, 1832, in the early hours of the day the city was destroyed by a disastrous earthquake and most of it was razed to the ground with hundreds of victims. Until the mid-twentieth century, Cutro was the most populous and productive center in the area, but later it underwent an important emigration, first to Germany and later to northern Italy: in particular to Emilia and Lombardy. The largest community of Cutrese origin is located in Reggio Emilia A pleasant climate for most of the year its peculiarity is the natural beauty of the area that includes Cutro and Roccabernarda where the so-called badlands give the landscape a suggestive, almost surreal face, also composed of clay monoliths, biancane and hills cultivated with wheat and for this reason defined as "yellow dunes". They are the same dunes that Pier Paolo Pasolini in his reportage "The long sand road" published in the magazine Success in 1959, described as follows: "...Then the road leaves the sea and enters an area, all yellow, with hills that look like dunes imagined by Kafka. Some peasants return on horseback, or on some very slow old carts, along the infernal road, without a tree around..." Pasolini chose it to shoot some scenes of "The Gospel according to Matthew" and later affirmed that: "the Calabrian landscape is enhanced, with its marvelous natural contrasts, in which gentle slopes contrast with violent rocky jolts" ...and more... " In Calabria the most serious of crimes was committed, for which no one will ever answer: the pure hope, the somewhat anarchic and childish hope of those who living before history, still has the whole of history ahead of him, was killed." The particularity of the area has been perfectly transferred into captivating images in the photographic reportage by Francesco Mercadante who has masterfully collected the suggestion and magic of the place and allows the observer to immerse himself in the enchantment, in that dose of "surreal" that hovers in the veiled and rarefied atmosphere of the views; as he himself stated: “What I photographed are not images but a reproduction of myself, that is the landscape that entered me and became a photograph. I set my camera to a long exposure then closed my eyes and photographed the yellow dunes." I have never visited those places but Francesco's "talking" images were an excellent guide and inspired me to write the poem "Kudros" in which I tried to best collect the spirit with which he perceived and reproduced the incredible aura of that land. © Francesco Mercadante © Francesco Mercadante © Francesco Mercadante © Francesco Mercadante © Francesco Mercadante © Francesco Mercadante © Francesco Mercadante Kudros where the body returns to clay pre-genesis silence dominates, the light envelops, disorients, bewilders the senses. Bare clay, lizard in the sun, asks the wind faint blow to the traveler the enthusiasm of the senses to grasp the elusive. Beyond the dunes it descends towards the coast an echo of stories and voices, clearer lights anticipate the sea but in this delirium of sand the mysteries of Oinotria dwell Inviolable, deep, ionic. - Daniela Cerrato, April 2022 view Francesco's portfolio Read an interview with Francesco >>> Website >>> Instagram >>> Visit poet Daniela Cerrato's website >>> The views, thoughts, and opinions expressed in the text belong solely to the author, and are not necessarily shared by The Pictorial List and the team. read more stories >>> MOMMIE Arlene Gottfried’s poignant exploration of motherhood in “Mommie” is not just a collection of photographs but a profound tribute to the enduring bonds of family and the universal experiences of love, loss, and resilience. BIFRÖST In "Bifröst," Romain Coudrier masterfully captures Norway's timeless beauty, blending myth with modernity through black and white photography. A stunning exploration. MUD Dedipya Basak's documentary project explores an 800-year-old lake's struggle against global warming, highlighting its relevance and urgency in modern times. A WORLD WITHIN REACH In his Cuba project, Pedro Vidal celebrates human resilience and warmth through captivating imagery, revealing photography's profound ability to encapsulate emotions and memories. UNVEILING VULNERABILITY In a world where masculinity is often synonymous with stoicism and strength, Francesca Tiboni challenges us to reevaluate our perceptions of masculinity, inviting us to embrace the complexity of the male emotional experience. TRANSCENDENTS: SPIRIT MEDIUMS IN BURMA AND THAILAND Mariette Pathy Allen's visual narrative celebrates authenticity, spotlighting Spirit Mediums' enigmatic presence in both possession and daily life. She portrays them as essential to cultures steeped in Animism, reflecting the enduring essence of human authenticity. COALESCENCE Visual diptychs intricately depicting the intimate exchange between a mother and daughter, transcending personal narratives to explore universal themes of transition, acceptance, and the beauty of change. IN THE FOOTSTEPS OF ANSEL ADAMS In following the footsteps of the masterful Ansel Adams, Karin Svadlenak Gomez not only paid homage to his timeless work but also embarked on a transformative journey. PARALELL REALITIES Through her lens, Catia Montagna explores the impact of socioeconomic factors and social norms on our daily lives, revealing the subtle poetry of small, insignificant moments that capture the ‘existential’ and the ephemeral, in the human condition. A TALE OF NATURE AND HERITAGE With her words and photographs, Ana-Maria Alb invites readers to join her on a journey through the breathtaking Carpathians. ON THE TRAIL OF LOVE LOST Through Sasha’s photo essay, we are given a glimpse into a beautiful love story and the unbreakable strength and resilience of the human spirit. Join us as we explore Sasha Ivanov’s heartfelt tribute to Lydia and Nikolai. SAHIB: THE FRANKINCENSE BOY France Leclerc’s documentary exploration embraces the community finding captivating stories for her visual translations. Her story takes us to the village of Poshina, where we meet Sahib. THEY HAVE GONE Lorenzo Vitali felt compelled to explore the landscapes of Eastern Veneto, to understand its emotional affective relationship and document it through his photography. I AM WATER Paola Ferrarotti explores her deep connection with the water and how it has transformed her understanding of life and herself. THE STRANDED PAKISTANIS Anwar Ehtesham captures the beauty of human emotion in all its rawest forms in the face of adversity and offers an insight into the complexity of the lives of the Bihari people and their relationship with their environment. BLINDFOLD CHESS Anastasiya Pentyukhina’s documentation of blindfolded chess provides an insight into this often overlooked world of sports, and sheds light on the unique challenges faced by visually impaired players. SKIN STORIES Tony Reddrop strives to look beyond the ink in his latest project, believing that by looking beyond the physical appearance of a person you will find their unique story. WHERE THE WAVES MEET THE OCEAN Uma Muthuraaman explores the idea of finding in ourselves what we seek in other people and places — like waves searching for the ocean, being it, and not knowing it. THE ARTISANAL SALT FARMERS OF GOZO Naima Hall takes us on a journey with the Cini family, giving us a glimpse into their artisanal salt-farming practices and uncovering the broader geo-heritage of Gozo. CRACKS TO MEND Through her powerful photographs, Ida Di Pasquale shares the story of her birth house in Italy - a village that was left in ruins after two fatal earthquakes. THE WHIRLING DERVISHES OF KONYA Follow Rpnunyez's journey as he captures the beauty and strength of the Whirling Dervishes as they perform their ritual dance. SAHARA: THE SHAPE AND THE SHADOW Lorenzo Vitali's Sahara is a captivating exploration of the intangible power of nature. His photos show the changing shapes of the sand, but also highlights the complexity of the interplay between light and dark. WIDOWS' HOLI Celebratory colors of Holi fill the ancient city of Vrindavan! Street and documentary photographer Abhay Patel captures the unique Widow's Holi in his lens, bringing to life the joyous emotions of the festival. RIPPLED REALITIES The panorama has been redefined in the work of photographer, Susan Bowen. Her fearless journey created new thinking patterns that motivated and inspired a profound body of work. INDIA'S LOST CHILDREN OF POSTMODERNISM Growing up in the ancient city of Varanasi has given Jayesh Kumar Sharma an unique and authentic perspective. The social and cultural changes taking place in the society became the concept of his story.

PICTORIAL STORY August 30, 2023 BLINDFOLD CHESS ​ Photography by Anastasiya Pentyukhina Story by Melanie Meggs If you ever struggled to learn or to keep up with your chess, imagine doing it with your eyes closed. Documentary photographer Anastasiya Pentyukhina has shed light on the unique challenges that visually impaired people face in the world of chess. Born in 1993 in the village of Pokrovo-Prigorodnoye, Tambov Oblast, Anastasiya spent her childhood and received her education in a small town 500 kilometers from Russia's capital. Growing up there has sensitized Anastasiya, making her more understanding and aware of the issues of people who live outside of the political arena, busy attending to their everyday lives. Anastasiya has been living in Moscow since 2015 and her personal projects have sought to address this social inequality and promote inclusivity. In her latest ongoing project, Anastasiya has explored the world of blindfolded chess, which is a practice used by many chess players to increase their skill level without actually seeing the board – a challenge that is taken for granted for the visually impaired. Players must rely on their memory and spatial thinking skills to play the game, which can only be developed through regular practice and solving problems. The chess community is also an invaluable asset for visual impaired players, as it provides the support needed to attend tournaments and competitions. However, these activities are not always supported by government grants, and the organization of tournaments and team management often have to be funded by enthusiasts. Anastasiya Pentyukhina’s documentation of blindfolded chess provides an insight into this often overlooked world of sports, and sheds light on the unique challenges faced by visually impaired players. Through her work, Anastasiya hopes to draw attention to the importance of inclusivity in sports and the need for better support for visually impaired chess players. Anastasiya's journey into the world of photography began modestly, with just her smartphone camera in 2013. Her passion was truly ignited two years later when she received her first digital camera, inspiring Anastasiya to explore the dynamics and art of street photography. By 2019 Anastasiya sharpened her focus delving deeper into the world of photography by exploring and expanding her knowledge of visual storytelling. Her new discoveries led her to documentary photography, where she was driven to captivate her audience, embracing the viewer while allowing them to experience that moment in time. Over the next year Anastasiya's passionate work in documentary photography led her to develop a new interest in the art of photo stories, learning how to create a narrative arc and tell complex stories with her pictures - a true testament to her desire to learn and grow. Chess is an important part of the culture in Russia. it has become part of the fabric of Russian society. The story of Soviet chess begins during the Russian Civil War, when chess was enlisted as a training tool for military recruits to sharpen their critical thinking and hone their strategic skills. Chess has been part of children's curriculum for most Russian schools for more than 40 years. Adolescents were encouraged to play chess at a very early age to increase their problem solving and reasoning skills. The Soviets put vast resources into developing a league of grandmaster champions and a profound chess culture. It was in the summer of 2021, in the city of Klintsy, Bryansk Oblast, on the border with Belarus and Ukraine, that Anastasiya first encountered Blindfold Chess. Unfortunately, due to miscommunication and schedule changes, the competition had already taken place a week before Anastasiya's arrival. Nevertheless, Anastasiya decided to stay and glean as much information as she could about the world of chess for the visually impaired. Anastasiya learned from the head of the All-Russian Society of the Blind in Klintsy, that there were a lot of players and that tournaments were held often. Seizing the opportunity, Anastasiya took a portrait of Nadezhda Vekshina, serving as the starting point for her project. Through her diligent exploration and commitment to her studies she made valuable connections in the Blindfolded Chess community. She found her heroes through authentic conversation, giving her a greater understanding of the world of Blindfolded Chess in Russia. Inspired by her studies and conversations, Anastasiya decided to travel the length and breadth of Russia, interviewing and photographing the players of Blindfolded Chess. She wanted to capture their unique perspectives and document the game from their point of view. Anastasiya was particularly interested in how they perceived the game differently than sighted players and if certain techniques or strategies were employed differently. “I talked with people there and realized that this topic touches me and I wanted to go into more detail. Few people think about the life of the blind community. A lot of my friends were surprised to learn about the existence of chess for the blind. I myself was just as interested. Before that point, I had no experience working with the visually impaired. I read many articles about chess for the blind, but they weren’t comprehensive enough. I mostly got information from my heroes.” The chess players have to rely on their own creativity and inventiveness to make the game more accessible for them. They use their hands to feel the pieces, and they develop a system of verbal descriptions that allow them to communicate the moves they are making. For tournaments, they use specialized board markers. It is a testament to everyone’s ability to adapt and find creative solutions, even when faced with seemingly insurmountable obstacles. During her time with the players, Anastasiya witnessed the profound joy that the game brought them. For many of them, it was a way of life, something that brought them together and helped bridge the gap between sighted and non-sighted people, giving them a valuable sense of community. Anastasiya has gained a deeper understanding and appreciation for the game of Blindfold Chess and for the amazing people who play it. It is a unique experience, one that she will never forget. “As I traveled to different cities in Russia over the weekends, I began photoshoots at the heroes' homes, chess clubs, and workplaces. It was important for me to create a comfortable and familiar atmosphere, so I spent approximately 3-4 hours with each sportsperson. During our time together, I made sure to delicately ask about their biographies and health, and we often talked and joked about different topics.” As Anastasiya documents the lives of the people she meets, she notices that these role models are strong, dedicated, and incredibly brave. She is inspired by their determination, and passion for life despite their visual impairments. She understands that these people want to be recognized for who they are and for what they can do. What Anastasiya has learned is to never give up. They have taught her that even when things seem impossible, there is always a way. Their dedication, strength, and courage will always be a source of inspiration and admiration for Anastasiya. Anastasiya hopes to continue her project and share with others the stories of these remarkable role models. Komissarov Aleksey, FIDE Master (FM). © Anastasiya Pentyukhina Evgeny Suslov told me that he started losing his eyesight in childhood. In order to read books and learn chess on his own, he had to study with a magnifying glass, which greatly reduced the speed of learning but never stopped him. The photo was taken at the children's center in Ivanovo, where he teaches. © Anastasiya Pentyukhina Babarykin Stanislav, FIDE Master (FM), World Champion. © Anastasiya Pentyukhina Smirnov Sergey, two-time World Champion. © Anastasiya Pentyukhina Special Braille chess set is used to play. All the Black squares are raised a couple millimeters above the white ones. Each square has a hole in the center so that the pieces can be fixed in them. © Anastasiya Pentyukhina Vitaly Vertogradov works as an astrophysicist and teaches at Herzen University. Volunteers help him read all the formulas. He is completely blind. The photo was taken at Herzen University in St. Petersburg. © Anastasiya Pentyukhina Kovnerev Sergey, ex-head of The All Russia Association of the Blind in Smolensk, chess competition’s organizer. © Anastasiya Pentyukhina Chigarev Damir, multiple champion of the Uzbek Soviet Socialist Republic. © Anastasiya Pentyukhina Ivanov German, multiple champion of Russia in team tournaments. © Anastasiya Pentyukhina Garanin Danil, chess competition participant. © Anastasiya Pentyukhina Yulia Taranenko worked as a chess teacher at a children's school in Korolyov and had been planning to quit. I captured an important moment for her: the end of her career as a teacher at this school. The photo was taken in the children's chess school Debut in Korolyov. She is a hereditary checkers and chess player. Her mother is also one of the strongest players and a teacher. © Anastasiya Pentyukhina Anastasiya Pentyukhina’s inspiring journey into the world of blindfolded chess provides a unique perspective on the challenges faced by visually impaired players. The story of these players serves as an inspiring reminder of the strength and resilience of the human spirit, and the courage and determination it takes to overcome adversity. Follow Anastasiya's journey on her website and Instagram and be inspired by her visual storytelling. view Anastasiya's portfolio Website >>> Instagram >>> The views, thoughts, and opinions expressed in the text belong solely to the author/s, and are not necessarily shared by The Pictorial List and the team. read more stories >>> MOMMIE Arlene Gottfried’s poignant exploration of motherhood in “Mommie” is not just a collection of photographs but a profound tribute to the enduring bonds of family and the universal experiences of love, loss, and resilience. BIFRÖST In "Bifröst," Romain Coudrier masterfully captures Norway's timeless beauty, blending myth with modernity through black and white photography. A stunning exploration. MUD Dedipya Basak's documentary project explores an 800-year-old lake's struggle against global warming, highlighting its relevance and urgency in modern times. A WORLD WITHIN REACH In his Cuba project, Pedro Vidal celebrates human resilience and warmth through captivating imagery, revealing photography's profound ability to encapsulate emotions and memories. UNVEILING VULNERABILITY In a world where masculinity is often synonymous with stoicism and strength, Francesca Tiboni challenges us to reevaluate our perceptions of masculinity, inviting us to embrace the complexity of the male emotional experience. TRANSCENDENTS: SPIRIT MEDIUMS IN BURMA AND THAILAND Mariette Pathy Allen's visual narrative celebrates authenticity, spotlighting Spirit Mediums' enigmatic presence in both possession and daily life. She portrays them as essential to cultures steeped in Animism, reflecting the enduring essence of human authenticity. COALESCENCE Visual diptychs intricately depicting the intimate exchange between a mother and daughter, transcending personal narratives to explore universal themes of transition, acceptance, and the beauty of change. IN THE FOOTSTEPS OF ANSEL ADAMS In following the footsteps of the masterful Ansel Adams, Karin Svadlenak Gomez not only paid homage to his timeless work but also embarked on a transformative journey. PARALELL REALITIES Through her lens, Catia Montagna explores the impact of socioeconomic factors and social norms on our daily lives, revealing the subtle poetry of small, insignificant moments that capture the ‘existential’ and the ephemeral, in the human condition. A TALE OF NATURE AND HERITAGE With her words and photographs, Ana-Maria Alb invites readers to join her on a journey through the breathtaking Carpathians. ON THE TRAIL OF LOVE LOST Through Sasha’s photo essay, we are given a glimpse into a beautiful love story and the unbreakable strength and resilience of the human spirit. Join us as we explore Sasha Ivanov’s heartfelt tribute to Lydia and Nikolai. SAHIB: THE FRANKINCENSE BOY France Leclerc’s documentary exploration embraces the community finding captivating stories for her visual translations. Her story takes us to the village of Poshina, where we meet Sahib. THEY HAVE GONE Lorenzo Vitali felt compelled to explore the landscapes of Eastern Veneto, to understand its emotional affective relationship and document it through his photography. I AM WATER Paola Ferrarotti explores her deep connection with the water and how it has transformed her understanding of life and herself. THE STRANDED PAKISTANIS Anwar Ehtesham captures the beauty of human emotion in all its rawest forms in the face of adversity and offers an insight into the complexity of the lives of the Bihari people and their relationship with their environment. BLINDFOLD CHESS Anastasiya Pentyukhina’s documentation of blindfolded chess provides an insight into this often overlooked world of sports, and sheds light on the unique challenges faced by visually impaired players. SKIN STORIES Tony Reddrop strives to look beyond the ink in his latest project, believing that by looking beyond the physical appearance of a person you will find their unique story. WHERE THE WAVES MEET THE OCEAN Uma Muthuraaman explores the idea of finding in ourselves what we seek in other people and places — like waves searching for the ocean, being it, and not knowing it. THE ARTISANAL SALT FARMERS OF GOZO Naima Hall takes us on a journey with the Cini family, giving us a glimpse into their artisanal salt-farming practices and uncovering the broader geo-heritage of Gozo. CRACKS TO MEND Through her powerful photographs, Ida Di Pasquale shares the story of her birth house in Italy - a village that was left in ruins after two fatal earthquakes. THE WHIRLING DERVISHES OF KONYA Follow Rpnunyez's journey as he captures the beauty and strength of the Whirling Dervishes as they perform their ritual dance. SAHARA: THE SHAPE AND THE SHADOW Lorenzo Vitali's Sahara is a captivating exploration of the intangible power of nature. His photos show the changing shapes of the sand, but also highlights the complexity of the interplay between light and dark. WIDOWS' HOLI Celebratory colors of Holi fill the ancient city of Vrindavan! Street and documentary photographer Abhay Patel captures the unique Widow's Holi in his lens, bringing to life the joyous emotions of the festival. RIPPLED REALITIES The panorama has been redefined in the work of photographer, Susan Bowen. Her fearless journey created new thinking patterns that motivated and inspired a profound body of work. INDIA'S LOST CHILDREN OF POSTMODERNISM Growing up in the ancient city of Varanasi has given Jayesh Kumar Sharma an unique and authentic perspective. The social and cultural changes taking place in the society became the concept of his story.

INTERVIEW March 5, 2021 STREET POETRY ​ Photography by Damien Goret Interview by Melanie Meggs As a journalist and passionate photographer, Damien Goret has an eye for the seemingly mundane moments that fill our days, from the poetry of a solitary walker to the graphic geometry of light on a sunny day. With his ability to capture deep blacks, pure whites, and all the shadows and highlights in between, Damien Goret's photography breathes life into everyday moments, freezing them in time and reminding us of their beauty. From natural landscapes to cityscapes, each one of his photographs is a unique snapshot of our world. “I think I've always had, more or less, a taste for photography. I love photography for a simple reason. It allowed me to bypass one of my great weaknesses, one of my great regrets: I am a bad draughtsman. I photograph as I would have liked to know how to draw. By projecting scenes, imagining lines. It is thanks to my work as a journalist that I learned to formalize my practice of photography, to be interested in the settings of a camera, to understand its logical workings.” IN CONVERSATION WITH DAMIEN GORET THE PICTORIAL LIST: Damien please tell us about yourself. DAMIEN GORET: I was born in Brest, one of the westernmost cities in France, 43 years ago. After living 10 years of my youth in Africa, I came back to live, settle, work and start a family in the Region of Brest. I now live in a small town 20 kilometres from Brest, called Plouarzel. Beyond Plouarzel, there is nothing but the sea, then the United States. TPL: Do you have a favourite quote, lyric, or saying that especially resonates with you? DG: In terms of photography, I really like this phrase by Ernst Haas: "I am not interested in shooting new things - I am interested to see things new. " I think it sums up very well the photos I want to make today. I am not looking for the spectacular, but in search of what is spectacular about everyday life, and that too often eludes us. TPL: Where do you find your inspiration to photograph? DG: I find my inspiration in the other. The other photographer, the other human, the other draughtsman, the other painter, the other director. TPL: Your street photography has this wonderful graphic feel to it. What do you want to express through your photography? And what are some of the elements you always try to include in your photographs? DG: The street photo as I imagine it is a graphic image, yes. I always come back to these stories of shadows, of lights, two elements that alone draw a landscape, a geometry. I'm not very much inclined towards street portraiture. I really want to reveal things that we see every day without seeing them: the shadow of a lamppost on a wall; the shade of the trees on a sunny façade; a person's silhouette, more than the person himself. Because this is the third element necessary for street photography as I imagine it: it is a photo where the human has its place. I like the idea of the gigantism of cities that engulf men. TPL: What is it that you enjoy about street photography. What happens when you walk the streets with your camera? Explain your technique? Have you ever had a negative encounter? DG: What excites me is the spectacle that everyday life offers. Things I didn't see before. Places that I have traveled to thousands of times are open to me, one day, in a new light. Because that day, I'm probably more open to the world. Because, on that day, I probably did not know that I had passed this place at the same time as yesterday, and because the light of day makes me see things that did not exist the day before. I love this feeling, this feeling that nothing belongs to me, that nothing is fixed, that today will not look like tomorrow. Photography made my life exciting and allowed me to fight against my anguish of the passing of time, my fear of death. When I'm photographing, I'm stopping it, this time. I'm freezing life. It becomes, for a moment, eternal. TPL: What is it like photographing on the streets of France? Do you have any favourite spots in France and outside of France to go shoot? DG: I am a fairly sedentary photographer, but I work in a profession that leads me to move around a lot. It's a real chance, to spot places, geometries. I never go out without a camera. I live and work in relatively small cities, where I am obliged to be on the lookout. I mean: I guess doing street photography is maybe easier in Paris, London or New York. Photography made my life exciting and allowed me to fight against my anguish of the passing of time, my fear of death. TPL: What has been the best advice you have ever received in photography? DG: I think one of the mantras of the wonderful photographer Sean Tucker opened my mind to photography, and especially to street photography, which I now practice 90% of my time: "Embrace your shadows". There is nothing more beautiful than the shadows that come to cut out the lights and shape them. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? DG: Clearly, Fan Ho shook me up. Harry Gruyaert too. Among the more contemporary photographers, Sean Tucker inspires me by the elegance of his lines, the quality of his shadows, and the relevance of his eye. On Instagram, where I am a lot, there are also several photographers whose work always makes me think of a tennis player forehand, Tom Schippers, for the loneliness that floods his images; Kentaro Watanabe for his black and white and his sense of graphic design; Ingrid Clauwaert for the vastness of her cities engulfing men; Magali Kermaïdic, whose Brest origins I share but not her talent (laughs); and so many others... TPL: Does the equipment you use help you in achieving your vision in your photography? What camera do you use? Do you have a preferred lens/focal length? DG: I am now working with the camera I dreamed of when I started in street photography: a Ricoh GR (the II, in this case). But when I started, I was photographing with an Olympus EM10 Mark II, which I loved. The Ricoh GR II is as I imagined it: a street photo killer. The nose-down of its optics is superlative, maybe even better than the Nikon D7200 that I own in SLR. Its snap mode is truly amazing, once you understand how it works. I just regret it's great weakness in terms of dust, with a sensor that is very sensitive to it. I've had it 3 months, I take great care, and it already has annoying dust specs on the sensor. This Ricoh GR II allows me to make street images that I couldn't have done as easily with my Olympus, let alone with my SLR. TPL: When you go out, do you have a concept in mind of what you want to shoot, or do you let the images just "come to you", or is it both? DG: I don't have any ideas when I go to photograph. Like I said, I always go out with my camera. When I see something that appeals to me, and if I have time, I stay put in a spot for 5 to 10 minutes and I wait: I wait for the event that I projected in this scene. Thus, I also have time to adjust my shooting, always in manual mode, to preserve my highlights, respect my shadows. Manual mode is important to me: I want to know everything about my photo, I want to master all the settings...except what will happen there! TPL: Are there any special projects you are currently working on that you would like to let everyone know about? What are some of your goals as an artist? Where do you see yourself or hope to see yourself in five years? DG: When I “grow up”, I want to photograph like Tom Schippers 😉! I told him that on Instagram. I always look at his photos and regret not knowing or being able to make them! I would like to find the courage to exhibit my photos, but I remain someone quite discreet, who has a hard time feeling legitimate in what he does. There is a lot of shyness, and the impression, often, of being an impostor, of not deserving to see my photos recognized. I still judge them pretty badly, even if I like them. But are they worthy of "staying", of being seen...? I have no pretensions in that regard. To exhibit some of them would nevertheless be something I would like to do. TPL: "When I am not out photographing, I (like to)… DG: Play a lot of board games with my wife and children. I also ride a lot of road bikes. And when I'm not photographing, I like to look at the world as I would like to photograph it." Damien Goret's photography has a way of making us pause and recognize the beauty of everyday moments. His photographs capture the poetry in the mundane, the stunning geometry of light, and the vibrant colors of our world. He has an eye for beauty, and his work shows it. If you want to appreciate the world in a way you've never seen before, view more of Damien's work. VIEW DAMIEN'S PORTFOLIO Damien's instagram >>> read more interviews >>> COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography. UNDER THE COVERS WITH AMERICAN BEDROOM Barbara Peacock, opens the door to her subjects' bedroom, revealing their intimate thoughts and emotions. Discover the confidence and trust shared between the photographer and subject for an authentic and inspiring experience. BEYOND SIGHT Doug Winter is a photographic artist using his unique perspective as a semi-sighted individual to explore the experiences of partial blindness and vision disabilities. ETERNITY Eternity is a pictorial story about Konrad Hellfeuer's own personal journey with religion and how photography has helped him find peace within it. CROSSING THE AVENUE Get ready to be transported by the street photography of Juan Sostre. His mastery of technique and ability to observe the world around him, allows us to experience the street in a whole different light. HUMAN CONTACT By walking through the streets and observing people's behaviours, Jan Ponnet tries to develop a keen eye for the subtle nuances and rhythms of life on the street, and learns to anticipate and capture these moments that might otherwise go unnoticed. FREEDOM TASTES OF REALITY Juan Barte does not choose to document what he sees, but creates a photograph that constricts the flow of information, allowing for the viewer to further investigate and question what they see.