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- INGRID CLAUWAERT
I forget about the world when I walk around with my camera, my clicks are impulsive and passionate. I am a light searcher and am always looking for a creative perspective. INGRID CLAUWAERT be inspired Gallery // ARTIST STATEMENT // I forget about the world when I walk around with my camera, my clicks are impulsive and passionate. I am a light searcher and am always looking for a creative perspective. LOCATION NETHERLANDS CAMERA Panasonic Lumix GX80 CATEGORY urban, fine art photography WEBSITE https://www.ingridclauwaert.com/ @INGCPHOTOS @INGRIDCLAUWAERT FEATURES // A Creative Perspective
- THE PICTORIAL LIST | STEVE BEST
I am a comedian and a photographer. I am a twin. My twin brother is ten minutes older than me. Time, I'm told, for my mum to have a cup of tea in-between deliveries. One year at senior school I received an A for effort and attainment in every single subject on my end-of-year school report. I then became obsessed with magic and performing and ended up getting an O level grade for my French A level. Merde! On a positive note I was a finalist in the Young Magician of the Year in 1985. I also passed Grade 8 on the flute. My dad was mayor of Epsom & Ewell 1990/91. I started stand-up in 1992. I am conversational in the Serbian/Croatian/Bosnian/Montenegrin languages. I saved my father-in-law from drowning in the sea off the Montenegrin coast in 2007 with the help of my twin brother. I have had two operations in the last several years to combat my snoring. The first was an Uvulopalatoplasty (a surgical procedure in which a laser is used to remove most of the uvula at the rear of the mouth). I'm not a baby, but that bloody hurt. It kind of worked (but not enough according to my wife). The second was a Radio-Frequency Ablation or Somnoplasty (the inner tissue is heated to 85 degrees Celsius, resulting in the tissue beneath the skin being scarred). This operation was not as painful. It did not really work either. It does however require the patient to undergo several sessions. I never went back for more. I am still married, but tend to sleep in the lower bunk of my son's bunk bed, who on occasion is known to shout at me to stop bloody snoring (so I'm told). I have never played Candy Crush. For the last 10 years or so I've been documenting my scene, the comedy scene: backstage and on stage, the highs and the lows, the camaraderie and the competition, the loneliness and the isolation, and the outright joy of being a stand-up comedian. STEVE BEST be inspired Gallery // ARTIST'S STATEMENT // I am a comedian and a photographer. I am a twin. My twin brother is ten minutes older than me. Time, I'm told, for my mum to have a cup of tea in-between deliveries. One year at senior school I received an A for effort and attainment in every single subject on my end-of-year school report. I then became obsessed with magic and performing and ended up getting an O level grade for my French A level. Merde! On a positive note I was a finalist in the Young Magician of the Year in 1985. I also passed Grade 8 on the flute. My dad was mayor of Epsom & Ewell 1990/91. I started stand-up in 1992. I am conversational in the Serbian/Croatian/Bosnian/Montenegrin languages. I saved my father-in-law from drowning in the sea off the Montenegrin coast in 2007 with the help of my twin brother. I have had two operations in the last several years to combat my snoring. The first was an Uvulopalatoplasty (a surgical procedure in which a laser is used to remove most of the uvula at the rear of the mouth). I'm not a baby, but that bloody hurt. It kind of worked (but not enough according to my wife). The second was a Radio-Frequency Ablation or Somnoplasty (the inner tissue is heated to 85 degrees Celsius, resulting in the tissue beneath the skin being scarred). This operation was not as painful. It did not really work either. It does however require the patient to undergo several sessions. I never went back for more. I am still married, but tend to sleep in the lower bunk of my son's bunk bed, who on occasion is known to shout at me to stop bloody snoring (so I'm told). I have never played Candy Crush. For the last 10 years or so I've been documenting my scene, the comedy scene: backstage and on stage, the highs and the lows, the camaraderie and the competition, the loneliness and the isolation, and the outright joy of being a stand-up comedian. LOCATION London UNITED KINGDOM CAMERA Fujifilm X-series, Leica Q CATEGORY documentary, street WEBSITE https://www.stevebest.com/ @STEVEBESTPICS @STEVEBESTPICS @STEVEBESTPICS FEATURES // Comedians
- GARETH WATKINS
GARETH WATKINS be inspired Gallery // ARTIST'S STATEMENT // I am a Franco-British photographer currently living near Reims in France. I started out photography back in the early 80’s after reading French literature at University. In my early days, I mostly tried to capture street type pictures, in London, where I was living at the time. I was hugely influenced by some of the top documentary photographers at the time such as Don McCullin, W. Eugene Smith, Elliot Erwitt, Bruce Davidson, Henri Cartier-Bresson, and spent my time wandering the streets looking for pictures. I quickly realised if I was to work in photography, I would have to move into more general photojournalism. Thus, from the mid 1980’s, I started working for a number of newspapers and agencies in London, before joining Reuters News Agency as a staff photographer in Paris in 1987. Here I covered many local and international stories for over 15 years. Since leaving Reuters, I have started to shoot my own long-term projects, documenting the region in France where I live in black and white. LOCATION FRANCE CAMERA Fuji Xpro 1 & 2 CATEGORY street, documentary, landscape WEBSITE http://www.gwenllyn.com/ @GARETHWATKINS02 FEATURES // Les Francais
- TONY REDDROP
Started my journey in the late nineties, and then took a break for eight years. Almost six years forward, and the journey has recommenced. I photograph things the way I see them, focusing on light, shadow, and colour. My images focus on the people and things, in the small semi rural town where I live, in New Zealand. I use multiple ways to show my work, exhibition, electronic media, and public display as billboard style images, two metres plus in size. I believe it's important to have images accessible, to as many people as possible, because not everyone feels comfortable in a gallery. The journey has taken me from assisting commercial photographers and as a freelance press photographer. It is all a learning curve...but as long as you are learning. TONY REDDROP be inspired Gallery // ARTIST STATEMENT // Started my journey in the late nineties, and then took a break for eight years. Almost six years forward, and the journey has recommenced. I photograph things the way I see them, focusing on light, shadow, and colour. My images focus on the people and things, in the small semi rural town where I live, in New Zealand. I use multiple ways to show my work, exhibition, electronic media, and public display as billboard style images, two metres plus in size. I believe it's important to have images accessible, to as many people as possible, because not everyone feels comfortable in a gallery. The journey has taken me from assisting commercial photographers and as a freelance press photographer. It is all a learning curve...but as long as you are learning. LOCATION Palmerston North NEW ZEALAND CAMERA Fuji XE-3 - 23mm F-2.0 lens CATEGORY social documentary, environmental portraiture WEBSITE https://www.flickr.com/photos/tony_reddrop/albums @TONYREDDROP FEATURES // Crossings
- JOSEPH LEE
INTERVIEW INTERVIEW March 30, 2021 SOCIALLY ENGAGED Photography by Joseph Lee Interview by Melanie Meggs Joseph Lee's photography captures the beauty of everyday life. His photographs are often spontaneous, capturing random moments of people in different settings - be it nature, the city, or near the sea. Through these candid images, he invites viewers to create stories of their own, inviting them to explore the complexity of the human experience. At the heart of Joseph's photography practice is a deep appreciation for people and their environment. His images feature characterful subjects who appear to occupy a space with an almost dreamlike quality. His work often evokes a sense of nostalgia, connecting viewers to seemingly forgotten memories. Joseph’s ambition is to document life in a way that leaves the story up to the viewer. Through this creative process, he encourages viewers to explore and discover new narratives from his images. Take a journey with Joseph Lee as he explores the beauty of people and the sense of the space that they occupy. From random moments in nature to people in the city, his images invite viewers to take part in a creative and unique journey. Discover the unique stories that lay hidden in Joseph Lee’s photos and be swept away in a world of nostalgia and beauty. “I’m fascinated by people and have always loved watching them go about their business. My street photography is an extension of that. I’m interested in the magic that reveals itself in these everyday comings and goings. It never ceases to amaze how quickly these moments come to light when I step out with my camera. I just walk and observe and the magic is always there for me. I try to keep the composition simple, with a limited colour palette and a sense of space is important, which probably comes from that cinematic influence.” IN CONVERSATION WITH JOSEPH LEE THE PICTORIAL LIST: Joseph, please tell us about yourself. How did you become interested in photography? JOSEPH LEE: I was born in north Wales and have returned recently, having spent most of my life living in London and then Hastings. I have always had an interest in photography, but the passion really took hold about five years ago. It has become my primary creative outlet and there’s no turning back now. TPL: Where do you find your inspiration? Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? JL: Definitely out and about watching the to and fro of everyday life is the most inspiring place to be. Also, the Magnum Agency’s work has been a huge source of inspiration. I discovered Elliott Erwitt properly recently and love his work. There’s also Gregory Crewdson, Annie Leibovitz, Don McCullin, Nick Hedges, Gueorgui Pinkhassov, Michael Bennett, Robert Frank, Dorothea Lange. Painters such as Edward Hopper, Paul Nash and Mark Rothko as well. I’m also inspired by movies - the vision of directors like Wim Wenders (and his photography), Tarantino, David Lynch and their cinematographers have had a lasting effect on my work, often subconsciously I think. I am studying for an MA in Socially Engaged Photography currently and through that have discovered Wendy Ewald, who’s work and approach I’m very interested in. I love the artists featured on The Pictorial List obviously! The Instagram community has also been incredibly inspiring - there are so many wonderful people doing fantastic work and being part of that community as helped me develop a great deal. There are so many great artists on Instagram, too many to mention but a few are: @luxtasia, @georgiepeelphoto, @leethirkelleson, @darbolger, @streetsnappers, @kim_aldis, @billie_charity, @alanmartine_z, @rpapworthphotos, @robbremner_photographer, @paul_menzies_, and @zigghi49. TPL: Do you have any favourite spots to go photographing? JL: I used to live in Hastings and this period was a turning point in my work. It’s a place of great contrast - with natural beauty and urban grime and grittiness in equal measure. There is also a big socioeconomic divide which can be seen on the streets and I became interested in trying to capture this in my photography. It’s a vibrant, exuberant place, but also a depressed place. There is a sense of isolation both geographically and socially, which I have an interest in. I’ve since left Hastings and moved to north Wales, but I still spend a lot of time in seaside towns capturing this same contrast. Blackpool is currently a favourite spot to photograph for all the same reasons. TPL: Do you have a favourite quote, lyric, or saying that especially resonates with you? JL: Dorothea Lange said, “The camera is an instrument that teaches people how to see without a camera.” There is so much truth in this and for me, that ‘seeing’ she talks about has huge potential for helping us to understand ourselves and our place in the world and, in turn, improving our wellbeing. TPL: How has the pandemic affected you personally and your photography? JL: The pandemic has without doubt had an impact on me and my work. We were becoming more and more disconnected as a society before it and that is now being felt even more profoundly. So my work is now about exploring this disconnection and isolation, whilst trying to contrast it against a beautiful setting or backdrop. I am also looking at ways of using photography to create better connections between people and their environment. I really believe that if we can see the vividness of our world more clearly and not be so blinkered, we will be better placed to love it and ourselves. Again, as Dorothea Lange said, "Photography is a powerful tool for teaching us to see." I just walk and watch people. I try to cultivate an openness to the surroundings, I’m very interested in how mindfulness helps create this spaciousness of mind. TPL: Does the equipment you use help you in achieving your vision in your photography? What camera do you use? Do you have a preferred lens/focal length? JL: My Fujifilm X-T20 with the 35mm f/1.4 was the turning point for me. I had a Sony before it, which was fine, but the Fuji was revelation. It’s size and it’s ability with colour seemed to just work for me. I’ve recently upgraded to the X-T3 and this has upped the ante further. I still primarily use the 35mm lens, but also enjoy the new 16-80mm lens, which gives me some interesting new options to achieve the cinematic look I like. Apologies to the street purists out there! Also, smartphones have transformed photography for me. The fact that I can grab a shot whenever and wherever and edit it Lightroom, on the go is incredible. I have a Pentax ME, which I love, but I’m just too impatient and love the immediacy of digital photography. Getting home and going through ‘my catch of the day’, seeing what worked and what didn’t is a huge part of the joy. That said, if I had the space I’d love to set up a darkroom and learn that skill at home one day! TPL: When you go out photographing, do you have a concept in mind of what you want to shoot, or do you let the images just "come to you", or is it both? JL: I just walk and watch people. I try to cultivate an openness to the surroundings, I’m very interested in how mindfulness helps create this spaciousness of mind. In that space we can be more receptive to the inspiration that is all around us and then the ideas seem to come more freely. I do look for interesting backdrops and plays of light. Then I lurk in those spaces waiting for the right characters to play their part! Some planning and foresight, patience and a bit of luck is what it’s all about for me. TPL: Have you ever been involved in the artistic world before photography? JL: I spent 20 years working as a creative and latterly Creative Director at broadcast companies, including the BBC, working on TV marketing and branding. Also, my grandfather was landscape painter. He really taught me how to ‘see’ and appreciate the environment and the way light works. So creativity has always been in my life in some shape or form. TPL: What are some of your goals as an artist? Where do you see yourself or hope to see yourself in five years? JL: My goal is to continue to develop my own practice, but also my socially engaged work. I want to develop techniques that combine mindfulness and photography to help communities and groups express themselves and connect better through this combined practice. There is huge creative and well-being potential in this area and it is more important now than ever before. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? JL: I am working on The Mindful Photo Project, which is a socially engaged photography project formed around the exploration of mindfulness and photography. We have been running weekly Zoom based workshops where we set weekly assignments for a group of participants, through which they can begin to see their world through a different lens (excuse the pun!). This is as much about developing the group’s technical skills as it is about the therapeutic benefit of the 2 practices. The project is very much in its infancy, but it has been hugely rewarding and insightful already. I’m hoping this will continue to develop and expand, so that we can explore these ideas in other community groups and settings. TPL: "When I am not out photographing, I (like to)… JL: Study, read, cycle and be a husband and dad." Joseph Lee's photography is a beautiful exploration of the complexity of human experience. His candid images and dreamlike settings invite viewers to explore their own stories and narratives, and to take part in a unique journey filled with nostalgia and beauty. Be swept away in the stories that lay hidden in Joseph Lee's photos and discover new ways of understanding the beauty of everyday life. Take action now and explore Joseph Lee's photography to discover more of his remarkable world. VIEW JOSEPH'S PORTFOLIO Website >>> Instagram >>> The Mindful Photo Project >>> read more interviews >>> THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth. FUTURE HACKNEY Don Travis and Wayne Crichlow are the photographers and community advocates behind Future Hackney, merging photographic activism and social engagement to amplify inner-city marginalized communities' voices. DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity.
- SOPHIE LINCKERSDORFF
SOPHIE LINCKERSDORFF be inspired Gallery // ARTIST'S STATEMENT // I grew up in a household of art dealers and thus had some early exposure to the art world. This later influenced my development as a photographer. Focusing on storytelling and documentary photography, I am now a photojournalist, travelling the world with the goal of taking pictures that are thought-provoking rather than merely beautiful. LOCATION Berlin GERMANY CAMERA not disclosed CATEGORY documentary WEBSITE https://www.sophie-linckersdorff.de/ @SOPHIE.LINCKERSDORFF FEATURES // Exclusion Zone Stories To Be Told
- ADESH GAUR
INTERVIEW INTERVIEW November 30, 2020 NEW NORMAL Photography by Adesh Gaur Interview by Melanie Meggs Photography is a visual art form that captures moments and emotions, freezing them in time and space. It is an incredibly powerful medium to tell stories and evoke emotions. Now, more than ever, we have a desire to look at the world and the people around us differently. Enter Adesh Gaur, an award-winning photographer based in Uttar Pradesh, India. Adesh has developed a passion for photography since 2018, turning it into his full-time career. His focus lies on telling humanist stories while delivering powerful visual storytelling through documentary and fine art photography. His images capture the nuances of life and its complexities, as seen through his lens. Adesh's objective is to capture moments in time, highlighting the beauty and poignancy of everyday life. Through his photographs he wants to portray a powerful narrative about the places and people he encounters on his journey. To him, photography isn't just about taking pictures but also about capturing stories and emotions that will hopefully evoke empathy and understanding in viewers. “As we all know, the whole world is struggling with Coronavirus. It’s very difficult to live in a middle-class family. In this collection, I want to state and show you how the middle-class people live and work, despite all their troubles. Because of Coronavirus, these laborers had to go back to their own homes. I documented this series in Kanpur Cement Warehouse, in India, post Lockdown.” IN CONVERSATION WITH ADESH GAUR THE PICTORIAL LIST: Adesh, where do you find your inspiration to photograph? ADESH GAUR: I am inspired by many and everywhere. TPL: Is there anything you want to express through your photography? AG: As we all know there's a story behind every picture and I love to share stories through my lens. The places attract me much where a good story can be made and sometimes I love to take portraits of those people whose eyes have a different shine from others. TPL: Do you prefer to photograph alone or with friends? AG: I shoot most often with friends, sometimes it's good if you are a beginner to learn from others. But I also love to shoot alone so I can focus. TPL: Who are your favourite artists and photographers? AG: Steve McCurry, Alan Schaller, Daniel Milnor, Raghu Rai and Raghubir Singh. Photography, to me, is the dewdrop that reflects my inner and outer worlds simultaneously. - Raghubir Singh TPL: Where is your favourite place to photograph? AG: Everywhere I can get a good documentary photo. TPL: How does the equipment you use help you in achieving your vision in your photography? AG: It's all about observation, but camera also matters. I love to shoot with my Canon camera. When I shoot portraits I love to use prime lenses and for wide shots I use 18-55mm lenses. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? AG: Yes it is about migrants labour. But because of the Coronavirus I haven't been able to get out of the house for the six months, but as soon as things return to normal, I'll get back and get better stories. TPL: What are some of your goals as an artist? Where do you see yourself or hope to see yourself in five years? AG: My goal is to become a photojournalist. In the coming five years I see myself as a better photographer who will be moving forward with many achievements. TPL: “When I am not out photographing, I (like to)… AG: Read, watch documentaries and travel.” The principal motivation behind Adesh Gaur's images are the focus on humanist issues combined with his strong visual storytelling. Follow his connections he makes in his community by following his journey on Instagram. VIEW ADESH'S PORTFOLIO Instagram >>> read more interviews >>> THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth. FUTURE HACKNEY Don Travis and Wayne Crichlow are the photographers and community advocates behind Future Hackney, merging photographic activism and social engagement to amplify inner-city marginalized communities' voices. DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity.
- FRANCOISE LERUSSE
I am a Belgian photographer living between Brussels, Lisbon and the South of France. After graduating in French literature I turned to TV journalism, film documentary and advertising. Having inherited my passion for photography from my father, I also learned through photography courses and workshops. I have held different exhibitions in France and Belgium and published her first book "Dans les plis du vieux village" at Corridor Eléphant Editions Paris in 2020. My main interests are street photography, architecture and urbanism. Through a poetic and expressionist approach I focus mainly on urban spaces and human built environments, emphasizing lines and contrasts giving a maximum of energy to my pictures. FRANCOISE LERUSSE be inspired Gallery // ARTIST STATEMENT // I am a Belgian photographer living between Brussels, Lisbon and the South of France. After graduating in French literature I turned to TV journalism, film documentary and advertising. Having inherited my passion for photography from my father, I also learned through photography courses and workshops. I have held different exhibitions in France and Belgium and published her first book "Dans les plis du vieux village" at Corridor Eléphant Editions Paris in 2020. My main interests are street photography, architecture and urbanism. Through a poetic and expressionist approach I focus mainly on urban spaces and human built environments, emphasizing lines and contrasts giving a maximum of energy to my pictures. LOCATION BELGIUM CAMERA Olympus OM-D E-M5 CATEGORY street WEBSITE https://www.francoiselerusse.com/ @FRANCOISELERUSSE @FRANCOISELERUS2 @FRANCOISE.LERUSSE FEATURES // Following Emotions The Soul of Shapes
- ALESSANDRO GIUGNI
A lover of photography since the age of 11, I consider this art form as much a means to express myself as one of the main vehicles through which to tell our time. When asked to describe my photography, I always answer with these words: "I feel the need to tell the human being contextualized in the time in which we live, without hiding the merits and weaknesses". I devote myself mainly to reportage and portrait photography, which I practice both digitally and analogically. For the past 10 years I have been studying as a self-taught artist, continuing to deepen every aspect of this art form, dedicating practically all my free time to it. In the last years I have dedicated myself almost exclusively to black and white and I have started to use the film more and more often, ending up becoming my main medium. This choice depends on several factors: the not immediate visualization of the shots, the pleasure of dealing with chemistry, the desire to master every stage of the creative process, learning to manage the development phase according to the needs of the case. Through the film, it is also possible to build a "material" archive, impossible to achieve through the digital medium. ALESSANDRO GIUGNI be inspired Gallery // ARTIST'S STATEMENT // A lover of photography since the age of 11, I consider this art form as much a means to express myself as one of the main vehicles through which to tell our time. When asked to describe my photography, I always answer with these words: "I feel the need to tell the human being contextualized in the time in which we live, without hiding the merits and weaknesses". I devote myself mainly to reportage and portrait photography, which I practice both digitally and analogically. For the past 10 years I have been studying as a self-taught artist, continuing to deepen every aspect of this art form, dedicating practically all my free time to it. In the last years I have dedicated myself almost exclusively to black and white and I have started to use the film more and more often, ending up becoming my main medium. This choice depends on several factors: the not immediate visualization of the shots, the pleasure of dealing with chemistry, the desire to master every stage of the creative process, learning to manage the development phase according to the needs of the case. Through the film, it is also possible to build a "material" archive, impossible to achieve through the digital medium. LOCATION Milan ITALY CAMERA Leica M3 and MP240 CATEGORY documentary, reportage WEBSITE https://www.alessandrogiugni.com/ @ALE_GIUGNI FEATURES // Colori Sospesi Nel Tempo. Geometrie Di Un'Isola (Colours Suspended In Time. Geometries Of An Island)
- JOHN ST.
INTERVIEW INTERVIEW February 27, 2020 THE STREET FILES Photography by John St. Interview by Melanie Meggs Meet John, an incredibly talented photographer from South Australia who fell in love with the art of capturing moments through his lens. John was born in South Shields, a town in the north-east of England. He migrated with his family to Australia and now resides with his wife in Adelaide, the capital city of South Australia. He considers himself fortunate to live in such a wonderful country. John's passion for photography started with his love for good coffee, which he would capture with his mobile phone. This passion quickly grew, and John found himself exploring the beauty of architecture in and around Adelaide before discovering his true passion for street photography. John's work has been exhibited in a solo exhibition and several group shows, and he has been recognized for his talent with multiple photography awards. His dedication to street photography has opened up new doors and opportunities that he never thought possible. Living in such a wonderful country, John considers himself fortunate to be able to capture and share the beauty of Australia through his lens. "I’ve finally figured out what’s wrong with photography. It’s a one-eyed man looking through a little ‘ole. Now, how much reality can there be in that?" – David Hockney IN CONVERSATION WITH JOHN ST. THE PICTORIAL LIST: Hello John, when did you first become interested in photography? JOHN ST.: I’ve always been interested in taking pictures but it was only whenever we went on holiday or for that 'special occasion'. But June 2018 is when the interest became a passion. TPL: Where do you find your inspiration? JS: My inspiration comes from a number of sources. Mainly from the beauty of everyday things, light and shadow, other famous photographers and many not so famous photographers that I follow on Instagram and Facebook. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? JS: Fan Ho, Garry Winogrand, Saul Leiter, Trent Parke, Elliott Erwitt, and Sean Tucker Some because of how I see the world and others because of their immense ability to see it differently. TPL: Has your style of photographing changed since you first started? JS: Yes, I started by taking pictures of coffee with my phone and images of buildings with no human elements in the frame! So I would certainly say that my style has changed and developed since I first started. TPL: Where is your favourite place to shoot? JS: Anywhere and everywhere and at any given time of the day or night. If I have my camera with me then that’s the time to shoot. So pretty much all of the time as I have my camera with me a lot! Photography has taken me down a road that I never knew was there, and for that I’m truly grateful. TPL: What characteristics do you think you need to become a better photographer? What’s your tips ? JS: Passion/Patience/Tenacity/Eye/Creativity/Belief in yourself...but most of all have your camera with you all of the time. All the technical skills will come from taking shots or be learned…YouTube is your friend! TPL: Have you ever been involved in the artistic world before photography? JS: No. If you were to ask me 20 months ago if I was artistic or creative then I would have said No Way Jose! It’s not that I didn’t want to be but more to do with not knowing where to look. Thankfully photography has taken me down a road that I never knew was there and for that I’m truly grateful. TPL: Do you think equipment is important in achieving your vision in your photography? What would you say to someone just starting out? JS: They say the best camera to use is the one you have on you! That might even be the one on your phone. Mark Fearnley is a street photographer from London. He’s taken some amazing images on the streets of Japan. I just watched a recent interview where he said some of his best shots that he’s ever taken were using his phone as that was all he had on him at the time. I had no idea that the shots he was referring to were taken using a phone! I bought a cheapish Nikon D3400 when I decided to take the plunge June 2018 and buy my first ever DSLR camera. I had no idea how to use it so I just twiddled the knobs until I got a half decent image and watched a lot of YouTube for hints and tips. I then bought a 35mm prime lens which was difficult to master at first as I was forced to learn how to frame my shots instead of just zooming in with my 18-55 kit lens. The quality was far better too but that’s because I was forced to get closer to my subjects. No matter the camera the principles are the same. If you can master those principles first before shopping for a more expensive camera then you’re onto a winner. In saying that I did end up buying an Fujifilm XT3 which I just love! Love! Love! But I don’t use it too anywhere near it’s full capabilities! But I do love the feel of it, the manner in which the exposure triangle (SS/ISO/A) are set out etc. The Fuji colour science is also stunning in my honest opinion too. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? JS: 1. I was honoured to have been asked to become a member of the Pictorial List 2. I’ve just been accepted to be the South Australian Rep for Fuji X Aus + Admin for their FB page 3. I’m currently one of the Admin’s for the Henri Cartier Bresson FB group 4. I started a small group for Adelaide creatives to come together to initially give street photography a go but this has now grown so that other photographers can share their skills with participating members within the group should they wish to learn. 5. Was just asked to become a member of the Street Avengers Collective 6. Co-founder of Streetlife Podcast TPL: "When I am not out photographing, I (like to)… JS: Drink coffee and write reviews 😉" The passion John has for street photography has enabled him to explore a side of himself he never expected to explore. John is a valuable member of the team at The Pictorial List, and we are delighted to have him in our fold. Follow his incredible journey and connect with John on Instagram. VIEW JOHN'S PORTFOLIO John's instagram >>> Listen to Street Life Podcast >>> read more interviews >>> THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth. FUTURE HACKNEY Don Travis and Wayne Crichlow are the photographers and community advocates behind Future Hackney, merging photographic activism and social engagement to amplify inner-city marginalized communities' voices. DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity.
- DASHA DARVAJ UMRIGAR
I am a second-year Communication Design student at Indus Valley School of Art and Architecture in Karachi. My work centers around storytelling through visual expression, whether through photography or design. As I continue my studies, I’m exploring different mediums and honing my skills in creating images that do more than capture a moment — they communicate emotion. I’m particularly drawn to finding beauty in everyday scenes, working with light, shadow, texture, and color to evoke a sense of connection with the viewer. My goal is to turn the ordinary into something deeply resonant. DASHA DARVAJ UMRIGAR ARTIST'S STATEMENT // I am a second-year Communication Design student at Indus Valley School of Art and Architecture in Karachi. My work centers around storytelling through visual expression, whether through photography or design. As I continue my studies, I’m exploring different mediums and honing my skills in creating images that do more than capture a moment — they communicate emotion. I’m particularly drawn to finding beauty in everyday scenes, working with light, shadow, texture, and color to evoke a sense of connection with the viewer. My goal is to turn the ordinary into something deeply resonant. LOCATION Karachi PAKISTAN CAMERA/S Canon 600D CATEGORY documentary @DASHESINPIXELS._ FEATURES // Fragments of Memory
- THE LUMBER YARD
PICTORIAL STORY PICTORIAL STORY December 22, 2021 THE LUMBER YARD Photography and story by Leigh Ann Edmonds Introduction by Karen Ghostlaw Pomarico We are often in search of what will make us happy in life. We go to far away places, see and try many new and different things, meeting interesting people along the way. All of these experiences help us determine who we are, and where we feel we have a place of belonging. We often make meaningful connections in life that not only surprise us, but allow us to grow and understand things in ways we never expected. Leigh Ann Edmonds is a woman with many talents pulling her in interesting directions both personally and professionally. Leigh Ann is a successful photographer running her own photography business and getting paid for the kind of photography she was finding little inspiration in. Leigh Ann was frustrated with that type of work and decided to close her photography business and concentrate more on her documentary work, and to go back home to her roots to work in her family's business, a lumber yard in northern Jefferson county, in the state of Alabama. For Leigh Ann, coming home was more rewarding than she ever thought possible. Reconnecting with her family and personally working with the people in her community on a day to day basis, has given Leigh Ann valuable insight and a genuine understanding of the integral role her family business plays in the building of a stronger and better community. Leigh Ann has made lasting meaningful relationships with her family, and rewarding inspiring connections to her community. These photographs depict Shaw Building Supply, and the family and workers that are building a better place for the people of Jefferson County and surrounding communities to live and work in. When I decided to join the family business back in 2015, I wasn’t sure how I felt about it. For so long, I had not shown an interest with the small family building supply and my knowledge base and skills had been solely in photography for the past fifteen years. My focus was more on the outside world, travels, chasing what life had to offer and always thinking about life outside of my hometown. I went to school for photography, my first job out of university was in photography, I even started my own photography business back in 2006 where I was a freelance photographer for family portraits and weddings. But all this seemed to have changed overtime as my love of photography faded. My business grew and with that came more demands. My creativity diminished as bookings increased and I felt that I had become a generic portrait photographer, photographing individuals dressed in their Sunday best, smiling pretty for their photographs. I felt that my images lacked depth and purpose and I easily grew bored of this redundancy... so I wanted out. Leaving a successful photography practice to work at the lumber yard seemed to many individuals a step back with my career. But it was the complete opposite. And therefore, I feel life has more purpose now than it did when I was only a photographer. It all started well before I was ever born when my grandfather moved to Birmingham in the 60s from a small sharecropping town in Pickens County, Alabama. Work was hard to find in the countryside if you wanted to do more than farm. He found work at Hays Aircraft over by the Birmingham airport but was eventually laid off. During this time, my grandfather used this as an opportunity to create a new path for him and all of his family for generations to come. The family business, SHAW BUILDING SUPPLY, started back in 1974. My grandfather and his two young ons (my dad and uncle) saw a need for this industry up in the northern Jefferson county of Alabama. The city of Mount Olive was growing as many families were moving out of the city and into the neighboring communities. They all had experience with construction and after much thought, they felt the time was right to plant roots in this small town just 12 miles north of the city of Birmingham. So he and all the family moved out of the city and into a small, quaint community that has now been home to the Shaw family for over four generations now and counting. My grandfather passed away when I was just 11 years old, leaving the company to my dad and with the recent passing of my grandmother just a month ago, I found myself reflecting on their life and legacy that they left behind for their children and their children’s children. And this is when I found that what I am involved in now has much deeper meaning than all the years of me having my own photography company. This family business has given the family a bond of working together, reliance on another and has helped keep us close within the community. Without it, it’s crazy to think how scattered about all our family would probably be. The lumber yard has saved me in so many ways, not only has it provided a good life for me and all of the family it also helped to keep me working during the lockdown of 2020 with the outbreak of COVID-19. This job was essential whereas if I had only been a photographer, I would have not been able to keep work. Over the years I have noticed the value in small businesses within a community. It provides not only a service to the locals but also a place for employment who may not always want to commute to the larger cities. In a way, I feel it not only helps bring my family together but the community together as well. The lumber yard has a lot of character that makes it different than the bigger box stores such as Home Depot and Lowes. The small business has years of charm to it with the old nail bins to the mounted largemouth bass hanging on the wall of my dad’s office and a small coffee station where several of the regulars gather around in the mornings to discuss local happenings and petty gossip. Over the years I have taken note that it is more than just a business but also a gathering place for locals who enjoy their morning cup of coffee that the big box chain stores will never have. There is personality here and I feel that is what is lacking in the big department stores. The lumberyard is my favorite location to shoot with the business. This is where I find most inspiration with the local lumberyard dog, named TRAMP, to the sounds of forklifts carrying heavy loads of treated pine lumber. The work is hard and over time, I began to take notice how important it is for people to still work with their hands, outside in the extreme heat and humidity through the cold, rainy and wet winter months. The men in the lumberyard stood out to me in many ways as there were both older and younger generations of workers, not scared of manual labor. I didn’t know many of their names when I started working at the company and felt guilty for not having been more involved. I didn’t want to be known as the ‘owner’s daughter’ who hid away in the office. I wanted to get out and speak with them, let them know that I truly appreciated and noticed their hard work and efforts. When I first started bringing my camera to work, the employees seemed to run from me and avoid wanting to have their picture taken. It wasn’t until one of the employees saw an image I had printed that they realized these were not the ‘posed’ formal photos that they were used to seeing. So I feel after that, they didn’t run from me anymore. I didn’t know what I wanted to capture but I did feel inspired through the hard work of the employees, and I found myself wanting to document the lumberyard more often. My favorite time to photograph the employees was first thing in the morning when they would be loading trucks and getting ready for the work day. This was the least busy time and it allowed me to capture the workers in their element without distractions of customers. I didn’t fully start to focus on the lumberyard series until 2020 when I started to focus on doing some of my own photography projects for me. I had been burnt out of photography for such a long time that I did not have a desire to pick up my camera without it feeling like work.. This time, it felt more like I was shooting for a purpose again.. Not those pretty, dressed up, perfect smiling family photos I had become accustomed to in years' past. This was real life, nothing pretentious and planned. Photographing the lumberyard not only helped inspire me with my photography again but it also allowed me to have a better understanding of the employees and the work that is involved as well as connect me to my family and community that I had been removed from for many years. I also feel that it is a way for others to hopefully find some insight into manual labor and the importance of it. My job at the family business is in their flooring department. It is a good balance for me as I feel that working in a different industry other than photography has given me more job skills to work with. Working in the flooring department still allows me to book photography sessions, but it also allows me to not feel the need to book every inquire I have. I feel working in this environment has allowed me to find balance with my creativity, with my family and with my work and community. There are many individuals who I deal with daily that may not ever know that I’m a photographer and then there are many individuals who only know me as a photographer. It’s kind of fun having the ability to wear two hats. © Leigh Ann Edmonds © Leigh Ann Edmonds © Leigh Ann Edmonds © Leigh Ann Edmonds © Leigh Ann Edmonds Yard manager, Jason Dupree, takes a quick smoke break before starting his work day. © Leigh Ann Edmonds © Leigh Ann Edmonds Long-standing employee, Steve Dyess, hired back in 1988 drives the delivery trucks to job sites. © Leigh Ann Edmonds New hire, Jerry Crane, a forklift operator and driver in the process of unloading treated pine lumber. © Leigh Ann Edmonds A local neighborhood dog, Tramp, visits the Building Supply 7 a.m. sharp to greet the workers. © Leigh Ann Edmonds Tramp greeting forklift operator, Tristan, first thing in the morning. © Leigh Ann Edmonds The fire barrel helps keep the back lumber yard employees warm in the winter months. © Leigh Ann Edmonds © Leigh Ann Edmonds © Leigh Ann Edmonds Leigh Ann Edmonds has demonstrated the power of a return to one's roots and the positive impact it can have on both the family and the community. Her story is one of hard work, dedication, and the importance of community. As Leigh Ann has shown, there is much to be gained by forging meaningful relationships with the people and businesses in our local communities, and it is up to each of us to take the initiative and get involved. Let us all strive to build strong and vibrant communities by taking part in local initiatives, supporting small businesses, and striving to make a positive change. view Leigh Ann's portfolio Read an interview with Leigh Ann >>> Read the story "TURNING NEGATIVES INTO POSITIVES" >>> Website >>> Instagram >>> The views, thoughts, and opinions expressed in the text belong solely to the author/s, and are not necessarily shared by The Pictorial List and the team. read more stories >>> ISLAND Enzo Crispino’s photographic series, “Nêsos,” invites viewers into an introspective journey that mirrors the artist’s rediscovery of his voice in photography after a prolonged period of creative estrangement. BEYOND THE BRICKS Amid Bangladesh’s dynamic urban growth, Anwar Ehtesham’s photography takes us beyond statistics and headlines, revealing the hidden lives of the laborers working tirelessly in the nation’s brick kilns. OAXACA In Oaxaca, Tommaso Stefanori captures Día de los Muertos, exploring the convergence of life and death, human connections, and enduring cultural rituals through evocative photographs of tradition and emotion. BEHIND THE PLANTS Wayan Barre documents Cancer Alley residents facing pollution and economic challenges, shedding light on their resilience and the impacts of environmental injustice. THE RED POPPY AND THE SUN By blending archival and contemporary images, Mei Seva creates a visual story that captures the ongoing struggles and moments of triumph for those impacted by displacement and circumstance. FIRE AND FORGE Alexandros Zilos delves deep into the harsh reality of sulfur mining, while also capturing the allure of the blue fire phenomenon created by sulfur deposits in the crater. IN-VISIBLE PAIN Through black and white self-portraiture, Isabelle brings to light the stark reality of living with chronic pain — a reality often dismissed by a world that requires physical evidence to believe in one’s suffering. CELEBRATION OF LIFE Ahsanul Haque Fahim's photography captures Holi in Bangladesh, celebrating life with vibrant colors and reflecting human emotions, diversity, and interconnectedness in Dhaka's streets. KOALA COUNTRY Sean Paris invites viewers on a transformative journey, challenging our perceptions and fostering a new appreciation for rural Australia through mesmerizing infrared photography. MOMMIE Arlene Gottfried’s poignant exploration of motherhood in “Mommie” is not just a collection of photographs but a profound tribute to the enduring bonds of family and the universal experiences of love, loss, and resilience. BIFRÖST In "Bifröst," Romain Coudrier masterfully captures Norway's timeless beauty, blending myth with modernity through black and white photography. A stunning exploration. MUD Dedipya Basak's documentary project explores an 800-year-old lake's struggle against global warming, highlighting its relevance and urgency in modern times. A WORLD WITHIN REACH In his Cuba project, Pedro Vidal celebrates human resilience and warmth through captivating imagery, revealing photography's profound ability to encapsulate emotions and memories. UNVEILING VULNERABILITY In a world where masculinity is often synonymous with stoicism and strength, Francesca Tiboni challenges us to reevaluate our perceptions of masculinity, inviting us to embrace the complexity of the male emotional experience. TRANSCENDENTS: SPIRIT MEDIUMS IN BURMA AND THAILAND Mariette Pathy Allen's visual narrative celebrates authenticity, spotlighting Spirit Mediums' enigmatic presence in both possession and daily life. She portrays them as essential to cultures steeped in Animism, reflecting the enduring essence of human authenticity. COALESCENCE Visual diptychs intricately depicting the intimate exchange between a mother and daughter, transcending personal narratives to explore universal themes of transition, acceptance, and the beauty of change. IN THE FOOTSTEPS OF ANSEL ADAMS In following the footsteps of the masterful Ansel Adams, Karin Svadlenak Gomez not only paid homage to his timeless work but also embarked on a transformative journey. PARALELL REALITIES Through her lens, Catia Montagna explores the impact of socioeconomic factors and social norms on our daily lives, revealing the subtle poetry of small, insignificant moments that capture the ‘existential’ and the ephemeral, in the human condition. A TALE OF NATURE AND HERITAGE With her words and photographs, Ana-Maria Alb invites readers to join her on a journey through the breathtaking Carpathians. ON THE TRAIL OF LOVE LOST Through Sasha’s photo essay, we are given a glimpse into a beautiful love story and the unbreakable strength and resilience of the human spirit. Join us as we explore Sasha Ivanov’s heartfelt tribute to Lydia and Nikolai. SAHIB: THE FRANKINCENSE BOY France Leclerc’s documentary exploration embraces the community finding captivating stories for her visual translations. Her story takes us to the village of Poshina, where we meet Sahib. THEY HAVE GONE Lorenzo Vitali felt compelled to explore the landscapes of Eastern Veneto, to understand its emotional affective relationship and document it through his photography. I AM WATER Paola Ferrarotti explores her deep connection with the water and how it has transformed her understanding of life and herself. THE STRANDED PAKISTANIS Anwar Ehtesham captures the beauty of human emotion in all its rawest forms in the face of adversity and offers an insight into the complexity of the lives of the Bihari people and their relationship with their environment. BLINDFOLD CHESS Anastasiya Pentyukhina’s documentation of blindfolded chess provides an insight into this often overlooked world of sports, and sheds light on the unique challenges faced by visually impaired players.