INTERVIEW INTERVIEW June 30, 2023 BEYOND SIGHT Photography by Doug Winter Interview by Karen Ghostlaw Pomarico As photographers we depend on our eyes and vision to create our photographs, perhaps one of our biggest fears is losing our sight. Today we have the unique opportunity of talking with Doug Winter, a photographer that not only experienced his father’s loss of vision, but now copes with partial visual impairment himself. Doug Winter is a photographic artist using his unique perspective as a semi-sighted individual to explore the experiences of partial blindness and vision disabilities. Through his innovative and experimental photographic processes, Doug creates captivating works of art that invite spectators to notice the world in a new way. Doug employs techniques rooted in the analog world. Instead of relying on software filtration or modification, He captures images directly onto the camera's sensor using a modified lens. This approach allows Doug to create distorted, abstract imagery of vibrant colors and emotions. Doug’s art explores the relationship between degraded eyesight, memory, and personal history. He aims to create an immersive experience encouraging people to engage with shared memories. Doug believes everyone should be able to experience and enjoy art, regardless of their abilities and accessibility. This has become crucial in his art practice. Doug adds descriptive alt text to each image, describing its content, composition, and colors. This helps people who use screen readers or other assistive technologies to understand what the photograph depicts and bridges the gap between experiences and art. By incorporating alt text, QR codes, and large print, he creates art that is more accessible and inclusive for everyone. “In 2012, I lost partial vision in my right eye due to a rare blood disorder. In the years that followed, I adapted to my impairment and was curious about what other people may be experiencing with their vision loss. A few years later, my father’s health began to fail, and he developed a total loss of vision in both eyes. My impairment, coupled with my father’s disability, initiated my current project, 'Beyond Sight' , which explores degrees of impaired vision. The images are created from and inspired by the lived experiences of my father. While caring for my father, Harry, I’d ask him to describe in detail what he saw, measuring if his sight was better or worse, depending on the day. He described the shapes and colors of objects and landscapes in photographic terms and conveyed to me that what he saw was “blurry,” “out of focus,” or “was like a broken camera lens.” We talked about his life, memories of youth, lost love and growing up on a farm with little money. I based this work on our conversations. Techniques I use are primarily analog in origin: direct digital capture without the aid of software filtration or software modification. The camera lens I used was modified by taking it apart and reassembling the elements incorrectly, removing the clear focused vision from the lens, distorting the shapes and colors of the objects I photograph. The resulting imagery pushes formal objects into a range of emotions and colors, exploring the connection degraded eyesight has to memory, color contours, and light and how they collectively comprise a vocabulary of personal reality and history. Simplified abstract forms break down visual barriers and allow a broader audience to appreciate the meditative act of experiencing art. My curiosity and fascination (interests) with photography is the interplay between intention and chance, and they often lead me to explore the unexpected and the unplanned. I relish the beauty of accidents and surprises in photography. Through this discovery and investigation, I construct inventive and thoughtful works. Using light, glass, and time, I strive to capture the world in a unique way that communicates the spectator's emotions and experiences. I use the camera to visually express my innermost thoughts and experiences as an artist, always keeping accessibility features in mind. By focusing on color and shape instead of representational imagery, I attempt to create a pathway for spectators to tap into their memories and experiences. The camera is not just a tool for documentation; it is a conceptual device that offers a unique perspective to all. By prioritizing non-representational or abstract elements such as color and shape, I aim to create visual experiences that are both meaningful and engaging for everyone. By incorporating non-visual elements in my artwork, I ensure that individuals with physical limitations can participate and engage in the creative process.” Projects like Doug’s help illuminate a world that most of us think of as darkness, exposing a new reality. A world of color and light. He has embraced the vision impaired community making art and photography accessible to all. We asked Doug to elaborate on some questions we had, giving us more knowledge to understand and support their meaningful work. “I believe that art should be accessible to all, and using alternative methods can help foster a sense of compassion and inclusivity. Through my photography, I hope to inspire others to 'see' the world in a new and exciting way and to create works that are accessible, meaningful, and impactful for all.” IN CONVERSATION WITH DOUG WINTER THE PICTORIAL LIST: Hello Doug, thank you for your extraordinary photographic essay. It is a generous invitation revealing your personal journey, enlightening us with a glimpse into what macular degeneration and ocular impairment is like from your own eyes, and through the eyes of your father. You have allowed us to visualize what blindness or partial blindness is like through your brilliant visual storytelling. We look forward to learning a bit more about you. DOUG WINTER: Thank you for your appreciation of my work. I'm so thankful for this opportunity. I value your interest and support in recognizing the significance of artistic expression in the photographic community. TPL: What was the first camera you ever held in your hand, brought to eye, and released a shutter on that became your tool for personal expression? DW: I was exposed to photography early on as cameras and the family snapshot carried immense value in our household. My grandmother captured family picnics, birthdays, holidays, and parades with her little Kodak box camera. A small closet nestled in the corner of her kitchen housed her small darkroom. As a young person, this mysterious room drew me in, with bits of red light escaping under the door, reflecting off the hardwood floor, whispering to me of the unknown. When it was safe, she invited me in, and I stood atop a chair, my young eyes transfixed on her. I watched as she deftly developed the film she had just meticulously captured with her humble box camera. As I grew older, I began to draw and paint, and time with my grandmother and her creative spirit directed my eventual life path. On my sixteenth birthday, a family member handed me a small, colorfully wrapped package. Anticipation coursed through me as I ripped through paper, tape and bow, unveiling the first camera to call my own - a 35mm Pentax ME Super. Holding the slender metal and glass machine, I examined the camera's lens, knobs, and dials, marveling at the craftsmanship and attention to detail. I noted its delicate stature, dwarfed by its creative possibilities. An instrument that soon became an extension of myself, embarking on a boundless odyssey. TPL: Who was your first influencer, in this new way of engaging and defining the world around you? Is there a profound moment you shared that has stayed with you until today? Would you mind sharing that with us? DW: Several moments and influential figures have left their mark. Among them, the Starn Twins, Barbara Kruger, and Richard Prince are the initial sparks that ignited my artistic sensibilities. Through their captivating works, they opened the doors to new perspectives and ways of expression, shaping the trajectory of my creative evolution. During that formative period, a remarkable librarian at the art school I worked became an invaluable ally. With unwavering support, he curated books that expanded my artistic horizons, fostering a vibrant exchange of ideas. Our shared passion for zines further deepened our connection, amplifying the impact of our relationship. My dear friend Tod Kapke emerged as an exceptional photography artistic force. His artistry and vision left an indelible mark on my creative journey. Though it may remain invisible to others, his influence continues to resonate within the core of my artistic expression. However, my profound connection with my partner Kathryn Mayo ushered in a pivotal turning point. Her presence, guidance, and unwavering support triggered my foray into photographic art. Through her, introducing me to many influential female artists and photographers graced my consciousness, forever altering how I perceive and create art and see a world without a male gaze. Among these luminaries, Nan Goldin's masterpiece, 'The Ballad of Sexual Dependency', stands as an unrivaled pinnacle of photographic art. Its unconventional presentation, emotional depth and raw authenticity have become a constant refrain within my mind, echoing with each passing day. In the developing path of my artistic journey, these encounters and influences converge, enabling a narrative of growth, inspiration, and deep connection. Through the chemistry of kindness and compassion, these encounters (influencers) have shaped my art and perspective on the world, allowing me to navigate the ever-evolving terrain of creative exploration with a sense of purpose and profound gratitude. 'See Me (Endearment) - Day 389' Diptych © Doug Winter 'Northeast - Day 3' © Doug Winter 'Snow - Day 8' Diptych © Doug Winter 'Fluorescence Full Sun - Day 193' © Doug Winter 'Shoulder the Wind - Day 185' Diptych © Doug Winter 'Water Blossoms in Shade - Day 35' © Doug Winter 'Benevolent Kiss - Day 234' © Doug Winter TPL: Your colors evoke emotion, replacing the details that photography so intricately defines, with the illumination of light in a blinded eye. As you experienced your father’s loss of eyesight, explain how you found light in what most consider darkness. DW: I found myself confronted with my father's affliction; a result of a lens replacement surgery gone awry. His vision spun into chaos due to an eye infection that impeded the healing process, leaving his sight forever out of focus. I found comfort and purpose in exploring color, a motivation ignited by conversations with my father about his altered perception. We would embark on a daily ritual prompted by his eye surgeon's request to gauge changes in his vision. These discussions became a touchstone, a gateway to understanding the world as he experienced it, shaped by vibrant or dullish hues and unstructured shapes that danced within his lived memories. Through the intimacy of these conversations and many others, my photographic expression took flight. An embodiment of empathy and compassion began to form a deep connection with my father's altered reality. For the first time in my life, we held a shared experience. The abstractions and colors I weave within my work serve as a conduit, bridging the gap between his fragmented sight and my semi-sighted perception of the world. They embody a shared language, a testament to the power of visual communication and the natural ability of colors to evoke emotional resonance and personal history. Within photography, colors possess a transformative strength, capable of stirring emotions that transcend the accurate details often associated with this art form. They can replace the intricately represented facets of a captured image, illuminating the recesses of a blinded eye. Within this context, I discovered a glimmer of light in the depths of darkness, where sight withers and shadows loom. Through my father's struggle and my own, I embraced a relentless determination to uncover the beauty within the seemingly obscured and unveil the unseen narratives beneath the surface of visual impairment. My photographic journey took shape through the interplay between a father's impaired sight and a longing for connection with him that was previously unattainable. This empathetic lens attempts to bridge the gaps between our divergent experiences, honoring the essence of my father's vision while unearthing the hidden stories that reside within my affliction and artistic vision. Through the language of colors and the gentle caress of light, I seek to ingrain my work with a palpable tenderness for shared experiences and the energy to illuminate and romanticize even the plunging states of our human condition. TPL: When you experienced your own sight impairment, did making these valuable connections with your father help you cope with your own partial blindness with more understanding? Is this why you have worked so hard to support sight impaired individuals to give them hope and a new perspective? DW: Battling a rare blood disorder and enduring the stroke that stole fragments of my vision, a profound emptiness settled inside me. Anger swallowed me, marking my days in darkness as I traveled the punishing path of my treatment, longing to escape from the complexity and pain. In hindsight, when I step back and reflect, I can see the connections that have shaped my current life. It was challenging to recognize the significance and interaction of my experiences during that moment. But as I pause and look back, patterns emerge, and connections become more evident. My transformation stemmed from the slow deterioration I witnessed in my father as he languished in his wheelchair, blind, his ailing health forcing him into a treatment center and reduced to a mere shell of the man he once was, stationed in a wheelchair, hunched over at the edge of the nurse's desk. When visiting him, our conversations spanned through the colors and shapes in his institutional room and dining hall, where personal narratives bounced back and forth. Feeding my father during our shared meals, we would linger on stories of young love and growing up with little money, his voice softening as he spoke of the innocence that once filled his heart. A familiar stranger emerged, a reflection of myself, a reminder that our shared humanity exceeds the limitations that separate us and connect our collective hopes and dreams. Through time and consideration, I arrived at a transformative realization: my visual impairment had a purpose, a role to play in shaping my existence. When others encounter me and remark, “You don't appear visually impaired,” their observation rings true. However, just as my ADHD and autism remain hidden, invisible disabilities are still disabilities, their presence undeniable even when hidden from casual perception. Since my father's death, the quest for understanding accessibility became my obsession. By leveling the sighted playing field by altering photographs, using QR codes, image descriptions, alt-text, and audio descriptions, I aspire to illuminate the importance of equity in visual art. Today as I write this text, I am fortunate to possess the knowledge of artistry as a medium for my expression. Navigating a world that thrives on inclusivity, I'm working to dismantle barriers with accessibility and amplify the voices of those with invisible disabilities. I possess the gift of altered vision, an uncommon lens through which I perceive the world. TPL: How has this project changed your idea of photography? How will it influence how you move forward with other projects? DW: Through this project, my perception of photography has experienced a profound transformation. I am increasingly disillusioned with the confines of traditional photographic rules, harboring a deep dislike towards their restrictive qualities. My decision to eliminate their influence from my work knows no bounds. In my eyes, cameras and their accompanying equipment no longer hold the status of necessities. Instead, this venture has propelled me beyond photography, steering me into the realm of a photographic artist. I employ the camera as a pivotal element within larger artistic projects, viewing it as a stepping stone toward realizing my creative vision. The outcome of purely photographic work is less critical. I explore abstract imagery and conceptual artwork, genres not conventionally associated with photography. This deviant perspective pushes me forward, surpassing the boundaries imposed by the camera. Words, audio, and other accessibility features have become integral to my artistic passion. Although accessibility features are outside traditional photography, they serve as support pillars, enriching and enhancing my work. This fusion of mediums and utilizing non-photographic elements infuses my creative process with an unparalleled sense of intrigue. TPL: What are the triumphs you have been gifted, and what are the tragedies of reality you could not change? DW: I possess the gift of altered vision, an uncommon lens through which I perceive the world. I carry the experiences of grappling with addiction and navigating the complexities of ADHD and Autism. Perhaps the greatest triumph lies in that, despite overwhelming despair, I found the strength to endure, choosing life when the allure of death beckoned so persistently. Seeking help embodies inner strength. There are so many tragedies in my life, but one that I cannot alter is the car accident that tragically took the life of my seven-year-old daughter. This devastating event is an acute reminder of our fragile existence. This cruel circumstance eludes my grasp and leaves a bottomless pain in my heart. Within this spectrum of triumphs and tragedies, I navigate the human experience, embracing the nuances of both happiness and sorrow. Ultimately, kindness, mercy and curiosity guide me, seeking solace in the shared understanding that life is an ever-evolving mass of unimaginable beauty and pain. TPL: What advice would you give to a photographer starting a new project, what are the pros and cons and what are some of the lessons you have learned along the way? DW: The early stages of any project often yield works that fail to meet your expectations, seemingly spectacular failures. I urge you to keep everything you create. Tuck them away in a drawer, allowing time to pass. Weeks or months later, return to them with renewed perspective. Step back, and with a discerning eye, evaluate the evolution of your work. I urge you to adopt the mantra of ABC “Always Be Creating”. Cultivate a ceaseless commitment to the creative process, allowing inspiration to flourish and guide you towards new artistic expression. Stay open to diverse influences, and welcome a broad spectrum of creative voices. Artistry knows no gender boundaries, and we enrich our artistic language by embracing diverse perspectives. Embrace the cultural richness of who you are, and adopt its uniqueness – lead with empathy, compassion, and unwavering artistic dedication. In summary, you should cherish your failures as stepping stones towards growth, preserving each creation for future reflection. Adopt the unyielding spirit of innovation, allowing it to guide you through multifaceted artistic exploration. Embrace the contributions of artists from all walks of life and become one of them. Lastly, “Have fun!” 'Milliken - Day 105' © Doug Winter 'Snow Day, v.1 - Day 67' © Doug Winter 'Eyes Closed - Day 25' © Doug Winter 'Eyes Closed - Day 93' © Doug Winter 'Full of Grace - Day 287' © Doug Winter Doug and his Chapel Installation. Doug Winter has an interesting project called 'Wedding Present'. It is a special artwork that is equitable and affordable by most. Prices for the art range from $3.00 - $3,000 making it accessible to a wide range of art lovers. It allows us all to be Art Collectors for the day. https://youtu.be/aRcHslnO0qs “Memory ultimately holds our most profound personal experiences, even when there are only pieces that survive. 'Wedding Present' addresses the ephemeral quality of memory and the perception of time as it pairs with memory. Each segment of the piece represents how life events can become fragmented and eroded by the passage of time, injury, or disease. As we hold onto the memory fragments, the perception of events in our lives that are shared by family members experiencing the same event might be remembered and retold in a non-congruent way and buoyed by the distorted passing of time. For $3.00 you (the spectator) are encouraged to remove a piece of this photographic artwork. The act of removing a fragment and taking it with you represents the memory and symbolizes fractured recollection that has faded and is partially lost with the passage of time.” TPL: What is your takeaway from this project that will inspire the next one? What do you hope the takeaway was for the viewer? DW: Through this project, a deep realization emerges, unifying us in a fragile web of shared human experiences. Abstract shapes and colors become conduits, allowing me to explore the nature of our interconnectedness as a global community. In this exploration, I understand that the true culmination of art lies not in its creation alone but in the wallflower dance between the artwork and the Experiencer. I use the word 'experiencer' to describe a sighted or non-sighted individual who engages with and takes in artistic expression, encompassing the sensory and emotional aspects of the encounter beyond mere visual observation. The Experiencer breathes life into the artwork, projecting their unique thoughts, actions, and interpretations. The photograph becomes a receptacle, awaiting the touch of each soul to weave its narrative, completing the intricacies of artistic expression. Empathy and compassion intertwine in this realization, for the artwork finds its ultimate purpose in resonating with the depths of the Experiencer. Through this profound connection, art transcends its static existence, becoming a living, evolving entity enriched by the multitude of perspectives and emotions it encounters. The takeaway is that art's true essence lies not in the hands of the creator alone but in the hearts and minds of the Experiencers who bring it to life. TPL: What is on the horizon for Doug Winter? Are there any new projects you would like to share? DW: My current project is a National Endowment for the Arts grant solo exhibition called 'Beyond Sight', scheduled to be on exhibit at the Cosumnes River College Art Gallery in Sacramento, California, from October 5 to November 12 2023. In this immersive exhibition, my artistic vision includes my commitment to accessibility. In the exhibition, along with large-scale photographic images, I will be using accessibility features, techniques and installations that transcend traditional photographic boundaries. My plan is to create a space where photographic art extends its arms to welcome everyone, surpassing the confines of visual perception, hopefully becoming a transformative experience, inviting viewers to navigate a realm exceeding sight’s limitation. TPL: When Doug Winter is not engaged in their photographic practice, where is he? What is he doing? Who is he doing it with? DW: I find comfort and inspiration in witnessing the world through audiobooks, independent music, and the charm of captivating narratives in low-budget movies. Within these areas of imagination, I discover a connection and appreciation for the wonders embodying the power of DIY creativity. For me, there is reassurance in the act of walking. A daily ritual unfolds as I travel the park and trails surrounding my home in Elk Grove, covering a span of 3 to 6 miles. Through the simple act of walking, I rediscover equilibrium, resilience, and exploration. I embrace the uncertainties that lie ahead in my day. Walking stimulates my daily mental rejuvenation, a means to quiet racing thoughts with the stillness of each stride. My ADHD subsides, finds space, and allows room for new creative reflection. I find objects and liberate them from the ground as inspiration. Each step is a new adventure alongside my patient partner, Kathryn Mayo. Doug Winter has shared some valuable information with us, making us aware and sensitive to a more inclusive visual understanding of the different ways we all see, and how we all have the freedom of expression through photography. Have a look at Doug's phenomenal photographic work, where he engages you to critically think in the creative processes of photography. In honor of his remarkable talent and contributions to the arts, he was awarded a prestigious National Endowment for the Arts Grant in 2023. Follow the links and share his inspiration. VIEW DOUG'S PORTFOLIO Doug's Website >>> Instagram >>> Doug's project 'Wedding Present' video >>> read more interviews >>> MARCH FORWARD Through photography, Suzanne Phoenix creates a space for representation, recognition, and resistance — ensuring that the voices of women and gender-diverse people are seen, heard, and celebrated. FLUX: Exploring Form, Luminescence, and Motion Amy Newton-McConnel embraces unpredictability, finding structure within chaos and allowing light to guide the composition. AN ODE TO SPONTANEITY AND SERENDIPITY Meera Nerurkar captures not just what is seen but also what is felt, turning the everyday into something worth a second glance. THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth. FUTURE HACKNEY Don Travis and Wayne Crichlow are the photographers and community advocates behind Future Hackney, merging photographic activism and social engagement to amplify inner-city marginalized communities' voices. DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons.

INTERVIEW INTERVIEW May 27, 2021 RUHR PERSPECTIVES Photography by Sarah Luhse Interview by Melanie Meggs Sarah Luhse is an inspiring and passionate primary school teacher who channels her creativity through her art and photography. Growing up in the often overlooked Ruhr Area in Germany, Sarah is determined to show the beauty of her home region through her work. Using her Leica Camera and creative editing in black and white, Sarah has created a series of photographs that capture the industrial history of this area while highlighting contrasts, shapes and textures. Join us as we explore the photographs of Sarah Luhse and uncover the beauty of the Ruhr Area. “I was born and raised in the Lower Rhine Region in Germany, but I'm living and working as a teacher in the Ruhr Area in Germany now. It was my boyfriend, a professional photographer, who evoked my deep interest in photography. Nevertheless, I have always had a passion for arts in general. Besides photography, my favorite leisure activity is visiting exhibitions or going to the theatre.” IN CONVERSATION WITH SARAH LUHSE THE PICTORIAL LIST: Sarah, please tell us where do you find your inspiration? SARAH LUHSE: I am able find beauty in everything. That's why I find inspiration in the supposedly boring objects and places. TPL: What do you want to express through your photography? What are some of the elements you always try to include in your photographs? SL: My main interest is to express my aesthetic perception with the recipient. I always try to focus on a classically perfect or a unique composition (golden cut, rule of thirds, lines, …). TPL: Do you have a favourite place to go photograph? SL: All those beautiful capitals and cities around Europe. TPL: When you take pictures, do you usually have a concept in mind of what you want to shoot, or do you let the images just "come to you", or is it both? Describe your process. SL: It is both. Sometimes the images come to me automatically and sometimes I already know exactly what to photograph in advance. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? SL: My heart beats for modern art. Kahlo, Chagall and Picasso are my all time favorite artists. Concerning photography I adore the work of Bernd and Hilla Becher, Berenice Abbott and Maria Svarbova. I am able find beauty in everything. That's why I find inspiration in the supposedly boring objects and places. TPL: Does the equipment you use help you in achieving your vision in your photography? What camera do you use? Do you have a preferred lens/focal length? SL: I am using a Leica Q2 most of the time. TPL: What are some of your goals as an artist or photographer? Where do you hope to see yourself in five years? SL: I don't see myself as an artist or a photographer. I am an amateur and taking and editing photos is what I like. TPL: "When I am not out photographing, I like to... SL: Draw, to visit exhibitions, to go to the theatre, to sing and to swim.” Sarah Luhse's works are a testament to the beauty of the Ruhr Area. Through her photographs, we are able to discover and explore the region in a way that wasn't possible before. By highlighting the industrial history of the region and emphasizing shapes, textures and contrasts, Sarah has created an inspiring and captivating series of photographs. We urge you to join us in celebrating Sarah's work and explore the Ruhr Area with her. VIEW SARAH'S PORTFOLIO read more interviews >>> MARCH FORWARD Through photography, Suzanne Phoenix creates a space for representation, recognition, and resistance — ensuring that the voices of women and gender-diverse people are seen, heard, and celebrated. FLUX: Exploring Form, Luminescence, and Motion Amy Newton-McConnel embraces unpredictability, finding structure within chaos and allowing light to guide the composition. AN ODE TO SPONTANEITY AND SERENDIPITY Meera Nerurkar captures not just what is seen but also what is felt, turning the everyday into something worth a second glance. THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth. FUTURE HACKNEY Don Travis and Wayne Crichlow are the photographers and community advocates behind Future Hackney, merging photographic activism and social engagement to amplify inner-city marginalized communities' voices. DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons.

INTERVIEW INTERVIEW June 4, 2020 PHOTO THERAPY Photography by Laura Binaghi Interview by Karin Svadlenak Gomez Fine art photography has the unique ability to capture emotion, beauty, and mystery. For Laura Binaghi, photography is a form of therapy. From her stunningly beautiful and whimsical captures, one can sense the soul of the artist and the way she experiences the world. Through her work, Laura gives us a glimpse into her innermost thoughts and emotions, providing an intimate insight into her creative process. By exploring her craft and mastering her technique, Laura has found a way to connect with the world around her and express what lies deep within. Join us as we explore the world of Laura Binaghi and discover how photography has become her therapy. “Let your soul speak and photograph.” IN CONVERSATION WITH LAURA BINAGHI THE PICTORIAL LIST: Laura, when did you start getting interested in photography? LAURA BINAGHI: I started four years ago, but in the past I had done a couple of years of analog photography. TPL: Has your style of photographing changed since you first started? LB: Yes a lot, I have started working on the composition. TPL: Who are your favourite artists? LB: Edward Weston, Ansel Adams, John William Polidori TPL: Where is your favourite place(s) to photograph? LB: All places and no places. TPL: Do you think equipment is important in achieving your vision in your photography? LB: I think that equipment only becomes important later, experimenting first counts. Every element of the visible world is a source of inspiration as long as the light touches it. TPL: What characteristics do you think you need to become a good photographer? What’s your tips or advice for someone in your genre? LB: Study the photos of great photographers and the technique of shooting and processing. TPL: Have you ever been involved in the arts before photography? LB: No, although I studied architecture. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? LB: Not yet. TPL: "If I wasn't photographing what would I be doing?... LB: I don't really know..." Laura Binaghi has found a unique way to explore the world and express her innermost thoughts and feelings. Through photography, she has crafted a world of beauty and mystery that provides an intimate insight into her creative process. If you are looking to expand your horizons and explore the world of art, we invite you to discover Laura Binaghi’s work and see how photography has become her therapy. VIEW LAURA'S PROFILE Laura's instagram >>> read more interviews >>> MARCH FORWARD Through photography, Suzanne Phoenix creates a space for representation, recognition, and resistance — ensuring that the voices of women and gender-diverse people are seen, heard, and celebrated. FLUX: Exploring Form, Luminescence, and Motion Amy Newton-McConnel embraces unpredictability, finding structure within chaos and allowing light to guide the composition. AN ODE TO SPONTANEITY AND SERENDIPITY Meera Nerurkar captures not just what is seen but also what is felt, turning the everyday into something worth a second glance. THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth. FUTURE HACKNEY Don Travis and Wayne Crichlow are the photographers and community advocates behind Future Hackney, merging photographic activism and social engagement to amplify inner-city marginalized communities' voices. DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons.

INTERVIEW INTERVIEW March 10, 2020 A CREATIVE PERSPECTIVE Photography by Ingrid Clauwaert Interview by Bill Lacey Introducing Ingrid Clauwaert, a Belgian photographer with an exceptional talent for capturing mood in her work. Ingrid fully embraces each moment while exploring with her camera. With a keen sense of light, she is fueled by her unwavering passion and spontaneity, constantly seeking out new and groundbreaking viewpoints. Ingrid's unwavering dedication to her crafts are a testament to the power of pursuing one's passions. Her rich musical background includes violin, solfège, and harmony studies at the prestigious Bruges Conservatory, as well as a degree in psychology from the University of Gent. Ingrid has made her mark in a variety of musical genres, from classical orchestras to jazz, rock, and house bands. She currently resides in The Netherlands and serves as a public relations manager for an international company. Ingrid discovered her passion for photography at a young age, using an analog Minolta camera and learning the art of black-and-white photo printing in a traditional dark room. Though her music career temporarily took center stage, she recently reignited her passion for photography. Starting with her phone and quickly moving onto a digital camera, she now captures the essence of black-and-white street photography with renewed fervor. With an unwavering passion for photography, she specialises in capturing the essence of a single person through her masterful use of lighting, lines, graphics, and shadows, creating a sense of depth that is truly breathtaking. Her curiosity leads her to explore train stations, stairs, and bridges, uncovering the beauty hidden within them. But what truly sets her apart is her ability to take moody cinematic shots in foggy scenes, adding an extra layer of intrigue to every photo she captures. Every picture Ingrid takes tells a compelling story, leaving you mesmerized and yearning for more. The world is full of magic things, patiently waiting for our senses to grow sharper. - W.B Yeats “I love to wander around when there is fog. I get up early, sometimes around 5am or 6am to achieve the best mood.” IN CONVERSATION WITH INGRID CLAUWAERT THE PICTORIAL LIST: Hello Ingrid, where do you find your inspiration? INGRID CLAUWAERT: I buy photography books, view accounts of fantastic photographers in different styles on Instagram so I can always be triggered to try something new. TPL: Has your style of photographing changed since you first started? IC: Certainly, and it is still evolving! I started off with nature photography and now I focus mainly to fine art, always in search for that one human element framed into the light. Still I love different styles. And as I am still learning I try out other styles when I see an inspiring photo. TPL: Where is your favourite place(s) to photograph? IC: Most of the time I search for places where I can shoot stairs or train stations as I have a fascination for them. One of my favourite cities is Lisbon but I really love London too. So much to discover yet. And I love to walk around randomly and click whatever I feel in that moment. TPL: Do you have any favourite artists or photographers you would like to share with us? IC: Harry Callahan, Fan Ho, Mark Fearnley, Henri Cartier-Bresson, Trent Parke, Mo Barzegar, and Sean Tucker. TPL: Do you think equipment is important in achieving your vision in your photography? What would you say to someone just starting out? IC: I started with an iPhone 6, after 5 months I bought a Panasonic Lumix GX80 with a 14-42mm lens, which I am very happy with. Maybe in the future I will buy another lens as I will continue to evolve. I would say to someone just starting: it is not the gear that makes the photographer, it is the passion and eye you need the most. So much to discover yet. I love to walk around randomly and click whatever I feel in that moment. TPL: What characteristics do you think you need to become a better photographer? IC: Try things out, get inspired, be passionate, don’t give up and go out and feel the moment! TPL: Are there any special projects you are currently working on that you would like to let everyone know about? IC: I am working on my own website, want to organize a little expo and will soon propose my art for sale. TPL: “When I am not out photographing, I (like to)… IC: Be composing, singing, painting, cooking difficult dishes or baking the most complicated cakes and reading books. I really need to be creative and challenged.” Ingrid is a photographer who is passionate about imbuing her work with purpose. She has a talent for creating both fantastical and realistic images that leave a lasting impression on her viewers. Follow Ingrid's journey by connecting with her through the links below VIEW INGRID'S PORTFOLIO Ingrid's website >>> Ingrid's instagram >>> read more interviews >>> MARCH FORWARD Through photography, Suzanne Phoenix creates a space for representation, recognition, and resistance — ensuring that the voices of women and gender-diverse people are seen, heard, and celebrated. FLUX: Exploring Form, Luminescence, and Motion Amy Newton-McConnel embraces unpredictability, finding structure within chaos and allowing light to guide the composition. AN ODE TO SPONTANEITY AND SERENDIPITY Meera Nerurkar captures not just what is seen but also what is felt, turning the everyday into something worth a second glance. THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth. FUTURE HACKNEY Don Travis and Wayne Crichlow are the photographers and community advocates behind Future Hackney, merging photographic activism and social engagement to amplify inner-city marginalized communities' voices. DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons.

INTERVIEW INTERVIEW March 18, 2021 CONTRAST TO DARKNESS Photography by Michael Capulong Interview by Melanie Meggs In the bustling city streets of Singapore, one young man has set out on an unexpected journey of discovery. Armed with nothing more than a camera and a passion for light and shadows, Michael Capulong is just at the beginning of his creative photography journey. After purchasing a camera to make family travel videos, Michael began to explore the world of street photography and quickly fell in love with the craft. With a focus on capturing intriguing subjects and creative compositions, Michael’s photos are graphic and dominated by the colour black; providing a unique outlook on the world around him. It’s clear that Michael’s journey has only just begun; and we can’t wait to see what else he captures along the way. “I was born and raised in the Philippines. I went to Singapore in 2008 to find a job. The original plan was to work here just for 5 years, save money and go back. But then, I ended up being here for the last 13 years. The main reason why I purchased my camera is for making travel videos with my family. I was never really interested in photography, until I saw a couple of YouTubers' videos showing their photos and how they have taken them. So in October 2020, I thought of giving it a try. Then a few clicks later, I found myself wanting to go out almost every weekend just to find some interesting places and subjects to capture.” IN CONVERSATION WITH MICHAEL CAPULONG THE PICTORIAL LIST: Michael, where do you find your inspiration to photograph? MICHAEL CAPULONG: I get my inspiration from people around me, lines and shapes of shadows created by sunlight, reflections on water and puddles, and colours created by different kind of lights. TPL: What do you want to express through your photography? What are some of the elements you always try to include in your photographs? MC: I want to express the beauty of lights and shadows. How stunning a simple shadow of an office building casted on plain white wall can be if you add a right subject into it. As much as possible lights and shadow. And I always try to include a person in my composition. Whether it just his silhouette, part of his body or just his shadow. TPL: What happens when you walk the street with your camera? Explain your technique. How do people generally respond? MC: When I’m out with my camera, I usually walk miles for hours finding a good place to shoot. I always want to capture photos with very high contrast. Lights and shadows basically. I always prefer shooting while the sun is shining very bright. I love how it creates nice contrast in the photos. But considering the weather in Singapore, which is mostly raining if not cloudy, I’m trying to explore other types like silhouette kind of style as well. I do fishing kind of style of photography. Honestly, the only technique I use is wearing my most comfortable pair shoes and be very patient in finding the right light and be even more patient in waiting for right subject to come into my frame. TPL: How has the pandemic affected you and your photography? MC: I started photography during the pandemic. In fact, the situation could’ve pushed me to go into photography. Since I can’t travel anywhere else. I enjoy street photography because through this, I can capture and share how I see things happening around me. TPL: Do you have any favourite artists or photographers you would like to share with us? MC: Most of the photographers I know are YouTubers. People like Peter McKinnon, Alan Schaller, Pierre Lambert, James Popsys, Gareth Danks, Sean Tucker and Mark Fearnley. But Gareth and Sean inspired my style the most. TPL: Does the equipment you use help you in achieving your vision in your photography? Do you have a preferred lens/focal length? MC: They say - “It’s not the camera but who’s behind the camera”. But of course, at times, proper equipment do provides help in getting a proper composition. I’m using a Sony A6400 camera. I usually shoot with the 24mm prime (35mm equivalent) but I change to a wider/longer lens when required. As a beginner, I believe this camera is good enough to capture all the shots I want to take, but if given a chance to upgrade into a full frame camera in the future, then I would be happy to take it. TPL: When you go out photographing, do you have a concept in mind of what you want to photograph, or do you let the images just "come to you", or is it both? MC: To be honest, when I go out for a shoot, I usually run round like a headless chicken. Walk around to find a good location with a good contrasting lights and shadows. TPL: What are some of your goals as an artist? Where do you see yourself or hope to see yourself in five years? MC: Currently, I’m doing photography as a hobby and do not have intention of doing it professionally. In fact, I am still considering myself as a beginner. Five years later, I see myself still doing this with probably a better gear and skill. If I can make money out of it, why not? TPL: When I am not out photographing, I (like to)… MC: I usually spend my time video chatting with my family back home. Michael Capulong has taken a leap of faith into the world of street photography. Michael's journey is only just beginning, and it will be exciting to follow his progress and see what else he captures along the way. VIEW MICHAEL'S PORTFOLIO Instagram >>> read more interviews >>> MARCH FORWARD Through photography, Suzanne Phoenix creates a space for representation, recognition, and resistance — ensuring that the voices of women and gender-diverse people are seen, heard, and celebrated. FLUX: Exploring Form, Luminescence, and Motion Amy Newton-McConnel embraces unpredictability, finding structure within chaos and allowing light to guide the composition. AN ODE TO SPONTANEITY AND SERENDIPITY Meera Nerurkar captures not just what is seen but also what is felt, turning the everyday into something worth a second glance. THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth. FUTURE HACKNEY Don Travis and Wayne Crichlow are the photographers and community advocates behind Future Hackney, merging photographic activism and social engagement to amplify inner-city marginalized communities' voices. DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons.

INTERVIEW INTERVIEW March 8, 2025 MARCH FORWARD For All Women, Queer and Gender-Diverse Communities Photography by Suzanne Phoenix Interview by Karen Ghostlaw Pomarico As we come together to celebrate International Women's Day, we acknowledge not only a historic milestone but also a powerful movement that continues to shape societies worldwide. Now in its 110th year, this annual occasion serves as a resounding call to honor the extraordinary social, economic, cultural, and political achievements of women across generations. It is a day to reflect on the progress made in the fight for gender equality, to recognize the resilience and contributions of women in all spheres of life, and to amplify the voices advocating for a more just and inclusive world. Now in its 14th year, Suzanne Phoenix’s International Women’s Day photography series continues to celebrate and amplify the voices of inspiring women and gender-diverse people from Melbourne, the Yarra Valley, and beyond. Since 2012, this project has grown into a powerful visual archive, capturing nearly 200 portraits of artists, activists, musicians, performers, writers, and changemakers who challenge, inspire, and shape our world. Suzanne is a queer Naarm/Melbourne-based photographer, artist, and self-publisher whose work explores people and places with endless curiosity. Her photography spans portraits, live music, performance, documentary, and street photography, capturing the essence of daily life and cultural movements. Each year, Suzanne curates a new collection of portraits, offering a glimpse into the fierce, funny, and extraordinary individuals who drive progress in their fields and communities. These images are more than just photographs — they are statements of resilience, strength, and the ongoing fight against inequality, discrimination, and gendered violence. This annual portrait series is a testament to Suzanne’s dedication to visibility, storytelling, and social change. As we celebrate International Women’s Day in 2025, this year’s series once again brings together a remarkable group of individuals, reflecting on the significance of this global movement. Through photography, Suzanne creates a space for representation, recognition, and resistance — ensuring that the voices of women and gender-diverse people are seen, heard, and celebrated. “I hope that everyone can see a wide range of cis and trans women and gender diverse people who they might recognise but invariably some (often many) they will not, and they will then look them up and connect with them. I want to show strong, vulnerable, moving portraits just as we really look and not what we see in the homogenised media.” MARCHING FORWARD WITH SUZANNE PHOENIX ON INTERNATIONAL WOMEN'S DAY THE PICTORIAL LIST: What originally inspired you to start this International Women’s Day photography series in 2012? What were your aspirations at that time for the project? SUZANNE: I turned up to work one day at a Neighbourhood House and to my surprise all the women were dressed up for IWD. I just started creating portraits with them and asked them what the day meant to them. I had no idea at that time that it would end up being an annual project. TPL: Over the past 14 years, how has this project evolved, and what has surprised you the most? SUZANNE: The project has evolved to engage with people that I am inspired by and who I connect with which sees a definite focus on the live music scene, particularly punk rock, and queer performers. It has evolved in many ways from just creating portraits, to doing paste ups as street posters (firstly by hand with mates, and then through places like Plakkit) and then billboards, self-publishing zines and books and running events with the subjects of the year. The project seems to be growing and reaching a bigger audience. I am most surprised that people continue to say yes to being involved, for example Casey Donovan agreeing to take part this year was a big, beautiful surprise. TPL: How has your work as a photographer been shaped by the themes of gender equality and representation? SUZANNE: My whole life has been heavily influenced by my experience of childhood family violence. Gender equality is a key driver for me to try and make a difference in all I do, and it is prominent in my photography work. I believe visibility and representation of those who are marginalised is crucial to make positive change. For over a decade I have sought to work in places, spaces and sub-cultures with people who are often not seen or are depicted in a stereotypical way. I hope to show people in their best light, in a real but kind way, with consent. Beź Zewdie - events producer, podcast producer and radio broadcaster - "Yes, disengagement is seemingly easy and peaceful, but an Angry Black Woman makes an intergenerational impact." © Suzanne Phoenix Delfi Sorondo - artist - "I can't really sugar coat it. I would love to be saying something more positive. But this is what IWD represents for me and it's appalling. The fight, the injustice, the struggle." © Suzanne Phoenix Casey Donovan - singer, actor, author, speaker, entertainer - "...acknowledge the ongoing fight for women's rights worldwide." © Suzanne Phoenix Georgia Knight - artist - "It was a pure moment of friendship and joy." © Suzanne Phoenix Apollonia - singer, lyricist - "The importance of inspiring girls to dream big." © Suzanne Phoenix Athina Uhoh - singer, visual artist - "It's tied to my penchant for perversion which, to me, connotes curiosity, and that is tied to my desire to perform music." © Suzanne Phoenix Amy Middleton - writer, journalist, publisher - "Women, transgender and NB people are just the best and I'm grateful for their/our efforts and unwavering commitment to changing this fucker of a world order." © Suzanne Phoenix Camilla Lucy McKewen - performer, maker - "Kissing and holding the edges" © Suzanne Phoenix Emilee South - artist - "I am galvanised every day, by the incredible community of women and non-binary folks that surround me." © Suzanne Phoenix Frankie Mazzone - actor, activist - "I like to remind myself of all the incredible Women in my life that have made spaces for me to shine and be free as Frankie." © Suzanne Phoenix Ginger Light - artist - "Women are beautiful, nurturing, kind & strong." © Suzanne Phoenix TPL: Are there any particular portraits or moments from the series that have deeply moved or challenged you? SUZANNE: On the day of one of the photoshoots the news broke of a young Melbourne woman called Isla and her body being found after missing for 6 weeks. In those weeks I watched the ‘Isla MISSING’ messages for weeks and I felt in my gut that she was dead, as I am sure many did. These frequent gender-based deaths of women knocked me and I tried to avoid hearing the details of her death to stay on track for the IWD photoshoots that day, but ultimately, I felt it needed to be raised and not ignored in those portrait sessions. TPL: You feature a diverse range of individuals in your portraits — how do you go about selecting your subjects each year? SUZANNE: I have a list. When I witness a person that I find unique, inspirational, someone who rocks my world, I add them to the list. There are some people I invite every year, but the portrait hasn’t happened yet, but I hope it will one day. So, I usually go back to them as the first on the invite list. Then I look at everyone and try (I say try) to curate a group of people who offer diversity of views and interests. I often have to take a deep breath and just send the invite because if you never ask, you never know. It has become clearer every year that this IWD project has become a place to channel my energy in response to every act I see of violence towards women, inequality and discrimination. TPL: How does capturing both prominent figures and everyday individuals contribute to the storytelling and impact of this project? SUZANNE: It provides a platform for individuals at different levels of their career, and I hope it helps elevate those who are emerging. I think an everyday individual has an important presence in this series for many reasons including the profiling of their life experiences and perspectives. I am also particularly interested in people in what could be perceived as their ‘break through’ moment. For example, Amy Taylor of Amyl and the Sniffers was in the series before the band became an internationally recognised band. In 2021 when we were in covid lockdowns, I couldn’t do portraits so I went back to everyone in the series to date and asked them if they would like to answer the question about IWD again. It was an interesting exercise to see how views changed, and Amy was one of these people. I think the documentation of stories before people experience a different level of fame is an important act. TPL: Photography has the power to shift perceptions — have you seen this project create tangible change or impact within communities? SUZANNE: It is hard for me to quantify a tangible change within communities but what I can say is I have seen change in individuals who are in the series. Also, I see how people react to the portraits and their personal stories alongside them. I have received a great deal of feedback that this work has changed their thoughts on IWD as a subversive project that bucks the trend of IWD being corporatised and commoditised with soggy croissant breakfasts that cost far too much to attend and are for a select group of a privileged few. TPL: Can you walk us through your creative process when capturing these portraits? How do you ensure authenticity in your subjects' expressions and stories? SUZANNE: I see the creation of the portrait as a collaborative process. I aim to provide a quiet, calm space with just the subject and myself. I can be a quick portrait photographer and only take a few shots with some people, but I take the time needed with each person. Everyone is unique with a different level of comfort in front of the camera. Some people are so used to it they have practiced skills and looks that I sometimes need to try and encourage them to drop. I always talk through the portrait being just for the purposes of this series, that in a hundred years people will look back and see and read what ‘so and so’ presented and wrote about IWD. I have recognised, especially this year, that people are reacting to me in the portrait and that they usually are showing that they like me and feel comfortable (which is lovely!). But I’ve asked a few people to look at me like they don’t like me to give a different feeling. I am unsure if this is right or wrong, but certainly some of those portraits are in the final collection. My process includes the subject making a final decision on the portrait chosen which I understand is often not the norm. On the storytelling side, I talk about it being difficult for many to write about the subject and that individuals don’t need to give a worldview and cover off everything about it. I suggest sharing a personal story from their life, that is where the gold is. And while it is true we have come a long way, but still have a long way to go, I talk about how we don’t need to all state that and encourage the individuals to dig a little deeper. Grace Cummings - artist - "I feel proud and hopeless in equal measure...I don't want to have to think about it all. I'm grateful to be asked and hope I have a wildly different answer in 10 years." © Suzanne Phoenix Isobel Buckley - musician and record label co-founder girlie - "IWD to me represents the celebration of strength and triumphs reached by non-men, which has improved the quality of life and many others benefit from every day. It's also a reminder of the very real struggles faced daily, and the huge progress still to come and to fight for." © Suzanne Phoenix Karen Pickering - writer, carer - "I've seen IWD grow in size and popularity, from being barely observed to now a cultural juggernaut divorced from its true meaning." © Suzanne Phoenix Kerri Simpson - musician - "A time to reflect on and celebrate women's achievements worldwide." © Suzanne Phoenix Lauren Hester - musician, visual artist, filmmaker - "Every day is a fight for women to simply exist." © Suzanne Phoenix Michelle Trebilco - fashionista - "A time to celebrate all women without discrimination." © Suzanne Phoenix MzRizk - DJ, event curator, sound artist - "...a call to action to continue amplifying voices and championing equity in every sphere." © Suzanne Phoenix Romy Vager - singer - "International Women's Day is a bit of a double-edged sword for me. While I want to support others and celebrate our achievements, as a trans person I'm never quite sure about how welcome I am to be there. I guess IWD for me is about women who don't always fit the mould of what a woman is expected to be making it clear that we deserve to be here as much as anyone else." © Suzanne Phoenix Sarah Blaby - musician - "I can't hide anything, so I try to make her proud and be the voice she wasn't allowed." © Suzanne Phoenix Sherele Moody - femicide researcher, journalist - "IWD is a powerful moment when women come together to save other women's lives. It's an opportunity to highlight the ongoing toll and impact of gendered violence on Australia while commemorating killed women and children. We cannot move forward without change: The stories of killed women and children are the most powerful way to turn the page on violence in Australia." © Suzanne Phoenix Ursula Dutkiewicz - artist - "IWD celebrates how far we have come towards equality while bringing to light the issues we still face. It's a reminder to take nothing for granted and to continue to keep pushing for a better world whilst living in a patriarchal society." © Suzanne Phoenix Zec Zechner - singer, songsmith, performer, writer - "... an annual reminder of the need for action to optimise our broken system to serve the broader community ... " © Suzanne Phoenix TPL: What challenges have you faced in sustaining and growing this series over the years? SUZANNE: The main challenge is financial. 2025 is the first year I have established sponsorships that individuals have taken up to a level that has mostly covered the outgoing costs of the work. The future challenge is to try and cover the costs of my time so I can survive as a full-time artist. TPL: As you look ahead, how do you see this project evolving in the future? Are there new elements you’d like to explore? SUZANNE: Every year is a bit different, often with different presentation outcomes like in 2024 the portraits were on the Bakehouse Billboards in Melbourne driven past by 2 million motorists per week. This year there will be an exhibition at Queen Victoria Women’s Centre which is sponsored by Australian Femicide Watch. The QVWC feels like a natural home for the project in a place of activism and advocacy committed to holding and creating space for Victorian women and gender diverse people to thrive. And I am so honoured to have built a connection with Sherele Moody of Australian Femicide Watch. For the future, I hope one day to see the portraits on a larger scale in an outdoor exhibition. TPL: Finally, what does International Women’s Day mean to you personally, and how has your perspective on it changed through this work? SUZANNE: It has become clearer every year that this IWD project has become a place to channel my energy in response to every act I see of violence towards women, inequality and discrimination. It gives me an opportunity to connect, learn, to grow as a person and artist and gives me hope. Suzanne Phoenix’s photography is a testament to the power of representation, storytelling, and community. For over a decade, she has documented people, places, and cultural movements with eyes wide open, creating compelling visual narratives that celebrate diversity and visibility. Her work has been recognized in industry awards and exhibited at major festivals, including the National Photographic Portrait Prize, the Martin Kantor Portrait Prize, and public art installations such as the Bakehouse Studios Billboards for IWD 2024. A self-publisher, Suzanne has produced over a dozen photo books and zines, often collaborating with artists and community groups. Since 2012, her annual International Women’s Day portrait series has amplified the voices of artists, activists, and changemakers. Beyond photography, she shares her expertise through workshops, artist talks, and mentoring at major festivals and galleries, including PHOTO 2022 and 2024, the Ballarat International Foto Biennale, and Head On Festival. As we celebrate International Women’s Day 2025, Suzanne’s latest portrait series once again brings together a powerful collection of individuals reflecting on the significance of this global movement. Her work reminds us of the importance of documenting our communities with care, curiosity, and respect. Through her photography, we don’t just witness moments — we experience the stories that shape them. For commissions, collaborations, or inquiries, visit her contact page or email Suzanne directly. Follow the links and be inspired by Suzanne’s work and learn more about the people she supports and engages through her photography practices. Special thanks to all the individuals that have supported this project, helping this diverse and dynamic group of women to inspire others, and recognize their valuable contribution to the communities they reach and belong to. Sponsors of IWD2025: Ross Coller, Ian Bickerstaff, Mike Kendall, Nicolette Powell, Carmel Tulloch, Deb Lord, Elise McLellan, Marilyn Hogben, Mel Scott, Nadine Amy, Peter Cahill, Sean Jameson, Stephen Andrew, Susan Lloyd-Angol, Belinda Rogers, Ece Caliskan, Ellen Kessler, Helen Pinchen, Jean-Luc Syndikas, Lorraine Ellis, Maggie Powell, Mandy Corcoran, Mark Ireland, Melissa Williams, Patty Holten, Sarah Chappell, Tanya McCulloch and Ursula Dutkiewicz. The IWD2025 exhibition at Queen Victoria Women’s Centre is sponsored by Sherele Moody and Australian Femicide Watch and SMLXL Fine Art Print Studio and is supported by Queen Victoria Women’s Centre. Artwork (cropped) by Apollonia VIEW SUZANNE'S PORTFOLIO Suzanne's website >>> Instagram >>> Australian Femicide Watch Queen Victoria's Women's Centre SMLXL Fine Art Print Studio read more interviews >>> MARCH FORWARD Through photography, Suzanne Phoenix creates a space for representation, recognition, and resistance — ensuring that the voices of women and gender-diverse people are seen, heard, and celebrated. FLUX: Exploring Form, Luminescence, and Motion Amy Newton-McConnel embraces unpredictability, finding structure within chaos and allowing light to guide the composition. AN ODE TO SPONTANEITY AND SERENDIPITY Meera Nerurkar captures not just what is seen but also what is felt, turning the everyday into something worth a second glance. THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth. FUTURE HACKNEY Don Travis and Wayne Crichlow are the photographers and community advocates behind Future Hackney, merging photographic activism and social engagement to amplify inner-city marginalized communities' voices. DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons.

I am a documentary photographer and visual artist based in New York City, though my roots trace back to Elbasan, Albania. addresses political, social, and cultural realities on issues such as migration and inequality, as well as our disconnection to the natural world and environmental degradation. Through vibrant colors and serene imagery, my photographs are often in dichotomy with the subject matter at hand. Drawing inspiration from the social practice field and the feminist art movement, she seeks to join the dialogue of Drawing from the social practice field and feminist art movement, I’m driven by the belief that how art can be a force of change and challenge dominant narratives around how we see the world and each other. With a foundation in political science and a deep understanding of geopolitics, I’ve dedicated years to studying political movements, revolutions, and global inequality. This perspective is integral to my artistic vision and practice. MEI SEVA ARTIST'S STATEMENT // I am a documentary photographer and visual artist based in New York City, though my roots trace back to Elbasan, Albania. addresses political, social, and cultural realities on issues such as migration and inequality, as well as our disconnection to the natural world and environmental degradation. Through vibrant colors and serene imagery, my photographs are often in dichotomy with the subject matter at hand. Drawing inspiration from the social practice field and the feminist art movement, she seeks to join the dialogue of Drawing from the social practice field and feminist art movement, I’m driven by the belief that how art can be a force of change and challenge dominant narratives around how we see the world and each other. With a foundation in political science and a deep understanding of geopolitics, I’ve dedicated years to studying political movements, revolutions, and global inequality. This perspective is integral to my artistic vision and practice. LOCATION New York UNITED STATES CAMERA/S Pentax K1000 with Kodak Porta 400 film CATEGORY documentary WEBSITE https://meiseva.com/ @MEI__SEVA FEATURES // The Red Poppy and the Sun

INTERVIEW INTERVIEW July 13, 2022 PEOPLE AND THEIR ENVIRONMENT Photography by Anwar Ehtesham Interview by Melanie Meggs When life gives you a second chance, you take it. That is what Anwar Ehtesham did when he decided to invest in his own camera and pursue his dream of becoming a photographer. Growing up in Bangladesh, he was surrounded by an environment that inspired him and filled him with creativity. Now living in the capital city, Anwar has been able to hone his skills and perfect his art of capturing humans in their environment. He believes that the environment plays such an important role in provoking different moods and that is what makes the photograph so special; the people. In this interview with The Pictorial List, Anwar shares some of his creative journey, his struggles growing up and why he chose to pursue photography as his lifetime pursuit. Join us as we explore the passion and dedication of a determined photographer and learn more about the story behind Anwar's lens. “While walking through the narrow streets of Old Dhaka, I suddenly noticed a father playing with his 1 year old son. That intimate moment caught my eye and I approached them. After taking the photos, I spent some time with them and told him that I’ll be back with the hard copies of these photos. After about 3 months later I went to his place along with the hard copies. And they were so happy after getting the photos that I cannot explain in words. They called their neighbours and showed the photos to them. It was an emotional moment for all of us. And guess what, they were so happy that they gave me the permission to visit their place anytime I wanted. And this was priceless.” IN CONVERSATION WITH ANWAR EHTESHAM THE PICTORIAL LIST: Hello Anwar, please tell us about yourself. ANWAR EHTESHAM: I was born in 1983 in a small town of Kisharganj in Bangladesh. However, my parents moved to the port city, Chittagong, when I was at the age of two. After completing my higher secondary education, I moved to the capital city of the country, Dhaka, in 2004. Dhaka is the eighth largest and sixth most densely populated city in the world. Since I moved from Chittagong, one of the most naturally beautiful cities of Bangladesh, I was having a hard time adjusting with the environment and busy life of Dhaka. Leaving most of my friends behind at my hometown made it worse. And unfortunately, I could not make friends in this new environment. So, living in Dhaka became a nightmare. In 2006, I completed my Bachelor in Business Administration with a Marketing major. After graduation, I joined one of the largest advertising agencies in Bangladesh. Whilst working there, I came across many creative people. Being able to work with and learn from creative minds, my passion for photography got the boost it needed. However, my job was very hectic and it occupied me for month after month. To put icing on top, I also decided to enrol in Masters in Business Administration at East West University in 2008. And that made life even busier. Over the period of time, I worked for multiple organizations and enrolled in many different executive programs and online courses. As I was getting busier day by day, I could never start photography. TPL: How did your journey into photography begin? AE: It was in mid-2019, it hit me - I am getting older! If I don’t do anything now, I never will! So, I bought my first camera in November 2019. It was Canon EOS 80D. Initially, I did not know what to shoot and how to shoot. I used to take pictures of my kids, people around me, flowers and trees in P mode. But I realised that I was not doing it right. So, I started learning photography from YouTube and online journals. Initially I was very interested about landscape photography. But soon, I had realized that it is not my cup of tea as it involved lots of travelling. I soon discovered that street photography is the best fit for me. I was extremely shy and nervous when I held the camera on streets. So, I used to take photos using long telephoto lenses so I could take photos from a distance. But then in early 2020, the world was plagued with COVID-19. Everybody started wearing masks. And that was the game changer for me. Since, the people I shot wore masks and so did I, our identities were not disclosed. That gave me the comfort of getting close to people. During this time, I formed a small group of like-minded and enthusiastic street photographers. We have gone out for photo walks most weekends. That has helped me to shoot confidently on the streets, explore new places of the city and exchange different thoughts about photography. TPL: Talk to us about your method of working before the final image. Do you know exactly what you want from the beginning? AE: My methods are pretty simple. I go through my pictures several times right after the photowalk. Then after returning home, I organise my photos in three different folders. These are: Priority, Potential and Stock. First, I start picking photos from the 'priority' folder and try to critically analyse my photos. When I am done analysing the 'priority' folder, I move to the 'potential' folder and do the same. I hardly search photos from the 'stock' folder. I do a very little post-processing which basically includes minor cropping and colour corrections, and adjusting shadows and highlights, etc. However, I have a philosophy about post-processing. I don’t post-process unless it is necessary (that’s probably because I am lazy). And when it is necessary, I don’t want to heavily change the scene or colours. It is because I want to keep my frames true to the scene. It depends from scene to scene. However, I can tell what exactly I am going to get in most cases. TPL: What was the first camera you ever held in your hand, brought to eye, and released a shutter on? What is the camera you use now? Does the equipment you use help you in achieving your vision in your photography? What is on your Wishlist? AE: The first camera I ever held in my hand, brough to eye and released shutter was a film camera; Yashica MG-2. I was probably 4-5 years old then and the camera was owned by my father. Interestingly, we still have that camera. The first camera that I bought was a Canon 80D coupled with Canon 18-135mm zoom lens. Then later on, I tried many cameras namely, Canon 1300D, Sony a6000, and Sony A7iii.. Finally, I’ve settled on three cameras namely, Sony A7iii, Fujifilm X-T30 and Ricoh GR 3. Well, the Ricoh was bought 2-3 months ago. My most favourite setup by the way is Fujifilm X-T30 coupled with Fujinon XF 16mm F2.8 (24mm full frame equivalent). It’s a very cute and small setup. But the abilities of this setup are enormous. Most of my favorite shots came from this setup. I’ve also started loving Ricoh these days. It is also a capable camera. But Ricoh has its limitations too, especially in low light situations. Since I have tried many different cameras as well as focal lengths, I know which camera or setup can do what in certain situations. Frankly speaking, I have more gear than I need. Mostly because of whimsical buying. I think gear is secondary when it comes to achieving my vision. Every gear can produce decent pictures these days. But what really helps to achieve a certain result is the power of observation and patience. Like I said, I think I have everything I need. However, there are two Wishlist cameras. These are Hasselblad 907X Anniversary Edition and Leica M10. TPL: What have been some of your most memorable moments as a photographer? AE: I think every walk is memorable for me. I go to places, meet new people, exchange thoughts and more. This is a very satisfying feeling. As you have asked, I’ll share one of my most memorable moments here. It was probably mid-January, 2022. I went to Old Dhaka as usual. While walking through the narrow streets of Old Dhaka, I suddenly noticed a family; a father playing with his 1-year-old son. That intimate moment caught my eye and I approached them. It was a very narrow space and challenging in terms of lighting conditions. Moreover, I entered into their personal space. So, I was a bit nervous. However, the father did not mind when I sat beside him. To start with, I praised his son and asked for his permission to take a few photos. He allowed me to take the photos. After taking the photos, I spent some time with them and told him that I’ll be back with the hard copies of these photos. In reply, he told me that it’s okay. After about 3 months later I went to his place along with the hard copies. The father wasn’t there at that time. So, I gave the pictures to his wife. Meanwhile, the father also arrived home. And they were so happy after getting the photos that I cannot explain in words. They called their neighbours and showed the photos to them. It was an emotional moment for all of us. And guess what, they were so happy that they gave me the permission to visit their place anytime I wanted. And this was priceless. I want to show the world that this city also has its own beauty and colours. TPL: Do you have a favourite photography/art inspired quote or saying? AE: Yes, I do. “If your pictures aren't good enough, you're not close enough,” by Robert Capa. In fact, this quote changed my entire photography style and approach. TPL: What are some of your most favorite places you find inspiration to explore through your photography, and what draws you there? AE: It is the people and their positive energy that draws me to those places. I usually go to the most struggling people of the city. Most of them live from hand to mouth. Sometimes, they don’t even get enough food or rest. But still, they remain unstoppable. Despite hundreds of adversities, they are fighting every day with new vigor. Their mental strength and motivation to survive fascinates me again and again. TPL: Do you have any favorite artists you would like to share with us? AE: Yes, I do. In fact, the list is pretty long. I am a big fan of Ansel Adams, Henri Cartier-Bresson, Vivian Maier, Saul Leiter, Alan Schaller, Raghu Rai, Vineet Vohra, and many more. However, Fan Ho and Steve McCurry are my most favorites. Being said that, I try to gain my photography inspirations from all genres and styles. Sometimes, it’s not limited to photography only. I believe that creativity can come from anywhere and anything. TPL: Are there any other photographic projects you are working on, or have planned in the near future? Where do you hope to see yourself in five years? AE: I am currently working on a long-term project. It’s about the city I live in. Dhaka is known as one of the most dirty, unhealthy and ugly cities of the world. But I want to show the world that this city also has its own beauty and colours. In fact, my ultimate plan is to publish a coffee table book containing 101 photos that will portray the beauty and stories of this city. TPL: “When I am not out photographing, I (like to) … AE: Spend time with my family. And if I get more time, I want to look at other photographers' works and explore new perspectives.” Anwar Ehtesham's story is truly inspiring and reminds us of the power that dreams can have and the value of never giving up. His passion and dedication to his craft have allowed him to pursue his goals and create something special for himself and those around him. His journey of self-discovery through his lens is one we should all strive to emulate. We invite you to join Anwar on his journey through photography and celebrate with him the power of creativity and following your dreams. VIEW ANWAR'S PORTFOLIO Instagram >>> Website >>> read more interviews >>> MARCH FORWARD Through photography, Suzanne Phoenix creates a space for representation, recognition, and resistance — ensuring that the voices of women and gender-diverse people are seen, heard, and celebrated. FLUX: Exploring Form, Luminescence, and Motion Amy Newton-McConnel embraces unpredictability, finding structure within chaos and allowing light to guide the composition. AN ODE TO SPONTANEITY AND SERENDIPITY Meera Nerurkar captures not just what is seen but also what is felt, turning the everyday into something worth a second glance. THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth. FUTURE HACKNEY Don Travis and Wayne Crichlow are the photographers and community advocates behind Future Hackney, merging photographic activism and social engagement to amplify inner-city marginalized communities' voices. DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons.

I trained as a textile designer at the Hornsey College of Art. I now enjoy bringing my textile trained eye into the digital world of photography. Painting with my camera lets me explore taking the use of texture, shape and form into an abstract artwork genre. Here I share images from my series "Constructed Ribbon Landscapes." ALEX RUTHERFORD be inspired Gallery // ARTIST'S STATEMENT // I trained as a textile designer at the Hornsey College of Art. I now enjoy bringing my textile trained eye into the digital world of photography. Painting with my camera lets me explore taking the use of texture, shape and form into an abstract artwork genre. Here I share images from my series "Constructed Ribbon Landscapes." LOCATION Surrey UNITED KINGDOM CAMERA Nikon D5200, D5100 CATEGORY abstract ICM, multiple exposure @ALEX.R.RUTHERFORD FEATURES // Constructed Ribbon Landscapes

I love just wandering around with my camera - generally I follow my nose, look up and around and see what catches my eye. I'm always drawn to buildings - especially tall ones - which I photograph in a way that makes them seem very abstract and graphical. Talking of graphical, I would say my photography is very much led by grids - I think about lines and edges within compositions before anything else. Especially when it comes to editing my photos. I nearly always shoot for black and white - that's generally all I share on my Instagram, anyway. There's something about the removal of colour that seems to heighten lines, grids and patterns within images. So it suits my style perfectly. BEN ALLAN be inspired Gallery // ARTIST'S STATEMENT // I love just wandering around with my camera - generally I follow my nose, look up and around and see what catches my eye. I'm always drawn to buildings - especially tall ones - which I photograph in a way that makes them seem very abstract and graphical. Talking of graphical, I would say my photography is very much led by grids - I think about lines and edges within compositions before anything else. Especially when it comes to editing my photos. I nearly always shoot for black and white - that's generally all I share on my Instagram, anyway. There's something about the removal of colour that seems to heighten lines, grids and patterns within images. So it suits my style perfectly. LOCATION London UNITED KINGDOM CAMERA Canon 80D CATEGORY architecture, street @BALLONANDON FEATURES // Gridlines

As an independent documentary photographer, I have a strong passion for capturing real-life stories. Originally from Krasnodar, a city in the south of Russia, I made the move to St. Petersburg at the age of 20 to pursue a higher education in journalism. My interest in photography was sparked through my work as a photojournalist on various social projects. Additionally, I contributed to the cultural magazine Most and received my degree from the Docdocdoc School of Contemporary Photography. My focus is on capturing the social issues within our society, and I particularly enjoy the challenge of portrait photography. Currently, I am based in the beautiful city of St. Petersburg. SASHA IVANOV ARTIST'S STATEMENT // As an independent documentary photographer, I have a strong passion for capturing real-life stories. Originally from Krasnodar, a city in the south of Russia, I made the move to St. Petersburg at the age of 20 to pursue a higher education in journalism. My interest in photography was sparked through my work as a photojournalist on various social projects. Additionally, I contributed to the cultural magazine Most and received my degree from the Docdocdoc School of Contemporary Photography. My focus is on capturing the social issues within our society, and I particularly enjoy the challenge of portrait photography. Currently, I am based in the beautiful city of St. Petersburg. LOCATION St. Petersburg RUSSIA CAMERA/S Canon R CATEGORY documentary, portrait WEBSITE http://www.sashadoc.com @SASHAIVANOV_DOC FEATURES // On the Trail of Love Lost

INTERVIEW INTERVIEW April 26, 2021 FRAGMENTS OF A TIME Photography by Daniela Pereira Interview by Melanie Meggs Daniela Pereira is passionate about photography as a hobby and artistic expression. She is interested in several genres and likes to experiment with photographic techniques. Daniela has shared this series of photographs of her exploration of long exposure photography. These blurred, unfocused images, of different colours and shapes, connote the mixture of emotions and uncertainties she perceives as time passes during the pandemic. “The purpose of this project is to explore long exposure photography. It is a technique that helps me to portray the passage of time. The blurred, out-of-focus images of different colors and shapes connote the mixture of emotions and uncertainties derived from this year of the health emergency due to Covid-19. They can also be related to the different ways of perceiving the passage of time at that stage. The dynamism conveyed by the photographs is associated with the speed of change, with the intensity of the experience. The dilated figures, without precise limits that seem to be moving but never end up passing, suggest the slow course of a time that does not coincide with the usual.” IN CONVERSATION WITH DANIELA PEREIRA THE PICTORIAL LIST: Daniela please tell us about yourself. How did you become interested in photography? DANIELA PEREIRA: I was born in Montevideo, the capital of Uruguay, South America where I’m living now. I work in international cooperation for development, in the area of education and culture. I traveled to many countries around the world. I studied abroad in Spanish universities. My interest in photography began during my trips. Photography is my great passion. Whenever I have the opportunity or the time I take my camera with me. Four years ago, I began studying specialising in amateur photography at Foto Club Uruguayo, a well known photography institution. TPL: Where do you find your inspiration? DP: My main source of inspiration are Montevideo city streets. As I live there, most of my photographs are taken in the city. I love walking through the city looking for amazing places and people. I also like nature and landscapes. TPL: What do you want to express through your photography? What are some of the elements you always try to include in your photographs? DP: I always try to include a personal look in my work through the different aspects of my photographs: technique, lights and shadows, use of light, topics, movement, double exposures. The elements I pay most attention to are the ones that make a balanced composition. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? DP: There are many artists and photographers that inspire me...Aleksandr Rodchenko to name just one. TPL: Where is your most favourite place to go photograph? DP: The city, the street during the day and at night. Photography is my great passion. Whenever I have the opportunity or the time I take my camera with me. TPL: What happens when you go out with your camera? Do people respond positively to you, or do you sometimes get negative reactions? If yes, how do you handle it? DP: I used to enjoy the interaction with people in the street when I’m photographing their places or making some kind of portrait or scenes. According to the Ethic and Human Rights Act, I do try to be respectful for their images and identity so I always ask them for agreement. I also express my gratitude for the opportunity. If some disagreement appears I make an explanation and apologise. TPL: When you take pictures, do you usually have a concept in mind of what you want to shoot, or do you let the images just 'come to you', or is it both? DP: Both. Sometimes I have a definite idea or concept and I go out and look for it, and other times, the images just find me. TPL: Does the equipment you use help you in achieving your vision in your photography? What camera do you use? Do you have a preferred lens/focal length? DP: Equipment offers goods possibilities. I use a Canon EOS 77D. I don't have any preferred lenses. TPL: What are some of your goals as an artist or photographer? Where do you hope to see yourself in five years? DP: I think I will continue to improve and experiment. I also see myself participating in photography groups, calls and photographic exhibitions. TPL: When I am not out photographing, I (like to)… DP: I work or I am with my family. I also like to exercise, play field hockey or go to the movies. These unfocused images connote the mixture of emotions and uncertainties Daniela perceived as time passed during the pandemic. To see more of Daniela's work connect with her on Instagram. 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