October 7, 2022
A MAN'S BEST FRIENDS
Photography by Chetan Verma
Interview by Melanie Meggs
For as far back as Chetan Verma can recall, photography has always attracted him. He clearly recalls how he used to love clicking on his grandfather's film camera. But then life happened, and Chetan became preoccupied with studying and establishing a career. So, when he bought his first DSLR around 2011, his amazing new tool instantly won Chetan over. Around 2016, by chance, Chetan was introduced to street photography, and he started taking the camera out on the streets. He discovered a new dimension of love for photography. Street photography, to Chetan, is fun. To him, the fact that no moment can be repeated gives him the challenge of how to make that moment more interesting. It helps me to remember how life is full of so many interesting possibilities.
Over the last couple of years, Chetan has been intentionally photographing the affable dog. Finding them pretty much everywhere on the streets in India, anyone documenting the streets are bound to encounter them. The photographs in this collection are frames where Chetan has made the lovable dog the star. Chetan points out that, over the past several years, he has made great strides in his relationship with dogs, going from being initially terrified of them to making them the focal point in these pictures. Through his long term project Chetan has created a wonderful unexpected connection to an unexpected community.
“Street photography, to me, is fun. The fact that no moment can be repeated gives me the challenge of how to make that moment more interesting. It helps me to remember how life is full of so many interesting possibilities.”
IN CONVERSATION WITH CHETAN VERMA
THE PICTORIAL LIST: Welcome Chetan, please tell us about yourself.
CHETAN VERMA: I grew up in Mathura in the state of Uttar Pradesh, India. It's a small town but is well known throughout India and the world (if I may say that) as the birth place of Lord Krishna. Although I have been a student of science, I have always had good taste in music and arts in general. My aunt studied arts, and was deep into drawing and painting. My grandfather, who had retired as a doctor from the Army, was a great storyteller. And although I grew up in a large joint family, I was always his favorite and so he never stopped from playing with his film camera too occasionally. And though these things may seem small, I truly believe that all of this had a great impact on me and my taste in the arts in general.
At present I work as a Software Engineer with an Investment Bank in Gurgaon, India where I live with my lovely wife Pooja and our 11 year old daughter Aanya.
TPL: What drew you to photography? What was that moment that you decided to pick up a camera? Talk to us about your photographic experience on the streets of India.
CV: After I did my Master's in Computer Science, the next couple of years went by quickly - job, marriage and everything in-between. Then just after marriage, I got a chance to work in the United States for around 2 years. We were in our mid twenties, and so the idea was to visit as many places in the USA as possible and to save those memories, I bought a point-and-shoot camera. I captured some beautiful memories in the USA and we returned back to India in a couple of years. Then it was around 2016, the time of mid-life crisis for me, when those philosophical questions started to creep in my mind - what am I doing, how can I find happiness, what do I really love doing. And it was my wife who helped me find the answer - "Just pick your camera, go out, and shoot", she said.
And like a good husband, I followed her advice 😉. I came across some groups who would go out and shoot in Delhi, which is just an hour's drive from Gurgaon. The groups would mostly go to the historical monuments, and Delhi has so many of them. I am an introvert, so these photowalks helped me a lot to get confident walking with the camera and being able to shoot. Delhi is heavily populated so it's impossible to shoot without people getting in the frame. Even if this sounds unbelievable, trust me, this is true.
And so one walk turned to another, and soon I started getting comfortable going out solo. I was shooting everything - monuments, flowers, walls, people - you name it. Then one day I came across the gallery of Navin Vatsa on Instagram - I am sure it was that day when I really got hooked to this genre of street photography. I will talk more about this later as I can see there is a question further down that is more apt for talking about Navin's work.
TPL: What is it that you love most about street photography?
CV: Street photography, to me, is fun. The fact that no moment can be repeated gives me the challenge of how to make that moment more interesting. It helps me to remember how life is full of so many interesting possibilities. As Obie Oberholzer said - "I don’t believe that one photograph is better than another; rather one is more interesting than another. So, basically, 'you get what you take'. If the objects in front of the camera are interesting enough ‘you take them’, and if they are not 'you make them'."
TPL: What have been some of your most favorite places you find inspiration to explore through your photography, and what draws you there?
CV: What I absolutely love about Street Photography is that one doesn't need an 'ideal' location for it. Many great photographers have done amazing work simply documenting their neighbourhood.
Still, if I were to list some of my favourite places, Delhi would top the list, as that is where I live and so it is always accessible. Knowing a place helps, as you understand the dynamics of it - the more you visit a place, the more you know of when it's empty, when it is crowded, where and how will the light and shadow play, and so many other things that are quite important for Street Photography. It's a city in the mix, modernity of South Delhi and Gurgaon with their high rises and shopping malls, the narrow lanes of Old Delhi with its chaos, the banks of river Yamuna where at times you get a glimpse of a life full of peace.
Three years back I got a chance to visit London for work for 2 weeks, and so over the two weekends I explored whatever was humanly possible and fell in love with the art galleries and the streets.
TPL: What role has the digital community played in your photography journey thus far?
CV: If it's social media you are talking about, then I truly believe these platforms are simply tools - how you use them is up to you. You can use it to share your work with the whole world, get feedback, observe and learn how the master's shoot and so many other great things for improving your photography. I have been active on Instagram for a couple of years now and I personally like it a lot for the kind of reach it has. Of course there are some things I do not like about it - including the way it has started giving undue focus on video's and the promotional content, but I think the pro's weigh much more heavily against the con's at the moment for Instagram.
TPL: When you take pictures, do you usually have a concept in mind of what you want to shoot, or do you let the images just "come to you", or is it both? Please describe your process.
CV: Street Photography is all about the moment, and so by its nature, it can't be planned. I go out with my camera with a clean mind, and then let my intuition guide me. If I see an interesting stage on the street, say light falling at a certain angle, or an interesting graffiti on the wall, and if I think a specific subject crossing my frame will make for an interesting moment, I do wait, but not for long. I prefer coming back to the same location next time rather than waiting for hours at a spot.
Having a concept in mind could be an interesting way to challenge oneself, but since I normally go out for photography only over the weeked, I do not have this luxury at the moment. I make the best of the time I get for photography.
I don’t believe that one photograph is better than another; rather one is more interesting than another. So, basically, 'you get what you take'. If the objects in front of the camera are interesting enough ‘you take them’, and if they are not 'you make them'. - Obie Oberholzer
TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance?
CV: Navin Vatsa would top the list for me. I consider him my Guru of sorts - in my initial days while I was new to Street Photography, it was his work that got me hooked to the genre. Then as I understood it more, I came across works of many other masters of Street Photography. His images are very strong emotionally, and I think that is the prime reason why I connect with them being quite an emotional person myself.
Apart from Navin Vatsa, some of my favourites are Vineet Vohra, Henri Cartier-Bresson, Alan Schaller, and Matt Stuart.
TPL: If you could just choose one photographer to shoot alongside for a day...who would you choose? And why?
CV: This is a really tough one. If it has to be one, then I will prefer to go along with one who can teach me most. The reason I say so is that explaining and teaching someone how you work, think and act is such a tricky part, so I am sure not all great photographers would make good teachers of Photography. So my reason is purely selfish - I would like to go with one who helps me grow most as a photographer.
TPL: Do you have a favorite photography/art quote that has been an inspiration to you?
CV: Many learned and enlightened beings, including great photographers have said this one thing in one way or another - "There is no shortcut to practice"...and I truly believe in it. It's one thing to read books and attend workshops, but nothing is going to be fruitful if I do not go out and shoot.