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PICTORIAL STORY

February 23, 2025

VANISHING VENICE

Photography by Lorenzo Vitali
Story by Melanie Meggs

Lorenzo Vitali, a Milan-based photographer, has built his career around the relationship between classic and contemporary visual elements. His work has been featured in exhibitions, awards, and photography journals in Italy and internationally. Lorenzo’s photographs go beyond representation; they are carefully orchestrated dialogues between light, form, and emotion. His approach is methodical yet instinctive, engaging with his subjects in a way that transforms everyday scenes into captivating visual narratives. There is a creative duality that bridges time-honored techniques with modern experimentalism. Lorenzo’s engagement with evolving aesthetics reflects an acute sensitivity to the environments he captures, reinforcing photography’s role as both an expressive and investigative medium.

His project ‘Vanishing Venice’ is a deeply personal exploration of the city's architectural identity through time, atmosphere, and perception. “Venice is a place close to my heart,” Lorenzo explains. “My father was Venetian, and I often visited during my childhood and adolescence. I have never been able to photograph Venice with the eye of a tourist.” Instead, Lorenzo's work reflects a kinship forged from his heritage, creating strong connections and a clear understanding shaped by years of observation rather than fleeting moments.

LORENZO VITALI

The city presents structures from different architectural styles, including Byzantine, Gothic, Renaissance, and Baroque. Venice is often perceived as a city frozen in time, a place where history stands still, but Lorenzo’s images challenge that idea. He is fascinated by how architectural styles fade and transform, blending into one another over time. “For a long time now, Venice seems like it will disappear, but in the end, it is always there,” he says. “The architectural styles overlap without rules because each owner up to a century ago decided the changes independently. A lot of stylistic disorder has been created, but somehow, it all comes together into a harmonious whole of rare beauty.”

Lorenzo’s portrayal of Venice is an almost surreal experience — where time dissolves, and the viewer is left with the sensation of stepping into a dreamscape. His images suggest a city in flux, where every narrow canal and weathered facade tells a story of impermanence and resilience. In doing so, he not only documents the physical evolution of Venice but also invites a broader contemplation of how cultural and historical narratives are continuously rewritten by time and change — a reimagined Venice that is at once both nostalgic and visionary. Rather than seeking out the postcard-perfect Venice, Lorenzo searches for something deeper.

“I certainly don’t look for beautiful views of Venice because I take its beauty for granted,” he says. “I look for the soul of the city. Venice has many houses of poor construction next to magnificent palaces. I look at everything with the same love: poor or magnificent is irrelevant to me.”

His photographic language is fluid, ecstatic, and fleeting, mirroring the impermanence of Venice itself. “My idea of Venice is certainly impermanent because it is subject to evolution. It changes continuously and has no consistency over time,” he explains. The fog, a recurring presence in his images, plays a crucial role in shaping this perception. “January is the month in which Venice seduces me the most. These photos were all taken in January in fact. The fog enhances my perception of fleetingness and mutability because it modifies the vision of the architectural masses. It helps me to express my feelings for Venice beyond the physical.”

Color and light also contribute to this sense of fragility and resilience. “The chromatic tones and light in my images bring back my perception of this place as delicate and fragile, but also resilient. In my mind, I assign this identity to Venice, but I do not exclude that for others it could be different.”

Lorenzo Vitali’s work is a confluence of history, art, and innovation. By documenting the evolving relationship between tradition and modernity, he invites viewers to see his cities not as a static relic but as a place in constant transformation, where history and modernity coexist in a delicate balance. ‘Vanishing Venice’ serves as a reminder that cities, like photographs, exist in a constant state of change — preserved in one moment, yet always moving forward. His photography redefines the medium as both a record and a reinterpretation of a changing world.

The views, thoughts, and opinions expressed in the text belong solely to the author/s, and are not necessarily shared by The Pictorial List and the team.

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