Be inspired by the photographers on the 2025 List. 2025 PHOTOGRAPHERS © Stephanie Duprie Routh ABDULLA SHINOSE CK Malabar INDIA ALEJANDRO DAVILA Pachuca MEXICO ANTON BOU Montreal CANADA AYANAVA SIL Kolkata INDIA BETTY GOH SINGAPORE BUKU SARKAR Paris FRANCE CYNTHIA KARALLA New York UNITED STATES DAVID GRAY New York UNITED STATES EVA MALLIS New York UNITED STATES FANJA HUBERS Utrecht THE NETHERLANDS FUTURE HACKNEY London UNITED KINGDOM GIORDANO SIMONCINI Rome ITALY GUILLERMO FRANCO Córdoba ARGENTINA HIROYUKI ITO New York UNITED STATES JAY HSU Yilan City TAIWAN KAT PUCHOWSKA Barcelona SPAIN LAETITIA HEISLER Berlin GERMANY LUISA MONTAGNA Parma ITALY MASSIMO LUPIDI ITALY MATTEO BERGAMI Bologna ITALY MEERA NERURKAR Düsseldorf GERMANY NASOS KARABELAS Greece ATHENS NICOLA CAPPELLARI Vicenza ITALY PARISA AZADI IRAN & DUBAI PARVATHI KUMAR New Jersey UNITED STATES

Be inspired by the photographers on the 2020 List. 2020 PHOTOGRAPHERS © Abbie Briggs ABBIE BRIGGS Wisconsin USA ABHAY PATEL Delhi INDIA ABHISHEK SINGH New Delhi INDIA ADAM SINCLAIR Melbourne AUSTRALIA ADESH GAUR Uttar Pradesh INDIA ADRIAN TAN SINGAPORE ADRIAN WHEAR Melbourne AUSTRALIA AHMET HOJAMYRADOV Minsk BELARUS ALEX FRAYNE Adelaide AUSTRALIA ALEXANDRA AVLONITIS New York ALEXEY STRECHEN RUSSIA ALICIA HABER Montevideo URAGUAY ANEEKA MANKU England UNITED KINGDOM ANGEL CARNICER Zaragoza SPAIN ANNA MARCHIOLI FRANCE ANNETTE LANG Nice FRANCE ANTONIS GIAKOUMAKIS Athens GREECE ANWAR SADAT Nairobi KENYA ARTURO CAÑEDO Lima PERU ASHISH PATEL Delhi INDIA ASSIA STARKE RUSSIA/AUSTRIA ASTRID NEUNDLINGER Vienna AUSTRIA B JANE LEVINE New York USA BELINDA CORNEY London UNITED KINGDOM BENNY VAN DEN BULKE BELGIUM

Be inspired by the photographers on the 2022 List. 2022 PHOTOGRAPHERS © Adrian Pelegrin ADRIAN PELEGRIN Playa del Carmen MEXICO AHSANUL HAQUE FAHIM Dhaka, BANGLADESH AJ BERNSTEIN New York UNITED STATES ANWAR EHTESHAM Dhaka BANGLADESH ASEN GEORGIEV Sofia BULGARIA ASLI GONEN Eskisehir TURKEY BRIAN DOUGLAS Ontario CANADA CAHLEEN HUDSON New Taipei City TAIWAN CHETAN VERMA Gurgaon INDIA DEAN GOLDBERG New York UNITED STATES ELIZABETH PAOLETTI UNITED STATES EMIR SEVIM Istanbul TURKEY EMY MAIKE Baden Württemberg GERMANY FRANCESCA TIBONI Cagliari ITALY GABRIEL MIELES GUZMÁN Guayaquil ECUADOR GABRIELE GENTILE Parma ITALY GIANLUCA MORTAROTTI London UNITED KINGDOM GIORGIO GERARDI Venice ITALY JAN ENKELMANN London UNITED KINGDOM JEAN ROSS New York UNITED STATES JELISA PETERSON Texas UNITED STATES JENS F. KRUSE Mallorca SPAIN JONAS WELTEN Salzburg AUSTRIA LAINE MULLALLY Stockholm SWEDEN LELE BISSOLI Vercelli ITALY

Be inspired by the photographers on the 2023 List. 2023 PHOTOGRAPHERS © Ypatia Kornarou AARON RUBINO San Francisco UNITED STATES ALESSANDRO GIUGNI Milan ITALY ALEX GOTTFRIED BONDER Buenos Aires, ARGENTINA AMY NEWTON McCONNEL Arizona UNITED STATES ANASTASIYA PENTYUKHINA Moscow RUSSIA ANDREE THORPE Ontario CANADA BARBARA PEACOCK Portland UNITED STATES BRANDEN MAY Atlanta, UNITED STATES DARREN SACKS London UNITED KINGDOM DOUG WINTER California UNITED STATES ELSA ARRAIS Leiria PORTUGAL FABIO CATANZARO Venice ITALY GILES ISBELL Chiang Mai, THAILAND IDA DI PASQUALE Rome ITALY JAN PONNET Antwerp BELGIUM JAYESH KUMAR SHARMA Varanasi INDIA JEFF ROTHSTEIN New York UNITED STATES JUAN BARTE Madrid SPAIN JUAN SOSTRE California UNITED STATES KONRAD HELLFEUER Görlitz GERMANY LEANNE STAPLES New York UNITED STATES MENA SAMBIASI Madrid SPAIN MONIKA JURGA POLAND NAIMA HALL New York UNITED STATES NSIRIES Bologna ITALY

Be inspired by the photographers on the 2024 List. 2024 PHOTOGRAPHERS © Anna Tut ALEXANDROS ZILOS Athens GREECE AMY HOROWITZ New York UNITED STATES ANA-MARIA ALB Bukovina ROMANIA ANN PETRUCKEVITCH UNITED KINGDOM ANNA TUT Krasnogorsk City RUSSIA CARMEN SOLANA CIRES Madrid SPAIN CATIA MONTAGNA SCOTLAND/ITALY DASHA DARVAJ UMRIGAR Karachi PAKISTAN DEDIPYA BASAK Kolkata INDIA EDWIN CARUNGAY San Francisco UNITED STATES FRANCE LECLERC Chicago UNITED STATES ISABELLE COORDES Münster GERMANY JOHN KAYACAN Los Angeles UNITED STATES JUSTINE GEORGET Lyon FRANCE MARIETTE PATHY ALLEN New York UNITED STATES MATTHIAS GÖDDE Beckum GERMANY MEI SEVA New York UNITED STATES MIA DEPAOLA Washington D.C UNITED STATES NAZANIN DAVARI Tehran IRAN PAUL COOKLIN UNITED KINGDOM PEDRO VIDAL Barcelona SPAIN RAFA ROJAS São Paulo BRAZIL ROMAIN COUDRIER Marseille FRANCE ROWELL B. TIMOTEO La Union PHILIPPINES SASHA IVANOV St. Petersburg RUSSIA

Be inspired by the photographers on the 2021 List. 2021 PHOTOGRAPHERS © Meryl Meisler AGATA LO MONACO ITALY ALAN THEXTON Melbourne AUSTRALIA ALEX RUTHERFORD Surrey UNITED KINGDOM ANDRES GONZALEZ Porto PORTUGAL ANDREW ROVENKO Melbourne AUSTRALIA ANDRÉ LOBÃO London UNITED KINGDOM AURÉLIEN BOMY Nantes FRANCE BARRY BOTTOMLEY London UNITED KINGDOM BASTIAN PETER Basel SWITZERLAND BEN ALLAN London UNITED KINGDOM BETTY MANOUSOS Athens GREECE CAMILLE WHEELER Texas USA CARLA HENOUD Beirut LEBANON CAROL DRONSFIELD New York UNITED STATES CHICHEK BAYRAMLY Baku AZERBAIJAN CHRISTINA SIMONS Melbourne AUSTRALIA DAMIEN GORET FRANCE DANIEL GOLDENBERG Buenos Aires ARGENTINA DANIELA PEREIRA Montevideo URUGUAY DANNY JACKSON Essex UNITED KINGDOM DAVID KUGELMAS New York UNITED STATES DAVID LAWLESS Winnipeg CANADA DAVID SHORTLAND London UNITED KINGDOM DREW KELLEY California USA EDUARDO ORTIZ Valparaiso CHILE

Presenting the work of visual storytellers from around the world. LAND, LABOR AND THE GOLDEN FIBER In West Bengal’s jute fields, Rajesh Dhar examines the systems of land and labor, tracing how a single material sustains communities and informs a changing ecological future. PICTORIAL STORY COLORS OF HÜZÜN Through fragments and gestures, Pedro Vidal traces Istanbul as shared melancholy lingers in everyday life, the city unfolding slowly and refusing to settle into a single, definitive understanding. PICTORIAL STORY OUT OF PLAY An exploration of abandoned interiors in which Marco Lugli examines how objects, light, and space carry memory beyond human presence, establishing absence as a condition of material continuity rather than loss. PICTORIAL STORY REIMAGINING TALIESIN Form gives way to flux in Amy Newton-McConnel’s photographs, where architecture unfolds as a field of shifting relations and perception moves with light, geometry, and time. PICTORIAL STORY WHERE THE MUSIC BEGINS Before the strings, Jeevan Akash Jayavarthanan leaves the movement of the street for the rhythm of the workshop, where time holds, hands work, and each moment forms what will later be heard. PICTORIAL STORY LAND, LABOR, AND THE GOLDEN FIBER In West Bengal’s jute fields, Rajesh Dhar examines the systems of land and labor, tracing how a single material sustains communities and informs a changing ecological future. PICTORIAL STORY WITH GRATITUDE AND DEVOTION A quiet and intimate account of devotion in Zaraza, Venezuela, Rafael Ayala Páez reflects on faith, memory, and community through photographs and words that honor the enduring power of small gestures. PICTORIAL STORY SILVER AND BREATH Within this fragile space between looking and being seen, Eva Christina Nielsen has developed a practice that is both restrained and deeply attentive. PICTORIAL STORY RUPTURE REPAIR REMNANT In this reflection on rupture, Donna Bassin invites us to consider how grief settles into the body and the image, and how the slow work of witnessing becomes a form of repair. PICTORIAL STORY DELTA DUSK John Agather weaves image and text into a single current, tracing how music, memory, and daily life continue to move through the Mississippi Delta. PICTORIAL STORY SILENT BEAUTY Tamara Quadrelli photographs the world by slowing down inside it. There is no rush to explain what we are seeing. The pleasure comes from staying with it. PICTORIAL STORY SOLITUDE UNDER A TECHNIFIED SUN Tracing the space between movement and stillness, Héctor Morón reveals a city that persists as human presence slips by. PICTORIAL STORY 4320 MINUTES WITHOUT COLOR Moving between photography and narration, Mohammed Nahi traces a period in which sight could no longer be assumed as reliable, and attention shifted toward memory and duration. PICTORIAL STORY THE PAINTED VILLAGE OF LABANDHAR Anjan Ghosh’s photographs carry us to Labandhar, where painting becomes language, tradition stays present, and art grows through shared ground. PICTORIAL STORY ORDINARY GRIEF What endures when everything else is uncertain? Through photography, Parisa Azadi asks us to see Iran not as story, but as feeling. PICTORIAL STORY THE EVERYMAN Eva Mallis uncovers the quiet strength of overlooked lives, capturing everyday encounters in Mumbai’s industrial districts as intimate portraits of labor and resilience. PICTORIAL STORY IN BETWEEN LIFE AND AFTER In Cairo’s City of the Dead, families carve out ordinary lives among centuries of tombs — Paola Ferrarotti traces the fragile line between memory and survival. PICTORIAL STORY UNFIGURED Nasos Karabelas transforms the human body into a site of emotional flux — where perception fractures and inner states become visible form. PICTORIAL STORY VISIONS OF ICELAND FROM ABOVE Massimo Lupidi takes flight above Iceland — capturing nature’s abstract brushstrokes where land, water, and sky blur into poetic visions beyond the ordinary eye. PICTORIAL STORY UNDER THE CLOUDS Giordano Simoncini presents a visual ethnography of the interconnectedness of indigenous cosmology, material life, and the ecological balance within the Quechua communities of the Peruvian Andes. PICTORIAL STORY NYC SUBWAY RIDERS BEFORE THE INVASION OF SMARTPHONES Hiroyuki Ito’s subway photographs reveal a vanished intimacy — strangers lost in thought in a world before digital distractions took hold. PICTORIAL STORY THE GHOST SELF Buku Sarkar stages her refusal to vanish. Her photographs are unflinching, lyrical acts of documentation, mapping a body in flux and a mind grappling with the epistemic dissonance of chronic illness. PICTORIAL STORY WHISPERS On Mother’s Day, Regina Melo's story asks us to pause. To remember. To feel. It honors the profound, often quiet sacrifices that mothers make, and the invisible threads that bind us to them. PICTORIAL STORY BEYOND THE MASK By stepping beyond the scripted world of professional wrestling and into the raw terrain of mental health, Matteo Bergami and Fabio Giarratano challenge long-held myths about masculinity, endurance, and heroism. PICTORIAL STORY FRAGMENTS OF TIME Each of jfk's diptychs functions as a microcosm of the city, allowing viewers to experience urban life as constant fragmented glimpses, mirroring the unpredictable nature of human interactions. PICTORIAL STORY VANISHING VENICE Lorenzo Vitali’s portrayal of Venice is an almost surreal experience — where time dissolves, and the viewer is left with the sensation of stepping into a dreamscape.

The Pictorial List is a global online magazine exploring the beauty and complexity of all things photography. COLORS OF HÜZÜN Through fragments and gestures, Pedro Vidal traces Istanbul as shared melancholy lingers in everyday life, the city unfolding slowly and refusing to settle into a single, definitive understanding. Latest features PICTORIAL STORY WHERE THE MUSIC BEGINS Before the strings, Jeevan Akash Jayavarthanan leaves the movement of the street for the rhythm of the workshop, where time holds, hands work, and each moment forms what will later be heard. PICTORIAL STORY LAND, LABOR AND THE GOLDEN FIBER In West Bengal’s jute fields, Rajesh Dhar examines the systems of land and labor, tracing how a single material sustains communities and informs a changing ecological future. PICTORIAL STORY WITH GRATITUDE AND DEVOTION A quiet and intimate account of devotion in Zaraza, Venezuela, Rafael Ayala Páez reflects on faith, memory, and community through photographs and words that honor the enduring power of small gestures. PICTORIAL STORY SILVER AND BREATH Within this fragile space between looking and being seen, Eva Christina Nielsen has developed a practice that is both restrained and deeply attentive. INTERVIEW GUIDED BY A WHISPER Guided by reflection and the quiet presence of art history, Isolda Fabregat Sanz makes photographs that resist certainty and invite the viewer to remain inside the act of looking. PICTORIAL STORY RUPTURE REPAIR REMNANT In this reflection on rupture, Donna Bassin invites us to consider how grief settles into the body and the image, and how the slow work of witnessing becomes a form of repair. PICTORIAL STORY DELTA DUSK John Agather weaves image and text into a single current, tracing how music, memory, and daily life continue to move through the Mississippi Delta. PICTORIAL STORY SILENT BEAUTY Tamara Quadrelli photographs the world by slowing down inside it. There is no rush to explain what we are seeing. The pleasure comes from staying with it. PICTORIAL STORY SOLITUDE UNDER A TECHNIFIED SUN Tracing the space between movement and stillness, Héctor Morón reveals a city that persists as human presence slips by. PICTORIAL STORY 4320 MINUTES WITHOUT COLOR Moving between photography and narration, Mohammed Nahi traces a period in which sight could no longer be assumed as reliable, and attention shifted toward memory and duration. PICTORIAL STORY THE PAINTED VILLAGE OF LABANDHAR Anjan Ghosh’s photographs carry us to Labandhar, where painting becomes language, tradition stays present, and art grows through shared ground. INTERVIEW WHAT REMAINS, WHAT EMERGES Laetitia Heisler transforms risk, memory, and the body into layered analogue visions — feminist rituals of seeing that reveal what endures, and what quietly emerges beyond visibility. INTERVIEW WHAT WE ARE, WHAT WE DO Culture lives where art and community meet, and in this space Alejandro Dávila’s photographs reveal the unseen labor and devotion that sustain creation. INTERVIEW ANALOGICAL LIMBO Nicola Cappellari reminds us that the photograph’s power lies not in what it shows, but in what it leaves unsaid. INTERVIEW THREADS OF MOROCCAN LIFE Through gestures of work and moments of community, Kat Puchowska reveals Morocco’s overlooked beauty. OUT OF PLAY An exploration of abandoned interiors in which Marco Lugli examines how objects, light, and space carry memory beyond human presence, establishing absence as a condition of material continuity rather than loss. EXHIBITION IN AN INSTANT 25th April to 17 May 2026 A community exhibition of instant film, bringing together a collection of photographs submitted by creators, each bringing their own way of seeing. MORE INFO New York, New York! PICTORIAL STORY NYC SUBWAY RIDERS BEFORE THE INVASTION OF SMARTPHONES Hiroyuki Ito’s subway photographs reveal a vanished intimacy. INTERVIEW FABRIC OF NEW YORK VISUALS Elle Clarke lives NYC — snapping its heart and hustle with her smartphone, one real city moment at a time! INTERVIEW NOD OF RECOGNITION B Jane Levine’s portraits give a playful wink — inviting a nod of recognition to the hidden stories we all carry inside. INTERVIEW NEW YORK IMPROVISATIONS Fast-moving, off-kilter, witty, raw and classic film noir define Bill Lacey's photography. PICTORIAL STORY MERMAID MAGIC AJ Bernstein captures the magic of the Mermaid Parade—where fantasy, freedom, and community come together in a sea of color and joy. INTERVIEW GOTHAM MEMORIES Jeff Rothstein clicks, time unfolds — capturing the heart of the city in timeless frames, from 1969 to today. PICTORIAL STORY TAKING THE PLUNGE Carol Dronsfield takes the plunge with the Coney Island’s Polar Bears, capturing the chill, the thrill, and the heart. INTERVIEW THE AUTHENTIC GAZE Amy Horowitz says “Don’t Smile”— and in doing so, captures the real and wonderfully unscripted faces of New York City. VOLUME ONE- NEW YORK BUY NOW FOUNDATIONS OF PRACTICE ART EXHIBITION February 07 to April 03 Foundations of Practice marks the beginning of The Pictorial List's journey - an opening not only of our new artspace, but of dialogue into the practice of the artist. join the Pictorial Community >>> Follow us on Instagram #thepictoriallist @thepictorial.list Load More REIMAGINING TALIESIN Form gives way to flux in Amy Newton-McConnel’s photographs, where architecture unfolds as a field of shifting relations and perception moves with light, geometry, and time. Interviews you may have missed REPRESENTING THE PEOPLE Camille J. Wheeler documents Austin's streets, with a particular focus on its homeless community. COMEDIANS Steve Best documents the British comedy scene, backstage and on stage, the highs and lows, and the joy of being a comedian. QUARANTINE IN QUEENS Neil Kramer's humorous and compassionate lockdown diary has gone viral. ENROUTE TO THE PINES Robert Sherman shares his documentary series about drag queens celebrating the 'Invasion of the Pines'. SERVICE INTERRUPTION Wojciech Karlinski documented Poland train stations during the pandemic, highlighting their formal and aesthetic side. VOICES OF THE NILE Voices of the Nile by Bastien Massa and Arthur Larie is a project documenting the relationship of Ethiopians with the Blue Nile. BREAKS FROM REALITY The magic only dreams are made of become reality for viewers as they engage in the poetic imagery of Mariëtte Aernoudts. BEYOND THE STORY Through her documentary photography, Christina Simons is compelled to tell the stories of those who are unable to do so themselves. © Russell Cobb Stay up to date Subscribing to The Pictorial List means joining a community that values visual storytelling. You will get exclusive content, inspiring pictorial stories, thoughtful interviews, book reviews, and more — delivered weekly to your inbox. Media Partners

I am a Polish-born documentary photographer based between Barcelona and the United Kingdom. My work explores identity, culture, and the human presence within everyday spaces. Over the past decade, I have travelled to more than forty countries, building a body of work that reflects both the uniqueness of communities and the quiet similarities that connect them. Working in an observational, unposed style, I let moments unfold naturally, guided by empathy and curiosity. I am particularly interested in how surroundings shape identity and how visual storytelling can create moments of connection across cultures. I am currently developing a series on the daily lives of people in Tajikistan and Kyrgyzstan. KAT PUCHOWSKA I am a Polish-born documentary photographer based between Barcelona and the United Kingdom. My work explores identity, culture, and the human presence within everyday spaces. Over the past decade, I have travelled to more than forty countries, building a body of work that reflects both the uniqueness of communities and the quiet similarities that connect them. Working in an observational, unposed style, I let moments unfold naturally, guided by empathy and curiosity. I am particularly interested in how surroundings shape identity and how visual storytelling can create moments of connection across cultures. I am currently developing a series on the daily lives of people in Tajikistan and Kyrgyzstan. LOCATION Barcelona SPAIN CAMERA/S Nikon D750 WEBSITE https://katpuchowska.com/ @KATPUCHOWSKA FEATURES // Threads of Moroccan Life

FRAMING GEOMETRIES Rouven Kurz is a street photographer from Cologne who creates a noir atmosphere by capturing isolated people in the tangle of the metropolis, leading viewers into a world of framed geometries. FRAMING GEOMETRIES March 17, 2020 INTERVIEW PHOTOGRAPHY Rouven Kurz INTERVIEW Melanie Meggs Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link SHARE As one wanders through the chaotic hustle and bustle of an urban metropolis, it can be difficult to make sense of the isolated individuals, the concrete structures, and the light and shadows that craft a unique atmosphere. For Rouven Kurz, a street photographer from Cologne, finding beauty amidst the chaos is an art form — one that he captures in dynamic black and white and vivid color photographs. With an eye for the unrepeatable moments when geometry, light, and random movements of strangers come together to form a harmonious composition, Rouven invites viewers to enter into his world of light and shadow and to imagine their own story. “By accident, I won a digital compact camera with an astonishing five point one megapixels when I was a teenager back in the early 2000’s. After literally annoying everyone around me I developed a knack for framing geometries.” IN CONVERSATION WITH ROUVEN KURZ THE PICTORIAL LIST: Rouven, where do you find your inspiration to create your photography? ROUVEN KURZ: In my notebooks, where I collect everything that comes along my way. Being it interesting spots I’ve seen, pictures I love, thoughts that would fly away too fast, news that move me, movies with remarkable cinematography, snippets of discussions. My key is to groom this list over and over to refine ideas, strike items from that list, find connections between separate things. TPL: Has your style of photographing changed since you first started out? RK: Among others I can recall two major changes compared to my first thousand-something pictures. The first one is more a process where I get better and better to visualize the final image before I click the shutter. The second change was enforced by me in order to get the pictures I want. It was becoming less anxious to get closer to strangers in the streets. TPL: Where is your favourite place(s) to photograph? RK: My home turf...Cologne in Germany. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? RK: Saul Leiter for his almost painterly use of colors. Paola Franqui-Monaris for her storytelling and superb color grading. Brandon Stanton for his impressive portrait of New York's folk. Sean Tucker for his inspiring content beyond ace photography. Alan Schaller for his bold minimalism. TPL: Do you think equipment is important in achieving your vision in your photography? What would you say to someone just starting out? RK: Equipment is a tool that helps you get there. While this sounds incidental, the right equipment is of great importance for me. The more natural it feels in your hands, the more you can focus on what’s in your mind and in front of your lens. My tip for starters is to spend more budget on photo books, prints, exhibitions and workshops than on the camera. If you engage deeply in photography and develop your own vision and train your photographic muscle, you will find the right equipment eventually. The tools will help you realize your vision, they will not create your vision. Taking pictures is like tiptoeing into the kitchen late at night and stealing Oreo cookies. - Diane Arbus TPL: What characteristics do you think you need to become a better photographer? What’s your tips or advice for someone in your genre? RK: Curiosity, if I have to name one. When doing portraits you should work more with your model than with your camera. What makes this person special? What do you and your model want to portrait? In street photography you should curious about the people and your surroundings. The street always delivers. It’s up to your mind what you’re going to discover. TPL: Have you ever been involved in the artistic world before photography? RK: Nay, I’m pretty untalented in other art forms. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? RK: I am still so excited about the birthday present my wife gave me. She has organized a gallery that will exhibit my work this summer. TPL: "If I wasn’t photographing what would I be doing?... RK: I would see the world differently, I wouldn't recognize all the beauty and peculiarities in the ordinaries." Rouven's photography is a unique and captivating form of art. He is able to capture reality but also abstract, interpret, and transform it. He experiments with colors and textures to create vivid and expressive images. To take your appreciation for Rouven's photography to the next level, follow him through the links below and explore his world of art. VIEW ROUVEN'S PORTFOLIO Rouven's website >>> Rouven's instagram >>> read more interviews >>> GUIDED BY A WHISPER Guided by reflection and the quiet presence of art history, Isolda Fabregat Sanz makes photographs that resist certainty and invite the viewer to remain inside the act of looking. WHAT REMAINS, WHAT EMERGES Laetitia Heisler transforms risk, memory, and the body into layered analogue visions — feminist rituals of seeing that reveal what endures, and what quietly emerges beyond visibility. WHAT WE ARE, WHAT WE DO Culture lives where art and community meet, and in this space Alejandro Dávila’s photographs reveal the unseen labor and devotion that sustain creation. ANALOGICAL LIMBO Nicola Cappellari reminds us that the photograph’s power lies not in what it shows, but in what it leaves unsaid. THREADS OF MOROCCAN LIFE Through gestures of work and moments of community, Kat Puchowska reveals Morocco’s overlooked beauty. IT STARTED AS LIGHT…ENDED IN SHIVERS… Between intimacy and estrangement, Anton Bou’s photographs wander — restless fragments of light and shadow, mapping the fragile terrain where self unravels into sensation. WITH EYES THAT LISTEN AND A HEART THAT SEES For decades, Rivka Shifman Katvan has documented the unseen backstage world of Broadway, capturing authenticity where performance and humanity intersect. DIPTYCH DIALOGUES Through the beautiful language of diptychs, Taiwanese photographer Jay Hsu invites us into a world where quiet images speak of memory, resilience, and hope. UNKNOWN ABYSSINIA In Ethiopia, Sebastian Piatek found a new way of seeing — where architecture endures, but women in motion carry the narrative forward. THE PULSE OF THE STREET Moments vanish, yet Suvam Saha holds them still — the pulse of India’s streets captured in fragments of life that will never repeat. WHAT DO WE WANT? More than documentation, David Gray reveals the human pulse of resistance and asks us to see beyond the surface of unrest. CRACKED RIBS 2016 Cynthia Karalla opens up about the art of survival, the power of perspective, and why she believes each of us holds a monopoly on our own narrative. STREETS OF KOLKATA Ayanava Sil’s reveals Kolkata’s soul, capturing moments with empathy, presence and humility while offering deep insight into both city and self. PERIPHERAL PLACES A project by Catia Montagna that distills fleeting encounters and spatial poetics into triptychs - visual short stories that capture the in-between, where meaning often hides. POINTE-AU-CHIEN IS NOT DEAD Through Wayan Barre’s documentary, we are invited not only to see but to feel the lived realities of a community standing at the crossroads of environmental collapse and cultural survival. QUEER HAPPENED HERE Author Marc Zinaman sheds light on the valuable contributions that LGBTQ+ individuals have made to the cultural and social fabric of New York City. TRACES OF TIME Marked by an ongoing visual dialogue with time, memory, and impermanence, Zamin Jafarov’s long-term projects highlight the quiet power of observation and the emotional depth of simplicity. THERE MY LITTLE EYES Guillermo Franco’s book is an exploration of seeing beyond the obvious. His work invites us to embrace patience, curiosity, and the unexpected in a world that often rushes past the details. VISUAL HEALING BEYOND THE DIAGNOSIS Betty Goh’s photography exemplifies the transformative power of visual storytelling, where personal adversity becomes a canvas for resilience, illuminating the connection between art, healing, and self-reclamation. EVERYDAY BLACKNESS Parvathi Kumar’s book is a profound tribute to the resilience, and contributions of incredible Black women from all walks of life, making it a vital addition to the conversation around International Women’s Month. A VOYAGE TO DISCOVERY Fanja Hubers’ journey in photography is one of continuous exploration, balancing documentation with artistic self-reflection. MARCH FORWARD Through photography, Suzanne Phoenix creates a space for representation, recognition, and resistance — ensuring that the voices of women and gender-diverse people are seen, heard, and celebrated. FLUX: Exploring Form, Luminescence, and Motion Amy Newton-McConnel embraces unpredictability, finding structure within chaos and allowing light to guide the composition. AN ODE TO SPONTANEITY AND SERENDIPITY Meera Nerurkar captures not just what is seen but also what is felt, turning the everyday into something worth a second glance. THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth.

PICTORIAL STORY CELEBRATION OF LIFE On the streets of Dhaka, where bursts of color meet raw emotion, Holi unfolds in moments of connection — seen and shared by Ahsanul Haque Fahim. July 19, 2024 PICTORIAL STORY photography AHSANUL HAQUE FAHIM story KAREN GHOSTLAW POMARICO SHARE Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link A passionate photographer from Bangladesh, Ahsanul Haque Fahim has immersed himself in the art of street photography. His visual stories capture the raw moments and genuine emotions amidst the perpetual chaos of the bustling streets of his city. It is a photographic exploration that Ahsanul finds motivating and inspiring. Ahsanul has found much inspiration in exploring and documenting urban and rural landscapes, creating a personal archive of these ever-changing environments. These environmental changes and challenges bring with them a new social consciousness, forcing the urban community to adapt and adjust to new dynamics in their social and environmental conditions. Ahsanul's street photography focuses on the nuances perceived in these evolutionary times. “Through my work, I aim to illustrate the profound connection between people and their surrounding society, exploring how their lives are influenced and transformed by the forces of urbanization.” Holi , also known as Dol Utsav , is one of the most important annual festivals of Hinduism. Devotees of the community around the world celebrate the day in harmony every year. Holi is celebrated predominantly throughout India, with its rich historical heritage, and deep-rooted community traditions, with a 90% majority of the population devoted to Hinduism. However, Bangladesh, once used to be part of the integrated India, is still rooted with the religious values of traditional Hinduism. Here in Shankhari Bazar, located in the heart of traditional old Dhaka, is an area of Bangladesh steeped with history of cultural customs and traditions but where the majority of the community is Muslim, and only 5% devoted to Hinduism. This creates diversity and a nonsectarian nation with coexisting harmony. “Despite being outnumbered, the Hindi community aren’t shy of celebrating their festival in grand fashion with complete participation.” The streets of Shankhari Bazar fill with locals and visitors alike. The joy of sharing inspiration and celebrating together makes this a very powerful, emotional and spiritual experience. Over the years, the Shankhari Bazaar has become a central hub of this celebration, with people making a pilgrimage there to experience this traditional celebration firsthand. Its enduring charm and cultural significance continue to draw crowds, making it an integral part of Bangladesh's festive landscape. The celebration of Holi , also known as Dol Utsav , the throwing of colored powder is much more than a festive tradition. It is a vivid manifestation of broader symbolic meanings that resonate deeply within the community. This colorful practice celebrates different facets of life, nature and human relationships, capturing the essence of the festival in a way that is both profound and communal. This tradition stands as a living testament to the interconnectedness of these elements, providing a profound and joyful way for individuals and communities to connect, celebrate and renew their bonds with each other and the world around them. Although the festival revolves around greeting each other and covering each other with powdered colors, the 'colors' are only metaphorical. Holi is a celebration of life itself. The bright saturated colors symbolize the different shades of life, each representing a different aspect of the human experience. These shades encompass a wide range of emotions, from joy and love to sorrow and introspection. They also signify luck and blessing, reflecting the positive energies and good fortune we encounter. The colors also represent serenity and hope, reminding us of the peace and optimism that sustains us. Playfulness, another essential hue, highlights the importance of joy and spontaneity in our lives. Together, these colors create a rich tapestry that makes us human and teaches us to live joyfully. They encourage us to embrace the full range of our experiences, recognising that each hue contributes to the beauty and complexity of life. Who knows what life would be like without these vibrant hues? It is through their interplay that we learn, grow and find meaning in our existence. “As the title suggests, it’s the celebrations of life. The bright colors symbolize the different various shades of life. Shades such as emotions, auspiciousness, blessing, tranquility, hope and playfulness. In combination these shades make us humane and teach us to live joyfully. Who knows how life would have been or would be, without these shades?” Socially, the festival acts as a powerful equalizer, breaking down barriers and promoting inclusivity. During Holi , distinctions of age, gender, social status and caste are temporarily set aside. The act of throwing colors at each other symbolizes the erasure of these boundaries and fosters a sense of unity and collective identity. It promotes social cohesion and strengthens community ties as people come together in a spirit of joy and solidarity. Religiously, the practice has significant spiritual significance. In the context of Dol Utsav , the throwing of color is associated with the divine love of Radha and Krishna , embodying themes of devotion, playfulness and divine union. It is also in keeping with the wider Hindu belief in the cyclical nature of life, death and rebirth, with the festival serving as a reminder of the enduring nature of the soul and the eternal rhythms of existence. © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim © Ahsunal Haque Fahim The celebration of Holi or Dol Utsav in Bangladesh is a rich tapestry of cultural, spiritual and social significance that is embraced and celebrated around the world. Through Ahsanul's visual translations and evocative street photography, he captures the essence of this vibrant festival, showing the raw emotions and dynamic interactions that unfold in the streets of Dhaka. Holi is not just a festival of color; it is a celebration of life itself, reflecting the diverse and profound experiences that make us human. The tradition of throwing powdered colors symbolizes the myriad shades of our existence, from joy and love to hope and tranquility, and reminds us of the interconnectedness between individuals and their environment. As Ahsanul's photographs illustrate, these celebrations are a testament to the resilience and capacity for joy of the human spirit, offering a rich, multifaceted expression of cultural identity and a joyful way for communities to connect and renew their bonds. Through the celebration of Holi , we are reminded to live joyfully and embrace the full spectrum of life's colors. Ahsanul has shared his work with us before, his visual stories are loved by our community and add a beautiful continuous thread to the ever-growing fabric of The Pictorial List. We are always grateful for his support and brilliant contributions. Follow his links and read more about him on our website. view Ahsanul Haque Fahim's portfolio Read an interview with Ahsunal >>> Read The Outskirts: The Grief of a Megacity >>> Instagram >>> The views, thoughts, and opinions expressed in the text belong solely to the author/s, and are not necessarily shared by The Pictorial List and the team. read more stories >>> COLORS OF HÜZÜN Through fragments and gestures, Pedro Vidal traces Istanbul as shared melancholy lingers in everyday life, the city unfolding slowly and refusing to settle into a single, definitive understanding. 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THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. THROUGH MY FIRST LENS: The Rastro and My Photography Beginnings September 13, 2024 INTERVIEW PHOTOGRAPHY Carmen Solana Cires INTERVIEW Karen Ghostlaw Pomarico Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link SHARE Welcome to an exploration of Madrid’s iconic open-air market through the eyes of Carmen Solana Cires, a 23-year-old photographer whose passion for capturing life’s subtleties is reflected in her latest project, “El Rastro.” Carmen’s journey into photography is strongly influenced by her early experiences and family connections, all of which have shaped her artistic vision. El Rastro is Madrid’s most famous and historic flea market, renowned for its vibrant atmosphere, eclectic mix of goods, and deep cultural significance. Held every Sunday and public holiday, El Rastro is more than just a market; it’s a living testament to Madrid’s rich history and diverse urban life. El Rastro’s origins date back to the Middle Ages, when merchants would gather to exchange goods along trade routes near the Rastro neighborhood of Madrid. The Name El Rastro translates to “The Trail.” This trail is thought to come from the blood trail left by livestock being transported to and from nearby slaughterhouses and tanneries. In the 16th century ‘rastro’ was used as a synonym for butcher’s shop or abattoir. In the 1730s, the neighborhood began to take shape into the market it is today. With the arrival of ‘ropavejeros’, the people who sold used clothing and goods from makeshift stalls on the streets, it became a place for the community to gather. The buying and selling of merchandise connected the surrounding communities through trade and commerce. It operates today as a growing population and extended community, embracing its long history of traditions, where something old can become new again. El Rastro is situated in the La Latina neighborhood, one of Madrid’s most spirited and historic areas. The market stretches from the Plaza de Cascorro to the Ronda de Toledo, weaving through a maze of narrow streets and alleys. Over the years the El Rastro market has become a contemporary hotspot, with over 1,000 vendors selling a variety of items, including secondhand clothing, antiques, craftwork, books, old photographs, rare coins, jewelry, vinyl, and more. The market also has themed streets, such as Calle San Cayetano, known as "Painters' street", where permanent stalls sell paintings, drawings, and art supplies. In addition to shopping, visitors can enjoy live music, improvised theater, and magic shows. This sprawling layout creates a unique shopping experience, where vendors set up their stalls in every available space, from the street corners to the doorways of local shops. El Rastro is not just a market; it is a cultural and social hub. It embodies the essence of Madrid’s dynamic life, serving as a gathering place where locals and visitors mingle. The market is a reflection of the city’s diverse character, showcasing a wide range of goods and the stories of the people who sell them. As we delve into this interview, Carmen will share her personal story, her inspirations, and the profound impact of her project on both her and her community. Join us as we discover how Carmen’s work not only highlights the rich history of Madrid’s iconic market but also brings to light the broader narratives of human connection and artistic expression. “El Rastro is an open-air market held every Sunday in the Lavapiés neighborhood, where second-hand objects are sold. The stalls are spread around Plaza de Cascorro, Ribera de Curtidores street and its surroundings. What strikes me most about the Rastro is the great variety of objects that can be found, from different past decades, and the diversity of people who visit it.” IN CONVERSATION WITH CARMEN SOLANA CIRES THE PICTORIAL LIST: Hello Carmen, it is a pleasure for us to present your project, “El Rastro”, let's get to know you a bit better, and introduce you to our community. Please tell us a little more about yourself. Where you are from, your connections to your community, and influences your community or family have given to you? CARMEN SOLANA: Since I was a child, I’ve always been passionate about photography, although I couldn’t say exactly why. When I realized that I wanted to dedicate myself to this, I decided to study Audiovisual Communication and Digital Photography at the Francisco de Vitoria University. This career has allowed me to develop my skills and knowledge in the field of image and sound, thanks in large part to two professors who have marked me deeply: Pablo García Sacristán (@pablo_garcia_sacristan) and Baldesca Samper Díaz (@baldescasamper), both photographers. My connection with photography also has family roots. On both maternal and paternal sides, I have relatives who are into photography as a hobby. One of them was my paternal grandfather, whom I never got to meet. Interestingly, my family always said that I was like a reincarnation of him. Over the years, I developed tastes and hobbies very similar to his, including photography, without my knowing that it was also one of his passions. After I finished my degree, my father showed me all the awards my grandfather had won in competitions and all the cameras and albums he had kept as heirlooms. Growing up surrounded by cameras and photo albums has been a great inspiration for me, teaching me to appreciate the power of images to tell stories and capture meaningful moments. Madrid, with its rich cultural diversity and vibrant urban scenes, has been the perfect setting for my development as a photographer. The city offers endless opportunities to capture unique moments and has a very active artistic community that has allowed me to grow and learn from other professionals in the industry. I am excited to introduce “El Rastro” to our community. This project is not only an extension of my passion for photography, but also an opportunity to connect with others and share my view of the world through my lens. I appreciate the opportunity to introduce myself and look forward to meeting and learning from all of you. TPL: When was the first time you picked up a camera and held it to your eye? What was that experience like, what inspired you to become a photographer? CARMEN: I don’t remember exactly the first time I picked up a camera, but I do remember the moment I realized I wanted to pursue photography. That’s when I realized it was something I was intrigued and passionate about. Whenever we would drive home from my grandmother’s house, my mother, my brother and I, I would always ask to ride in the passenger seat, because there was a stretch of road where we would come out of a tunnel and into a long, wide street. We almost always came back at sunset time so there was a spectacular sunset from that street. Every Saturday, I would take a picture of the sky with my cell phone, through the front window of the car. Every day, the sky was different. One day, my mother asked me why I photographed the same sky every week from the same street. I explained that I was fascinated to see the different sunsets, how the colors changed and reflected different lights on the surrounding buildings, the different types of clouds each day, etc. all in one place. How curious it seemed to me all the different shapes the same place could have. It was at that moment when I realized that I was deeply attracted to the idea of observing the things I liked and capturing them with my eyes, trying to transmit the beauty with which I saw them. TPL: What inspired this project? What is the importance of the connections to the surrounding streets, to the community? Who are the people that run the booths, sell the goods? Is this primarily for tourists? Or is this a place that supports the local economy, and people from surrounding communities shop here? CARMEN: The project of photographing “El Rastro” in Madrid was born out of my fascination for the daily life and rich history that is breathed in this emblematic market. “El Rastro” is not just a place to buy and sell; it is a microcosm of Madrid's cultural diversity, a space where stories, traditions and people from all walks of life converge. I wanted to capture the essence of this place, its vitality and unique character, through my lens. Connections to the surrounding streets and community are central to “El Rastro”. The narrow streets and alleys surrounding the market are part of its identity, creating an almost magical atmosphere that attracts locals and visitors alike. The relationships between the merchants and the neighbors are the soul of “El Rastro”. Many of the vendors have had stalls there for generations, passing the trade from father to son, creating a deep sense of community and belonging. The people manning the stalls are as diverse as the products they sell. We found everything from antique dealers and collectors to artisans and clothing and food vendors. Each has a unique story and a personal connection to the market, which further enriches the “El Rastro” experience. Although “El Rastro” attracts many tourists, it remains an important pillar of the local economy. Madrileños and residents of nearby neighborhoods frequent the market, not only to shop, but also to socialize and enjoy the atmosphere. “El Rastro” supports the local economy by providing a space for small merchants and artisans to sell their products and keep their traditions alive. In short, this project is inspired by the cultural richness and vibrant community life of “El Rastro”. Through my photographs, I hope to capture and share the importance of this market for both locals and visitors, showing its essential role in the economy and culture of Madrid. TPL: What have you learned from your work on this project, how will this inspire work in the future? CARMEN: Working on the project of photographing “El Rastro” in Madrid has been an incredibly enriching experience. I have learned so much about the cultural diversity and daily life of my city, and about the importance of the human connections that are woven in places like this market. Each photograph tells a unique story, and each person I've met has taught me something valuable about resilience, tradition, and community. One of the most significant learnings has been understanding how a place can be a meeting point for different generations, cultures and lifestyles. “El Rastro” is not just a market, it is a reflection of the history and soul of Madrid. This project has taught me to take a closer look and appreciate the details that we often overlook in our daily routine. In addition, interacting with vendors and visitors has shown me the importance of keeping our traditions alive and supporting the local economy. I have seen firsthand how the market is not only a place of commerce, but also a space for socializing and community connection. In the future, this project will inspire my work in several ways. First, it has reaffirmed for me the importance of capturing the essence of places and people with authenticity and empathy. It has also motivated me to continue exploring and documenting other aspects of urban life and local communities, always seeking to tell stories that highlight the beauty and beauty of the place. Finally, this project has strengthened my desire to use photography as a tool for connection and understanding between people. I hope to continue to create images that are not only visually appealing, but also convey a deep sense of place and humanity. TPL: When you photograph, what is your intention for the viewer? What do you want them to take away from your work? What is your take away? CARMEN: When I photograph, my intention is for the viewer to become immersed in the scene and feel a deep connection to the captured moment. I want my photographs to convey emotions and aesthetically offer a sense of peace and harmony. I like there to be a visual order that invites reflection and enjoyment of the details. Playing with light, shapes and framing is fundamental in my work. I use light to create unique atmospheres and highlight aspects that might go unnoticed. Shapes and framing allow me to guide the viewer's gaze, highlighting elements that I consider essential to understand the story behind the image. I hope that those who see my photographs will take away an enriching visual experience, allowing them to see the beauty in the everyday and appreciate the simplicity of the moments captured. I want them to feel the calm and order that I try to capture, and for each image to invite them to stop and take a closer look. In short, I want my photographs to be a window to moments of serenity and beauty, and to inspire viewers to appreciate the small details and the light that surrounds us in our daily lives. TPL: Who are some photographers that have influenced your visual storytelling? Do you have a favorite quote you would like to share? CARMEN: In my photography, my influences go beyond other photographers; they extend to three main areas: photography, graphic design and music. These three disciplines are the sources of inspiration that nourish my work every day. In the field of photography, the first reference is Chema Madoz, a conceptual artist who presents everyday objects transformed in a surrealistic way, creating optical illusions that alter their original use. The results can convey messages ranging from humor and irony to drama, without losing their intrinsic beauty. The second photographer who inspires me is Pablo Gil, a Spanish photographer known for his excellent use of analog photography. Most of his images capture everyday moments with his friends, hobbies and the places he visits. Finally, Megan Clark, an American photographer, combines concert photography with graphic design, creating final images with innovative and surprising colors, shapes, lights and framing. Her ability to merge these elements deeply inspires me. In the field of graphic design, Alan Fletcher, known as the father of British graphic design, is a seminal figure for me. His ability to play with expressive typography and bold colors, along with a clear visual language, demonstrates that graphic design is more than a decorative element; it has great utility, especially in advertising. Another reference in graphic design is Paula Scher, whose impressive works mix shapes, sizes, typographies and colors, creating unique and visually stunning collages. Finally, music is an essential part of my daily creative process. It accompanies me in every photographic project and inspires me deeply in every creative process behind them, not only when I listen to it, but also when I see video clips or album covers. Music drives me to create and explore new forms and styles of photography, influenced by the genre, the beat and the artist. Photography, graphic design and music - intertwine in my work, providing a rich source of inspiration that is reflected in each of my images. TPL: What drives you to be a documentary photographer? What inspires your product photography? Do you enjoy the studio work as much as events and reportage? CARMEN: What drives me to become a documentary photographer is the fascination for naturalness, spontaneity and the rawness of reality. Documentary photography allows me to capture moments as they are, without artifice, showing a truth that may vary depending on the eye that observes it, but that remains intact in its essence. I am attracted to the idea of documenting life as it presents itself to me, capturing the beauty and rawness of the everyday. To photograph products, I am inspired by the possibility of transforming and redesigning reality. Unlike documentary photography, here I have the freedom to play with the object, to disrupt its form and presentation to offer completely new and unique perspectives. This contrast allows me to explore my creativity in a different way, reinventing and experimenting with each shot. I love studio work as much as event and reportage work. Studio work gives me complete control over all the elements, allowing me to manipulate light, shadows and framing with precision to get the desired result. It is a space where I can experiment and perfect every detail. On the other hand, events and reportage offer me the adrenaline of unpredictability and the opportunity to capture unrepeatable moments with authenticity and spontaneity. In my mind, documentary photography and product photography are two completely different, but equally exciting worlds. I couldn’t live without either, as each offers me a unique way to express myself and connect with my environment and my audience. TPL: Tell us about one of the standout moments you have had documenting and reporting, photographing a product, and a special event back story. CARMEN: One of the highlights of my time documenting and reporting was a family trip to Covadonga in Asturias. This trip was especially meaningful to me, as Covadonga is my grandmother’s birthplace, which added a personal and emotional layer to the experience. During the trip, I focused on capturing not only the landscapes and landmarks of the region, but also the intimate and authentic moments we shared as a family. Rather than photographing strangers or environments with no personal connection, my images starred my family members and the places that hold great meaning for them. The process of documenting this journey was like creating a totally natural and personal “documentary”. I focused on capturing the essence of our interactions and the beauty of the places from an intimate and familiar perspective. Each photo told a part of our story, showing the emotions, landscapes and everyday moments that made the trip memorable. This approach allowed me to create a lasting and authentic memory for my family and gave me deep satisfaction as a photographer in seeing how photography can capture not only reality, but also emotions and personal connection to the environment. This type of work reminds me of the power of photography to tell meaningful and personal stories, making each image a genuine reflection of the lived experience. TPL: Tell us how graphic design influences your photography? CARMEN: Graphic design influences my photography in a significant way, especially in the field of product photography. As I mentioned earlier, in this type of photography, I like to play with transforming and redesigning reality. This is where graphic design comes into play, as it allows me to explore creativity by manipulating visual elements and offering unique perspectives. The graphic design approach inspires me to experiment with compositions, colors and shapes, elevating product presentation to a whole new level. This freedom to redesign and disrupt reality aligns with the principles of graphic design, where visual balance and effective communication are crucial. In addition, the studio work in photography, which I mentioned previously, also benefits greatly from graphic design concepts. The ability to control lighting, shadows and framing with precision allows me to apply graphic principles to create images that are not only aesthetically pleasing, but also tell a coherent and visually impactful story. In short, graphic design enriches my photography by giving me tools and perspectives that allow me to reinvent and experiment with each shot, whether in the studio or capturing spontaneous moments. This multidisciplinary approach helps me to better connect with my audience and to express my ideas more creatively and effectively. TPL: Where do you see yourself in 5 years, what would be your dream photography job? CARMEN: Five years from now, I envision myself working in an environment where I feel completely at ease, surrounded by people with whom I can interact and collaborate. As someone who enjoys dealing with both clients and colleagues, I am looking for a position that combines my passion for photography with a dynamic and social environment. My goal is to be with a company that allows me to always have a camera by my side and be involved in photography projects in the advertising and events field. My dream photography job would be to be able to make a living from product photography, where I have the freedom to explore and express my creativity. I would love to receive assignments for advertising campaigns, where I can contribute innovative and fresh images that capture the essence of each brand. The possibility of working in an environment that trusts my creative vision and allows me to develop new ideas for each project would be ideal for me. TPL: What have you learned about becoming a photographer, entering the field? What were some of the biggest challenges you have faced? How did you overcome them? What do you feel could support young photographers, how can we inspire young eyes and minds of the future? CARMEN: The profession of photography is undoubtedly a tough one and is often faced with the underestimation of the value and importance of the work we do. It is not easy to make a living from photography alone, and many times we must struggle to have our effort and talent recognized and adequately compensated. Despite these challenges, it is essential to persist and stay motivated. One of the biggest challenges I have faced has been being self-employed for the first six months after finishing college. Throwing myself into the real world with limited knowledge about how the industry works and striving to assert myself in a competitive environment was a challenging experience. I overcome this obstacle through perseverance, continuous learning and building a network of contacts that allowed me to grow professionally. For young photographers, my advice would be to stay passionate and persevere. The field of photography is constantly expanding, and its value is being recognized more and more, especially in an increasingly visual world. Taking advantage of this trend and staying on top of new technologies and approaches can be very beneficial. Inspiring the young eyes and minds of the future means showing them that photography is not just a hobby, but a valuable and evolving profession, full of opportunities for those who are willing to work hard and keep learning. TPL: When you are not out photographing, where would we find you, where is your happy place, what do you do there? CARMEN: When I’m not photographing, my happy place is always associated with being surrounded by my people. It doesn’t matter if we are traveling, enjoying our trusted bar or exploring the most remote corner of the world; the essential is the company of friends and family. My happiness lies in those shared moments, full of laughter and good company. Whether it’s a lively conversation, a spontaneous adventure or a simple get-together, being with the people I love is what really fills me with joy and makes me feel in my happy place. Carmen has helped us gain a deeper understanding of her artistic journey and the inspiration behind her compelling project, “El Rastro.” Carmen’s dedication to capturing the essence of Madrid’s iconic market reveals a profound appreciation for the cultural and social dynamics that define her city. Her reflections on photography, influence from family and mentors, and the insights gained from her work offer a glimpse into the thoughtful and empathetic approach she brings to her craft. As Carmen continues to explore and document urban life through her lens, her work stands as a testament to the power of photography to connect us with the beauty and complexity of everyday moments. Her photographic project became a celebration of the city’s cultural heritage making the human connections that breathe life into the streets. Carmen captures the essence of everyday life, weaving together personal history and artistic vision sharing her visual story that resonates with authenticity and empathy. Her journey from a childhood fascination with sunsets to a professional career in photography underscores the transformative power of capturing moments in time. Through “El Rastro,” Carmen invites us to see Madrid not just as a city, but as a living, breathing narrative filled with life, color, and endless possibility. Take this opportunity to explore more of Carmen’s work and let her take you on her photographic journey of becoming an inspiring visual storyteller. Young creative eyes defining a new future in photography. VIEW CARMEN'S PORTFOLIO Website >>> Instagram >>> read more interviews >>> GUIDED BY A WHISPER Guided by reflection and the quiet presence of art history, Isolda Fabregat Sanz makes photographs that resist certainty and invite the viewer to remain inside the act of looking. WHAT REMAINS, WHAT EMERGES Laetitia Heisler transforms risk, memory, and the body into layered analogue visions — feminist rituals of seeing that reveal what endures, and what quietly emerges beyond visibility. 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DIPTYCH DIALOGUES Through the beautiful language of diptychs, Taiwanese photographer Jay Hsu invites us into a world where quiet images speak of memory, resilience, and hope. UNKNOWN ABYSSINIA In Ethiopia, Sebastian Piatek found a new way of seeing — where architecture endures, but women in motion carry the narrative forward. THE PULSE OF THE STREET Moments vanish, yet Suvam Saha holds them still — the pulse of India’s streets captured in fragments of life that will never repeat. WHAT DO WE WANT? More than documentation, David Gray reveals the human pulse of resistance and asks us to see beyond the surface of unrest. CRACKED RIBS 2016 Cynthia Karalla opens up about the art of survival, the power of perspective, and why she believes each of us holds a monopoly on our own narrative. STREETS OF KOLKATA Ayanava Sil’s reveals Kolkata’s soul, capturing moments with empathy, presence and humility while offering deep insight into both city and self. PERIPHERAL PLACES A project by Catia Montagna that distills fleeting encounters and spatial poetics into triptychs - visual short stories that capture the in-between, where meaning often hides. POINTE-AU-CHIEN IS NOT DEAD Through Wayan Barre’s documentary, we are invited not only to see but to feel the lived realities of a community standing at the crossroads of environmental collapse and cultural survival. QUEER HAPPENED HERE Author Marc Zinaman sheds light on the valuable contributions that LGBTQ+ individuals have made to the cultural and social fabric of New York City. TRACES OF TIME Marked by an ongoing visual dialogue with time, memory, and impermanence, Zamin Jafarov’s long-term projects highlight the quiet power of observation and the emotional depth of simplicity. THERE MY LITTLE EYES Guillermo Franco’s book is an exploration of seeing beyond the obvious. His work invites us to embrace patience, curiosity, and the unexpected in a world that often rushes past the details. VISUAL HEALING BEYOND THE DIAGNOSIS Betty Goh’s photography exemplifies the transformative power of visual storytelling, where personal adversity becomes a canvas for resilience, illuminating the connection between art, healing, and self-reclamation. EVERYDAY BLACKNESS Parvathi Kumar’s book is a profound tribute to the resilience, and contributions of incredible Black women from all walks of life, making it a vital addition to the conversation around International Women’s Month. A VOYAGE TO DISCOVERY Fanja Hubers’ journey in photography is one of continuous exploration, balancing documentation with artistic self-reflection. MARCH FORWARD Through photography, Suzanne Phoenix creates a space for representation, recognition, and resistance — ensuring that the voices of women and gender-diverse people are seen, heard, and celebrated. FLUX: Exploring Form, Luminescence, and Motion Amy Newton-McConnel embraces unpredictability, finding structure within chaos and allowing light to guide the composition. AN ODE TO SPONTANEITY AND SERENDIPITY Meera Nerurkar captures not just what is seen but also what is felt, turning the everyday into something worth a second glance. THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth.