SPOTLIGHT ROWELL B. TIMOTEO La Union, PHILIPPINES see portfolio 2024 PHOTOGRAPHERS // AMY HOROWITZ New York UNITED STATES ANA-MARIA ALB Bukovina ROMANIA CATIA MONTAGNA SCOTLAND/ITALY DEDIPYA BASAK Kolkata INDIA FRANCE LECLERC Chicago UNITED STATES MARIETTE PATHY ALLEN New York UNITED STATES NAZANIN DAVARI Tehran IRAN PEDRO VIDAL Barcelona SPAIN RAFA ROJAS São Paulo BRAZIL ROMAIN COUDRIER Marseille FRANCE ROWELL B. TIMOTEO La Union PHILIPPINES SASHA IVANOV St. Petersburg RUSSIA SEAN PARIS Healesville AUSTRALIA TARA SELLIOS Boston UNITED STATES VALERIA CUNHA London UNITED KINGDOM

SEAN PARIS ARTIST'S STATEMENT // I draw inspiration from the stunning natural landscapes and diverse wildlife found in the Yarra Valley. My dedication to encapsulating the essence of this remarkable region through photography has earned recognition in numerous international and national publications. While my expertise primarily lies in landscape photography, I also specialize in professional portraits and various other genres and styles. LOCATION Healesville AUSTRALIA CAMERA/S Full Spectrum Converted Nikon D800 (Infrared), Nikon D850 CATEGORY landscape, documentary, portrait WEBSITE https://www.seanparisphotographer.com/ @SEAN.PARIS ​ ​ ​

© Copyright MOMMIE PHOTOGRAPHY AND STORY BY ARLENE GOTTFRIED Arlene Gottfried’s poignant exploration of motherhood in “Mommie” is not just a collection of photographs but a profound tribute to the enduring bonds of family and the universal experiences of love, loss, and resilience. READ STORY INTERVIEW COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. INTERVIEW PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. INTERVIEW OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. PICTORIAL STORY MUD Dedipya Basak's documentary project explores an 800-year-old lake's struggle against global warming, highlighting its relevance and urgency in modern times. PICTORIAL STORY A WORLD WITHIN REACH In his Cuba project, Pedro Vidal celebrates human resilience and warmth through captivating imagery, revealing photography's profound ability to encapsulate emotions and memories. PICTORIAL STORY UNVEILING VULNERABILITY In a world where masculinity is often synonymous with stoicism and strength, Francesca Tiboni challenges us to reevaluate our perceptions of masculinity, and to embrace the complexity of the male emotional experience. INTERVIEW MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. PICTORIAL STORY TRANSCENDENTS Mariette Pathy Allen's visual narrative honors authenticity, showcasing Spirit Mediums' mystical presence in possession and daily life, underscoring their importance in Animism-rich cultures PICTORIAL STORY COALESCENCE Visual diptychs delicately portray the intimate mother-daughter dialogue, transcending personal narratives to explore universal themes of transition and acceptance. INTERVIEW THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. PICTORIAL STORY IN THE FOOTSTEPS OF ANSEL ADAMS In following the footsteps of the masterful Ansel Adams, Karin Svadlenak Gomez not only paid homage to his timeless work but also embarked on a transformative journey. PICTORIAL STORY PARALLEL REALITIES Catia Montagna's lens reveals how socioeconomic factors and social norms influence daily life, capturing the poetic essence of mundane moments. PICTORIAL STORY A TALE OF NATURE AND HERITAGE With her words and photographs, Ana-Maria Alb invites readers to join her on a journey through the breathtaking Carpathians. PICTORIAL STORY ON THE TRAIL OF LOVE LOST We are given a glimpse into a beautiful love story and the unbreakable strength and resilience of the human spirit. Join us as we explore Sasha Ivanov’s heartfelt tribute to Lydia and Nikolai. INTERVIEW BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. PICTORIAL STORY THE FRANKINCENSE BOY France Leclerc’s documentary exploration embraces the community finding captivating stories for her visual translations. Her story takes us to the village of Poshina, where we meet Sahib. INTERVIEW TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. PICTORIAL STORY THEY ARE GONE Lorenzo Vitali felt compelled to explore the landscapes of Eastern Veneto, to understand its emotional affective relationship and document it through his photography. PICTORIAL STORY I AM WATER Paola Ferrarotti explores her deep connection with the water and how it has transformed her understanding of life and herself. INTERVIEW 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. GALLERY BUILDING A SOLID FOUNDATION Martin Parr Foundation supports photography and photographers of the past as well as genuinely mentors and creates new opportunities for photographers of the future. PICTORIAL STORY THE STRANDED PAKISTANIS Anwar Ehtesham captures the beauty of human emotion in the face of adversity and offers an insight into the complexity of the lives of the Bihari people and their relationship with their environment. INTERVIEW WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. URBAN ECHOES PHOTOGRAPHY BY ROWELL B. TIMOTEO INTERVIEW BY MELANIE MEGGS Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. READ INTERVIEW SELECTED STORIES FINDING HOPE AT THE UKRAINIAN BORDER When the war broke out in Ukraine, Sonia Goydenko volunteered her services. She describes her personal journey. RUNNING TO NOWHERE Documentary photographer Christina Simons travelled to Central America embarking on a visual journey to pursue, share and expose the...Why? END OF AN ERA Mish Aminoff opens her aperture, revealing her impressions on the days following the Queen’s death leading to the funeral procession. SOMETHING ABOUT THE FUTURE Francesca Tiboni investigates through a series of collaborative portraits with her daughter Cecilia her transition into adulthood. WONDERLAND Visual artist Karen Ghostlaw Pomarico invites us to step through her looking glass with her, and experience Wonderland for themselves. ZAINAB THE SUPER FARMER Anwar Sadat tells the story of super farmer Zainab who improved her standard of living through education programmes. MODERN NOMADS Callie Eh takes us to the steppes of Mongolia to document a family of nomadic herders. THE INVISIBLE WORKERS Adrian Whear traveled to Bangladesh where he was introduced to the people that churn out bricks by hard manual labour. ROCKETGIRL CHRONICLES These chronicles are a tribute to a family's strength and inspiration on how to find the possible in the seemingly impossible. AMY'S ASHES Photojournalist Camille J. Wheeler shares her impactful story about Scotty and his mother Amy. EXPLORE STORIES BIFRÖST PHOTOGRAPHY AND STORY BY ROMAIN COUDRIER Romain Coudrier masterfully captures Norway's timeless beauty, blending myth with modernity through black and white photography. A stunning exploration. READ STORY SELECTED INTERVIEWS REPRESENTING THE PEOPLE Camille J. Wheeler documents Austin's streets, with a particular focus on its homeless community. COMEDIANS Steve Best documents the British comedy scene, backstage and on stage, the highs and lows, and the joy of being a comedian. QUARANTINE IN QUEENS Neil Kramer's humorous and compassionate lockdown diary has gone viral. ENROUTE TO THE PINES Robert Sherman shares his documentary series about drag queens celebrating the 'Invasion of the Pines'. SERVICE INTERRUPTION Wojciech Karlinski documented Poland train stations during the pandemic, highlighting their formal and aesthetic side. VOICES OF THE NILE Voices of the Nile by Bastien Massa and Arthur Larie is a project documenting the relationship of Ethiopians with the Blue Nile. BREAKS FROM REALITY The magic only dreams are made of become reality for viewers as they engage in the poetic imagery of Mariëtte Aernoudts. BEYOND THE STORY Through her documentary photography, Christina Simons is compelled to tell the stories of those who are unable to do so themselves. EXPLORE INTERVIEWS © Juan Sostre join the Pictorial Community >>> Media Partners BUILDING A COMMUNITY OF PHOTOGRAPHY If you are a photographer with a photo story to share then we would love to see it! We want to help support you and the work you create. Share your photography projects with us. submit © Bill Lacey

MUD A visual journey documenting the lives of 70,000 impoverished fishermen residing around Lake Bhandardara, an 800-year-old lake in West Bengal, India. Tragically, this historic body of water is facing imminent demise as a result of severe global warming. READ STORY explore all pictorial stories PICTORIAL STORY MOMMIE Arlene Gottfried’s poignant exploration of motherhood in “Mommie” is not just a collection of photographs but a profound tribute to the enduring bonds of family and the universal experiences of love, loss, and resilience. PICTORIAL STORY BIFRÖST In "Bifröst," Romain Coudrier masterfully captures Norway's timeless beauty, blending myth with modernity through black and white photography. A stunning exploration. PICTORIAL STORY MUD Dedipya Basak's documentary project explores an 800-year-old lake's struggle against global warming, highlighting its relevance and urgency in modern times. PICTORIAL STORY A WORLD WITHIN REACH In his Cuba project, Pedro Vidal celebrates human resilience and warmth through captivating imagery, revealing photography's profound ability to encapsulate emotions and memories. PICTORIAL STORY UNVEILING VULNERABILITY In a world where masculinity is often synonymous with stoicism and strength, Francesca Tiboni challenges us to reevaluate our perceptions of masculinity, inviting us to embrace the complexity of the male emotional experience. PICTORIAL STORY TRANSCENDENTS: SPIRIT MEDIUMS IN BURMA AND THAILAND Mariette Pathy Allen's visual narrative celebrates authenticity, spotlighting Spirit Mediums' enigmatic presence in both possession and daily life. She portrays them as essential to cultures steeped in Animism, reflecting the enduring essence of human authenticity. PICTORIAL STORY COALESCENCE Visual diptychs intricately depicting the intimate exchange between a mother and daughter, transcending personal narratives to explore universal themes of transition, acceptance, and the beauty of change. PICTORIAL STORY IN THE FOOTSTEPS OF ANSEL ADAMS In following the footsteps of the masterful Ansel Adams, Karin Svadlenak Gomez not only paid homage to his timeless work but also embarked on a transformative journey. PICTORIAL STORY PARALELL REALITIES Through her lens, Catia Montagna explores the impact of socioeconomic factors and social norms on our daily lives, revealing the subtle poetry of small, insignificant moments that capture the ‘existential’ and the ephemeral, in the human condition. PICTORIAL STORY A TALE OF NATURE AND HERITAGE With her words and photographs, Ana-Maria Alb invites readers to join her on a journey through the breathtaking Carpathians. PICTORIAL STORY ON THE TRAIL OF LOVE LOST Through Sasha’s photo essay, we are given a glimpse into a beautiful love story and the unbreakable strength and resilience of the human spirit. Join us as we explore Sasha Ivanov’s heartfelt tribute to Lydia and Nikolai. PICTORIAL STORY SAHIB: THE FRANKINCENSE BOY France Leclerc’s documentary exploration embraces the community finding captivating stories for her visual translations. Her story takes us to the village of Poshina, where we meet Sahib. PICTORIAL STORY THEY HAVE GONE Lorenzo Vitali felt compelled to explore the landscapes of Eastern Veneto, to understand its emotional affective relationship and document it through his photography. PICTORIAL STORY I AM WATER Paola Ferrarotti explores her deep connection with the water and how it has transformed her understanding of life and herself. PICTORIAL STORY THE STRANDED PAKISTANIS Anwar Ehtesham captures the beauty of human emotion in all its rawest forms in the face of adversity and offers an insight into the complexity of the lives of the Bihari people and their relationship with their environment. PICTORIAL STORY BLINDFOLD CHESS Anastasiya Pentyukhina’s documentation of blindfolded chess provides an insight into this often overlooked world of sports, and sheds light on the unique challenges faced by visually impaired players. PICTORIAL STORY SKIN STORIES Tony Reddrop strives to look beyond the ink in his latest project, believing that by looking beyond the physical appearance of a person you will find their unique story. PICTORIAL STORY WHERE THE WAVES MEET THE OCEAN Uma Muthuraaman explores the idea of finding in ourselves what we seek in other people and places — like waves searching for the ocean, being it, and not knowing it. PICTORIAL STORY THE ARTISANAL SALT FARMERS OF GOZO Naima Hall takes us on a journey with the Cini family, giving us a glimpse into their artisanal salt-farming practices and uncovering the broader geo-heritage of Gozo. PICTORIAL STORY CRACKS TO MEND Through her powerful photographs, Ida Di Pasquale shares the story of her birth house in Italy - a village that was left in ruins after two fatal earthquakes. PICTORIAL STORY THE WHIRLING DERVISHES OF KONYA Follow Rpnunyez's journey as he captures the beauty and strength of the Whirling Dervishes as they perform their ritual dance. PICTORIAL STORY SAHARA: THE SHAPE AND THE SHADOW Lorenzo Vitali's Sahara is a captivating exploration of the intangible power of nature. His photos show the changing shapes of the sand, but also highlights the complexity of the interplay between light and dark. PICTORIAL STORY WIDOWS' HOLI Celebratory colors of Holi fill the ancient city of Vrindavan! Street and documentary photographer Abhay Patel captures the unique Widow's Holi in his lens, bringing to life the joyous emotions of the festival. PICTORIAL STORY RIPPLED REALITIES The panorama has been redefined in the work of photographer, Susan Bowen. Her fearless journey created new thinking patterns that motivated and inspired a profound body of work. PICTORIAL STORY INDIA'S LOST CHILDREN OF POSTMODERNISM Growing up in the ancient city of Varanasi has given Jayesh Kumar Sharma an unique and authentic perspective. The social and cultural changes taking place in the society became the concept of his story. tell your story We want to show engaging work from visual storytellers, documentary photographers, and photojournalists from all around the world. We want important or interesting stories to be seen and read, new or old, and from anywhere. submit © Karin Svadlenak Gomez

COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. READ INTERVIEW explore all interviews INTERVIEW URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. INTERVIEW COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. INTERVIEW PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. INTERVIEW OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. INTERVIEW MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. INTERVIEW THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. INTERVIEW BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. INTERVIEW TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. INTERVIEW 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. INTERVIEW WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. INTERVIEW SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. INTERVIEW JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. INTERVIEW TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. INTERVIEW A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. INTERVIEW WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography. INTERVIEW ETERNITY Eternity is a pictorial story about Konrad Hellfeuer's own personal journey with religion and how photography has helped him find peace within it. INTERVIEW UNDER THE COVERS WITH AMERICAN BEDROOM Barbara Peacock, opens the door to her subjects' bedroom, revealing their intimate thoughts and emotions. Discover the confidence and trust shared between the photographer and subject for an authentic and inspiring experience. INTERVIEW BEYOND SIGHT Doug Winter is a photographic artist using his unique perspective as a semi-sighted individual to explore the experiences of partial blindness and vision disabilities. INTERVIEW HUMAN CONTACT By walking through the streets and observing people's behaviours, Jan Ponnet tries to develop a keen eye for the subtle nuances and rhythms of life on the street, and learns to anticipate and capture these moments that might otherwise go unnoticed. INTERVIEW FREEDOM TASTES OF REALITY Juan Barte does not choose to document what he sees, but creates a photograph that constricts the flow of information, allowing for the viewer to further investigate and question what they see. INTERVIEW HONK KONG TAPESTRY It is the minutiae of everyday life that most defines Giles Isbell's body of work. By exploring the intricate details, Giles Isbell has created a unique tapestry of what it means to to have once called this majestic city home. INTERVIEW CROSSING THE AVENUE Get ready to be transported by the street photography of Juan Sostre. His mastery of technique and ability to observe the world around him, allows us to experience the street in a whole different light. INTERVIEW DOWNTOWN ATLANTA By showcasing the understated beauty of ordinary city spaces, Branden May's photography captures the essence of urban life in a way that is both unconventional and captivating. INTERVIEW NEW REALITIES IN VISUAL POETRY Enter Monika Jurga's surreal world, and find out how and ultimately why she creates these fantastical photographic images where her imagination will become your reality. INTERVIEW THE RHYTHM OF MY PHOTOGRAPHY Mena Sambiasi is not afraid to try new things, living in the moment, finding a personal connection between her visual translation of the musicians rhythm, as if they were playing just for her. be on The List We are always on the search for unique visual storytellers of all genres. Would you like to join our portfolio of photographers and be represented on our website, and social media platforms. submit © Chetan Verma

INTERVIEW May 17, 2024 URBAN ECHOES ​ Photography by Rowell B. Timoteo Interview by Melanie Meggs In the bustling city of San Fernando, La Union, Philippines, Rowell B. Timoteo leads a dual life — one as a dedicated government employee at the Provincial Government of La Union (PGLU) and another as a passionate street photographer. Rowell finds solace in the wisdom shared by Jhomardy Photography: “You are still an artist even if you pursue another career for financial stability.” Rowell’s journey into the realm of photography began in 2017, amidst the demands of his day job. Yet, amid the routine, he found fascination in the ordinary, capturing raw and unscripted moments that whispered tales of human experience. It wasn't long before street photography captivated his soul, offering him a means to weave stories from chance encounters and the extraordinary. Balancing an eight-hour workday with his passion for photography, Rowell discovered a symbiotic relationship between his two worlds. Street photography breathed vibrant life into his routine, enriching his perspective and influencing his decisions at work. Each click of his camera became a testament to the connections he drew between moments, revealing life in a different timeline. Through his project, “Echo,” Rowell invites us to join him on a journey through the streets, where faces and shadows converge in a dance of light and mystery. With each photograph, he draws us into a world where signs speak volumes and moments intertwine, offering glimpses of life’s intricate weave. In the midst of the urban hustle, Rowell’s lens captures the essence of human experience, echoing the stories of those who inhabit the city streets. Echo Hello there, faces and shadows, I see you stop, Eyes seeing a wonderful sight, I borrow your mysterious light. Staring silently, circling and waiting, My camera clicks, I am drawing a connection with signs. Moments intertwine, seeing life in a different timeline. IN CONVERSATION WITH ROWELL B. TIMOTEO THE PICTORIAL LIST: What initially sparked your interest in photography, and how did you find street photography...or did street photography find you? ROWELL B. TIMOTEO: In 2017, a year after I was promoted in my job as a Labor & Employment Officer II and was taking up my master’s degree in development administration - major in Public Administration. During that period, I encountered difficulties handling the pressure of working and studying at the same time. Before 2017 ended, I decided to buy my first camera with my end-of-year salary bonus. The first camera that I owned was a Fuji X-A10 camera, and from there, my journey with photography started. I was fascinated with insects, and my first interest in photography was sparked by macro photography. I enjoyed lone moments, improving my mental quickness, patience, and attention to details whenever I had time to photograph insects in our backyard. Three years later, in January of 2020, I accidentally found a street photography workshop advertisement on Facebook by a veteran photojournalist in the Philippines, Luis Liwanag. I got excited, quickly enrolled in the workshop, and took a trip to Manila, Philippines, with little knowledge about street photography. After the two-day trip, I suddenly fell in love with street photography. But the COVID-19 pandemic outbreak in 2020 challenged my motivation to engage in and learn the art of street photography. The pandemic limited my movement due to community quarantine restrictions in our area. With my strong dedication to learn, I constantly watch videos on YouTube, read various e-books about street photography, and still go outside to explore my surroundings. During that time, I discovered and joined this Facebook group, Street Walkers PH (SWPH), where I also started submitting my photos for a chance to get featured on the SWPH, but the group right now it's inactive. One of the SWPH administrators and street photographer from Davao, Philippines, Jose Miguel Lisbona, initially saw subtle details and connections in the photos I have submitted to SWPH. Miguel saw potential in me to do better and enhance my street photography knowledge, skills, and attitude. Miguel surprisingly reached out to me, and I was so happy for the gift and privilege to undergo a mentorship in street photography from him. He facilitated one-on-one learning sessions with me in three months via Zoom and work assignments helping me looking for my “Why” in making photos. Through the process, my “Why” manifested whenever I am magnetized to a particular scene. Miguel soon realized that my anchor in photography is “Moments of Meaningful Expressions Naging Totoo”, MOMENT. The #MOMENT became my visual anchor whenever I go out and shoot. The constant application of learning through the 52-week project photographic assignments conducted in separate locations (Luzon, Visayas, and Mindanao) I shared with Miguel and Marc Lozano, fellow street photographer from Ilo-Ilo City, Philippines in 2022, gradually taught me to be confident while shooting, feel the flow of moments and be visually connected with my surroundings. Later in 2023, I received the first fruits of my labor in street photography when I was included as one of the exhibition artists in the Fotomoto 22: Home Exhibition held in PAROLA UP Fine Arts Gallery, Quezon City, Philippines, and also included as one of the 100 finalists in the 24HourProject 2022 International Exhibitions held in Hong Kong and France. TPL: Can you discuss the significance of the title “Echo” for your photography project, and how does it relate to your experiences and observations? ROWELL: When I was consolidating my photos and looking at them multiple times, the word “Echo” popped up in my mind, and words started to flow in my thoughts. The life around me, the multiple faces I see, the stories developing with moments discovered — they are all echoes from different expressions borrowed from the gift of seeing things differently. It echoed with my inner thoughts to translate a candid documentation of everything around me — the mysteries and the unstaged reality. When carried out thoughtfully, street photography can remind us that we can be better at being human. TPL: What role does observation play in your photography, and how do you cultivate your ability to notice and capture fleeting moments? ROWELL: Observations always keep my seeing eyes active in capturing moments with the flow of time. As my curious eyes see, the wandering movements of everything around, being curious with my surroundings became my favorite practice and past time even when I am in a waiting situation. My eyes observe everything within my reach and stories keep on developing in my thoughts. TPL: How has street photography influenced your perspective on everyday life and the stories that unfold around you? ROWELL: Street photography helps me to confront my inner thoughts and give ease to my mind and soul. Going out and being with everybody around added to my contemplative moments where I can balance my thoughts and wisdom about everything in life. It taught me to visualize moments in front of me at a slow pace, capturing the essence of things and connecting with them lightheartedly. For me, street photography should be enjoyed, we discern beauty in ordinary things, and we are using that perspective to transform them in a creative way. TPL: Can you share any challenges you've faced while pursuing street photography alongside your day job, and how have you overcome them? ROWELL: Finding time and keeping my spirits high for pursuing street photography is quite challenging especially with the times I have to prioritize things that are more important to me. I need to work and be productive in order to provide a daily source of income for my family. Sometimes getting too busy with life, the creativity slowly diminishes. Busyness sometimes evolves as an excuse to distract my will to go out to capture moments and produce a good body of work. Even though I experience debilitating effects of working with so many things around, I continue to challenge myself to keep my passion with street photography alive. Sometimes, ego also interferes and distracts me; it pops out when we separate ourselves from others and feel superior to everyone else. It is a part of human nature, but I have learned to manage it. Having deep conversations with wonderful people who became inspirations to many and interacting with real humans helps me suppress my ego. I learn to manage my expectations by going back to the basics, starting again with little steps, creating boundaries, and enjoying the status of a consistent learner in this craft. A practice and a cycle of maintaining good habits and a positive attitude. It takes a lot of time to become successful in pursuing our craft, but we have to take care of ourselves too. TPL: How do you approach the ethical considerations involved in photographing people and moments in Philippines public spaces? Are there any particular laws you have to abide by? ROWELL: I love capturing candid moments of daily life at a fast pace, blending with the crowd, and preserving anonymity, and there are no particular laws to abide by when shooting in public places here in our province of La Union. However, all the time, I remind myself to be respectful and aware of the privacy of individuals in public places. Studying the social dynamics of the locations where I stand, and shoot serves as my guide in making decisions about the scenes I am about to capture. I carefully choose what and who to photograph, and if chance permits, I ask permission if it’s okay to take a photo in the area. I avoid taking photos of people who are obviously weak or vulnerable. I set my boundaries and I abide by my principles. We should never stop to appreciate everything we see. TPL: Can you describe to us your creative process when approaching street photography? Do you have any specific techniques or strategies that you employ? ROWELL: My guide when I am outside is making myself ready to blend with the surroundings, thinking like a child when shooting, being agile and flexible, and always ready to explore. Lastly, I make sure to enjoy the moment. I love hearing honest and constructive feedback from different people on my work; I am content with my way of seeing things; I love the process; and I do not become too attached to the outcomes by chasing likes, reactions, and social media clout. I shoot for myself. I accepted the fact that when I am shooting, I work within my limits. I always shoot in manual mode with a 23mm or 35mm lens. I love fiddling with the dials of my camera. TPL: Do you have any favorite artists/photographers you would like to share with us, and the reason for their significance? ROWELL: A few local artists and photographers from the Philippines inspire me and have made a great impact on my journey with photography. They are Miguel Lisbona, Marc Lozano, Romualdo Amarille Formentera, Jr., Clinton Anniversario, Raymond Tanhueco, Elpidio Juan, and Veejay Villafranca. That is why I am very thankful for street photography, because never in my life would my radar allow me to meet these wonderful people, who became instrumental in my growth in pursuing street photography. My accomplishments would not be possible without them, and my deepest gratitude goes to these great people for helping me see more with my personal vision and strengthen my courage to try my luck for multiple doors of opportunity for growing. In terms of international artists and photographers, I admire the works of Alex Webb, Joel Meyerowitz, William Klein, Daido Moriyama, Maciej Dakowicz, Alan Schaler, and Maika Elan. TPL: How do you stay inspired and motivated to continue pursuing your passion for street photography, especially during busy or challenging times? ROWELL: We never stop learning. However, it is a choice. By staying diligently focused on the same time, we progress. I practice visualizing everything around me by paying attention to the details in front of me, even without a camera in my hand during busy hours. A part of my awareness in my surroundings partially shapes my experience of the moment. We should never stop to appreciate everything we see. Chance encounters during unexpected moments open up endless possibilities and develop stories within our photographic eyes. Positive habits in personal life with creative curiosity can create more balance and happiness. TPL: What was the first camera you ever held in your hand, brought to eye, and released a shutter on? What is the camera you use now and your preferred focal length? Is there anything on your Wishlist? ROWELL: The first camera I held in my hand is the one I bought from my year-end salary bonus in 2017, and it’s a Fuji X-A10. I had it with me for two years, then I upgraded to the Fuji X-T1 and later added a Fuji X70 as my backup camera. Today, the only camera I have with me and am currently using is my Fuji X-Pro 2, paired with a 23mm lens. I am already accustomed to the Xpro 2’s features and limitations, and the 23mm lens forces me to think outside the box, be more creative and it allows me to use my zoom legs to go closer to my subject since it is not a telescopic lens. I love to include everything in the frame with the 23mm lens. I have no complaints with my current set-up and still appreciate the Fuji X-Pro 2 camera that I own and the 23mm focal length. 23mm is my everyday preferred focal length. For my wish list, maybe I can wish for a nice Fuji X100v. TPL: Can you share with us any future goals or aspirations you have for your photography, both personally and professionally? ROWELL: I have been a government employee for 15 years, have become successful in my career, and have enjoyed pursuing street photography for four years. As I have grown older, I have had a lot of time to think, reflect, and plan with my future. With my efforts to improve, my future with street photography became my present; it paved the way for me to earn unexpected accomplishments that I had not planned in my timeline. I have been included in multiple photo exhibits, both local and international, shared some winning moments in numerous photo contests, some of my submitted photo essays were published online, I became a community stringer and citizen photojournalist for PonD News Asia, I was able to document and write a story about a former turtle poacher turned to a hero of the sea, and right now, I have a chance to be featured on The Pictorial List website. These gifts came from learning diligently and practicing street photography religiously. TPL: And when you are not working or out photographing, what else would Rowell be doing with his time? ROWELL: When I am not working or out photographing, I am working on my thesis. I hope that I can finish it and be able to graduate with my master's degree. Aside from this, I make sure to spend quality time with my girlfriend after work and go home to Luna, La Union, her hometown, on weekends. I also spend quality time going out with my mother, watching movies and attending mass on Sundays. Bringing realistic balance to my work-life activities and cutting ties with the outside world allows me to recover from the pressure and stress of all of what is happening every day. Spending time with loved ones always energizes my mind and body. In navigating the dual realms of professional commitment and artistic passion, Rowell B. Timoteo exemplifies the harmonious integration of dedication and creativity. Through his project “Echo,” he extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. With each photograph, Rowell intricately weaves together moments that transcend the boundaries of time, offering viewers a profound glimpse into the essence of urban life. His ability to balance the demands of his daily work with his unwavering dedication to street photography underscores his profound commitment to both craft and career. Through his artistry, Rowell not only documents the dynamic energy of the city streets but also illuminates the enduring beauty found within the everyday moments of human existence. VIEW ROWELL'S PORTFOLIO Instagram >>> read more interviews >>> URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography. UNDER THE COVERS WITH AMERICAN BEDROOM Barbara Peacock, opens the door to her subjects' bedroom, revealing their intimate thoughts and emotions. Discover the confidence and trust shared between the photographer and subject for an authentic and inspiring experience. BEYOND SIGHT Doug Winter is a photographic artist using his unique perspective as a semi-sighted individual to explore the experiences of partial blindness and vision disabilities. ETERNITY Eternity is a pictorial story about Konrad Hellfeuer's own personal journey with religion and how photography has helped him find peace within it. CROSSING THE AVENUE Get ready to be transported by the street photography of Juan Sostre. His mastery of technique and ability to observe the world around him, allows us to experience the street in a whole different light. HUMAN CONTACT By walking through the streets and observing people's behaviours, Jan Ponnet tries to develop a keen eye for the subtle nuances and rhythms of life on the street, and learns to anticipate and capture these moments that might otherwise go unnoticed.

ROWELL B. TIMOTEO ARTIST'S STATEMENT // I find immense fascination in the everyday tapestry of life, where I uncover meaningful narratives by borrowing expressions from those around me, capturing raw and unscripted moments. Then, I stumbled upon the art of street photography. With my camera as an extension of my vision and my motivation to observe, I weave stories from chance encounters, blending them with the extraordinary photographic experiences born of happenstance. Despite my daily eight-hour work schedule, my day job and my passion for street photography have found a harmonious coexistence. Street photography infuses vibrancy into my ordinary existence. The more I immerse myself in the craft, the better I become as a person, even in navigating the day-to-day decisions at work. It serves as a wellspring of inspiration, propelling my growth and improvement. LOCATION La Union PHILIPPINES CAMERA/S Fuji Xpro2, Fuji XA3, Realme 6 pro smartphone CATEGORY street ​ @ROWELLTIMOTEO @ROWELL.TIMOTEO.7 ​ FEATURES // Urban Echoes

NEW YORK COMMUNITY CALL OUT © Juan Sostre The Pictorial List is going to print with a project we have diligently been working on for over a year. We are publishing our first ARTBOOK. After careful thought and much deliberation, we have decided to focus each publication on one specific location in the world, featuring photographers and their visual stories that express the inspiration photographers find there. New York City has been considered the Melting Pot of the world; we feel it is the perfect place to begin our journey. We have saved a Community Section of our book dedicated to our PICTORIAL COMMUNITY, and we are calling out to all of you to help us make this section scream NEW YORK and portray what New York photography is all about through our inspirational photographer’s eyes. We are asking for the quintessential image that portrays what New York means to you, along with a one liner caption. All genres of photography welcome. You can enter up to 5 images for selection - just make sure you use a separate form for each image and a caption to suit. The selected images will be judged on both the impact of the visual, and the one liner caption to be published with it. EXAMPLE Photo: Street photo of a Yankee Game Caption: New York is eating a dirty water dog at Yankee Stadium on opening day. ​ BE CREATIVE! Let’s take a bite of the Big Apple together and share the energy and power of photography that New York inspires. SUBMIT FREQUENTLY ASKED QUESTIONS Can I enter more than one photo? Yes, you can enter up to 5 photos for selection - just make sure you use a separate form for each one. ​ What is the upload size of the photo? ​ Just a low-resolution photo. Do not exceed 2mb. If your photo is chosen, we will contact you with all the details we need. ​ How many images per artist will be published? In the community section, each chosen artist will have one page with one image, their name and caption. ​ ​ Is it just for street photography? ​ No, it can be any photography genre. ​ ​ Do I have to live in New York to enter? ​ No...as long as it is your photo of New York. Can be in New York City or anywhere in New York State. And it can be taken today, yesterday, or 20, 50 years ago. ​ ​ How creative do I need to be with my caption? ​ As creative as you can be! The more interesting the caption - the more it will catch our attention. Think outside the square! ​ ​ How will I know if I have been chosen? ​ The artists of the chosen photos will all be contacted. If you do not hear from us by 30th May 2024, your photo/s were not chosen. ​ ​ ​ If my image is selected, will there be a cost to me? ​ No, there will be no cost to you to have your photo published in the book. ​ ​ ​ When will the book be published? We do not have a specific date at the moment, but all participating artists will be notified by email when it goes to publication. We will then go to presale and notify our community through social media. We want it all to be perfect, so there will be no rushing it. ​ ​ ​ *If you have any further questions or concerns, please do not hesitate to email us , or reach out to any of the team members - Melanie, Karen, Bill, Karin, Ibi and John. The Pictorial List is a non-profit online publisher dedicated to showcasing the work of contemporary photographers and related articles to a global readership. ​ We want to continue to provide you with a premium quality website of only the highest standards. Therefore your voluntary donation is a very valuable contribution to maintaining our services and keeping them free of charge for our artists. Supporting The Pictorial List means that the magazine can remain advertisement free and monthly costs can be paid. Supporting cultural works is more important than ever. ​ All donations for The Pictorial List are greatly received but please note they are not tax-deductible. ​ THANKS VERY MUCH FOR YOUR SUPPORT ​ ​ Yes, I love the cultural work you do. I would like to donate to The Pictorial List to show you my appreciation. DONATE

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INTERVIEW December 13, 2023 TALES OF A CITY ​ Photography by Seigar Interview by Melanie Meggs Meet Seigar, a multifaceted artist based in Tenerife, Spain, who has a passion for exploring the world through his camera lens. With a background in philology and teaching, Seigar brings a unique perspective to his art, infusing it with his fascination for reflections, saturated colors, and icons. But it's not just the visuals that draw him in; Seigar is also deeply interested in pop culture and conceptual art, using his camera to tell stories and capture moments in a new and thought-provoking way. Seigar's journey as an artist began with travel and street photography, but it has evolved into something much more. He sees himself as a pop visual artist, constantly inspired by his travels and the people he meets along the way. He strives to go beyond simple postcards and instead create a continuous narrative that reflects his experiences and encounters. His camera has become his tool for documenting the world and exploring his obsessions and curiosities. While Seigar is primarily self-taught, he has also pursued formal education in advanced photography, cinema, and television. He has dabbled in various forms of art, including collage, video, and writing, always pushing himself to learn and experiment. He has exhibited his work in both national and international settings, and his art has been featured in publications around the world. Seigar's work has also caught the attention of publications like Dodho Magazine, and VICE Spain, where he has contributed his passion for supporting art and artists through text. Recently, Seigar has been exploring the world of video art, using his unique perspective to shed light on important societal issues, from individual freedoms to diversity and equality. His latest passion is documenting social issues related to identity, constantly searching for what makes people who they are. But amidst all of this, Seigar never forgets to embrace the present and seize the day, a message he shares through his captivating travel photo narrative series. In 2005, Seigar began a long-term project documenting the United Kingdom, a place that holds a special place in his heart both personally and professionally. Through his pop-inspired lens, he aims to capture the essence of British identity and share his connection to the culture. During his recent visit to the UK, Seigar revisited familiar urban locations, capturing his signature fetishes like shop windows, plastic people, food, and abandoned objects. But he was also drawn to the vibrant street art that adorns the city walls, using reflections, repetition, and saturated colors to capture its energy and essence. The result is a collection of photos that radiate a bright and shining light, reflecting Seigar's joy and love for life. Join us as we delve into Seigar's unique world of pop visual art, exploring his latest series. Through his direct and thought-provoking images, Seigar invites us to see the world through his eyes and experience the beauty and complexity of everyday life. “‘Tales of a City’ started as a way to portray the British identity, and then, it has become an invitation to live our lives fully and free. It is also a reflection of my ideas and views about the world. I want people to see these photos as my reading of British culture, a heritage that I feel linked emotionally and personally for a million reasons, and as a way to state the world is a beautiful place we should enjoy. This series is a part of my long-term travel and street photographic narrative about the UK, primarily captured in London, a project I initiated in 2005.” MEET SEIGAR: The Curious Visual Artist Exploring Pop Culture Through His Camera THE PICTORIAL LIST: Hello Seigar, thank you for the opportunity to discover more insight into your process of creating your visual stories. Welcome to the Pictorial List! Please tell us a little about yourself, where are you from, and where are you based now? What were some significant choices you made along the way to land on your home base? Seigar: I feel my hometown is La Palma Island, in the Canary Islands, which is called La Isla Bonita. La Palma is a peaceful, probably the most beautiful island I have ever been to, and the one I have felt more at ease. However, I decided to live in Tenerife, Puerto de la Cruz, probably because it’s quite similar to living in La Palma. In Tenerife, we can enjoy the sun the whole year around, good temperatures, the sea, the mountains, villages, traditions, local cuisine, and museums, it offers everything you expect from a paradise. That is how I see Tenerife, a paradise. Though I have visited 53 countries, and I love traveling, I wouldn’t change my residence. I think I can enjoy a quality life that can’t be beaten. I’ve always been interested in the visual arts since I was a child you could find me having a look at magazines and encyclopedias at home, attracted by the paintings of Dalí, and Frida Kahlo, but also quite fascinated by the lives and looks of celebrities and especially musicians, such as Madonna, Michael Jackson, and Prince. I would also be sketching women’s clothing designs in my notebooks and writing stories. This creativity has led me to what I am today. I consider myself, a teacher because I love my job, but also a visual artist, because I have found ways to express myself through different forms. Writing is essential for me because it helps me to complete the concept. Conceptual art is the prism I use to create. I usually join visual art with text, the statement lets me complement the art product. TPL: Tell us about your background in philology and teaching. How has it contributed to the way you see through the lens? What first drew you to photography, explain the importance of photography in helping develop your narrative in your visual stories. Seigar: I am very satisfied with the training I received at the University of La Laguna. I debated between linguistics and literature until I ended up dazzled by the methodology and everything it offered me. Being a pragmatic person, I decided that this was the most functional path to specialize in. When I finished my degree in Philology, I dedicated a school year to combining the Doctorate and the Pedagogical Qualification Course. I put into practice what I learned in private classes for children and adolescents. I also worked in academies until I obtained the Diploma of Advanced Studies. I passed the first exams I could take to become a Secondary School teacher. And since then, I have been teaching in secondary schools. I think that the University of La Laguna places us very well academically in the labor market; then, making your way depends on many external factors. My transition from student to worker was quite natural. I work as a high school teacher. I combine this profession with creating visual arts, writing, and collaborating with multiple magazines. Working as a teacher allows me to use the knowledge acquired in methodology and continue learning new strategies daily. There is an essential human factor in everything I do, and especially in a common point that education, arts, and writing unite: communication. I feel that all the tasks I dedicate my time to have that same element. I am interested in the ability to express and understand messages through interaction. I am pro clear and direct expressive speech, and I believe the main reason for communication is to transmit messages. In the classroom, I teach my students to interact with each other through language and other codes. In photography, I try to make the focus of my images clear and make sure people understand what I want them to see. I even wait for their responses in a dialogue, like I did in my series entitled Visual Interaction. When I write, I become personal. I like to research the topic without forgetting my reading. Concerning my infatuation with photography, I have always been a very visual person. Since I was a child, I remember drawing female dresses; I still draw them or buy music and film magazines, and I still collect them. I keep a lot of that creative side from my childhood. Traveling opened the doors to the world of photography for me. I remember that every time I came back from each trip, I would show the photos to my friends, and they were the ones who saw “something”. Far from bringing stereotypical images or postcards of the places I visited, I always captured repeated details from every trip. My fetishes in photography were defined automatically, intuitively, and without much planning: stolen portraits, shop windows, food, messages, garbage, and abandoned objects. TPL: We all face challenges and obstacles we could not have foreseen, what are some of yours, and how did you overcome them? What advice would you share? Seigar: In my life, I have struggled to achieve some of my objectives in the past, and now I can comprehend that I probably failed in getting obsessed with obtaining what I wanted. These days, I see it from a different view, it’s important to be passionate about your goals, but we have to be careful about the lines between passion and obsession. I would advise people to wish for what they want, but not to overthink or make an extra effort that could harm them. You need to wish, and then work for it with balance. And I would also recommend to choose carefully what they want to get. It’s important to be sure that our goal is our real goal, and that is going to bring good things in life. Careful with the things you are wishing for, ask yourself, is it going to be good for you? When I look back, I think I have chosen good goals in my life, and I’m proud of that, however, I think I sometimes failed in the process because I worked too hard to get them. I would do it with more balance if I could go back. That is something I would change. I can understand now that we can achieve our goals with equilibrium. And what is more important, I advise people to understand that our main goal is to take care of ourselves, eat, move, and rest the best we know, and also to keep on educating ourselves, our main work is self-care. I have realized that is our main job. The real job we all have is to take responsibility for ourselves. As an artist, there are some obstacles I can see these days, these are globalization, censorship, and the cancellation culture. I think globalization has brought blurred lines to the world of the arts. It seems the saturation of images and the use of social networks tend to unify visions or spread the sense of what is on and what is not. The main challenge is being faithful and loyal to yourself as a creator, trying not to depend on trends or accept the limits imposed by what you are supposed to be doing. I like the concept of the local and individual self; I like the idea of being me and keeping my identity as a creator. I think that is the most challenging task for creators nowadays. If you start doing what everybody is doing to be bigger, you may need to stop, think, reflect on that, and make a different decision. The world needs what you can give as an individual; the world does not need every person to show the same content with the same way of presenting it. When I see these videos about how you should be sharing your art, how to get new followers, and all that, I think that is not the right way. I think keeping your way is the key. I do not want to be a copy or a version of any other artist. Who wants 100 artists telling the same story, and in the same way? No one. And concerning censorship and all that, I think artists need to be brave, fight, and do it! Think about artists like Madonna, who has fought against so many taboos and is still there fighting against the rules and conventions. Artists need to stand up, be brave, and just go for it. If we all do it, the system won’t be able to keep up with this nonsense. I believe individual freedoms must be kept, and they are in our hands. For instance, if any social network censors a type of image or a type of expression and this one doesn’t damage anyone, it’s a matter of us all united to stop it; we are the ones who should decide. I think it’s a matter of time for people to realize that we are the ones who decide. No one authorizes me to create; I authorize myself to do whatever I want. It’s not out; it’s just me. My authority to be free and independent is inside of me; I don’t need to wait for anyone or anything for approval or permission to do what I want to do. I feel I am powerful, and I believe we are all powerful beings that just have to act and do. Throughout art history, many voices have rebelled against the rules, and they changed the path by doing that. I think it is time for contemporary artists to do things and break the rules. Actions are more important than words. There is no point in sharing a message asking for freedom; just be free. Let me tell you this with a metaphor. The metaphor is clear; it’s like a bird inside a cage with the doors completely open. That is how I feel about censorship. I also feel the same about many other situations society is facing these days: the same pattern, a bird that can fly and doesn’t. Why? I think common sense must be above any rule in the system. We can't obey a system when it goes against common sense or individual freedoms, and we cannot wait for its authorization to take care of us and do the best we can for ourselves. You just have to follow your instincts instead of blindly following “what you are supposed to do." Let’s be free and stop begging for our freedom. TPL: In your long-term project, ‘Tales of a City’ What do you want the viewer to experience from your work, what is their takeaway from their visual experience? Seigar: ‘Tales of a City’ started as a way to portray the British identity, and then, it has become an invitation to live our lives fully and free. It is also a reflection of my ideas and views about the world. I want people to see these photos as my reading of British culture, a heritage that I feel linked emotionally and personally for a million reasons, and as a way to state the world is a beautiful place we should enjoy. This series is a part of my long-term travel and street photographic narrative about the UK, primarily captured in London, a project I initiated in 2005. During the process, I have intended to capture moments of charm as a friendly reminder that we should view the world through our prism. Life and magic are omnipresent; we only need to open our eyes. In recent years, I've consciously distanced my ego from my heart, focusing on immersing myself in the creative process. My priorities have shifted to living, self-care, and relishing life. These new tales reflect this sweet phase in my life, and I am committed to making it last for a long, long time. I will no longer enumerate these series separately; I've realized these tales belong to the same project: Tales of a City. In my quest to identify British identity, I found my voice. TPL: You love to travel. You also live in one of the most picturesque locations in the world. Do you find your inspiration to create on or within the streets of Tenerife? Outside of home and London where has been your most favorite or interesting ‘tale’? And what city is next on your Wishlist to add to your series? Seigar: In Tenerife, I have done street photography in the villages and towns during my walks. I love exploring my island, too. I have done some landscape photography, though I have never felt completely reflected in this type of photography. I prefer other types of photography that let me show ideas, such as social or documentary. I have met people and told their lives through photography and text. Collaboration makes art richer and more complex; something simple can become something big with the right connections. I have worked with creative people who have added layers to my photography and video art. They have conveyed the ideas I wanted to express. I have worked several times with a young drag queen called Candy Porcelain, who has elevated my concepts through her art channel. I have also worked on the theme of new masculinities with young men. I have also worked on a project entitled 1, 2, 3 No Hashtags to deal with diversity, equality, body positivity, ageism, and other topics. I have done projects with trans people to talk about them as individuals and to tell their personal stories. I have worked with all different kinds of people to tell them who they are and their identities. Every life has some interest for me. I have shown the living moments of a boxer, a group of voguing dancers, belly dancers, drag queens, beauty pageant contests, theatre plays, ballet and contemporary dancing shows, fashion content creators, music festivals, and a digital and design illustrator. As I said, I like meeting people and showing what they want to say to the world. I have also recreated My Plastic People with a real model. I have done all these works in Tenerife; we have many creative souls on the island. I have found great inspiration in Europe, and I have been traveling all around doing my tales there. I found excitement in photographing Eastern Europe because of its different rural and urban scenery. However, I have also opened the doors to new narratives. From my recent works, I’m especially fond of my photo narratives from Cuba and Morocco. I think what I found there is so different from Europe that it has made my gallery have some new twists, intricacies, and storylines. These two countries unlocked new possibilities for my work. Last summer, I spent two months in Asia, but I haven’t had time yet to work on that material. I can tell it was an incredible experience that moved me. I can’t wait to see what I did there. Finally, my next destinations are Finland, Canada, and Liechtenstein. This is going to be at Christmas, in the winter, so this context would add some meaningful layers to my photography. TPL: Tell us about the many years of contribution to the arts, writing about art, and interviewing artists. What is your takeaway from the work you do? How have you grown as an artist, visually and intellectually? Seigar: Art and writing allow me to stay awake, grow, innovate, investigate, and learn. I can communicate and interact with other people and creators through these two channels. These are the two ways I have to express everything I have inside—two means of expression that I need to complete my life. I am a social person who enjoys the contact with people. Teaching has been my vocation since I was a child. I knew I wanted to be a teacher very early. My job keeps me in contact with lots of people and souls daily. And this routine is inspiring and makes me grow. Arts helps me to share my thoughts and the things I believe in. It’s the code to free my soul. TPL: Do you have any favorite artists or photographers you would like to share with us, and the reason for their significance? If you could work alongside someone, who would you like to rub elbows with and learn from? Seigar: My main art references come from pop music: Madonna, Michael Jackson, and Prince. They have been the three icons I have admired the most in my life, and they still have a big influence on me, and who I am today. In cinema, I love Pedro Almodóvar, Alfred Hitchcock, Robert Aldrich, Lars von Trier and Tarantino. In painting, I adore Frida Kahlo, Salvador Dalí and Andy Warhol. All these people share very personal but radical views about what art is. They all show a unique universe that is glued in my brain and my heart. I’m sure if you scan me, you can find their musical and visual imagery in my soul. They all share a strong and passionate vision of art. That's what I'm looking for with my visual art. I can say that my favorite photographer is Martin Parr, I think he knows how to perfectly combine the image and the content with a very pop style. I also greatly admire the documentary nature of his work. Regarding the form, I stick with photographers like Man Ray, Diane Arbus, and Cindy Sherman, and paying attention to the content I would name Vivian Maier, Sirkka-Liisa Konttinen, Thomas Tom Wood, and Paul Graham. Almost all of them work in street, social, or documentary photography. Concerning the latest photography, I feel Lua Ribeira stands out; her sense of photography is fresh and original. I had the chance to write an article about her for The Cultural Magazine and it was fascinating to learn about her work. I’m also into the controversial Greek photographer Kostis Fokas, and the new realists Panos + Mary. Recently, I have had a crush on Greek photographers and the way they document reality, I would say Greek Photography these days has become a new expression of magic realism, and I’m also heading in that direction. I like to think that I’m sharing common views with them. I think right now, my sensibility is close to the works of contemporary Greek photographers, and also Eastern European countries, so that would be my first option for a collaboration. When we talk about admiration and influences, I would like to mention two special people who are everything to me in life, my mum who passed away but is still present in my everyday, and my sister who is my life. They are the real ones. Love you. TPL: Is it impossible for you not to be constantly on the lookout for a moment to be captured? Seigar: I think the key is discipline and perseverance. I consider myself an organized and planning person. I stay ahead of deadlines, I try to keep my work up to date, and the experience I gain with each project helps me not make the same mistakes. I am very observant and an analyst, I usually reflect on work processes and learn from them to be able to go faster the next time. It is part of my personality to be pragmatic and not waste time. I like to give myself fully to projects and grow. As you said, it is impossible for me not to be constantly on the lookout for a moment to be captured, I think that sentence defines the way I understand art and creation. Thanks for your deep dive into my work and soul. I can tell you love what you are doing too, and that is something wonderful. Thank you. TPL: Are there any special projects that you are currently working on that you would like to let everyone know about? What are some of your photography goals? Seigar: I would like to find time to work on my last trips, as I do not stop moving, and I will never stop moving, it is not that easy to select and work on the materials that I am creating. However, my priority is living, so it will be done whenever I have the right time to do it. I accept it, and I’m fine with that. I would say that my main goal in photography would be to keep on selecting and working on my travel and street photo narratives. Telling my moves through my trips, as a testimonial diary. I have some ideas for video art too, connecting the tradition of this form with my view to understand it. I see video art as a way to experiment and channel concepts. And I also want to keep on exploring college to deal with current issues, collages help me to express my views on things that concern me. And finally, I would love one day to start doing installations, it attracts me. TPL: If you could explore another area of photography or art, what would that be? Why, what is it that you would be inspired to learn? Seigar: I want to start doing installations. The use of new materials and forms to create interest me. I already have some ideas that include toys, plastic people, or some furniture. I like the experimental aspect of an installation and its connection to the senses. The focus could be the idea of playing with toys, or the ready-made pieces. If I do something, I suppose it will be colorful, pop, and weird. When I visit a museum, I always find the installations quite intriguing and captivating. They commonly move me to feel things and to think, they usually surprise me. TPL: Your zest for life and your mantra to seize each day, how do you balance work and life? Seigar: I try to dedicate time for myself, that means taking care of myself and giving myself some love. I feel the more I care for myself, the more I can care for others. The more I help myself, the more I can help others. I try to be balanced and to listen to myself. To care about the words, I talk about me because we become what we say we are. It’s important to care about how we define ourselves. I listen to myself and my body to know and decide what is the best thing for every single moment. If you need to eat, to move, and to rest, that is how I understand my everyday life. And if I want to express myself, I also count on the art expression. I guess the moments I have felt at ease with myself, I have been able to be nicer and more generous with the people around me. The more you love yourself, the more you can give love. TPL: When you're not creating your visual stories, what do you do for leisure? Seigar: When I’m not creating, I hike, exercise, and eat out. I listen to music; I spend hours listening to music and reading music reviews. I love reading books about pop culture, and music magazines. I have coffee with my best friends. I meet and travel with my loved sister. And finally, I also go out and travel with my partner, and we enjoy life together. Thanks for the love. Seigar is a true testament to the idea of being a multifaceted artist - someone who constantly evolves, learns, and pushes boundaries in their art. From exploring the world through his camera lens to using his unique perspective to shed light on important societal issues, Seigar's passion and talent knows no bounds. His work is a reflection of his own obsessions and curiosities, capturing moments and telling stories in a captivating and thought-provoking way. And with his project, Seigar shows us that even in familiar places, there is always something new and exciting to discover. With his captivating photos and energetic spirit, Seigar reminds us all to embrace the present and seize the day, creating our own narratives and capturing the beauty of life. VIEW SEIGAR'S PORTFOLIO Website >>> Instagram >>> Facebook >>> read more interviews >>> COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography. UNDER THE COVERS WITH AMERICAN BEDROOM Barbara Peacock, opens the door to her subjects' bedroom, revealing their intimate thoughts and emotions. Discover the confidence and trust shared between the photographer and subject for an authentic and inspiring experience. BEYOND SIGHT Doug Winter is a photographic artist using his unique perspective as a semi-sighted individual to explore the experiences of partial blindness and vision disabilities. ETERNITY Eternity is a pictorial story about Konrad Hellfeuer's own personal journey with religion and how photography has helped him find peace within it. CROSSING THE AVENUE Get ready to be transported by the street photography of Juan Sostre. His mastery of technique and ability to observe the world around him, allows us to experience the street in a whole different light. HUMAN CONTACT By walking through the streets and observing people's behaviours, Jan Ponnet tries to develop a keen eye for the subtle nuances and rhythms of life on the street, and learns to anticipate and capture these moments that might otherwise go unnoticed. FREEDOM TASTES OF REALITY Juan Barte does not choose to document what he sees, but creates a photograph that constricts the flow of information, allowing for the viewer to further investigate and question what they see.

INTERVIEW May 3, 2020 VISUAL AMBIGUITIES ​ Photography by Alicia Haber Interview by Melanie Meggs Alicia Haber is an esteemed Art Historian and Curator of Contemporary Art who has led a fascinating life of international travel and exploration. Born in Montevideo, Uruguay, she has since made a name for herself in the art world, receiving grants and invitations from universities and cultural institutions across Western Europe and the United States. Now retired, Alicia has taken up photography as her passion and is using her lens to challenge the notions of ‘realism’ and ‘truth’. Through her creative works, she encourages viewers to look beyond the surface and ponder the ambiguities of what they observe. Decades of exploration, study, and observation have made Alicia a masterful storyteller; her photographs are proof of her extraordinary eye for detail and her ability to capture profoundly captivating moments. Join us as we learn more about Alicia Haber, her eye-opening works, and her journey to becoming a renowned visual artist. “Since I was very young, but I only took photographs as a tourist, for my Art History classes, or of my children. I have been a photographer for the last two years and a half once I started studying photography. Then, after I knew how to deal with the technical aspects of my Sony Alpha 6300 and with editing with Photoshop, I started looking for my own subject matters and my own personal visual language.” IN CONVERSATION WITH ALICIA HABER THE PICTORIAL LIST: Hello Alicia...welcome to The List! Tell us, where do you find your inspiration? ALICIA HABER: I find inspiration in the city, basically in Montevideo and also in cities in Brazil, where I travel quite often. I am a very urban person. I am not attracted to landscapes, flowers, and nature in general. People in their daily life interest me a lot. I am not in search of a realistic depiction of the world. My photos, in general, concentrate on reflections, blurs produced by camera movement or slow speed and movement of the subject, silhouettes. In general, though, I do not want total abstraction. I let the image or images to be seen, to stay in the picture, even if they are blurred or duplicated. TPL: Where is your favourite place to photograph? AH: In the city, in the streets, in places related to urban life. ​ ​ TPL: Do you feel that you have grown in your photography since you started almost 3 years ago? Has your style of photographing changed? AH: Yes, it has changed. My photography is a work in progress. I keep studying, now by myself, learning about new ways of expressions, trying to find new challenges and finding new approaches. TPL: Tell us more about your involvement in the artistic world before photography? AH: I am an Art Historian and curator. I have taught Art History, wrote books on famous Uruguayan artists, curated hundreds of exhibitions of Uruguayan artists both in Uruguay and abroad (Brazil, Argentina, New York, Los Angeles, Germany, Venice Biennale, Sao Paulo Biennale, among others), have presented papers on Uruguayan art in several conferences of Art Historians and Art Critics in Great Britain, the United States, Germany, Sweden, and many other countries. ​ ​ I am not in search of a realistic depiction of the world. TPL: What characteristics do you think you need to become a better photographer? What’s your tips or advice for someone in your genre? AH: Be audacious. Be curious. Open your mind. Reject the obvious. Look at Contemporary art. Visit museum or virtual museum. Watch very good films with very good photography. Learn from the photography masters. Keep visiting sites where you can look for different types of photography, particularly the ones that break stereotypes. Establish dialogues with other colleagues. TPL: Do you think equipment is important in achieving your vision in your photography? What would you say to someone just starting out? AH: Good equipment is necessary. It does not have to be an expensive one. You can always upgrade it later. It is important to know how to use it. Then, the real important thing is to look at the world around you and find ways to depict it in your own way. Ex nihilo nihil. So, look at what other photographers, particularly masters, have done. And learn from them. Do not copy them. Be inspired by them. Look for your own style. Look for your own voice. TPL: Do you have any favourite artists or photographers you would like to share with us? AH: Saul Leiter, William Klein. And many, many others. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? AH: During the lockdown and quarantine period we are now living, I have to stay at home, and keep photographing. It is a new challenge. I have to solve the problems alone. I photograph outside my window at night, in the evening, and inside my apartment. My intention is always to problematize the regard and challenge common concepts of what is real. So, also at home I work with camera movement or the movement of the model. Fortunately, a Brazilian friend is staying with me during the quarantine, and she is so nice that she lets me photograph her. I am trying to convey different moods produced by confinement, also everyday life during Covid-19, inside and outside the apartment and what is going on with the neighbours. TPL: "If I wasn't photographing what would I be doing?... AH: Now my great passion is photography, so I cannot imagine anything else." ​ ​ Through her photography, Alicia makes us question what is the 'realism' or what is the 'truth' to stimulate us. We take the opportunity to thank Alicia for sharing her photography with us. Visit her website to see more of Alicia's projects or follow her journey on Instagram. VIEW ALICIA'S PORTFOLIO Website >>> Instagram >>> read more interviews >>> COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography. UNDER THE COVERS WITH AMERICAN BEDROOM Barbara Peacock, opens the door to her subjects' bedroom, revealing their intimate thoughts and emotions. Discover the confidence and trust shared between the photographer and subject for an authentic and inspiring experience. BEYOND SIGHT Doug Winter is a photographic artist using his unique perspective as a semi-sighted individual to explore the experiences of partial blindness and vision disabilities. ETERNITY Eternity is a pictorial story about Konrad Hellfeuer's own personal journey with religion and how photography has helped him find peace within it. CROSSING THE AVENUE Get ready to be transported by the street photography of Juan Sostre. His mastery of technique and ability to observe the world around him, allows us to experience the street in a whole different light. HUMAN CONTACT By walking through the streets and observing people's behaviours, Jan Ponnet tries to develop a keen eye for the subtle nuances and rhythms of life on the street, and learns to anticipate and capture these moments that might otherwise go unnoticed. FREEDOM TASTES OF REALITY Juan Barte does not choose to document what he sees, but creates a photograph that constricts the flow of information, allowing for the viewer to further investigate and question what they see.