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JING WEI I am a documentary photographer and visual storyteller whose work examines the relationships between people, culture and everyday life. For more than a decade, I have photographed moments that might otherwise go unnoticed, focusing on resilience, dignity and the experiences that shape ordinary lives. I approach the camera not only as a tool of observation, but as a way of listening and building connections across cultures. Born and raised in Beijing, I am now based in Minnesota, United States. Although photography is not my full-time profession, it has remained a lifelong commitment. My work moves between urban and rural settings, documenting stories of identity, tradition, labour and belonging. My photography has been featured on National Geographic Your Shot, where an image from Larung Gar Buddhist Academy was selected as Photo of the Day. My work has also been exhibited at the University of Minnesota’s Coffman Memorial Union. I am currently pursuing a graduate degree in Arts and Cultural Leadership at the University of Minnesota, studying how the arts can support social impact, inclusion and intercultural dialogue. My continuing projects examine Beijing’s changing urban landscape and the Buddhist community of Larung Gar, extending my interest in how people understand and sustain their relationships with place. LOCATION Minneapolis UNITED STATES / Beijing CHINA CAMERA/S Nikon D800 @JING_WEI_VISUALS FEATURES // The Life Within the Mountain

The Pictorial List is a global online magazine exploring the beauty and complexity of all things photography. THE LIFE WITHIN THE MOUNTAIN Ten years after first seeing Larung Gar, Jing Wei returns to a changed mountain, finding continuity in faith, memory and the lives held within it. Latest features INTERVIEW THE ART OF ATTENTION Curiosity turns portraits, objects, and places into discoveries as Len Irish reflects on a life shaped by the camera’s attention. INTERVIEW WHERE EMOTIONS BREATHE Simple encounters Irina Sedletskaya almost missed become photographs shaped by silence, distance, uncertainty, memory, hope, and resilience. PICTORIAL STORY REGINA: BOARDING SCHOOL LIFE AND DREAMS A boarding school room becomes the frame for Cleopatra Joint’s portrait of ambition, instability, and a young woman’s search for freedom. PICTORIAL STORY LIFE ALONG THE RIVER Along the Hooghly, Shubhodeep Roy photographs Kolkata through faith, labour and memory, revealing a city shaped by water, inheritance and shared life. PICTORIAL STORY A HOME OF MEMORIES AND THE PRESENT Davide Santangelo returns to his family home by moonlight, tracing how absence, memory, and love continue to live within place, objects, and atmosphere after loss. PICTORIAL STORY THE PULL OF THE EARTH This is more than a record of rural Bengal. It looks at the bond between Sayan Biswas and the place that shaped him, even after distance has changed that relationship. INTERVIEW THE VILLAGE A workers’ neighbourhood becomes a living archive as Virginia Cassano photographs the people, streets, and memories that continue to shape Villaggio Piaggio. BOOK TÜRKIYE Rpnunyez offers a thoughtful portrait of a country shaped by history, culture, landscape, architecture, and everyday life. BOOK BETWEEN SEA AND SKY Through walking and flight, Massimo Lupidi reveals Cinque Terre as a landscape shaped by attention, endurance, and the intimate bond between land and human life. INTERVIEW MUTABLE MORPHOGENESIS By merging scientific methodologies with photographic experimentation, Emma Varga creates images that challenge fixed distinctions between human and non-human, visible and invisible. INTERVIEW THE ARCHITECTURE OF CONSCIOUSNESS Chad Coombs’ Polaroids are small psychological scenes where identity, memory, culture, and belief push against each other. PICTORIAL STORY ARE THOSE WINDS Along Istanbul’s northern edge, Ci Demi photographs the last water buffalo herders as they keep working, remembering, and staying put while the city closes in. INTERVIEW WHERE WE BELONG Community storytelling lies at the heart of The Pictorial List’s mission, and Marlon Ramos’ photographs reflects the spirit of the place we now call home. PICTORIAL STORY COLORS OF HUZUN Through fragments and gestures, Pedro Vidal traces Istanbul as shared melancholy lingers in everyday life, the city unfolding slowly and refusing to settle into a single, definitive understanding. PICTORIAL STORY OUT OF PLAY An exploration of abandoned interiors in which Marco Lugli examines how objects, light, and space carry memory beyond human presence, establishing absence as a condition of material continuity rather than loss. CONTOURS OF ABSENCE Where concealment unsettles recognition and ordinary spaces turn psychological, the photographs of Serhii Fett suspend identity between presence and absence. New York, New York! PICTORIAL STORY NYC SUBWAY RIDERS BEFORE THE INVASTION OF SMARTPHONES Hiroyuki Ito’s subway photographs reveal a vanished intimacy. INTERVIEW FABRIC OF NEW YORK VISUALS Elle Clarke lives NYC — snapping its heart and hustle with her smartphone, one real city moment at a time! INTERVIEW NOD OF RECOGNITION B Jane Levine’s portraits give a playful wink — inviting a nod of recognition to the hidden stories we all carry inside. INTERVIEW NEW YORK IMPROVISATIONS Fast-moving, off-kilter, witty, raw and classic film noir define Bill Lacey's photography. PICTORIAL STORY MERMAID MAGIC AJ Bernstein captures the magic of the Mermaid Parade—where fantasy, freedom, and community come together in a sea of color and joy. INTERVIEW GOTHAM MEMORIES Jeff Rothstein clicks, time unfolds — capturing the heart of the city in timeless frames, from 1969 to today. PICTORIAL STORY TAKING THE PLUNGE Carol Dronsfield takes the plunge with the Coney Island’s Polar Bears, capturing the chill, the thrill, and the heart. INTERVIEW THE AUTHENTIC GAZE Amy Horowitz says “Don’t Smile”— and in doing so, captures the real and wonderfully unscripted faces of New York City. VOLUME ONE- NEW YORK BUY NOW join the Pictorial Community >>> Follow us on Instagram #thepictoriallist @thepictorial.list Load More PROSCENIUM GHOSTS Said Manseur honors these young actors, their courage, and the unseen work they give to keep theater alive against the odds. Interviews you may have missed REPRESENTING THE PEOPLE Camille J. Wheeler documents Austin's streets, with a particular focus on its homeless community. COMEDIANS Steve Best documents the British comedy scene, backstage and on stage, the highs and lows, and the joy of being a comedian. QUARANTINE IN QUEENS Neil Kramer's humorous and compassionate lockdown diary has gone viral. ENROUTE TO THE PINES Robert Sherman shares his documentary series about drag queens celebrating the 'Invasion of the Pines'. SERVICE INTERRUPTION Wojciech Karlinski documented Poland train stations during the pandemic, highlighting their formal and aesthetic side. VOICES OF THE NILE Voices of the Nile by Bastien Massa and Arthur Larie is a project documenting the relationship of Ethiopians with the Blue Nile. BREAKS FROM REALITY The magic only dreams are made of become reality for viewers as they engage in the poetic imagery of Mariëtte Aernoudts. BEYOND THE STORY Through her documentary photography, Christina Simons is compelled to tell the stories of those who are unable to do so themselves. © Russell Cobb Media Partners

We are on a mission to discover new photographers, and the most pictorial and interesting photo stories out there. SPOTLIGHT / JING WEI Minneapolis UNITED STATES / Beijing CHINA AARON RUBINO ABBIE BRIGGS ABDULLA SHINOSE CK ABHAY PATEL ABHISHEK SINGH ADAM SINCLAIR ADESH GAUR ADRIAN PELEGRIN ADRIAN TAN ADRIAN WHEAR AGATA LO MONACO AHMET HOJAMYRADOV AJ BERNSTEIN ALAN THEXTON ALEJANDRO DAVILA ALESSANDRO GIUGNI ALEX FRAYNE ALEX GOTTFRIED BONDER ALEX RUTHERFORD ALEXANDRA AVLONITIS ALEXANDROS ZILOS ALEXEY STRECHEN ALICIA HABER AMY HOROWITZ AMY NEWTON McCONNEL GET ON THE LIST © Ypatia Kornarou

Presenting the work of visual storytellers from around the world. REGINA: BOARDING SCHOOL LIFE AND DREAMS A boarding school room becomes the frame for Cleopatra Joint’s portrait of ambition, instability, and a young woman’s search for freedom. PICTORIAL STORY THE LIFE WITHIN THE MOUNTAIN Ten years after first seeing Larung Gar, Jing Wei returns to a changed mountain, finding continuity in faith, memory and the lives held within it. PICTORIAL STORY PROSCENIUM GHOSTS Said Manseur honors these young actors, their courage, and the unseen work they give to keep theatre alive against the odds. PICTORIAL STORY REGINA: BOARDING SCHOOL LIFE AND DREAMS A boarding school room becomes the frame for Cleopatra Joint’s portrait of ambition, instability, and a young woman’s search for freedom. PICTORIAL STORY LIFE ALONG THE RIVER Along the Hooghly, Shubhodeep Roy photographs Kolkata through faith, labour and memory, revealing a city shaped by water, inheritance and shared life. PICTORIAL STORY A HOME OF MEMORIES AND THE PRESENT Davide Santangelo returns to his family home by moonlight, tracing how absence, memory, and love continue to live within place, objects, and atmosphere after loss. PICTORIAL STORY THE PULL OF THE EARTH This is more than a record of rural Bengal. It looks at the bond between Sayan Biswas and the place that shaped him, even after distance has changed that relationship. PICTORIAL STORY ARE THOSE WINDS Along Istanbul’s northern edge, Ci Demi photographs the last water buffalo herders as they keep working, remembering, and staying put while the city closes in. PICTORIAL STORY COLORS OF HÜZÜN Through fragments and gestures, Pedro Vidal traces Istanbul as shared melancholy lingers in everyday life, the city unfolding slowly and refusing to settle into a single, definitive understanding. PICTORIAL STORY OUT OF PLAY An exploration of abandoned interiors in which Marco Lugli examines how objects, light, and space carry memory beyond human presence, establishing absence as a condition of material continuity rather than loss. PICTORIAL STORY REIMAGINING TALIESIN Form gives way to flux in Amy Newton-McConnel’s photographs, where architecture unfolds as a field of shifting relations and perception moves with light, geometry, and time. PICTORIAL STORY WHERE THE MUSIC BEGINS Before the strings, Jeevan Akash Jayavarthanan leaves the movement of the street for the rhythm of the workshop, where time holds, hands work, and each moment forms what will later be heard. PICTORIAL STORY LAND, LABOR, AND THE GOLDEN FIBER In West Bengal’s jute fields, Rajesh Dhar examines the systems of land and labor, tracing how a single material sustains communities and informs a changing ecological future. PICTORIAL STORY WITH GRATITUDE AND DEVOTION A quiet and intimate account of devotion in Zaraza, Venezuela, Rafael Ayala Páez reflects on faith, memory, and community through photographs and words that honor the enduring power of small gestures. PICTORIAL STORY SILVER AND BREATH Within this fragile space between looking and being seen, Eva Christina Nielsen has developed a practice that is both restrained and deeply attentive. PICTORIAL STORY RUPTURE REPAIR REMNANT In this reflection on rupture, Donna Bassin invites us to consider how grief settles into the body and the image, and how the slow work of witnessing becomes a form of repair. PICTORIAL STORY DELTA DUSK John Agather weaves image and text into a single current, tracing how music, memory, and daily life continue to move through the Mississippi Delta. PICTORIAL STORY SILENT BEAUTY Tamara Quadrelli photographs the world by slowing down inside it. There is no rush to explain what we are seeing. The pleasure comes from staying with it. PICTORIAL STORY SOLITUDE UNDER A TECHNIFIED SUN Tracing the space between movement and stillness, Héctor Morón reveals a city that persists as human presence slips by. PICTORIAL STORY 4320 MINUTES WITHOUT COLOR Moving between photography and narration, Mohammed Nahi traces a period in which sight could no longer be assumed as reliable, and attention shifted toward memory and duration. PICTORIAL STORY THE PAINTED VILLAGE OF LABANDHAR Anjan Ghosh’s photographs carry us to Labandhar, where painting becomes language, tradition stays present, and art grows through shared ground. PICTORIAL STORY ORDINARY GRIEF What endures when everything else is uncertain? Through photography, Parisa Azadi asks us to see Iran not as story, but as feeling. PICTORIAL STORY THE EVERYMAN Eva Mallis uncovers the quiet strength of overlooked lives, capturing everyday encounters in Mumbai’s industrial districts as intimate portraits of labor and resilience. PICTORIAL STORY IN BETWEEN LIFE AND AFTER In Cairo’s City of the Dead, families carve out ordinary lives among centuries of tombs — Paola Ferrarotti traces the fragile line between memory and survival. PICTORIAL STORY UNFIGURED Nasos Karabelas transforms the human body into a site of emotional flux — where perception fractures and inner states become visible form. PICTORIAL STORY VISIONS OF ICELAND FROM ABOVE Massimo Lupidi takes flight above Iceland — capturing nature’s abstract brushstrokes where land, water, and sky blur into poetic visions beyond the ordinary eye.

PICTORIAL STORY THE LIFE WITHIN THE MOUNTAIN Ten years after first seeing Larung Gar, Jing Wei returns to a changed mountain, finding continuity in faith, memory and the lives held within it. August 30, 2026 PICTORIAL STORY PHOTOGRAPHY Jing Wei WORDS Jing Wei and Melanie Meggs SHARE Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link There is a photograph that circulates before the story does. A mountainside in eastern Tibet, its slopes covered by thousands of small dwellings in deep red, stacked so densely that from a distance they read less as architecture than as texture, like fish scales forming a second skin over the land. This is Larung Gar, one of the largest Tibetan Buddhist academies in the world, and for the photographer Jing Wei, it began exactly this way. Not as a destination she set out towards, but as an image that arrived unexpectedly and would not let her go. “A friend showed me a photograph of the entire mountainside covered with thousands of red houses, and I was immediately captivated. I had never seen anything like it, and I became intensely curious about the place behind the image.” Jing did not go to Larung Gar to take a beautiful photograph of a beautiful place. She went to find out what that photograph could not tell her. What she found, on arrival, undid that photograph entirely. Larung Gar felt almost like another world to Jing. The scale of the landscape was immense, but it was the quieter register beneath its visual prominence that pulled her in, what she describes as daily routines, encounters, gestures, and the ways people lived and practised their faith within this cultural and spiritual landscape. The red houses, it turned out, were only the frame. The picture was the life inside it. Jing Wei grew up in Beijing, the daughter of a film art designer whose home doubled as a gallery of borrowed worlds. Through film posters, visual materials and cinema, her father’s work introduced Jing to places she had never experienced. From these images, she absorbed the idea that beyond her city, other lives were unfolding in ways she could not yet imagine. Those images, she says, “opened my imagination and gave me an early desire to go beyond the world I knew.” Beijing also taught her that the relationship between people and place is not permanent. Traditional neighbourhoods and established ways of living existed alongside redevelopment. Looking back, Jing recognised that “when a place changes, something about the identity and memory of the people who live there can change with it.” This awareness would later inform the questions she brought to Larung Gar. It is tempting, when writing about a place as visually overwhelming as Larung Gar, to let the landscape do the talking. “My camera became more than a way of making beautiful images,” she writes. “It became a visual documentary tool and a way of creating a bridge between this community and people who might never have the opportunity to experience Larung Gar in person.” This shift marked the beginning of a long-term commitment. Jing understood that she was not simply photographing a destination, she was photographing a place with a complex cultural and spiritual identity, and a landscape that was not static. What began as curiosity became, in her words, “a responsibility to return, to continue observing, and to document what I could with care and respect.” That sense of duty is the quiet engine of the whole body of work. As she puts it in her own account of the project, these images “became more than documentary records, they became visual testimonies of a place, a way of life, and a collective memory that can no longer be experienced in the same form.” Her approach depended upon time and communication. Jing’s Tibetan driver helped her speak with members of the community, drawing upon relationships he had already established. A greeting, eye contact or the decision to wait before raising the camera became part of her method. When photographing a group of monks, she remained among them until her presence became familiar. The image emerged from that period of shared time rather than from an immediate act of observation. This practice supports Jing’s description of the camera as a way of listening. Listening requires her to resist deciding in advance what another person’s life should mean. “I don’t want to put myself in their shoes and tell their story as if I fully understand it,” she explains. “I want to remain open to what they are willing to reveal.” Ten years passed between Jing’s first visit and her return in July 2026. The Larung Gar she encountered bore only a partial resemblance to the place she remembered. Demolitions had reshaped parts of the academy, and houses she had once photographed had changed or were no longer there. Visitors now passed through a tourism centre before travelling by bus to a designated viewing area. Access to the academy was restricted, and visitors were no longer permitted to photograph monks. Jing did not treat these restrictions as obstacles to overcome. She accepted them as part of the conditions under which Larung Gar could now be photographed. Her later images were made from farther away, with people seen from behind, at a distance or situated within the wider landscape. Constraint became composition. The boundary itself entered the frame. What surprised Jing was not only what had disappeared, but what continued. Within the changed landscape, she could still observe people studying, living communally and practising their faith. This altered her understanding of resilience. The survival of a place, she came to believe, cannot be measured through architecture alone. It may also be sustained through relationships, memories and practices that continue as the physical environment changes. From this realization came the question Jing now considers central to the project, one she poses as much to herself as to the viewer: What survives when the landscape changes? © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei © Jing Wei Jing Wei is currently pursuing a graduate degree in Arts and Cultural Leadership at the University of Minnesota, and photography remains something she practices alongside that work rather than because of it. She considers the arrangement a freedom rather than a compromise, since it leaves her less tied to commercial expectations, specific subjects, and contracts. Living between Beijing and Minnesota has made Jing comfortable with occupying the positions of both insider and outsider. In Beijing, she remains connected through personal history, yet distance allows her to return with the perspective of an observer. In Minnesota, she belongs to the community while retaining the awareness of someone shaped elsewhere. Moving between these positions has made her more receptive to different traditions, beliefs and ways of living. She does not require a culture to feel familiar before she can value it. Instead, she approaches difference with curiosity, allowing each encounter to expand how she understands the world and her place within it. Ask Jing what has held steady across more than a decade behind the camera, and she does not name a style or a subject. She names curiosity, the same instinct that sent her toward a friend’s photograph of a mountain she had never heard of. What she says she has had to give up is any illusion that a photograph’s worth ends with how it looks. She judges an image now by what it might do once it leaves her, whether it can hold a memory that would otherwise fade out, or make visible a life that history was prepared to overlook. “I still believe photography can preserve human stories and cultural memory and allow experiences that might otherwise be overlooked to be seen and remembered.” view Jing Wei's portfolio instagram The views, thoughts, and opinions expressed in the text belong solely to the author/s and are not necessarily shared by The Pictorial List. read more stories >>> THE LIFE WITHIN THE MOUNTAIN Ten years after first seeing Larung Gar, Jing Wei returns to a changed mountain, finding continuity in faith, memory and the lives held within it. PROSCENIUM GHOSTS Said Manseur honors these young actors, their courage, and the unseen work they give to keep theatre alive against the odds. REGINA: BOARDING SCHOOL LIFE AND DREAMS A boarding school room becomes the frame for Cleopatra Joint’s portrait of ambition, instability, and a young woman’s search for freedom. LIFE ALONG THE RIVER Along the Hooghly, Shubhodeep Roy photographs Kolkata through faith, labour and memory, revealing a city shaped by water, inheritance and shared life. A HOME OF MEMORIES AND THE PRESENT Davide Santangelo returns to his family home by moonlight, tracing how absence, memory, and love continue to live within place, objects, and atmosphere after loss. THE PULL OF THE EARTH This is more than a record of rural Bengal. It looks at the bond between Sayan Biswas and the place that shaped him, even after distance has changed that relationship. ARE THOSE WINDS Along Istanbul’s northern edge, Ci Demi photographs the last water buffalo herders as they keep working, remembering, and staying put while the city closes in. COLORS OF HÜZÜN Through fragments and gestures, Pedro Vidal traces Istanbul as shared melancholy lingers in everyday life, the city unfolding slowly and refusing to settle into a single, definitive understanding. OUT OF PLAY An exploration of abandoned interiors in which Marco Lugli examines how objects, light, and space carry memory beyond human presence, establishing absence as a condition of material continuity rather than loss. REIMAGINING TALIESIN Form gives way to flux in Amy Newton-McConnel’s photographs, where architecture unfolds as a field of shifting relations and perception moves with light, geometry, and time. WHERE THE MUSIC BEGINS Before the strings, Jeevan Akash Jayavarthanan leaves the movement of the street for the rhythm of the workshop, where time holds, hands work, and each moment forms what will later be heard. LAND, LABOR, AND THE GOLDEN FIBER In West Bengal’s jute fields, Rajesh Dhar examines the systems of land and labor, tracing how a single material sustains communities and informs a changing ecological future. WITH GRATITUDE AND DEVOTION A quiet and intimate account of devotion in Zaraza, Venezuela, Rafael Ayala Páez reflects on faith, memory, and community through photographs and words that honor the enduring power of small gestures. SILVER AND BREATH Within this fragile space between looking and being seen, Eva Christina Nielsen has developed a practice that is both restrained and deeply attentive. RUPTURE REPAIR REMNANT In this reflection on rupture, Donna Bassin invites us to consider how grief settles into the body and the image, and how the slow work of witnessing becomes a form of repair. DELTA DUSK John Agather weaves image and text into a single current, tracing how music, memory, and daily life continue to move through the Mississippi Delta. SILENT BEAUTY Tamara Quadrelli photographs the world by slowing down inside it. There is no rush to explain what we are seeing. The pleasure comes from staying with it. SOLITUDE UNDER A TECHNIFIED SUN Tracing the space between movement and stillness, Héctor Morón reveals a city that persists as human presence slips by. 4320 MINUTES WITHOUT COLOR Moving between photography and narration, Mohammed Nahi traces a period in which sight could no longer be assumed as reliable, and attention shifted toward memory and duration. THE PAINTED VILLAGE OF LABANDHAR Anjan Ghosh’s photographs carry us to Labandhar, where painting becomes language, tradition stays present, and art grows through shared ground. ORDINARY GRIEF What endures when everything else is uncertain? Through photography, Parisa Azadi asks us to see Iran not as story, but as feeling. THE EVERYMAN Eva Mallis uncovers the quiet strength of overlooked lives, capturing everyday encounters in Mumbai’s industrial districts as intimate portraits of labor and resilience. IN BETWEEN LIFE AND AFTER In Cairo’s City of the Dead, families carve out ordinary lives among centuries of tombs — Paola Ferrarotti traces the fragile line between memory and survival. UNFIGURED Nasos Karabelas transforms the human body into a site of emotional flux — where perception fractures and inner states become visible form. VISIONS OF ICELAND FROM ABOVE Massimo Lupidi takes flight above Iceland — capturing nature’s abstract brushstrokes where land, water, and sky blur into poetic visions beyond the ordinary eye.

Be inspired by the photographers on the 2022 List. 2022 PHOTOGRAPHERS © Adrian Pelegrin ADRIAN PELEGRIN Playa del Carmen MEXICO AHSANUL HAQUE FAHIM Dhaka, BANGLADESH AJ BERNSTEIN New York UNITED STATES ANWAR EHTESHAM Dhaka BANGLADESH ASEN GEORGIEV Sofia BULGARIA ASLI GONEN Eskisehir TURKEY BRIAN DOUGLAS Ontario CANADA CAHLEEN HUDSON New Taipei City TAIWAN CHETAN VERMA Gurgaon INDIA DEAN GOLDBERG New York UNITED STATES ELIZABETH PAOLETTI UNITED STATES EMIR SEVIM Istanbul TURKEY EMY MAIKE Baden Württemberg GERMANY FRANCESCA TIBONI Cagliari ITALY GABRIEL MIELES GUZMÁN Guayaquil ECUADOR GABRIELE GENTILE Parma ITALY GIANLUCA MORTAROTTI London UNITED KINGDOM GIORGIO GERARDI Venice ITALY JAN ENKELMANN London UNITED KINGDOM JEAN ROSS New York UNITED STATES JELISA PETERSON Texas UNITED STATES JENS F. KRUSE Mallorca SPAIN JONAS WELTEN Salzburg AUSTRIA LAINE MULLALLY Stockholm SWEDEN LELE BISSOLI Vercelli ITALY

Be inspired by the photographers on the 2020 List. 2020 PHOTOGRAPHERS © Abbie Briggs ABBIE BRIGGS Madison UNITED STATES ABHAY PATEL Delhi INDIA ABHISHEK SINGH New Delhi INDIA ADAM SINCLAIR Melbourne AUSTRALIA ADESH GAUR Uttar Pradesh INDIA ADRIAN TAN SINGAPORE ADRIAN WHEAR Melbourne AUSTRALIA AHMET HOJAMYRADOV Minsk BELARUS ALEX FRAYNE Adelaide AUSTRALIA ALEXANDRA AVLONITIS Manhattan UNITED STATES ALEXEY STRECHEN Moscow RUSSIA ALICIA HABER Montevideo URAGUAY ANEEKA MANKU Birmingham UNITED KINGDOM ANGEL CARNICER Zaragoza SPAIN ANNA MARCHIOLI Clamart FRANCE ANNETTE LANG Nice FRANCE ANTONIS GIAKOUMAKIS Athens GREECE ANWAR SADAT Nairobi KENYA ARTURO CAÑEDO Lima PERU ASHISH PATEL Delhi INDIA ASSIA STARKE Vienna AUSTRIA ASTRID NEUNDLINGER Vienna AUSTRIA B JANE LEVINE New York City UNITED STATES BELINDA CORNEY London UNITED KINGDOM BENNY VAN DEN BULKE Adegem BELGIUM

Be inspired by the photographers on the 2025 List. 2025 PHOTOGRAPHERS © Stephanie Duprie Routh ABDULLA SHINOSE CK Malabar INDIA ALEJANDRO DAVILA Pachuca MEXICO ANTON BOU Montreal CANADA AYANAVA SIL Kolkata INDIA BETTY GOH SINGAPORE BUKU SARKAR Paris FRANCE CYNTHIA KARALLA New York UNITED STATES DAVID GRAY New York UNITED STATES EVA MALLIS New York UNITED STATES FANJA HUBERS Utrecht THE NETHERLANDS FUTURE HACKNEY London UNITED KINGDOM GIORDANO SIMONCINI Rome ITALY GUILLERMO FRANCO Córdoba ARGENTINA HIROYUKI ITO New York UNITED STATES JAY HSU Yilan City TAIWAN KAT PUCHOWSKA Barcelona SPAIN LAETITIA HEISLER Berlin GERMANY LUISA MONTAGNA Parma ITALY MASSIMO LUPIDI ITALY MATTEO BERGAMI Bologna ITALY MEERA NERURKAR Düsseldorf GERMANY NASOS KARABELAS Greece ATHENS NICOLA CAPPELLARI Vicenza ITALY PARISA AZADI IRAN & DUBAI PARVATHI KUMAR New Jersey UNITED STATES

Be inspired by the photographers on the 2023 List. 2023 PHOTOGRAPHERS © Ypatia Kornarou AARON RUBINO San Francisco UNITED STATES ALESSANDRO GIUGNI Milan ITALY ALEX GOTTFRIED BONDER Buenos Aires, ARGENTINA AMY NEWTON McCONNEL Arizona UNITED STATES ANASTASIYA PENTYUKHINA Moscow RUSSIA ANDREE THORPE Ontario CANADA BARBARA PEACOCK Portland UNITED STATES BRANDEN MAY Atlanta, UNITED STATES DARREN SACKS London UNITED KINGDOM DOUG WINTER California UNITED STATES ELSA ARRAIS Leiria PORTUGAL FABIO CATANZARO Venice ITALY GILES ISBELL Chiang Mai, THAILAND IDA DI PASQUALE Rome ITALY JAN PONNET Antwerp BELGIUM JAYESH KUMAR SHARMA Varanasi INDIA JEFF ROTHSTEIN New York UNITED STATES JUAN BARTE Madrid SPAIN JUAN SOSTRE California UNITED STATES KONRAD HELLFEUER Görlitz GERMANY LEANNE STAPLES New York UNITED STATES MENA SAMBIASI Madrid SPAIN MONIKA JURGA POLAND NAIMA HALL New York UNITED STATES NSIRIES Bologna ITALY

Be inspired by the photographers on the 2021 List. 2021 PHOTOGRAPHERS © Meryl Meisler AGATA LO MONACO Gela ITALY ALAN THEXTON Melbourne AUSTRALIA ALEX RUTHERFORD Surrey UNITED KINGDOM ANDRES GONZALEZ Porto PORTUGAL ANDREW ROVENKO Melbourne AUSTRALIA ANDRÉ LOBÃO London UNITED KINGDOM AURÉLIEN BOMY Nantes FRANCE BARRY BOTTOMLEY London UNITED KINGDOM BASTIAN PETER Basel SWITZERLAND BEN ALLAN London UNITED KINGDOM BETTY MANOUSOS Athens GREECE CAMILLE WHEELER Austin UNITED STATES CARLA HENOUD Beirut LEBANON CAROL DRONSFIELD Brooklyn UNITED STATES CHICHEK BAYRAMLY Baku AZERBAIJAN CHRISTINA SIMONS Melbourne AUSTRALIA DAMIEN GORET Brest FRANCE DANIEL GOLDENBERG Buenos Aires ARGENTINA DANIELA PEREIRA Montevideo URUGUAY DANNY JACKSON Essex UNITED KINGDOM DAVID KUGELMAS New Jersey UNITED STATES DAVID LAWLESS Winnipeg CANADA DAVID SHORTLAND London UNITED KINGDOM DREW KELLEY California UNITED STATES EDUARDO ORTIZ Valparaiso CHILE

Be inspired by the photographers on the 2024 List. 2024 PHOTOGRAPHERS © Anna Tut ALEXANDROS ZILOS Athens GREECE AMY HOROWITZ New York UNITED STATES ANA-MARIA ALB Bukovina ROMANIA ANN PETRUCKEVITCH UNITED KINGDOM ANNA TUT Krasnogorsk City RUSSIA CARMEN SOLANA CIRES Madrid SPAIN CATIA MONTAGNA SCOTLAND/ITALY DASHA DARVAJ UMRIGAR Karachi PAKISTAN DEDIPYA BASAK Kolkata INDIA EDWIN CARUNGAY San Francisco UNITED STATES FRANCE LECLERC Chicago UNITED STATES ISABELLE COORDES Münster GERMANY JOHN KAYACAN Los Angeles UNITED STATES JUSTINE GEORGET Lyon FRANCE MARIETTE PATHY ALLEN New York UNITED STATES MATTHIAS GÖDDE Beckum GERMANY MEI SEVA New York UNITED STATES MIA DEPAOLA Washington D.C UNITED STATES NAZANIN DAVARI Tehran IRAN PAUL COOKLIN UNITED KINGDOM PEDRO VIDAL Barcelona SPAIN RAFA ROJAS São Paulo BRAZIL ROMAIN COUDRIER Marseille FRANCE ROWELL B. TIMOTEO La Union PHILIPPINES SASHA IVANOV St. Petersburg RUSSIA

SERHII FETT I grew up in Ukraine, where the contrast between environments and emotional experiences shaped the way I see images. I do not come from a fine art background. Instead, my education has been self-directed through studying photography, contemporary art, philosophy, visual culture, and the work of artists whose practice challenged conventional storytelling. My work explores the fragile boundary between reality and psychological perception through conceptual photography. Rather than documenting the world as it is, I use photography to question memory, identity, absence, and the emotional tensions embedded in everyday life. My visual language is defined by restrained compositions, use of color, and symbolic objects that transform scenes into open-ended narratives. I am interested in images that resist interpretation and invite the viewer to complete the story from their own experience. Alongside my artistic practice, I write about visual culture, conceptual photography, and the evolving relationship between art, technology, and society. LOCATION Münster GERMANY CAMERA/S Hasselblad WEBSITE https://serhiifett.com @SERHIIFETT FEATURES // Contours of Absence