PICTORIAL STORY DELTA DUSK John Agather weaves image and text into a single current, tracing how music, memory, and daily life continue to move through the Mississippi Delta. February 27, 2026 PICTORIAL STORY PHOTOGRAPHY John Agather STORY John Agather INTRODUCTION Melanie Meggs SHARE Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link As the light recedes across the Mississippi Delta, John Agather photographs what holds after attention moves on. Delta Dusk is set in and around Clarksdale, where history is not staged but absorbed into daily life. John approaches the region through observation rather than assertion, allowing streets, buildings, and gatherings to register on their own terms. His camera stays close to moments shaped by use, habit, and quiet exchange. The photographs unfold during the hour when clarity loosens. Buildings register long use. People meet the camera without request. Music drifts through scenes as part of the air rather than the event. John resists summary. He allows the place to speak through proximity, through what is shared and what is withheld. The Delta appears neither fixed nor fading, but active in its own terms. John’s method is grounded in a long commitment to photography. He began working in black and white at fourteen, spending extended hours in the darkroom and learning to read time through exposure and restraint. Influenced by Atget, Erwitt, and Cartier-Bresson, he carries forward a documentary ethic shaped by patience and presence. Now based in San Antonio, his practice centers on street and documentary photography, informed by lived experience rather than distance. What follows is John Agather’s narrative, written in conversation with his photographs. Neither medium serves as support or explanation. Image and text advance together, shaping a shared record of time spent, attention given, and experience gathered on the ground. In this exchange, the Delta is not translated or summarized but allowed to emerge through parallel acts of seeing and telling. Clarksdale, Mississippi is no theme park. Unless you are from here, you are not qualified to pass judgement. Like a fallen branch floating along the nearby Sunflower River, there is an aimless quality while ambling along the ghostly streets of this storied home of the Blues. The air hangs with humidity amid the muffled sounds emanating from dimly lit juke joints. The desolate corridors of this once prosperous hub are lined with abandoned buildings. They range from shuttered multi-story brick towers constructed in the early 20th century to a high school deserted in the 1990s. On the edge of downtown is the fabled crossroads where rumor has it Robert Johnson traded his soul to the devil himself. There are penetrations to the senses that leave you bewildered. Within the span of one block, a man sits on a street curb blowing a great blues riff on his harmonica, the smell of something deep fried stirs the soul, and there is a graffitied storefront that once sold high end goods sitting vacant. The combination is like a dystopian scene from a post-apocalyptic video game. The center of Clarksdale is a place of contradictions. People are friendly enough but distant. As you walk past one of the few pedestrians and wave a greeting, the answer is a muted response with a quick dart of the eyes down to the pavement. There seems to be a true wariness of outsiders, like maybe we are agents of the Robert Johnson pact. As twilight descends on tall trees reflected in the river, moods start to change. Dimness is a friendly companion to the obscured urban canyon. Life awakens inside hidden rooms, music is played on impromptu stages, and laughter emanates from a joy that can only be rooted in pain. The Blues. When seeds bourgeon, they grow at speed in uncontrolled directions. This part of the Mississippi Delta has touched the globe. Many forms of music can trace their ancestries right back here, especially rock and roll. When Elvis Presley exploded out of Sun Studios just up the road in Memphis, Tennessee, he was channeling the tunes that had sustained Clarksdale through war, famine, celebrations, funerals, and human struggle. The melodies came back reflected, changed, though not diluted. Only six miles away is the heart of Stovall Family Farms. Founded in 1830 by William Oldham, this storied plantation is still owned by his descendants. There has been triumph and much tragedy in this legendary bloodline. But they endure. The Mighty Roots Music Festival is a testament to the creativity and love for this hallowed ground by an Oldham descendant, Howard Stovall. He decided to return to the land of his ancestors and honor the incredible art form born in this bend of the Mississippi Delta. He learned in his youth at a dinner in Chicago from rock star Billy Gibbons, of ZZ Top fame, that the celebrated bluesman Muddy Waters was from Stovall Farms. He had no idea. That set Howard on a mission to investigate and breathe new life to the musical tradition that inspired the world. His promotional contribution to the world of music is profound, especially for the Blues. After many ventures encouraging Blues festivals and clubs, Elvis Presley celebrations, and numerous other musical acts, Howard had a new dream. He and his wife, Baylor, invented the multi-day Mighty Roots Music Festival. It is hosted at an intersection of rural highways on the site of the cotton gin that had operated for Stovall Family Farms, a mere walking distance from what was once Muddy Waters’s home. Howard has cleverly named this new jubilee in acclamation of the derivations of song that spring from the soil of his boyhood. The Mighty Roots Music Festival talent lineup is at once eclectic yet cohesive. There is a reason for that. Howard. Life is affirmed watching people pursue a passion. It is like an artist’s invitation is extended to climb inside a painting, a photograph, within a symphony, or any number of other human endeavors that are the result of someone’s thirst to reveal their vision for the meaning of our existence. At first glance, this gathering is not a commercial venture. It takes place in the middle of nowhere, has no well-known headlining acts, and spans everything from Zydeco to Outlaw Country ensembles. The band roster is a curated list that does not make sense in a music business model now dominated by the corporate limitations of earnings projections. The constant beat is the talent that is worthy in the birthplace of the music they play. Surrounded by cotton fields as the sun begins to set, the old Stovall Farms gin mill logo glows above food trucks that offer concertgoers a range of options from steaks to burgers, quesadillas, and a local curiosity called a Kool Aid Pickle (it’s exactly what you think). The one clue that Howard is not a novice concert promoter is that you cannot walk 100 feet in any direction without encountering a retail opportunity; thankfully, most of them are bars. This is a modern-day hootenanny. The last night ends with a plywood guitar-shaped sign being set ablaze as a sacrifice to who knows what....... A fire truck stands by just in case. In the wee hours of the morning, whoever is still left of the musicians, concertgoers, and volunteers all end up inside the crammed, timeworn roadside store that once sold bait at Stovall Farms. Rapt attention is paid to a pickup Blues group that features local legends, including Howard himself on the keyboards while his son, Quint, keeps rhythm on the drums. The Mighty Roots Music Festival ends as it began, steeped in the love of music and family. © John Agather © John Agather © John Agather © John Agather © John Agather © John Agather © John Agather © John Agather © John Agather © John Agather © John Agather © John Agather © John Agather © John Agather © John Agather In Delta Dusk , John Agather shows what his practice stands on. The work is built through time spent in place, through returning and paying attention rather than arriving with an idea to prove. His photographs move quietly, allowing the Delta to register through what repeats and what lingers. As part of our community, John’s project speaks to a shared understanding of photography as a way of staying with the world. The images and the writing hold the same ground, shaped by listening and care. Delta Dusk reflects a practice that values continuity over closure, reminding us that the work often begins by remaining present. view John Agather's portfolio Website >>> Instagram >>> The views, thoughts, and opinions expressed in the text belong solely to the author/s and are not necessarily shared by The Pictorial List. read more stories >>> DELTA DUSK John Agather weaves image and text into a single current, tracing how music, memory, and daily life continue to move through the Mississippi Delta. SILENT BEAUTY Tamara Quadrelli photographs the world by slowing down inside it. There is no rush to explain what we are seeing. The pleasure comes from staying with it. SOLITUDE UNDER A TECHNIFIED SUN Tracing the space between movement and stillness, Héctor Morón reveals a city that persists as human presence slips by. 4320 MINUTES WITHOUT COLOR Moving between photography and narration, Mohammed Nahi traces a period in which sight could no longer be assumed as reliable, and attention shifted toward memory and duration. THE PAINTED VILLAGE OF LABANDHAR Anjan Ghosh’s photographs carry us to Labandhar, where painting becomes language, tradition stays present, and art grows through shared ground. ORDINARY GRIEF What endures when everything else is uncertain? Through photography, Parisa Azadi asks us to see Iran not as story, but as feeling. THE EVERYMAN Eva Mallis uncovers the quiet strength of overlooked lives, capturing everyday encounters in Mumbai’s industrial districts as intimate portraits of labor and resilience. IN BETWEEN LIFE AND AFTER In Cairo’s City of the Dead, families carve out ordinary lives among centuries of tombs — Paola Ferrarotti traces the fragile line between memory and survival. UNFIGURED Nasos Karabelas transforms the human body into a site of emotional flux — where perception fractures and inner states become visible form. VISIONS OF ICELAND FROM ABOVE Massimo Lupidi takes flight above Iceland — capturing nature’s abstract brushstrokes where land, water, and sky blur into poetic visions beyond the ordinary eye. UNDER THE CLOUDS Giordano Simoncini presents a visual ethnography of the interconnectedness of indigenous cosmology, material life, and the ecological balance within the Quechua communities of the Peruvian Andes. NYC SUBWAY RIDERS BEFORE THE INVASION OF SMARTPHONES Hiroyuki Ito’s subway photographs reveal a vanished intimacy — strangers lost in thought in a world before digital distractions took hold. THE GHOST SELF Buku Sarkar stages her refusal to vanish. Her photographs are unflinching, lyrical acts of documentation, mapping a body in flux and a mind grappling with the epistemic dissonance of chronic illness. WHISPERS On Mother’s Day, Regina Melo's story asks us to pause. To remember. To feel. It honors the profound, often quiet sacrifices that mothers make, and the invisible threads that bind us to them. BEYOND THE MASK By stepping beyond the scripted world of professional wrestling and into the raw terrain of mental health, Matteo Bergami and Fabio Giarratano challenge long-held myths about masculinity, endurance, and heroism. FRAGMENTS OF TIME Each of jfk's diptychs functions as a microcosm of the city, allowing viewers to experience urban life as constant fragmented glimpses, mirroring the unpredictable nature of human interactions. VANISHING VENICE Lorenzo Vitali’s portrayal of Venice is an almost surreal experience — where time dissolves, and the viewer is left with the sensation of stepping into a dreamscape. CLAY AND ASHES Abdulla Shinose CK explores the challenges faced by Kumhar Gram's potters, balancing tradition and adaptation in the face of modern pressures. ISLAND Enzo Crispino’s photographic series, “Nêsos,” invites viewers into an introspective journey that mirrors the artist’s rediscovery of his voice in photography after a prolonged period of creative estrangement. BEYOND THE BRICKS Amid Bangladesh’s dynamic urban growth, Anwar Ehtesham’s photography takes us beyond statistics and headlines, revealing the hidden lives of the laborers working tirelessly in the nation’s brick kilns. OAXACA In Oaxaca, Tommaso Stefanori captures Día de los Muertos, exploring the convergence of life and death, human connections, and enduring cultural rituals through evocative photographs of tradition and emotion. BEHIND THE PLANTS Wayan Barre documents Cancer Alley residents facing pollution and economic challenges, shedding light on their resilience and the impacts of environmental injustice. THE RED POPPY AND THE SUN By blending archival and contemporary images, Mei Seva creates a visual story that captures the ongoing struggles and moments of triumph for those impacted by displacement and circumstance. FIRE AND FORGE Alexandros Zilos delves deep into the harsh reality of sulfur mining, while also capturing the allure of the blue fire phenomenon created by sulfur deposits in the crater. IN-VISIBLE PAIN Through black and white self-portraiture, Isabelle Coordes brings to light the stark reality of living with chronic pain — a reality often dismissed by a world that requires physical evidence to believe in one’s suffering.

Presenting the work of visual storytellers from around the world. SOLITUDE UNDER A TECHNIFIED SUN Tracing the space between movement and stillness, Héctor Morón reveals a city that persists as human presence slips by. PICTORIAL STORY DELTA DUSK John Agather weaves image and text into a single current, tracing how music, memory, and daily life continue to move through the Mississippi Delta. PICTORIAL STORY SILENT BEAUTY Tamara Quadrelli photographs the world by slowing down inside it. There is no rush to explain what we are seeing. The pleasure comes from staying with it. PICTORIAL STORY SOLITUDE UNDER A TECHNIFIED SUN Tracing the space between movement and stillness, Héctor Morón reveals a city that persists as human presence slips by. PICTORIAL STORY 4320 MINUTES WITHOUT COLOR Moving between photography and narration, Mohammed Nahi traces a period in which sight could no longer be assumed as reliable, and attention shifted toward memory and duration. PICTORIAL STORY THE PAINTED VILLAGE OF LABANDHAR Anjan Ghosh’s photographs carry us to Labandhar, where painting becomes language, tradition stays present, and art grows through shared ground. PICTORIAL STORY ORDINARY GRIEF What endures when everything else is uncertain? Through photography, Parisa Azadi asks us to see Iran not as story, but as feeling. PICTORIAL STORY THE EVERYMAN Eva Mallis uncovers the quiet strength of overlooked lives, capturing everyday encounters in Mumbai’s industrial districts as intimate portraits of labor and resilience. PICTORIAL STORY IN BETWEEN LIFE AND AFTER In Cairo’s City of the Dead, families carve out ordinary lives among centuries of tombs — Paola Ferrarotti traces the fragile line between memory and survival. PICTORIAL STORY UNFIGURED Nasos Karabelas transforms the human body into a site of emotional flux — where perception fractures and inner states become visible form. PICTORIAL STORY VISIONS OF ICELAND FROM ABOVE Massimo Lupidi takes flight above Iceland — capturing nature’s abstract brushstrokes where land, water, and sky blur into poetic visions beyond the ordinary eye. PICTORIAL STORY UNDER THE CLOUDS Giordano Simoncini presents a visual ethnography of the interconnectedness of indigenous cosmology, material life, and the ecological balance within the Quechua communities of the Peruvian Andes. PICTORIAL STORY NYC SUBWAY RIDERS BEFORE THE INVASION OF SMARTPHONES Hiroyuki Ito’s subway photographs reveal a vanished intimacy — strangers lost in thought in a world before digital distractions took hold. PICTORIAL STORY THE GHOST SELF Buku Sarkar stages her refusal to vanish. Her photographs are unflinching, lyrical acts of documentation, mapping a body in flux and a mind grappling with the epistemic dissonance of chronic illness. PICTORIAL STORY WHISPERS On Mother’s Day, Regina Melo's story asks us to pause. To remember. To feel. It honors the profound, often quiet sacrifices that mothers make, and the invisible threads that bind us to them. PICTORIAL STORY BEYOND THE MASK By stepping beyond the scripted world of professional wrestling and into the raw terrain of mental health, Matteo Bergami and Fabio Giarratano challenge long-held myths about masculinity, endurance, and heroism. PICTORIAL STORY FRAGMENTS OF TIME Each of jfk's diptychs functions as a microcosm of the city, allowing viewers to experience urban life as constant fragmented glimpses, mirroring the unpredictable nature of human interactions. PICTORIAL STORY VANISHING VENICE Lorenzo Vitali’s portrayal of Venice is an almost surreal experience — where time dissolves, and the viewer is left with the sensation of stepping into a dreamscape. PICTORIAL STORY CLAY AND ASHES Abdulla Shinose CK explores the challenges faced by Kumhar Gram's potters, balancing tradition and adaptation in the face of modern pressures. PICTORIAL STORY ISLAND Enzo Crispino’s photographic series, “Nêsos,” invites viewers into an introspective journey that mirrors the artist’s rediscovery of his voice in photography after a prolonged period of creative estrangement. PICTORIAL STORY BEYOND THE BRICKS Amid Bangladesh’s dynamic urban growth, Anwar Ehtesham’s photography takes us beyond statistics and headlines, revealing the hidden lives of the laborers working tirelessly in the nation’s brick kilns. PICTORIAL STORY OAXACA In Oaxaca, Tommaso Stefanori captures Día de los Muertos, exploring the convergence of life and death, human connections, and enduring cultural rituals through evocative photographs of tradition and emotion. PICTORIAL STORY BEHIND THE PLANTS Wayan Barre documents Cancer Alley residents facing pollution and economic challenges, shedding light on their resilience and the impacts of environmental injustice. PICTORIAL STORY THE RED POPPY AND THE SUN By blending archival and contemporary images, Mei Seva creates a visual story that captures the ongoing struggles and moments of triumph for those impacted by displacement and circumstance. PICTORIAL STORY FIRE AND FORGE Alexandros Zilos delves deep into the harsh reality of sulfur mining, while also capturing the allure of the blue fire phenomenon created by sulfur deposits in the crater. PICTORIAL STORY IN-VISIBLE PAIN Through black and white self-portraiture, Isabelle Coordes brings to light the stark reality of living with chronic pain — a reality often dismissed by a world that requires physical evidence to believe in one’s suffering.

The Pictorial List is a global online magazine exploring the beauty and complexity of all things photography. FOUNDATIONS OF PRACTICE ART EXHIBITION February 07 to April 04 Foundations of Practice marks the beginning of The Pictorial List's journey - an opening not only of our new artspace, but of dialogue into the practice of the artist. DELTA DUSK John Agather weaves image and text into a single current, tracing how music, memory, and daily life continue to move through the Mississippi Delta. Latest features PICTORIAL STORY 4320 MINUTES WITHOUT COLOR Moving between photography and narration, Mohammed Nahi traces a period in which sight could no longer be assumed as reliable, and attention shifted toward memory and duration. PICTORIAL STORY THE PAINTED VILLAGE OF LABANDHAR Anjan Ghosh’s photographs carry us to Labandhar, where painting becomes language, tradition stays present, and art grows through shared ground. INTERVIEW WHAT REMAINS, WHAT EMERGES Laetitia Heisler transforms risk, memory, and the body into layered analogue visions — feminist rituals of seeing that reveal what endures, and what quietly emerges beyond visibility. INTERVIEW WHAT WE ARE, WHAT WE DO Culture lives where art and community meet, and in this space Alejandro Dávila’s photographs reveal the unseen labor and devotion that sustain creation. INTERVIEW ANALOGICAL LIMBO Nicola Cappellari reminds us that the photograph’s power lies not in what it shows, but in what it leaves unsaid. INTERVIEW THREADS OF MOROCCAN LIFE Through gestures of work and moments of community, Kat Puchowska reveals Morocco’s overlooked beauty. INTERVIEW IT STARTED AS LIGHT…ENDED IN SHIVERS… Between intimacy and estrangement, Anton Bou’s photographs wander — restless fragments of light and shadow, mapping the fragile terrain where self unravels into sensation. INTERVIEW WITH EYES THAT LISTEN AND A HEART THAT SEES For decades, Rivka Shifman Katvan has documented the unseen backstage world of Broadway, capturing authenticity where performance and humanity intersect. PICTORIAL STORY ORDINARY GRIEF What endures when everything else is uncertain? Through photography, Parisa Azadi asks us to see Iran not as story, but as feeling. INTERVIEW DIPTYCH DIALOGUES Through the beautiful language of diptychs, Taiwanese photographer Jay Hsu invites us into a world where quiet images speak of memory, resilience and hope. PICTORIAL STORY THE EVERYMAN Eva Mallis uncovers the quiet strength of overlooked lives, capturing everyday encounters in Mumbai’s industrial districts as intimate portraits of labor and resilience. INTERVIEW UNKNOWN ABYSSINIA In Ethiopia, Sebastian Piatek found a new way of seeing — where architecture endures, but women in motion carry the narrative forward. INTERVIEW IN BETWEEN LIFE AND AFTER In Cairo’s City of the Dead, families carve out ordinary lives among centuries of tombs — Paola Ferrarotti traces the fragile line between memory and survival. INTERVIEW THE PULSE OF THE STREET Moments vanish, yet Suvam Saha holds them still — the pulse of India’s streets captured in fragments of life that will never repeat. INTERVIEW WHAT DO WE WANT? More than documentation, David Gray reveals the human pulse of resistance and asks us to see beyond the surface of unrest. SILENT BEAUTY Tamara Quadrelli photographs the world by slowing down inside it. There is no rush to explain what we are seeing. The pleasure comes from staying with it. OPEN CALL IN AN INSTANT Have instant film tucked in a drawer or fresh from the camera? We are gathering Polaroids, Instax, and all peel-apart surprises for this fun instant exhibition. Family snapshots, artistic experiments, awkward haircuts — every square counts. Join us and let your instant memory meet the wall. MORE INFO New York, New York! PICTORIAL STORY TAKING THE PLUNGE Carol Dronsfield takes the plunge with the Coney Island’s Polar Bears, capturing the chill, the thrill, and the heart. INTERVIEW THE AUTHENTIC GAZE Amy Horowitz says “Don’t Smile”— and in doing so, captures the real and wonderfully unscripted faces of New York City. INTERVIEW GOTHAM MEMORIES Jeff Rothstein clicks, time unfolds — capturing the heart of the city in timeless frames, from 1969 to today. PICTORIAL STORY MERMAID MAGIC AJ Bernstein captures the magic of the Mermaid Parade—where fantasy, freedom, and community come together in a sea of color and joy. INTERVIEW NOD OF RECOGNITION B Jane Levine’s portraits give a playful wink — inviting a nod of recognition to the hidden stories we all carry inside. INTERVIEW FABRIC OF NEW YORK VISUALS Elle Clarke lives NYC — snapping its heart and hustle with her smartphone, one real city moment at a time! INTERVIEW NEW YORK IMPROVISATIONS Fast-moving, off-kilter, witty, raw and classic film noir define Bill Lacey's photography. PICTORIAL STORY NYC SUBWAY RIDERS BEFORE THE INVASTION OF SMARTPHONES Hiroyuki Ito’s subway photographs reveal a vanished intimacy. VOLUME ONE- NEW YORK BUY NOW join the Pictorial Community >>> Follow us on Instagram #thepictoriallist @thepictorial.list Load More SOLITUDE UNDER A TECHNIFIED SUN Tracing the space between movement and stillness, Héctor Morón reveals a city that persists as human presence slips by. Interviews you may have missed REPRESENTING THE PEOPLE Camille J. Wheeler documents Austin's streets, with a particular focus on its homeless community. COMEDIANS Steve Best documents the British comedy scene, backstage and on stage, the highs and lows, and the joy of being a comedian. QUARANTINE IN QUEENS Neil Kramer's humorous and compassionate lockdown diary has gone viral. ENROUTE TO THE PINES Robert Sherman shares his documentary series about drag queens celebrating the 'Invasion of the Pines'. SERVICE INTERRUPTION Wojciech Karlinski documented Poland train stations during the pandemic, highlighting their formal and aesthetic side. VOICES OF THE NILE Voices of the Nile by Bastien Massa and Arthur Larie is a project documenting the relationship of Ethiopians with the Blue Nile. BREAKS FROM REALITY The magic only dreams are made of become reality for viewers as they engage in the poetic imagery of Mariëtte Aernoudts. BEYOND THE STORY Through her documentary photography, Christina Simons is compelled to tell the stories of those who are unable to do so themselves. © Russell Cobb Stay up to date Subscribing to The Pictorial List means joining a community that values visual storytelling. You will get exclusive content, inspiring pictorial stories, thoughtful interviews, book reviews, and more — delivered weekly to your inbox. Media Partners

We are on a mission to discover new photographers, and the most pictorial and interesting photo stories out there. SPOTLIGHT / John Agather San Antonio TEXAS AARON RUBINO ABBIE BRIGGS ABDULLA SHINOSE CK ABHAY PATEL ABHISHEK SINGH ADAM SINCLAIR ADESH GAUR ADRIAN PELEGRIN ADRIAN TAN ADRIAN WHEAR AGATA LO MONACO AHMET HOJAMYRADOV AJ BERNSTEIN ALAN THEXTON ALEJANDRO DAVILA ALESSANDRO GIUGNI ALEX FRAYNE ALEX GOTTFRIED BONDER ALEX RUTHERFORD ALEXANDRA AVLONITIS ALEXANDROS ZILOS ALEXEY STRECHEN ALICIA HABER AMY HOROWITZ AMY NEWTON McCONNEL GET ON THE LIST © John St.

JOHN AGATHER From leading business ventures across diverse industries to creating meaningful art through music and photography, my journey reflects a unique blend of entrepreneurial leadership and creative expression. I was born in Mexico and am now based in San Antonio, Texas. I began photographing in black and white at fourteen, spending long hours in the darkroom where I found both discipline and refuge. My work centers on documentary and street photography, driven by the pursuit of moments as they unfold. I draw inspiration from photographers such as Atget, Erwitt, and Cartier-Bresson, whose approaches to observation and timing continue to inform my practice. I am a member of The Raw Society, and my work has been published in Street Photography Magazine, Air Speed Magazine, Menorca – Es Diari, and the Raw Society Substack. Alongside photography, I am an entrepreneur and a singer-songwriter with several albums to my name. LOCATION San Antonio TEXAS CAMERA/S Hasselblad X2D II 100C WEBSITE https://www.johnagather.com/ @JOHNAGATHER FEATURES // Delta Dusk

TAMARA QUADRELLI My photographic work emerges from an intimate dialogue with the ordinary architecture of the Italian landscape. I am not interested in celebrated monuments or tourist icons, but rather in those fragments of the built environment that we inhabit daily without truly seeing: a pastel-colored facade dialoguing with the sky, the geometric shadow of a shutter, the corner of a building that becomes pure chromatic abstraction. My research focuses on visual synthesis, on the elimination of everything superfluous to reveal the poetic essence of vernacular architecture. Each image is a work of subtraction: I isolate, I simplify, I transform the banal into the extraordinary through the calibrated use of color, light, and geometric composition. My chromatic palettes — powder pink, dusty blue, Mediterranean ochre, sage green — are never casual, but the result of patient research and waiting for the right light. What fascinates me is the capacity of minor architecture to tell stories without words, to be a mirror of a cultural identity that manifests itself in details: in the way a community chooses its colors, in the proportions of windows, in the texture of weathered plaster. My photographic approach is contemplative, almost meditative: I seek those moments of grace in which form, color, and light merge into perfect harmony. LOCATION Friuli Venezia Giulia ITALY CAMERA/S Panasonic Lumix GX 80 WEBSITE https://www.tamaraquadrelli.com/ @TAMARAQUADRELLI FEATURES // Silent Beauty

PICTORIAL STORY SILENT BEAUTY Tamara Quadrelli photographs the world by slowing down inside it. There is no rush to explain what we are seeing. The pleasure comes from staying with it. February 22, 2026 PICTORIAL STORY PHOTOGRAPHY Tamara Quadrelli STORY Melanie Meggs SHARE Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Tamara Quadrelli works from the simple joy of looking. Noticing how light slides across a wall, how a curtain shifts in the breeze, how color holds its own in the afternoon sun. In Silent Beauty , architectural elements become sites of formal inquiry, registering time and use without recourse to narrative or explanation. Corners cut across the frame. Walls open into broad planes of color. Openings appear briefly, then close again. The photographs remain anchored in the visual conditions of the built environment, where architecture, light, and color determine the terms of engagement. Born and raised in Friuli Venezia Giulia, Tamara Quadrelli spent her summers in Tuscany, where color and architectural form function as integral elements of the built environment. Pastel facades and diffused light entered her visual vocabulary through duration rather than encounter. These places were not experienced as exceptional sites but as recurring visual frameworks that shaped how space and surface were perceived. Photography emerged gradually within her practice, first as a mode of urban observation and later as a sustained investigation into the relationship between architecture and color. Over time, this inquiry became increasingly focused. The work shifted away from description toward the articulation of form through framing, exclusion, and chromatic balance. Architecture ceased to operate as setting and instead became material. “I am not interested in celebrated monuments or tourist icons,” Tamara states, “but rather in those fragments of the built environment that we inhabit daily without truly seeing.” This position defines Silent Beauty as a project shaped by proximity rather than discovery. The images are not gathered through pursuit but through return. Locations are revisited, sometimes repeatedly, until light and surface align in a manner that feels resolved. Formally, the project is built through reduction. Tamara isolates architectural elements until they register as planes, edges, and intervals. The compositions resist depth in favor of surface, keeping the viewer’s attention on how light organizes space rather than what lies beyond it. Silent Beauty was developed between 2024 and 2025 across multiple Italian regions, often photographed during early afternoon hours. “In the silence of the afternoon, sunlight draws new shapes and reveals a beauty that makes no sound,” Tamara explains. This temporal choice is deliberate. Midday light produces clear divisions and stable chromatic relationships, allowing architecture to assert its structure without dramatization. Color operates as the project’s primary organizing principle. Pink walls, blue skies, green shutters, and ochre surfaces function as compositional anchors rather than atmospheric effects. Tamara emphasizes that her palettes are “never casual, but the result of patient research and waiting for the right light.” Post-production remains restrained, focused on balance rather than alteration, preserving the specificity of each surface. Her influences include Italian photography of the late twentieth century, abstract painting, and metaphysical space. These references inform the work without directing it. They are evident in her compositional balance and her ease with stillness. Technically, Tamara works with modest equipment, prioritizing portability and discretion. The camera remains responsive rather than assertive, allowing timing and placement to guide each image. The project’s consistency introduces a productive tension. By committing to a narrow visual language, Tamara places pressure on each image to differentiate itself through nuance. Minor shifts in shadow, framing, or alignment become significant. The work holds together because it resists expansion, allowing subtle variation to carry weight. © Tamara Quadrelli © Tamara Quadrelli © Tamara Quadrelli © Tamara Quadrelli © Tamara Quadrelli © Tamara Quadrelli © Tamara Quadrelli © Tamara Quadrelli © Tamara Quadrelli © Tamara Quadrelli © Tamara Quadrelli © Tamara Quadrelli © Tamara Quadrelli © Tamara Quadrelli What emerges across the series is a quiet confidence in the ordinary. Silent Beauty suggests that architecture does not need to be exceptional to be visually engaging. It invites the viewer to slow down, not to extract meaning, but to enjoy how light and color already structure the world. Shaped by sustained looking, Silent Beauty does not elevate architecture through metaphor or narrative. It keeps familiarity intact while revealing the visual richness embedded within it. For The Pictorial List community, Tamara Quadrelli’s work affirms that photography can be precise without becoming severe, and lyrical without becoming diffuse. The project continues as an open series, guided by curiosity and consistency, trusting color, trusting light, and trusting the viewer to linger. view Tamara Quadrelli’s portfolio Website >>> Instagram >>> The views, thoughts, and opinions expressed in the text belong solely to the author/s and are not necessarily shared by The Pictorial List. read more stories >>> SILENT BEAUTY Tamara Quadrelli photographs the world by slowing down inside it. There is no rush to explain what we are seeing. The pleasure comes from staying with it. SOLITUDE UNDER A TECHNIFIED SUN Tracing the space between movement and stillness, Héctor Morón reveals a city that persists as human presence slips by. 4320 MINUTES WITHOUT COLOR Moving between photography and narration, Mohammed Nahi traces a period in which sight could no longer be assumed as reliable, and attention shifted toward memory and duration. THE PAINTED VILLAGE OF LABANDHAR Anjan Ghosh’s photographs carry us to Labandhar, where painting becomes language, tradition stays present, and art grows through shared ground. ORDINARY GRIEF What endures when everything else is uncertain? Through photography, Parisa Azadi asks us to see Iran not as story, but as feeling. THE EVERYMAN Eva Mallis uncovers the quiet strength of overlooked lives, capturing everyday encounters in Mumbai’s industrial districts as intimate portraits of labor and resilience. IN BETWEEN LIFE AND AFTER In Cairo’s City of the Dead, families carve out ordinary lives among centuries of tombs — Paola Ferrarotti traces the fragile line between memory and survival. UNFIGURED Nasos Karabelas transforms the human body into a site of emotional flux — where perception fractures and inner states become visible form. VISIONS OF ICELAND FROM ABOVE Massimo Lupidi takes flight above Iceland — capturing nature’s abstract brushstrokes where land, water, and sky blur into poetic visions beyond the ordinary eye. UNDER THE CLOUDS Giordano Simoncini presents a visual ethnography of the interconnectedness of indigenous cosmology, material life, and the ecological balance within the Quechua communities of the Peruvian Andes. NYC SUBWAY RIDERS BEFORE THE INVASION OF SMARTPHONES Hiroyuki Ito’s subway photographs reveal a vanished intimacy — strangers lost in thought in a world before digital distractions took hold. THE GHOST SELF Buku Sarkar stages her refusal to vanish. Her photographs are unflinching, lyrical acts of documentation, mapping a body in flux and a mind grappling with the epistemic dissonance of chronic illness. WHISPERS On Mother’s Day, Regina Melo's story asks us to pause. To remember. To feel. It honors the profound, often quiet sacrifices that mothers make, and the invisible threads that bind us to them. BEYOND THE MASK By stepping beyond the scripted world of professional wrestling and into the raw terrain of mental health, Matteo Bergami and Fabio Giarratano challenge long-held myths about masculinity, endurance, and heroism. FRAGMENTS OF TIME Each of jfk's diptychs functions as a microcosm of the city, allowing viewers to experience urban life as constant fragmented glimpses, mirroring the unpredictable nature of human interactions. VANISHING VENICE Lorenzo Vitali’s portrayal of Venice is an almost surreal experience — where time dissolves, and the viewer is left with the sensation of stepping into a dreamscape. CLAY AND ASHES Abdulla Shinose CK explores the challenges faced by Kumhar Gram's potters, balancing tradition and adaptation in the face of modern pressures. ISLAND Enzo Crispino’s photographic series, “Nêsos,” invites viewers into an introspective journey that mirrors the artist’s rediscovery of his voice in photography after a prolonged period of creative estrangement. BEYOND THE BRICKS Amid Bangladesh’s dynamic urban growth, Anwar Ehtesham’s photography takes us beyond statistics and headlines, revealing the hidden lives of the laborers working tirelessly in the nation’s brick kilns. OAXACA In Oaxaca, Tommaso Stefanori captures Día de los Muertos, exploring the convergence of life and death, human connections, and enduring cultural rituals through evocative photographs of tradition and emotion. BEHIND THE PLANTS Wayan Barre documents Cancer Alley residents facing pollution and economic challenges, shedding light on their resilience and the impacts of environmental injustice. THE RED POPPY AND THE SUN By blending archival and contemporary images, Mei Seva creates a visual story that captures the ongoing struggles and moments of triumph for those impacted by displacement and circumstance. FIRE AND FORGE Alexandros Zilos delves deep into the harsh reality of sulfur mining, while also capturing the allure of the blue fire phenomenon created by sulfur deposits in the crater. IN-VISIBLE PAIN Through black and white self-portraiture, Isabelle Coordes brings to light the stark reality of living with chronic pain — a reality often dismissed by a world that requires physical evidence to believe in one’s suffering. CELEBRATION OF LIFE Ahsanul Haque Fahim's photography captures Holi in Bangladesh, celebrating life with vibrant colors and reflecting human emotions, diversity, and interconnectedness in Dhaka's streets.

HÉCTOR MORÓN Self-taught and based in southern Spain, I began developing my fine-art photographic practice in 2019, following an earlier audiovisual work, Brutus (2017). My work focuses on long-exposure and ICM imagery, through which I developed Allegorical Abstractionism — a visual philosophy that redefines ICM through a Mediterranean Baroque sensibility: solar, emotional, and incandescent, where light becomes both matter and metaphor. My major series (Eden Tree, Encrypted Sun, Volcano Sea, Alhambra Triptych, Tree Series, Abstraction Series, Paths Series) establish a dialogue between the physical and the divine, situating my practice within the contemporary avant-garde of experimental photography. LOCATION Granada SPAIN CAMERA/S Sony 6300 WEBSITE https://hectormoronphotography.com/ @HECTOR_ALLEGORICAL FEATURES // Solitude Under a Technified Sun

PICTORIAL STORY SOLITUDE UNDER A TECHNIFIED SUN Tracing the space between movement and stillness, Héctor Morón reveals a city that persists as human presence slips by. February 15, 2026 PICTORIAL STORY PHOTOGRAPHY Héctor Morón STORY Melanie Meggs SHARE Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link In Urban Solitude Under a Technified Sun , Héctor Morón interrogates the contemporary city as an engineered system in which human presence is increasingly subordinate to the infrastructures that regulate space, movement, and visibility. The urban environment is framed not as a site of lived experience, but as an operational field, structured by circulation, illumination, and technological continuity. Héctor’s images resist documentary function, instead positioning photography as a critical apparatus through which urban conditions are translated into symbolic form. He does this through the symbiosis of abstract and allegorical conceptual photography, which he calls Allegorical Abstractionism. Based in southern Spain, Héctor Morón is a self-taught fine-art photographer, whose work originates from an optically captured scene, subsequently transformed through long exposure and in-camera motion. This process destabilizes architectural coherence and spatial legibility, allowing built environments to compress, blur, and accumulate. Light assumes material density, geometry functions as a structuring constraint, and movement is rendered as regulated flow rather than expressive gesture. The city is thus reconstituted as an affective and conceptual terrain rather than a descriptive one. Héctor situates this approach within his self-defined framework of Allegorical Abstractionism , a practice that reframes photography as a mode of visual translation rather than representation. Drawing on expressionist strategies and a Mediterranean sensitivity to luminosity, his work articulates a dialogue between perceptual experience and technological mediation. Within this series, urban space becomes a site where abstraction operates not as aesthetic withdrawal, but as analytic method. The recurring presence of the sun functions as a destabilized symbolic anchor. Traditionally associated with origin, continuity, and illumination, it appears here refracted, displaced, or reproduced through artificial means. Pressed against architectural surfaces or fragmented into neon surrogates, the sun signals a collapse between natural and synthetic orders. Even images that suggest retreat or distance remain chromatically bound to the city’s visual regime, reinforcing the impossibility of exteriority. Urban Solitude Under a Technified Sun avoids critique in favor of sustained observation. Isolation is not staged as emotional disruption but understood as a structural condition embedded within contemporary urban design. Héctor Morón’s photographs neither accuse nor resolve. Instead, they render visible the quiet persistence of systems in which human presence becomes momentary, peripheral, and increasingly optional. © Héctor Morón, Hiker in the Surroundings theme: the search for self, outside the system | allegorical reading: the wanderer, an archetypal figure of freedom, appears blurred within the same chromatic veil as the surroundings. Not even in nature can he escape the internalized urban noise | symbol: the impossibility of return © Héctor Morón, Specters Chasing Lights theme: energy and disorientation in the crowd | allegorical reading: the figures dissolve into a current of neon lights. The nocturnal city is the new ocean: vibrant, yet dehumanized. Men turned into specters seek meaning in the electric flow | symbol: chaotic movement as a substitute for vitality © Héctor Morón, A Child and a Penguin theme: childhood versus artificiality | allegorical reading: the child bows before a light-up doll - an inanimate figure that replaces the natural myth. It represents the beginning of alienation: wonder no longer belongs to nature but to artifice | symbol: the “neon sun” replaces the real sun/innocence lost © Héctor Morón, The Road theme: transit and dispossession - the road as a system of passage where life becomes movement without arrival | allegorical reading: a lone trajectory cuts through a landscape that is all sensation and color yet offers no place to settle. The world dissolves into chromatic drift (blue sky, green mass, ochre field), while the highway remains the only “hard” structure | symbol: the road as a misplaced symbol © Héctor Morón, Just Cars Series (variant - “car-vision/machine perspective”) theme: machine vision and dehumanized perception | allegorical reading: the city seen as a vehicle sees it, not as a person inhabits it. It is filtered through the logic of traffic. The street becomes a corridor for circulation, and the world around is reduced to blur, signal, and lane-direction. Even the buildings feel secondary - softened into color blocks - while the roadway remains the organizing axis | symbol: the road as a command line; blur as the erasure of human-scale attention; “car-vision” as the triumph of automation over lived experience © Héctor Morón, Hospital City theme: the technologization of care | allegorical reading: the city becomes clinical: cold, aseptic, dominated by bluish tones. Humanity survives anesthetized within its own apparatus | symbol: The medicalized social body © Héctor Morón, Two Lovers Watching the Alhambra theme: memory versus dissolution | allegorical reading: The Alhambra, a symbol of history and permanence, becomes a fluid vision. The lovers are now shadows contemplating a vanishing past | symbol: cultural heritage dematerialized by modernity © Héctor Morón, Alone on the Highway under the Sun theme: absolute isolation | allegorical reading: a solitary being walks in a straight line, surrounded by void of human structure (highways). The sun's horizon is the only promise. Image of the journey without a destination of the contemporary individual | symbol: transit as a mode of existence © Héctor Morón, Just Cars Series theme: the complete replacement of the human being | allegorical reading: there are no more figures, only vehicles. The machine has absorbed mobility, desire, and life force | logical conclusion: the system continues without humanity | symbol: the automation of destiny © Héctor Morón, Urban Alignment theme: social order and obedience | allegorical reading: the figures are aligned between vertical buildings - a metaphor for the invisible discipline of modern life. Everyone is present, yet no one communicates. Incapable of traversing that white path that would imprison them within the urban structure | symbol: geometry as a prison. © Héctor Morón, Sun Against the Human Walls theme: the conflict between vital energy and human architecture | allegorical reading: the sun, symbol of the divine and of origin, crashes (“breaks”, The sun melts human structures) against the wall. Light, instead of liberating, is confined | symbol: the boundary between the human and the transcendent Urban Solitude Under a Technified Sun concludes without closure, allowing its observations to remain open and unresolved. Héctor Morón does not propose an alternative to the conditions he records, nor does he frame the city as a site of loss or failure. Instead, Héctor's work holds attention on the mechanisms that quietly organize contemporary life. Héctor positions photography as a reflective instrument capable of revealing how urban environments operate at a systemic level. The city that emerges is functional, luminous, and self-sustaining. Human figures persist within it, but only intermittently, absorbed into the larger choreography of infrastructure and design. Under this technified sun, solitude is no longer hidden or exceptional. It is structural — built into the systems that shape how we move, see, and exist within the contemporary urban landscape. view Héctor Morón's portfolio website >>> instagram >>> The views, thoughts, and opinions expressed in the text belong solely to the author/s and are not necessarily shared by The Pictorial List. read more stories >>> SOLITUDE UNDER A TECHNIFIED SUN Tracing the space between movement and stillness, Héctor Morón reveals a city that persists as human presence slips by. 4320 MINUTES WITHOUT COLOR Moving between photography and narration, Mohammed Nahi traces a period in which sight could no longer be assumed as reliable, and attention shifted toward memory and duration. THE PAINTED VILLAGE OF LABANDHAR Anjan Ghosh’s photographs carry us to Labandhar, where painting becomes language, tradition stays present, and art grows through shared ground. ORDINARY GRIEF What endures when everything else is uncertain? Through photography, Parisa Azadi asks us to see Iran not as story, but as feeling. THE EVERYMAN Eva Mallis uncovers the quiet strength of overlooked lives, capturing everyday encounters in Mumbai’s industrial districts as intimate portraits of labor and resilience. IN BETWEEN LIFE AND AFTER In Cairo’s City of the Dead, families carve out ordinary lives among centuries of tombs — Paola Ferrarotti traces the fragile line between memory and survival. UNFIGURED Nasos Karabelas transforms the human body into a site of emotional flux — where perception fractures and inner states become visible form. VISIONS OF ICELAND FROM ABOVE Massimo Lupidi takes flight above Iceland — capturing nature’s abstract brushstrokes where land, water, and sky blur into poetic visions beyond the ordinary eye. UNDER THE CLOUDS Giordano Simoncini presents a visual ethnography of the interconnectedness of indigenous cosmology, material life, and the ecological balance within the Quechua communities of the Peruvian Andes. NYC SUBWAY RIDERS BEFORE THE INVASION OF SMARTPHONES Hiroyuki Ito’s subway photographs reveal a vanished intimacy — strangers lost in thought in a world before digital distractions took hold. THE GHOST SELF Buku Sarkar stages her refusal to vanish. Her photographs are unflinching, lyrical acts of documentation, mapping a body in flux and a mind grappling with the epistemic dissonance of chronic illness. WHISPERS On Mother’s Day, Regina Melo's story asks us to pause. To remember. To feel. It honors the profound, often quiet sacrifices that mothers make, and the invisible threads that bind us to them. BEYOND THE MASK By stepping beyond the scripted world of professional wrestling and into the raw terrain of mental health, Matteo Bergami and Fabio Giarratano challenge long-held myths about masculinity, endurance, and heroism. FRAGMENTS OF TIME Each of jfk's diptychs functions as a microcosm of the city, allowing viewers to experience urban life as constant fragmented glimpses, mirroring the unpredictable nature of human interactions. VANISHING VENICE Lorenzo Vitali’s portrayal of Venice is an almost surreal experience — where time dissolves, and the viewer is left with the sensation of stepping into a dreamscape. CLAY AND ASHES Abdulla Shinose CK explores the challenges faced by Kumhar Gram's potters, balancing tradition and adaptation in the face of modern pressures. ISLAND Enzo Crispino’s photographic series, “Nêsos,” invites viewers into an introspective journey that mirrors the artist’s rediscovery of his voice in photography after a prolonged period of creative estrangement. BEYOND THE BRICKS Amid Bangladesh’s dynamic urban growth, Anwar Ehtesham’s photography takes us beyond statistics and headlines, revealing the hidden lives of the laborers working tirelessly in the nation’s brick kilns. OAXACA In Oaxaca, Tommaso Stefanori captures Día de los Muertos, exploring the convergence of life and death, human connections, and enduring cultural rituals through evocative photographs of tradition and emotion. BEHIND THE PLANTS Wayan Barre documents Cancer Alley residents facing pollution and economic challenges, shedding light on their resilience and the impacts of environmental injustice. THE RED POPPY AND THE SUN By blending archival and contemporary images, Mei Seva creates a visual story that captures the ongoing struggles and moments of triumph for those impacted by displacement and circumstance. FIRE AND FORGE Alexandros Zilos delves deep into the harsh reality of sulfur mining, while also capturing the allure of the blue fire phenomenon created by sulfur deposits in the crater. IN-VISIBLE PAIN Through black and white self-portraiture, Isabelle Coordes brings to light the stark reality of living with chronic pain — a reality often dismissed by a world that requires physical evidence to believe in one’s suffering. CELEBRATION OF LIFE Ahsanul Haque Fahim's photography captures Holi in Bangladesh, celebrating life with vibrant colors and reflecting human emotions, diversity, and interconnectedness in Dhaka's streets. KOALA COUNTRY Sean Paris invites viewers on a transformative journey, challenging our perceptions and fostering a new appreciation for rural Australia through mesmerizing infrared photography.

Be inspired by the photographers on the 2024 List. 2024 PHOTOGRAPHERS © Anna Tut ALEXANDROS ZILOS Athens GREECE AMY HOROWITZ New York UNITED STATES ANA-MARIA ALB Bukovina ROMANIA ANN PETRUCKEVITCH UNITED KINGDOM ANNA TUT Krasnogorsk City RUSSIA CARMEN SOLANA CIRES Madrid SPAIN CATIA MONTAGNA SCOTLAND/ITALY DASHA DARVAJ UMRIGAR Karachi PAKISTAN DEDIPYA BASAK Kolkata INDIA EDWIN CARUNGAY San Francisco UNITED STATES FRANCE LECLERC Chicago UNITED STATES ISABELLE COORDES Münster GERMANY JOHN KAYACAN Los Angeles UNITED STATES JUSTINE GEORGET Lyon FRANCE MARIETTE PATHY ALLEN New York UNITED STATES MATTHIAS GÖDDE Beckum GERMANY MEI SEVA New York UNITED STATES MIA DEPAOLA Washington D.C UNITED STATES NAZANIN DAVARI Tehran IRAN PAUL COOKLIN UNITED KINGDOM PEDRO VIDAL Barcelona SPAIN RAFA ROJAS São Paulo BRAZIL ROMAIN COUDRIER Marseille FRANCE ROWELL B. TIMOTEO La Union PHILIPPINES SASHA IVANOV St. Petersburg RUSSIA

Be inspired by the photographers on the 2022 List. 2022 PHOTOGRAPHERS © Adrian Pelegrin ADRIAN PELEGRIN Playa del Carmen MEXICO AHSANUL HAQUE FAHIM Dhaka, BANGLADESH AJ BERNSTEIN New York UNITED STATES ANWAR EHTESHAM Dhaka BANGLADESH ASEN GEORGIEV Sofia BULGARIA ASLI GONEN Eskisehir TURKEY BRIAN DOUGLAS Ontario CANADA CAHLEEN HUDSON New Taipei City TAIWAN CHETAN VERMA Gurgaon INDIA DEAN GOLDBERG New York UNITED STATES ELIZABETH PAOLETTI UNITED STATES EMIR SEVIM Istanbul TURKEY EMY MAIKE Baden Württemberg GERMANY FRANCESCA TIBONI Cagliari ITALY GABRIEL MIELES GUZMÁN Guayaquil ECUADOR GABRIELE GENTILE Parma ITALY GIANLUCA MORTAROTTI London UNITED KINGDOM GIORGIO GERARDI Venice ITALY JAN ENKELMANN London UNITED KINGDOM JEAN ROSS New York UNITED STATES JELISA PETERSON Texas UNITED STATES JENS F. KRUSE Mallorca SPAIN JONAS WELTEN Salzburg AUSTRIA LAINE MULLALLY Stockholm SWEDEN LELE BISSOLI Vercelli ITALY

Be inspired by the photographers on the 2025 List. 2025 PHOTOGRAPHERS © Stephanie Duprie Routh ABDULLA SHINOSE CK Malabar INDIA ALEJANDRO DAVILA Pachuca MEXICO ANTON BOU Montreal CANADA AYANAVA SIL Kolkata INDIA BETTY GOH SINGAPORE BUKU SARKAR Paris FRANCE CYNTHIA KARALLA New York UNITED STATES DAVID GRAY New York UNITED STATES EVA MALLIS New York UNITED STATES FANJA HUBERS Utrecht THE NETHERLANDS FUTURE HACKNEY London UNITED KINGDOM GIORDANO SIMONCINI Rome ITALY GUILLERMO FRANCO Córdoba ARGENTINA HIROYUKI ITO New York UNITED STATES JAY HSU Yilan City TAIWAN KAT PUCHOWSKA Barcelona SPAIN LAETITIA HEISLER Berlin GERMANY LUISA MONTAGNA Parma ITALY MASSIMO LUPIDI ITALY MATTEO BERGAMI Bologna ITALY MEERA NERURKAR Düsseldorf GERMANY NASOS KARABELAS Greece ATHENS NICOLA CAPPELLARI Vicenza ITALY PARISA AZADI IRAN & DUBAI PARVATHI KUMAR New Jersey UNITED STATES