VOLUME ONE- NEW YORK PRE-ORDER © Hazel Hankin © Copyright LA EDITION PHOTOGRAPHY BY JOHN KAYACAN INTERVIEW BY MELANIE MEGGS Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. READ INTERVIEW INTERVIEW THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. PICTORIAL STORY THE RED POPPY AND THE SUN By blending archival and contemporary images, Mei Seva creates a visual story that captures the ongoing struggles and moments of triumph for those impacted by displacement and circumstance. PICTORIAL STORY FIRE AND FORGE Alexandros Zilos delves deep into the harsh reality of sulfur mining, while also capturing the allure of the blue fire phenomenon created by sulfur deposits in the crater. PICTORIAL STORY IN-VISIBLE PAIN Through black and white self-portraiture, Isabelle brings to light the stark reality of living with chronic pain — a reality often dismissed by a world that requires physical evidence to believe in one’s suffering. INTERVIEW CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. PICTORIAL STORY CELEBRATION OF LIFE Ahsanul Haque Fahim's photography captures Holi in Bangladesh, celebrating life with vibrant colors and reflecting human emotions, diversity, and interconnectedness in Dhaka's streets. INTERVIEW THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerizing, evocative images that honor the craft's rich heritage. INTERVIEW EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. INTERVIEW THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. INTERVIEW TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. INTERVIEW NATURE KNOWS BEST As we immerse ourselves in Ann Petruckevitch's captivating imagery, we are reminded of the profound interconnectedness of all living things and the beauty of embracing the eternal pulse of nature. INTERVIEW KOALA COUNTRY Sean Paris invites viewers on a transformative journey, challenging our perceptions and fostering a new appreciation for rural Australia through mesmerizing infrared photography. PICTORIAL STORY MOMMIE Arlene Gottfried’s poignant exploration of motherhood in “Mommie” is a profound tribute to the enduring bonds of family and the universal experiences of love, loss, and resilience. INTERVIEW URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. PICTORIAL STORY BIFRÖST Romain Coudrier masterfully captures Norway's timeless beauty, blending myth with modernity through black and white photography. A stunning exploration. INTERVIEW COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. INTERVIEW PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. INTERVIEW OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. PICTORIAL STORY MUD Dedipya Basak's documentary project explores an 800-year-old lake's struggle against global warming, highlighting its relevance and urgency in modern times. PICTORIAL STORY A WORLD WITHIN REACH In his Cuba project, Pedro Vidal celebrates human resilience and warmth through captivating imagery, revealing photography's profound ability to encapsulate emotions and memories. PICTORIAL STORY UNVEILING VULNERABILITY In a world where masculinity is often synonymous with stoicism and strength, Francesca Tiboni challenges us to reevaluate our perceptions of masculinity, and to embrace the complexity of the male emotional experience. INTERVIEW MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. PICTORIAL STORY TRANSCENDENTS Mariette Pathy Allen's visual narrative honors authenticity, showcasing Spirit Mediums' mystical presence in possession and daily life, underscoring their importance in Animism-rich cultures PICTORIAL STORY COALESCENCE Visual diptychs delicately portray the intimate mother-daughter dialogue, transcending personal narratives to explore universal themes of transition and acceptance. INTERVIEW THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. FRAGMENTS OF MEMORY PHOTOGRAPHY BY DASHA UMRIGAR INTERVIEW BY MELANIE MEGGS Dasha Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. READ INTERVIEW SELECTED STORIES FINDING HOPE AT THE UKRAINIAN BORDER When the war broke out in Ukraine, Sonia Goydenko volunteered her services. She describes her personal journey. RUNNING TO NOWHERE Documentary photographer Christina Simons travelled to Central America embarking on a visual journey to pursue, share and expose the...Why? END OF AN ERA Mish Aminoff opens her aperture, revealing her impressions on the days following the Queen’s death leading to the funeral procession. SOMETHING ABOUT THE FUTURE Francesca Tiboni investigates through a series of collaborative portraits with her daughter Cecilia her transition into adulthood. WONDERLAND Visual artist Karen Ghostlaw Pomarico invites us to step through her looking glass with her, and experience Wonderland for themselves. ZAINAB THE SUPER FARMER Anwar Sadat tells the story of super farmer Zainab who improved her standard of living through education programmes. MODERN NOMADS Callie Eh takes us to the steppes of Mongolia to document a family of nomadic herders. THE INVISIBLE WORKERS Adrian Whear traveled to Bangladesh where he was introduced to the people that churn out bricks by hard manual labour. ROCKETGIRL CHRONICLES These chronicles are a tribute to a family's strength and inspiration on how to find the possible in the seemingly impossible. AMY'S ASHES Photojournalist Camille J. Wheeler shares her impactful story about Scotty and his mother Amy. EXPLORE STORIES BEHIND THE PLANTS PHOTOGRAPHY AND STORY BY WAYAN BARRE Wayan Barre documents Cancer Alley residents facing pollution and economic challenges, shedding light on their resilience and the impacts of environmental injustice. READ STORY SELECTED INTERVIEWS REPRESENTING THE PEOPLE Camille J. Wheeler documents Austin's streets, with a particular focus on its homeless community. COMEDIANS Steve Best documents the British comedy scene, backstage and on stage, the highs and lows, and the joy of being a comedian. QUARANTINE IN QUEENS Neil Kramer's humorous and compassionate lockdown diary has gone viral. ENROUTE TO THE PINES Robert Sherman shares his documentary series about drag queens celebrating the 'Invasion of the Pines'. SERVICE INTERRUPTION Wojciech Karlinski documented Poland train stations during the pandemic, highlighting their formal and aesthetic side. VOICES OF THE NILE Voices of the Nile by Bastien Massa and Arthur Larie is a project documenting the relationship of Ethiopians with the Blue Nile. BREAKS FROM REALITY The magic only dreams are made of become reality for viewers as they engage in the poetic imagery of Mariëtte Aernoudts. BEYOND THE STORY Through her documentary photography, Christina Simons is compelled to tell the stories of those who are unable to do so themselves. EXPLORE INTERVIEWS © Russell Cobb join the Pictorial Community >>> Media Partners BUILDING A COMMUNITY OF PHOTOGRAPHY If you are a photographer with a photo story to share then we would love to see it! We want to help support you and the work you create. Share your photography projects with us. submit © Bill Lacey

BOOK August 14, 2020 ISOLATION PORTRAITS Photography by Suzanne Phoenix Words by Melanie Meggs Late in March 2020 Coronavirus entered the common vernacular of Australians. Our borders were closed, and social distancing rules started, followed by the state government of Victoria closing ‘non-essential’ services. The places we gathered including pubs, clubs, festivals and sports were shut down. For Victorian photographer Suzanne Phoenix who is usually documenting live music and performances, festivals, street photography and daily life, her entire occupation ground to a halt. Spending the first few weeks in fear of who was going to die, and every moment being consumed by the virus, daily walks were a sanctioned luxury where Suzanne could go outside and be in nature. On one of her daily walks, Suzanne met people from two households who let her photograph them. A man seated in his driveway who volunteered that he hadn’t had a drink for ten days and a woman massaging a sick chook that was wrapped in a tea towel. These encounters gave her the idea to document local households if she was able to reach them on foot. Subsequently, Suzanne made a series of intimate portraits and the Project “Isolation Portraits” was hatched. The photographs were made starting on 18th April and capture households located in the Upper Yarra, an area of the Yarra Valley that finishes at the very edge of greater Melbourne. Safety precautions and social distancing measures were kept, and all photos of the households capture people just as they were in isolation, no one dressed up for their photographs. Suzanne’s project documents an eclectic community, including drag kings, cowgirls, families, and their many and varied pets. Photography for Suzanne has always been the love of her life, learning the importance of photographs from her family, especially her grandmother. “My Nana was terrible at it, always with a thumb over the lens, a shadow, or missing the subject completely,” Suzanne says fondly of her grandmother. “I now adore and treasure her photos, they are completely surreal, you couldn’t make these photos if you tried.” Photographing since before she was ten years of age, she got more serious about it around 2012. Suzanne is a self-trained photographer, learning through artist master classes with Stephen Dupont and being mentored by Kate Baker for several years. For Suzanne, this project was a way of re-engaging with her local community after a traumatic experience in 2019, when her trust was betrayed and it significantly impacted her connection with her hometown. “This created its own challenges and many conversations were had along the way, some that I would have preferred to have avoided. But it has enabled me to reconnect and reclaim my place in my community,” says Suzanne. Connecting with the people and places gave Suzanne access to lives that before Covid-19 she normally would not have had a chance to be a part of, and she saw new opportunities that could open the door for her to work in more depth with in the future. “I just asked people," she recalls. “I started with people I knew personally and people I knew via online relationships. As I carried out the project I would ask each household to make a referral of one person or family they thought would be interesting and interested. The experience was overwhelmingly positive and although it had its complexities, like any photographic project might have, it has been very rewarding.” Diversity and inclusion are always a priority for Suzanne as a photographer, and she struggled with this aspect of the project from a number of different viewpoints, as the Upper Yarra Valley is not a very diverse demographic from a cultural and linguistic background. Suzanne also wanted to include people who were not having a positive experience of isolation. Always conscious of the fact that the area has some of the highest statistics of family violence in Victoria, she knew that naturally the people in these situations were very unlikely to want to participate in the project. She was concerned along the way that she might not be able to appropriately represent the breadth of the experiences of the community. She created a framework for the project for herself and a brief for the subjects, which covered consent and Suzanne’s intention to produce a self-publication and an exhibition. “My desire was to release a magazine within the month following the completion of the work that would preserve everyone’s thoughts about this unique period of time as it was being experienced, rather than written about in hindsight,” she says. “I was adamant that every household would be included in the magazine and that no one would be left out, unless they opted out, which some did. This meant I needed to do everyone justice and create images that were both publication worthy and that the people were comfortable being made public.” From an artistic practice viewpoint, Suzanne’s preference is to work with a small camera and lens and getting up close to people, as she has a fascination for focusing on small details. The pandemic meant that she needed to modify her approach in this project, to keep her distance and use a large camera with a long zoom lens. Suzanne remembers the feeling of being alive, normal and grounded when she shot that very first portrait of the series after weeks of not photographing people. She photographed a total of seven households on that first day. Suzanne recalls being exhausted, “people wanted to talk, as for most in this project I was one of the few people who visited them at their home during isolation.” She wanted to try to keep her shoots to no more than half an hour, purely due to Covid considerations. Her process of arriving at a household, most of whom she had never visited before, and with people she had never met, making people feel comfortable and finding where to make the portraits, all in less than thirty minutes in retrospect now sounds a little crazy to Suzanne. Suzanne photographed more than 60 households in total and made a series of portraits that included more than 120 people and dozens of animals. Every household was provided with a selection of images and Suzanne’s preferences for use for their approval. Running alongside this, everyone was encouraged to write of their isolation experience. These texts were included in the magazine without any editing. Suzanne selected a quote from each person’s words as a highlight in the magazine and in doing so was very mindful of creating a prevailing focus or feeling of each person. Meeting all sorts of people, Suzanne learned a lot about their lives and heard stories of trauma and how isolation was impacting their mental health. At the end of the second stage of the shooting on 30th June 2020, she felt privileged to have so many households involved, but was quite physically and mentally exhausted. Through her photography Suzanne has a ‘knack’ for storytelling, her portraits have a quietness and secrecy about them, but at the same time they are dynamic and send a powerful message. When asked about this, Suzanne says that she respects people's privacy even when she photographs them, creating a safe space so they can show her something of themselves. “I think I see them, and they see me.” Consent is critical to Suzanne. She is skilled at meeting people where they are at, and sees herself as an honest, strong and confident person, which enables trust. As a result of this project, Suzanne’s personal relationships with people she already knew, or knew of, have deepened, and she has made a few new friends throughout this project. Ned, The Wobbly Wizard, stands out as someone who has enlightened and inspired Suzanne the most, so much so that she told him he was her new muse. At the time Ned was living in a tent in the forest and he certainly challenged her assumptions on COVID-19 being a more difficult time for those living in similar situations. He shared that the restrictions were making life better, he was not being moved on and hassled by people and could stay in one place. As he jovially told Suzanne, “finally personal space is in fashion!” Since that first shoot Suzanne has created nudes in the forest and river with Ned, a first for both of them. Without a doubt, Suzanne’s “Isolation Portraits” has proven to be a success. The first magazine was launched online as part of Yarra Valley Writers Festival and soundbite podcasts are being created in collaboration with YVWF also. All these outcomes help raise the profile of the small region of the Yarra Valley. “Ultimately,” explains Suzanne, “I wanted to document the lives of the community through this global pandemic for historical purposes.”Within a couple of months of its release over 100 copies of the magazines had been purchased by the local community and from people all over the world. All of the portraits have been printed as transparencies and exhibited in windows of four local businesses. Being able to exhibit these images, when all galleries are closed, is a rare opportunity and among the feedback Suzanne has received, people have told her that they feel like they are connected and can see their community again. The self-published magazines “Isolation Portraits 1” and “Isolation Portraits 2” by Suzanne Phoenix can be bought online through Suzanne's website. Suzanne is currently working on “Isolation Portraits” - Stage 3 while Victoria is in stage 3 and 4 restrictions. The Pictorial List will be thinking of all Victorians as they go through this tough time ahead. Stay safe. VIEW SUZANNE'S PORTFOLIO CLICK ON IMAGES TO ENLARGE The views, thoughts, and opinions expressed in the text belong solely to the author, and are not necessarily shared by The Pictorial List and the team.

SPOTLIGHT JOHN KAYACAN Los Angeles, UNITED STATES see portfolio 2024 PHOTOGRAPHERS // ALEXANDROS ZILOS Athens GREECE AMY HOROWITZ New York UNITED STATES ANA-MARIA ALB Bukovina ROMANIA ANN PETRUCKEVITCH UNITED KINGDOM CARMEN SOLANA CIRES Madrid SPAIN CATIA MONTAGNA SCOTLAND/ITALY DASHA DARVAJ UMRIGAR Karachi PAKISTAN DEDIPYA BASAK Kolkata INDIA EDWIN CARUNGAY San Francisco UNITED STATES FRANCE LECLERC Chicago UNITED STATES ISABELLE COORDES Münster GERMANY JOHN KAYACAN Los Angeles UNITED STATES MARIETTE PATHY ALLEN New York UNITED STATES MATTHIAS GÖDDE Beckum GERMANY MEI SEVA New York UNITED STATES MIA DEPAOLA Washington D.C UNITED STATES NAZANIN DAVARI Tehran IRAN PAUL COOKLIN UNITED KINGDOM PEDRO VIDAL Barcelona SPAIN RAFA ROJAS São Paulo BRAZIL ROMAIN COUDRIER Marseille FRANCE ROWELL B. TIMOTEO La Union PHILIPPINES SASHA IVANOV St. Petersburg RUSSIA SEAN PARIS Healesville AUSTRALIA TARA SELLIOS Boston UNITED STATES

PAOLO RICCA be inspired Gallery // ARTIST'S STATEMENT // Born in Rome in 1977, I am a freelance photographer based in Italy. I graduated in advertising graphics and later breathed the atmosphere of inks working in an old typography in the capital; this is how I deepened the use of the color that will then choose for the realisation of my projects. Today, through images, I love to tell stories and fragments of life thanks to very close and intimate shots that cancel the distance between subject and observer. My photographs aim to take on a documentary and at the same time artistic value. I love the feeling of primary colors, raw, honest and always poetic. This approach allows me to express the authentic dignity of the subjects, the real authors of my images. The art of framing poetry of everyday life...this is the photography for me. LOCATION Rome ITALY CAMERA Fujifilm X-T1, Fujifilm X100V CATEGORY fine art, reportage, and street WEBSITE https://paoloricca.eu/ @PAOLORICCAPHOTO ​ ​ FEATURES // Around Angelus People Of The Land: The Earth's Sweat

GIANLUCA MORTAROTTI be inspired Gallery // ARTIST'S STATEMENT // Gianluca Mortarotti is a self-taught photographer based in London, UK. The roots of his interest in photography lie in his father's work, from developing films in the darkroom at a very young age to wedding photography works, which introduced him at first to the world of photography. After his architecture and building engineering studies, the photographer focused on life in cities by capturing candid moments and exploring urban contrasts and the oddity of human connections. ​With his work, he attempts to speak through images about contemporary social issues and comment on social reality without turning down the intriguing presentation of street scenes or the impressive appearance of images. His persona behind the camera brings out his life philosophy of looking for the exceptional in the ordinary and trying to make it visible through a fresh and unexpected approach, consistent and attractive aesthetic, and a narrative and metaphorical meaning of the images. ​In 2021 his work was selected among the winning images of the Life Framer competition (World Travelers category). He also self-published his first book “LSD – Lockdown Street Diary” in 2021, a collection of street photographs that showcases fragments of life before, during, and after the lockdown in London capturing the complexities of everyday life in this unprecedented time. LOCATION London UNITED KINGDOM CAMERA Fujifilm X-S10 CATEGORY street WEBSITE https://www.inframeswetrust.com/ @INFRAMESWETRUST ​ ​ ​ In Frames We Trust

INTERVIEW June 19, 2020 THE STORYTELLER ​ Photography by David Gilbert Wright Interview by Karin Svadlenak Gomez Four decades of being a photographer inevitably results in the development of both a way of seeing and a way of telling. When David Gilbert Wright first set out as a photographer, he soon realised that although a photograph should ‘speak’ for itself, a story always brought the photograph to life. Now, forty years later, David is writing about his photographs and about photography as one of the most powerful ways of communicating. If I could tell the story in words, I wouldn’t need to lug a camera. - Lewis Hine “How true that is but equally imagining that a picture is worth a thousand words is also naïve. Photographs in themselves do not have meanings, which is why I like to combine photographs with text. It enables me to tell the story I want to tell. Finding a subject and then spending time exploring it photographically and getting to know the people and their stories yields much more interesting results than simply taking pictures of anything and everything.” IN CONVERSATION WITH DAVID GILBERT WRIGHT THE PICTORIAL LIST: David, when did you start getting interested in photography? DAVID GILBERT WRIGHT: It was during the Foundation Course in Art and Design. I didn't really do any photography before then. As a little boy, my dad let me hold the Box Brownie and press the shutter once or twice but that was about it. Suddenly being shown a darkroom and processing films was magic! I was hooked. And that feeling of seeing a print emerge in the tray is a wonderful experience. TPL: Where do you find your inspiration? DGW: Life. Some say that by photographing an event, you are not really experiencing it and that is true to some extent. Equally, to photograph it is to participate in the event at the time as an important recorder of what is happening but also to experience the memory of it over and over again whenever you look at the photographs. That is why so many people take pictures – so they can remember and relive the experience. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? DGW: No one exists in a vacuum. The same is true of photographers. We will always be a product of what we have seen. I find it interesting to reflect on who may have provided inspiration to me. Cartier-Bresson for his theory of the “Decisive Moment”. Bill Brandt for his ability to represent the dignity of ordinary people. Homer Sykes for showing me how to notice what is in plain sight and of course, Ansel Adams for his whole approach to exposure, processing and printing. TPL: Has your style of photographing changed since you first started? DGW: Documentary photography is all about telling stories. Four decades of being a photographer inevitably results in the development of both a way of seeing and a way of telling. When I first set out as a photographer, I realised that although a photograph should ‘speak’ for itself, a story always brought it to life. Now, here I am forty years later, writing about my photographs and about photography as one of the most powerful ways of communicating. I adopt a particular approach when producing documentary photographs. I do not set out to simply record something that happens in front of me. My aim is to let the viewer see the world ‘through my eyes’. I want them to see what I saw and to feel what I felt. I want my photographs to move people. Obviously, not every picture will do that, which is why I have adopted a storytelling approach. I do this by putting photographs together in a certain order so that they affect each other and produce meaning in the same way as the great Russian filmmaker Eisenstein. The impact of the whole story is greater than its individual components. The subjects in my photographs normally know I am taking their pictures. I spend time beforehand explaining the project and what I am trying to do. It is a particular anthropological approach, one of gaining confidence and eventually becoming part of the group for the period of producing the pictures. Some describe it as a ‘fly on the wall approach’. I like to think of it as becoming accepted and trusted to do the subject justice. Reassurance and knowledge of my work is key. I show a sample of my work to people first whenever that is possible. Even on projects like the Climate-Change Activists, I arrive early, talk to the protestors and show them my website. That way, they can be confident that I am not going to sensationalize them or rip them off. Trying to produce an emotional response in viewers does not mean that the pictures are dishonest. It is simply the reality that I witnessed and experienced at the time of taking the photograph. That is why my photographs and stories have the power to move people. It is an intentional act. TPL: Where is your most favourite place to photograph? DGW: The British Isle is a wonderful place to take pictures for many reasons. There is so much happening and such diversity that as a documentary photographer, it is like being locked in a sweet shop! The light is amazing with those bright summer days and stormy winters. I am currently working on a particular way of making portraits using dramatic backgrounds. I think some may call it Landscape Portraiture. A number of my new photographs use the approach. ​ ​ Documentary photography is all about telling stories. Four decades of being a photographer inevitably results in the development of both a way of seeing and a way of telling. TPL: Do you think equipment is important in achieving your photographic vision? What would you say to someone just starting out? DGW: The Camera is a means to an end. Cameras and equipment are simply the tools I use to express myself. I began my career using a Pentax KX. It is a very basic camera and one of the things that I learned was that you need to be able to change speeds and apertures quickly in documentary situations. So, the simpler the controls the better. Knobs and rings are things you operate manually by touch. You don’t need to look at them. Modern cameras have so many functions with layer upon layer of multi-screens but it takes a real expert to be able to find, use and override functions rapidly. I am not a Luddite, simply someone who wants to retain the craft aspect and be able to concentrate on the events as they unfold in front of me. Another important part of being a documentary photographer is getting right up close to and in the action. To become part of it rather than a spectator looking on. Therefore, I use a wide-angle lens and a telephoto for portraits so I am not right in their face. TPL: What characteristics do you think you need to become a good documentary photographer? Any tips or advice? DGW: My advice to those just starting out as documentary photographers is to work in projects. Try to find out as much about the subject or event you can in advance and plan what kinds of pictures you want to take. Don’t be afraid of getting to know the people you are documenting. It will pay dividends. Explore the emerging themes and look laterally. Not everything is happening inside the viewfinder, so stay alert. TPL: Have you ever been involved in the artistic world before photography? DGW: I was in my late teens when I went to Art college. Before that, I was very keen on painting and drawing. My art teacher once handed me a camera ready loaded with black and white film and sent me and some friends off to see what we could do with it. So, really most of my life has been about photography. TPL: Are there any special projects you are currently working on? DGW: I am working on two projects. The first, Modern Tribes of England is a long-term documentary project looking at groups such as Morris, Pagans and Climate-Change Activists. I spend extended periods with the groups getting to know them and what they do. The second project is exploring the triumph of the human spirit over adversity. The participants are people who have experienced a serious trauma and come through it, stronger and more resilient. This project involves the survivors telling their stories and then having a portrait made. It will result in a book and an exhibition once I find a publisher who would like to take on the project. I have also been working on several ‘Lockdown’ projects. TPL: If you were not photographing what would you be doing? DGW: I would be planning, pre-visualizing and working on the next photography project. I do other things. I enjoy walking with my family and the dog. I play the saxophone and we have recently taken up cycling in London using ‘Boris Bikes’ which is great fun as you can cover more territory. ​ ​ David Gilbert Wright has developed a unique craft of photographing, which combines his own way of seeing the world with his ability to tell stories. Throughout his forty year career, David has used his photography as a means of communication, capturing moments and turning them into stories. His work is a testament to the power of photography to evoke emotion and create connections between people. To see more of David's work and be inspired by his vision, use the links provided below. VIEW DAVID'S PORTFOLIO read more interviews >>> LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography. UNDER THE COVERS WITH AMERICAN BEDROOM Barbara Peacock, opens the door to her subjects' bedroom, revealing their intimate thoughts and emotions. Discover the confidence and trust shared between the photographer and subject for an authentic and inspiring experience.

QUIRKYVISIONS by Meryl Meisler Impertinent and humorous, Meryl Meisler plunges us into a captivating city and time, the 1970s and 1980s in New York. read article explore all GALLERY BUILDING A SOLID FOUNDATION Martin Parr Foundation supports photography and photographers of the past as well as genuinely mentors and creates new opportunities for photographers of the future. BOOK 18 >> 20 Elsa Arrais and Paulo Kellerman composed a simultaneously artistic, emotional, poetic and imagery portrait of Leiria in a predetermined period of time. BOOK AMERICAN BEDROOM Barbara Peacock opens the door of American bedrooms, illuminating the intimate thoughts, revealed through the bodies and souls of her subjects. PICTORIAL STORY | BOOK TRAVELLERS & THE APPLEBY HORSE FAIR David Gilbert Wright has gained access to this close-knit community, to capture life at the remarkable Appleby Horse Fair. BOOK ZOONOSIS Zoonosis is the culmination of two years of Adrian Pelegrin tracking all the news about the novel coronavirus and its consequences. BOOK COMEDIANS In his new book COMEDIANS, Steve Best documents the British comedy scene backstage and onstage. BOOK GROUNDED Over the last year, photographer and digital nomad Samantha Brown, has documented the pandemic, mostly from the back of her campervan within local lockdown restrictions. BOOK THE PROVINCIAL Conflicting emotions. Good and sad memories. Antonis Giakoumakis takes us on a very personal journey about his province. EXHIBITION QUIRKYVISION: The French Connection Impertinent and humorous, Meryl Meisler plunges us into a captivating city and time, 1970s and 1980s New York, with her new exhibition. BOOK MELBOURNE UNMASKED Focusing exclusively on one city, AASPI's new book MELBOURNE UNMASKED presents a remarkable array of street photography that features some of Australia’s finest practitioners of the art. FILM FILL THE FRAME The popularity of street photography is greater than ever. Fill the Frame follows eight contemporary New York City street photographers documenting their journeys up to now. BOOK SMALL HOURS Through the night to dawn the following morning, Philip Butler takes us on a photo tour of Malvern that the tourist board probably wouldn’t sanction. EXHIBITION CITY OF IMAGES For the third year in a row, the small town of Baden near Vienna has become an outdoor photography gallery with the photo festival La Gacilly-Baden. BOOK OLD CUSTOMS Chris Suspect's new book combines visual references to Romanian fairy tales focusing on the ideas of freedom and youth tethered to history in the seaside town of Vama Veche. BOOK ISOLATION PORTRAITS Australian photographer Suzanne Phoenix captured intimate portraits in her hometown in the Yarra Valley during Victoria's Covid lockdowns. be on The List We are always on the search for unique visual storytellers of all genres. Do you have a book or exhibition that you would like to share with us? Would you like to join our portfolio of photographers and be represented on our website, and social media platforms? submit © Adrian Pelegrin

INTERVIEW November 10, 2021 BUENOS AIRES STREETS ​ Photography by Daniel Goldenberg Interview by Melanie Meggs Daniel Alejandro Goldenberg is an Argentinian street photographer with an interest focused mainly on capturing characters and everyday situations on the streets of Buenos Aires. Street photography is a passion that cultivated as a hobby for Daniel which has helped him focus his gaze on the social and individual environment that surrounds him, giving him the possibility of observing reality in a less superficial and more humane way. “I believe that street photography is the most artistic and sincere way of showing the essence of the human being in its urban context.” IN CONVERSATION WITH DANIEL GOLDENBERG THE PICTORIAL LIST: Daniel please tell us how did you become interested in photography? DANIEL GOLDENBERG: I have always been interested in photography in some way, perhaps by inheritance, since my father was a photographer by profession. Observing the naturalness and spontaneity of the style of the great street photographers of the 20th century, I realized that street photography was the style that best suited my need for artistic expression. TPL: What does street photography mean to you? Describe your style. Where or how do you find inspiration? DG: I believe that street photography is the most artistic and sincere way of showing the essence of the human being in its urban context. My style is quite eclectic, maybe even a bit chaotic, depending on what catches my eye at any given moment. Although I try to maintain a minimum coherence in style, I do not let that intention make the process of taking photos boring and repetitive simply for fun and artistic expression. My inspiration comes mostly intuitively when I hit the streets, although a small percentage of planning ahead always comes in handy. TPL: Did you have any difficulties when you started street photography? If so, what are they? DG: I had the typical difficulty of coming face to face with people with a camera in between, but with the passage of time, practice and training, I began to move naturally and learned to blend in with the environment with greater ease. TPL: What are some are some tips or suggestions that you would give yourself if you started photographing again? DG: I would advise to start this beautiful activity as soon as possible and not go out without a camera in my pocket. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? DG: In these times of Instagram, I have a lot of favorite photographers. The current possibility of being able to appreciate the work of so many good photographers is wonderful. Among some of my favorites are Roy Savoy and David Gibson. Of course, constant inspiration comes from observing the work of classics like Vivian Maier, Henri Cartier-Bresson, Robert Doisneau, Elliott Erwitt, etc. Some classics from my country, such as Horacio Coppola and Sameer Makarius and the contemporary Alex Gottfried Bonder, a great street photographer from the city of Buenos Aires, whom I have the honour to know personally for having participated in one of his workshops. ​ ​ My style is quite eclectic, maybe even a bit chaotic, depending on what catches my eye at any given moment. TPL: When you are photographing, how much is instinctive versus planned? DG: It depends on the place and the mood in which I wake up that day, but generally there is a balance between instinct and advance planning. TPL: Does the equipment you use help you achieve your vision in your photography? What camera do you use? Do you have a preferred lens/focal length? DG: Depending on the circumstances, I use one of the two cameras that I have at the moment. In situations where the size of the camera is not an impediment, such as tourist places, events, etc. I use a Canon 80D reflex camera, which allows me great battery life, usually with a 24mm lens (35mm FF). Normally, where more discretion is required, I usually go out with a very small mirrorless camera, a Panasonic GM-1 with a 20mm (40mm FF) lens. ​ ​ TPL: Is there a project you are currently working on that you would like everyone to know about? What are some of your goals as an artist or photographer? Where do you hope to see you in five years? DG: Not at this precise moment, but I have in mind to combine historical scenes from Buenos Aires with spontaneous street situations in the same project. I hope to improve as a photographer in general terms and in the future to be able to launch a graphic publication about my work in street photography. TPL: “When I am not out photographing, I (like to)... DG: When I'm not photographing I want to be photographing.” ​ ​ Daniel's eclectic view of street photography is an artistic sincere way of showing the essence of the human in an urban context. To view more of his photography please use the links below. VIEW DANIEL'S PORTFOLIO Website >>> read more interviews >>> LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography. UNDER THE COVERS WITH AMERICAN BEDROOM Barbara Peacock, opens the door to her subjects' bedroom, revealing their intimate thoughts and emotions. Discover the confidence and trust shared between the photographer and subject for an authentic and inspiring experience.

INTERVIEW January 25, 2021 THE HUMAN ELEMENT ​ Photography by Kenneth Nederskov Petersen Interview by Karin Svadlenak Gomez For Kenneth Nederskov Petersen, photography is a way of life. This year has been a challenging one, as his normal style of street photography has been put on hold in light of the pandemic. Instead, Kenneth has turned his lens towards the muted beauty of architecture, capturing it in the lonely night streets. However, as the year draws to a close, Kenneth is looking forward to a future where he can once again return to the hustle and bustle of street photography with a sense of freedom and artistic expression. “I received my first camera at my Christian confirmation. My uncle was a good photographer and was my inspiration. But the learning curve was difficult. The challenge was not to see the result instantly. Everything changed for me when digital was the new standard. Now I could see the result immediately.” IN CONVERSATION WITH KENNETH NEDERSKOV PETERSEN THE PICTORIAL LIST: Kenneth, where do you find your inspiration to photograph? KENNETH NEDERSKOV PETERSEN: Hmm...they come from all over. Books, movies, architecture, music, life itself. I cannot stop photographing, so I do not think too much about this. There is an element of hunting in it too. Street photography is not necessarily the easiest genre. You can come home with no good pictures. The more satisfying it is when you come home with something worth sharing. TPL: What has been the best advice you have ever received in photography? KNP: Photograph the things that interest you, and do not photograph what you might believe interest most people. If the passion is not there, the struggle will be bigger, and the pleasure smaller. I do not live from my photography, so it might be easy for me to say that. TPL: Do you have any favourite spots to go photographing? How has the pandemic affected you and your photography? KNP: Copenhagen is where I feel at home with my photography. Around the harbor line, the train and metro stations, in parks and more. The pandemic has turned my photography upside down. My wife is kind of exposed at her job where she is looking after small children and my kids are in school. I am working from home (as a purchaser of spare parts for buses and trucks) and I try to be the one less exposed to the virus. This is stopping me from going onto public transport and to be at places with many people - this left me with lots of frustration. I then started a night photography project by going out in the dark with my tripod and taking long exposures of architecture and buildings in the local areas. This is just the opposite of street photography and has been a very fun and giving project. TPL: What is it that you enjoy about street photography? What happens when you walk the street with your camera? Explain your technique. How do people generally respond? KNP: Street photography captures a glimpse and a moment of life that happens just as you click the shutter. If you are lucky, then you document the time of year and/or the decade of a time. You can also capture something beautiful, something about the country and area, something very human, colors, light and much more. When I walk with my camera, I am in a mental zone. I am more aware and more alert. I get the best results when I am alone. I try to be quiet, to blend in, or act as a tourist, I smile or just pretend that I am interested in other things than my subject, or even shoot from the hip. At events like demonstrations, I pretend to belong there as an official which allows me to get close and photograph portraits. My smaller and old school looking camera makes me less intimidating than running around with a large camera body and a big telephoto lens. TPL: What do you want to express through your photography? And what are some of the elements you always try to include in your photographs? KNP: The human element is important in my photography. But there can also be something very graphic pleasing and mathematically satisfactory with symmetry or when things are in a certain order in a picture. And then again chaos can be as satisfactory, if that is what I see in a situation. Architecture has also been a part of my photography recently. Copenhagen is in constant development with new buildings and exciting architecture. ​ ​ Treat people the same way as you would like to be treated by them. This is also my go-to phrase with the camera. I do not try to photograph embarrassments. A photograph can be humorous and still respectful. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? KNP: I enjoy work from Elliot Erwitt, Nick Turpin, Angela Ambrosini, Nils Jorgensen, Shane Taylor, Matt Stuart, Alan Schaller, Sally Davies, Annie Leibovitz and many more. I have found some photo friends at Instagram too. I am very glad to see Li Mullen listed here as 2021 photographer. As much as I enjoy the work of these people, I cannot copy their work. When I am out, my mind and head is totally cleared and wiped clean. If my photography looks like someone else's work, then it is completely unconscious and something that I am not aware of myself. But what I like in other photographers' work will naturally show up somehow in my own work. TPL: Does the equipment you use help you in achieving your vision in your photography? What camera do you use? Do you have a preferred lens/focal length? KNP: Fujifilm has been a real game changer for me. I was coming from a big heavy DSLR - Canon 5D - which was not a street ninja tool. Fujifilm mirrorless was lighter, more intuitive, it has old school dials, and it is somehow discrete and not very offensive. XT1 was my first Fujifilm camera. I missed something in handling, but then I bought the XT2 Silver edition. It does everything I need it to. If there are any mistakes, it is my mistake and not the camera. Features like auto ISO and electronic shutter are fantastic. 23mm F2 is my go-to lens = 35mm equivalent in full frame. I have tried to use longer lenses under Covid19, but I think and compose in 35mm focal length. I can shoot without looking with one hand or from the hip, and still know what is in the frame. I do also use other lenses (not much though) - mostly a 50mm F2 = which is about 75mm on full frame - for events and portraits. The current gear has stopped my lust for new cameras/lenses, and I can focus on the important part - the picture itself. I might try a X100V one day, but I still like the flexibility of being able to change lenses. TPL: When you go out photographing, do you have a concept in mind of what you want to shoot, or do you let the images just "come to you", or is it both? KNP: When I go out shooting, I normally have a plan of districts I want to visit. I do not normally have a special concept and idea. But when the pandemic is over, I will for sure go out with different projects in my head. Inspired by my Night Photography project under Covid 19. TPL: Have you ever been involved in the arts before photography? KNP: I have always been creative. First with the music which included school concerts and more. Now photography. To be able to fulfill the creative side of life completes me somehow. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? KNP: As mentioned before, I am working on a Night Photography Project right now. This project has led me to continue with night photography and architecture pictures - also after Covid 19. I hope to add more portraits to my portfolio. It might be street portraits; it might be normal portraits - time will tell. TPL: When I am not out photographing, I (like to)… KNP: When I am not out photographing, I like to be close to my family and friends, to travel, to cook, to walk the dog, to play the keyboard, to watch action movies and Nordic Noir thriller series. Thanks for listing me as a 2021 photographer. I feel very honored. Kenneth Nederskov Petersen has faced the challenge of adapting his style to the pandemic. Despite the hardships, he has continued to capture the world around him through his unique lens. As we look towards a future with hopefully more freedom, Kenneth's words serves as a reminder to never stop seeking out beauty in the world no matter what the circumstances are. Let's use his example as inspiration to explore our own street photography, or whatever art form speaks to us – and never stop creating. VIEW KENNETH'S PORTFOLIO Instagram >>> read more interviews >>> LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. WALKING BUENOS AIRES We take a deep dive into the journey of Alex Gottfried Bonder - an artist who has spent many years uncovering the soul of Buenos Aires through street photography. UNDER THE COVERS WITH AMERICAN BEDROOM Barbara Peacock, opens the door to her subjects' bedroom, revealing their intimate thoughts and emotions. Discover the confidence and trust shared between the photographer and subject for an authentic and inspiring experience.

BETTY MANOUSOS be inspired Gallery // ARTIST'S STATEMENT // I am an award-winning street and social documentary photographer. I am also owner and founder of CUT and DRY Blogzine, and a member of the Photographic Circle Collective. I have always loved Street Photography, but it wasn't until late 2018 that I actually started to get dedicated to that genre. As I'm residing in Athens, this is where the majority of my work comes from. For me, street photography is ultimately liberating because it is an expression of my need to look at things differently. I have always been drawn to the power of imagery as a way to express my own completely subjective interpretation of what I feel rather than I see. LOCATION Athens GREECE CAMERA Fujifilm X-T20 CATEGORY street WEBSITE https://bettymanousos.smugmug.com/ ​ @BETTY.MANOUSOS ​ FEATURES // Souls of a City

IDA DI PASQUALE be inspired Gallery // ARTIST'S STATEMENT // I am enamoured with photography and the visual arts. Through photography, I can express my perception of reality and tell my unique vision with an emotional approach more than a rational one. People and nature are my favourite subjects - the latter constantly surprises me! Having started out in analogue photography, I put my passion on pause for a few years due to personal matters. However, digital photography did not completely replace my beloved analogue cameras. I prefer creating stories with photos, but I also enjoy experimenting artistically. Photodynamism and ancient printing techniques such as cyanotype are two techniques I have dabbled in, and recently, I've been using analogue cameras to make film soup. The best thing about experimenting is the unexpected and one-of-a-kind results! With the goal of realising projects and small photographic stories, I have been honing my processing and editing techniques to better express my thoughts on a given subject. Though my training is largely self-taught, I recently took courses in storytelling to deepen my knowledge in the area. More recently, I have been collaborating with an association to organise an event on visual arts, displaying my works in several group exhibitions, festivals and photography circuits. In 2021, I achieved the pinnacle of these successes with my first solo exhibition, ‘Eurythmia’. Additionally, some of my works can be found in sector publications and I have been a winner in multiple national competitions organised by Fiaf - the Italian Federation of Photographic Associations - which honoured me this year. LOCATION Rome ITALY CAMERA Nikon D90, Nikon D610 CATEGORY documentary, fine art photography WEBSITE https://www.artlimited.net/1063270 @IDADIPA @IDADIPAPHOTO ​ FEATURES // Cracks To Mend

INTERVIEW June 14, 2024 TRUE LIFE IMPRESSIONS ​ Photography by Matthias Gödde Interview by Melanie Meggs Welcome to an exploration of the photographic world crafted by Matthias Gödde, a photographer whose work delves deep into the raw essence of human emotion with unparalleled authenticity. Matthias' photography transcends mere documentation; his photographs serve as windows into the very souls of his subjects, inviting viewers to contemplate the complexities of the human experience. Eschewing contrivance and artifice, his images offer unadulterated glimpses into the everyday moments that define our lives. For him, it's the people who inhabit these spaces that truly breathe life into his compositions. Through meticulous curation and a keen eye for detail, Matthias crafts series that resonate with profound emotional depth, blurring the lines between observation and introspection, infused with wit, irony, and sometimes even absurdity. Reflecting on his journey into photography, Matthias traces his passion back to a childhood encounter with a book on photography techniques. Despite initially grappling with the technicalities, the allure of capturing the visible world through chemistry left an indelible mark on him. Fueled by a voracious appetite for visual exploration, he immersed himself in the works of luminaries past and present, drawing inspiration from the rich kaleidoscope of artistic expression. With over four decades of experience behind the camera, he continues to evolve his craft, drawing inspiration from a diverse range of subjects and themes. From street photography to urban landscapes, his work remains rooted in the tradition of new color photography while embracing the ever-changing landscape of contemporary visual culture. Join us as we explore the mind of Matthias Gödde, delving into the inspirations, challenges, and triumphs that have shaped his remarkable photographic journey. “Today I see myself as an author photographer. A term that was coined in the 80s by the art critic and curator Klaus Honnef. I have been working on very different topics for years. If, like me, you have been taking photographs for 45 years, this is a tried and tested means of having different seedlings to trigger your gaze and perception again and again. My roots lie in the new color photography of the 80s with its street and urban landscape photography is something I still feel strongly connected to today.” IN CONVERSATION WITH MATTHIAS GÖDDE THE PICTORIAL LIST: Hello Matthias…welcome to The Pictorial List! Let's start by telling us about yourself. What would you say first drew you to photography? MATTHIAS: Looking back, I had no choice. When I was 10, I came across a small book about photography techniques from my older brother. It was one of those long summers that, as a child in the 60s, made the holiday season seem endless. So, with an abundance of time, I read several chapters about film processing and how to put negatives on paper in a darkroom. At the time, I didn't really understand much of what the content of the book was trying to tell me. However, the magic of the latent image that can preserve the visible world with the help of a little chemistry has remained to this day. Reading this book was the seed that took several years to sprout. There was a drugstore in town that sold darkroom supplies, but my pocket money wasn't enough. However, that same year I bet my entire pocket money on the main prize at a lottery booth at the fair and won a Kodak Instamatic 133, which became my companion on school trips. My interest was directed towards art by an uncle who painted and knew how to copy old French and Flemish masters. An intensive engagement with painting and graphics began. I got everything I could find in illustrated books about it from the city library. Because of the desire to see, I could never get enough. This also later impressed my parents, who enabled me to study visual communication at the age of 17. Here the seed sprouted and germinated. It took less than 4 weeks, and I was just hanging out in the photo workshop. The university library was a mecca for good monographs about American and European photographers. My eyes didn't get a break. In a small circle of like-minded people, we met at the cinema at least twice a week. Taken together, the best preparation for refining your own vision. TPL: How do you think your background in visual communication has influenced your perspective as a photographer? MATTHIAS: It was something like a Studium Generale. I was just 17 years old and came from a middle-class family and a small-town environment. The company of teachers and students, many a little off track, looking better than I knew it, was pure inspiration. The freedom to try out different creative disciplines alongside theoretical subjects such as art history and perceptual psychology are formative influences. Getting to know different aesthetic positions opened up a field of possibilities that still resonate today. TPL: What role does storytelling play in your photography, and how do you balance narrative with visual aesthetics? How do you approach the process of capturing the essence of human emotion in your photographs? MATTHIAS: This is a good question but not an easy one to answer. Many of my photos are still strongly influenced by the aesthetics of cinema. This is where the roots and key to my photography lie. It is these moods and the rhythm that are inherent in films and literature. When I look at documentary photos, I always make up a story about them. I see the scenes with their history and their future. Of course it's all fantasy. This creates new images in your head. Photos are the congealed part of a story. TPL: What advice would you give to aspiring photographers who are looking to develop their own unique artistic voice today in photography? MATTHIAS: Neglect the flood of digital images. Check out photographers' monographs. There is more excellence here. TPL: Can you share any memorable anecdotes or stories from your experiences as a photographer? MATTHIAS: In the 90s I drove across northern Italy with a friend to photograph the wonderful grave sculptures in cemeteries. After a week we had a day at the beach. When we got back to the camper, it had been broken into and our equipment and all the exposed films had been stolen. We only took our 35mm cameras with us so we wouldn't miss any subjects on the beach. However, large and medium format cameras were also among the stolen goods. We then visited the same cemeteries again to repeat the recordings. A fallacy. Photographs are always tied to a singular event. All newly taken pictures were missing something. The magic of the first perception was lost. TPL: Looking back on your journey as a photographer, what are you most proud of accomplishing, and what do you hope to achieve in the future? Any projects or ideas you are excited to explore? MATTHIAS: When I look back, all the photos form a quartet of memories of my life. I mix and re-arrange the images every now and then. It's always a different version of me. This quartet is still missing a few cards. Let's see which ones come along. When I look back, all the photos form a quartet of memories of my life. TPL: Can you share any insights into the technical aspects of your photography, such as your choice of equipment or preferred shooting techniques? MATTHIAS: I took analogue photographs until the 2000s. 35mm, medium format and large format were used depending on the subject. Today it is mainly digital full format and medium format cameras. A Mamiya 7 was my constant companion for a long time. A viewfinder camera has the great advantage that you can look beyond the subject and are not immediately limited to a section that excludes everything else. Even with digital cameras, I rarely look through the electronic viewfinder. I keep an eye on the scenery via the screen. TPL: Could you describe your creative process from conceptualization to execution when working on a new series? MATTHIAS: It's more of a chaotic approach. If you, like me, have been photographing for many years, you'll always end up with images that suddenly fall out of the camera outside of your own redundancy. Vague fragments that slowly develop as sediment into something that can be walked on. I often feel bored with certain topics. Perception is an open system. TPL: How do you choose your subjects or scenes to photograph, and what draws you to them? MATTHIAS: It's something like a matrix. They are reflexive and anticipatory reactions. A mélange of everything seen from dreams, books and films filtered through heart and experience. TPL: What is your takeaway from the work you do? In what ways has your photography evolved over the course of your career, and what factors have influenced these changes? MATTHIAS: In the analogue phase of photography, it was hardly possible to give the images a special look beyond the choice of film material and photo paper in post-production. The possibilities today are comparable to painting. The color grading and the selection of papers and printable substrates seem limitless. The way of taking photos, however, is almost unchanged. It seems to be something native to the language. If you haven't learned to dream in another language, your worldview and world experience are set. TPL: If you could work with any photographer for a day, from any time period, who would that be and why? What would you want to learn from them? What would you like to share with them? MATTHIAS: There is this saying: “A real voyage of discovery does not consist in seeking new lands, but in seeing with new eyes.” I would want to have a very long conversation with him about how he thinks about life. After all, we don't photograph what we see, but rather what we are. TPL: When you're not creating your visual stories, what does Matthias Gödde do for leisure? MATTHIAS: Waiting for the time when I can create visual stories. Matthias Gödde's photographic journey is a compelling testament to his passion, persistence, and creative vision. With a background in visual communication and a profound appreciation for the aesthetics of cinema and literature, Matthias has developed a unique perspective as a photographer. His photographs transcend mere images; they are intricately woven narratives, inviting viewers to explore the stories behind the scenes. As Matthias continues to evolve as a photographer, he embraces the boundless opportunities presented by digital photography, while remaining steadfast in his commitment to the authentic language of his art form. For him, photography is more than just a profession; it is a way of life, a medium through which he captures the essence of the human experience and offers viewers a fresh perspective on the world. VIEW MATTHIAS' PORTFOLIO Website >>> Instagram >>> read more interviews >>> LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. 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