DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. READ INTERVIEW INTERVIEW DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. INTERVIEW LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. INTERVIEW DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. INTERVIEW LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. INTERVIEW THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. INTERVIEW FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. INTERVIEW THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. INTERVIEW CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. INTERVIEW EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. INTERVIEW THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. INTERVIEW TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. INTERVIEW NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. INTERVIEW URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. INTERVIEW COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. INTERVIEW PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. INTERVIEW OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. INTERVIEW MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. INTERVIEW THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. INTERVIEW BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. INTERVIEW TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. INTERVIEW 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. INTERVIEW WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. INTERVIEW SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. INTERVIEW JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual. INTERVIEW TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. be on The List We are always on the search for unique visual storytellers of all genres. Would you like to join our portfolio of photographers and be represented on our website, and social media platforms. submit © Chetan Verma

2021 PHOTOGRAPHERS © Meryl Meisler AGATA LO MONACO ITALY ALAN THEXTON Melbourne AUSTRALIA ALEX RUTHERFORD Surrey UNITED KINGDOM ANDRES GONZALEZ Porto PORTUGAL ANDREW ROVENKO Melbourne AUSTRALIA ANDRÉ LOBÃO London UNITED KINGDOM AURÉLIEN BOMY Nantes FRANCE BARRY BOTTOMLEY London UNITED KINGDOM BASTIAN PETER Basel SWITZERLAND BEN ALLAN London UNITED KINGDOM BETTY MANOUSOS Athens GREECE CAMILLE WHEELER Texas USA CARLA HENOUD Beirut LEBANON CAROL DRONSFIELD New York UNITED STATES CHICHEK BAYRAMLY Baku AZERBAIJAN CHRISTINA SIMONS Melbourne AUSTRALIA DAMIEN GORET FRANCE DANIEL GOLDENBERG Buenos Aires ARGENTINA DANIELA PEREIRA Montevideo URUGUAY DANNY JACKSON Essex UNITED KINGDOM DAVID KUGELMAS New York UNITED STATES DAVID LAWLESS Winnipeg CANADA DAVID SHORTLAND London UNITED KINGDOM DREW KELLEY California USA EDUARDO ORTIZ Valparaiso CHILE

ENZO CRISPINO be inspired Gallery // ARTIST'S STATEMENT // I don't consider myself a photographer, but an interpreter of photography. I was born in Frattamaggiore (Naples) Italy in 1964, and I live in the province of Reggio Emilia. I am a self-taught photographer and a Member of Merit at the International Academy of Modern Art in Rome. My photographic works are in the collections of the Italian War History Museum in Rovereto, the Reggio Emilia Civic Museums, and the RosPhoto State Museum in St. Petersburg. Some of my projects are also held at the Archive and Communication Study Centre (C.S.A.C) at the University of Parma. I am the creator, co-founder, and curator of the Artistic Photography Exhibition Montecchio Fotografia – La luce scritta. I have published three photo books with Corsiero Editore: La bellezza perduta, Otto ore, and Reggio e i colori dell'Emilia. My poetry has been included in anthologies of unpublished works that have won national literary competitions. LOCATION Naples ITALY CAMERA Olympus E-M1 CATEGORY documentary, fine art photography WEBSITE http://www.enzocrispino.com/ @ENZO.CRISPINO FEATURES // Eight Hours Island

PICTORIAL STORY January 19, 2025 ISLAND Photography and story by Enzo Crispino Introduction by Melanie Meggs Enzo Crispino’s latest photographic series, “Nêsos,” invites viewers into an introspective journey that mirrors the artist’s rediscovery of his voice in photography after a prolonged period of creative estrangement. Drawing from the Greek term for “island,” the project serves as both a personal metaphor and a visual exploration of isolation, self-reflection, and the human condition. Enzo, a self-taught photographer recognized for his works housed in collections such as the Italian War History Museum, the Reggio Emilia Civic Museum, and the Ros Photo State Museum channels his meditative perspective into visceral and intimate compositions. This series is strongly shaped by Enzo’s broader artistic and literary journey. During the global pandemic, when his connection to photography waned, Enzo turned to poetry, composing verses that gave form to his emotions. His poems became a means of expression during a period of creative stillness. One of these poems, titled “Nêsos,” now frames the narrative arc of this photo essay, blending visual storytelling with the written word. Enzo’s photographs, suffused with chiaroscuro and grounded in quiet reflection, unfold as a meditation on solitude and the fragmented self. Each image highlights ordinary objects and spaces imbued with symbolic weight — windows into the intangible world of memory, loss, and self-examination. Through this project, Enzo Crispino not only reestablishes his connection to photography but also transforms it into a compelling dialogue of light, shadow, and the human experience. Nêsos (from the Greek language: island) It is evening I close behind me the front door of the house An island in the lost sea that devoured Atlantis Silence stands as a barrier protects me from the cacophony and from my melancholies that find peace in these dark lights I contemplate the shadows guards that veil affections traces and findings In each of them parts of me... ~ Enzo Crispino For a long time, I no longer felt the wonderful input of hearing a new idea for a photographic project. For almost two years I no longer picked up the camera, I felt I had nothing more to communicate, all I saw around me were fences and the delightful sound of the shutter no longer lit up my eyes. During this persistent phase of disenchantment with photography, in which I still live, amidst countless questions that I asked myself and still ask myself, I realized this project that I had had in my head for years, but which only came to life last May. The introduction to this project is this poem of mine with the same title that I wrote while editing the photographs in post-production. It was not my original intention to write poetry, I had never thought about it and it was not in my ambition to try my hand at writing. It was unintentionally on a Saturday morning, during the pandemic, that I wrote my first poem entitled ‘Arid Eyes’ on a small Post-it note, a few lines dedicated precisely to the situation of isolation in which we were forced to live and where our gaze day after day began to become more and more arid. Writing verses here was salvific for me, and since then I have written 18 and some of them, including the first ‘Arid Eyes’, have received various prizes in national literary competitions. Through poetry I had accidentally found another possibility to externalize a feeling of mine, which had been blocked during my phase of moving away from photographic production, towards which I had long felt a sense of estrangement. © Enzo Crispino © Enzo Crispino © Enzo Crispino © Enzo Crispino © Enzo Crispino © Enzo Crispino © Enzo Crispino © Enzo Crispino © Enzo Crispino © Enzo Crispino © Enzo Crispino In “Nêsos,” Enzo Crispino creates a space for reflection and self-discovery, offering a powerful look into his personal journey of reconnection with photography. The series is not only a return to the medium but also an exploration of themes like isolation, memory, and the passage of time. Through his thoughtful use of light and shadow, Enzo elevates everyday moments into profound, contemplative images that ask the viewer to pause and reflect. What makes “Nêsos” truly compelling is its seamless integration of visual and literary expression. Enzo’s unexpected shift to writing during the pandemic allowed him to explore emotions that had previously felt blocked. This collaboration of forms gives the project a depth and intimacy that wouldn’t have been possible with photography alone — words and images, light and dark, silence and sound. Enzo Crispino demonstrates the power of art to evolve. Through this series, he reminds us that even in isolation, there’s room for growth and creativity. It’s a reminder of the ways art can reconnect us with ourselves and with others, even in the quietest of moments. view Enzo Crispino's portfolio Interview with Enzo >>> Instagram >>> The views, thoughts, and opinions expressed in the text belong solely to the author/s, and are not necessarily shared by The Pictorial List and the team. read more stories >>> ISLAND Enzo Crispino’s photographic series, “Nêsos,” invites viewers into an introspective journey that mirrors the artist’s rediscovery of his voice in photography after a prolonged period of creative estrangement. BEYOND THE BRICKS Amid Bangladesh’s dynamic urban growth, Anwar Ehtesham’s photography takes us beyond statistics and headlines, revealing the hidden lives of the laborers working tirelessly in the nation’s brick kilns. OAXACA In Oaxaca, Tommaso Stefanori captures Día de los Muertos, exploring the convergence of life and death, human connections, and enduring cultural rituals through evocative photographs of tradition and emotion. BEHIND THE PLANTS Wayan Barre documents Cancer Alley residents facing pollution and economic challenges, shedding light on their resilience and the impacts of environmental injustice. THE RED POPPY AND THE SUN By blending archival and contemporary images, Mei Seva creates a visual story that captures the ongoing struggles and moments of triumph for those impacted by displacement and circumstance. FIRE AND FORGE Alexandros Zilos delves deep into the harsh reality of sulfur mining, while also capturing the allure of the blue fire phenomenon created by sulfur deposits in the crater. IN-VISIBLE PAIN Through black and white self-portraiture, Isabelle brings to light the stark reality of living with chronic pain — a reality often dismissed by a world that requires physical evidence to believe in one’s suffering. CELEBRATION OF LIFE Ahsanul Haque Fahim's photography captures Holi in Bangladesh, celebrating life with vibrant colors and reflecting human emotions, diversity, and interconnectedness in Dhaka's streets. KOALA COUNTRY Sean Paris invites viewers on a transformative journey, challenging our perceptions and fostering a new appreciation for rural Australia through mesmerizing infrared photography. MOMMIE Arlene Gottfried’s poignant exploration of motherhood in “Mommie” is not just a collection of photographs but a profound tribute to the enduring bonds of family and the universal experiences of love, loss, and resilience. BIFRÖST In "Bifröst," Romain Coudrier masterfully captures Norway's timeless beauty, blending myth with modernity through black and white photography. A stunning exploration. MUD Dedipya Basak's documentary project explores an 800-year-old lake's struggle against global warming, highlighting its relevance and urgency in modern times. A WORLD WITHIN REACH In his Cuba project, Pedro Vidal celebrates human resilience and warmth through captivating imagery, revealing photography's profound ability to encapsulate emotions and memories. UNVEILING VULNERABILITY In a world where masculinity is often synonymous with stoicism and strength, Francesca Tiboni challenges us to reevaluate our perceptions of masculinity, inviting us to embrace the complexity of the male emotional experience. TRANSCENDENTS: SPIRIT MEDIUMS IN BURMA AND THAILAND Mariette Pathy Allen's visual narrative celebrates authenticity, spotlighting Spirit Mediums' enigmatic presence in both possession and daily life. She portrays them as essential to cultures steeped in Animism, reflecting the enduring essence of human authenticity. COALESCENCE Visual diptychs intricately depicting the intimate exchange between a mother and daughter, transcending personal narratives to explore universal themes of transition, acceptance, and the beauty of change. IN THE FOOTSTEPS OF ANSEL ADAMS In following the footsteps of the masterful Ansel Adams, Karin Svadlenak Gomez not only paid homage to his timeless work but also embarked on a transformative journey. PARALELL REALITIES Through her lens, Catia Montagna explores the impact of socioeconomic factors and social norms on our daily lives, revealing the subtle poetry of small, insignificant moments that capture the ‘existential’ and the ephemeral, in the human condition. A TALE OF NATURE AND HERITAGE With her words and photographs, Ana-Maria Alb invites readers to join her on a journey through the breathtaking Carpathians. ON THE TRAIL OF LOVE LOST Through Sasha’s photo essay, we are given a glimpse into a beautiful love story and the unbreakable strength and resilience of the human spirit. Join us as we explore Sasha Ivanov’s heartfelt tribute to Lydia and Nikolai. SAHIB: THE FRANKINCENSE BOY France Leclerc’s documentary exploration embraces the community finding captivating stories for her visual translations. Her story takes us to the village of Poshina, where we meet Sahib. THEY HAVE GONE Lorenzo Vitali felt compelled to explore the landscapes of Eastern Veneto, to understand its emotional affective relationship and document it through his photography. I AM WATER Paola Ferrarotti explores her deep connection with the water and how it has transformed her understanding of life and herself. THE STRANDED PAKISTANIS Anwar Ehtesham captures the beauty of human emotion in all its rawest forms in the face of adversity and offers an insight into the complexity of the lives of the Bihari people and their relationship with their environment. BLINDFOLD CHESS Anastasiya Pentyukhina’s documentation of blindfolded chess provides an insight into this often overlooked world of sports, and sheds light on the unique challenges faced by visually impaired players.

ISLAND Enzo Crispino’s photographic series, “Nêsos,” invites viewers into an introspective journey that mirrors the artist’s rediscovery of his voice in photography after a prolonged period of creative estrangement. READ STORY explore all pictorial stories PICTORIAL STORY ISLAND Enzo Crispino’s photographic series, “Nêsos,” invites viewers into an introspective journey that mirrors the artist’s rediscovery of his voice in photography after a prolonged period of creative estrangement. PICTORIAL STORY BEYOND THE BRICKS Amid Bangladesh’s dynamic urban growth, Anwar Ehtesham’s photography takes us beyond statistics and headlines, revealing the hidden lives of the laborers working tirelessly in the nation’s brick kilns. PICTORIAL STORY OAXACA In Oaxaca, Tommaso Stefanori captures Día de los Muertos, exploring the convergence of life and death, human connections, and enduring cultural rituals through evocative photographs of tradition and emotion. PICTORIAL STORY BEHIND THE PLANTS Wayan Barre documents Cancer Alley residents facing pollution and economic challenges, shedding light on their resilience and the impacts of environmental injustice. PICTORIAL STORY THE RED POPPY AND THE SUN By blending archival and contemporary images, Mei Seva creates a visual story that captures the ongoing struggles and moments of triumph for those impacted by displacement and circumstance. PICTORIAL STORY FIRE AND FORGE Alexandros Zilos delves deep into the harsh reality of sulfur mining, while also capturing the allure of the blue fire phenomenon created by sulfur deposits in the crater. PICTORIAL STORY IN-VISIBLE PAIN Through black and white self-portraiture, Isabelle brings to light the stark reality of living with chronic pain — a reality often dismissed by a world that requires physical evidence to believe in one’s suffering. PICTORIAL STORY CELEBRATION OF LIFE Ahsanul Haque Fahim's photography captures Holi in Bangladesh, celebrating life with vibrant colors and reflecting human emotions, diversity, and interconnectedness in Dhaka's streets. PICTORIAL STORY KOALA COUNTRY Sean Paris invites viewers on a transformative journey, challenging our perceptions and fostering a new appreciation for rural Australia through mesmerizing infrared photography. PICTORIAL STORY MOMMIE Arlene Gottfried’s poignant exploration of motherhood in “Mommie” is not just a collection of photographs but a profound tribute to the enduring bonds of family and the universal experiences of love, loss, and resilience. PICTORIAL STORY BIFRÖST In "Bifröst," Romain Coudrier masterfully captures Norway's timeless beauty, blending myth with modernity through black and white photography. A stunning exploration. PICTORIAL STORY MUD Dedipya Basak's documentary project explores an 800-year-old lake's struggle against global warming, highlighting its relevance and urgency in modern times. PICTORIAL STORY A WORLD WITHIN REACH In his Cuba project, Pedro Vidal celebrates human resilience and warmth through captivating imagery, revealing photography's profound ability to encapsulate emotions and memories. PICTORIAL STORY UNVEILING VULNERABILITY In a world where masculinity is often synonymous with stoicism and strength, Francesca Tiboni challenges us to reevaluate our perceptions of masculinity, inviting us to embrace the complexity of the male emotional experience. PICTORIAL STORY TRANSCENDENTS: SPIRIT MEDIUMS IN BURMA AND THAILAND Mariette Pathy Allen's visual narrative celebrates authenticity, spotlighting Spirit Mediums' enigmatic presence in both possession and daily life. She portrays them as essential to cultures steeped in Animism, reflecting the enduring essence of human authenticity. PICTORIAL STORY COALESCENCE Visual diptychs intricately depicting the intimate exchange between a mother and daughter, transcending personal narratives to explore universal themes of transition, acceptance, and the beauty of change. PICTORIAL STORY IN THE FOOTSTEPS OF ANSEL ADAMS In following the footsteps of the masterful Ansel Adams, Karin Svadlenak Gomez not only paid homage to his timeless work but also embarked on a transformative journey. PICTORIAL STORY PARALELL REALITIES Through her lens, Catia Montagna explores the impact of socioeconomic factors and social norms on our daily lives, revealing the subtle poetry of small, insignificant moments that capture the ‘existential’ and the ephemeral, in the human condition. PICTORIAL STORY A TALE OF NATURE AND HERITAGE With her words and photographs, Ana-Maria Alb invites readers to join her on a journey through the breathtaking Carpathians. PICTORIAL STORY ON THE TRAIL OF LOVE LOST Through Sasha’s photo essay, we are given a glimpse into a beautiful love story and the unbreakable strength and resilience of the human spirit. Join us as we explore Sasha Ivanov’s heartfelt tribute to Lydia and Nikolai. PICTORIAL STORY SAHIB: THE FRANKINCENSE BOY France Leclerc’s documentary exploration embraces the community finding captivating stories for her visual translations. Her story takes us to the village of Poshina, where we meet Sahib. PICTORIAL STORY THEY HAVE GONE Lorenzo Vitali felt compelled to explore the landscapes of Eastern Veneto, to understand its emotional affective relationship and document it through his photography. PICTORIAL STORY I AM WATER Paola Ferrarotti explores her deep connection with the water and how it has transformed her understanding of life and herself. PICTORIAL STORY THE STRANDED PAKISTANIS Anwar Ehtesham captures the beauty of human emotion in all its rawest forms in the face of adversity and offers an insight into the complexity of the lives of the Bihari people and their relationship with their environment. PICTORIAL STORY BLINDFOLD CHESS Anastasiya Pentyukhina’s documentation of blindfolded chess provides an insight into this often overlooked world of sports, and sheds light on the unique challenges faced by visually impaired players. tell your story We want to show engaging work from visual storytellers, documentary photographers, and photojournalists from all around the world. We want important or interesting stories to be seen and read, new or old, and from anywhere. submit © Karin Svadlenak Gomez

VOLUME ONE- NEW YORK BUY NOW © Copyright ISLAND BY ENZO CRISPINO Enzo Crispino’s photographic series, “Nêsos,” invites viewers into an introspective journey that mirrors the artist’s rediscovery of his voice in photography after a prolonged period of creative estrangement. READ STORY PICTORIAL STORY BEYOND THE BRICKS Amid Bangladesh’s dynamic urban growth, Anwar Ehtesham’s photography takes us beyond statistics and headlines, revealing the hidden lives of the laborers working tirelessly in the nation’s brick kilns. INTERVIEW DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her street compositions. PICTORIAL STORY BEHIND THE PLANTS Wayan Barre documents Cancer Alley residents facing pollution and economic challenges, shedding light on their resilience and the impacts of environmental injustice. INTERVIEW LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. PICTORIAL STORY OAXACA In Oaxaca, Tommaso Stefanori captures Día de los Muertos, exploring the convergence of life and death, human connections, and enduring cultural rituals through evocative photographs of tradition and emotion. INTERVIEW FRAGMENTS OF MEMORY Dasha Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. INTERVIEW THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. PICTORIAL STORY THE RED POPPY AND THE SUN By blending archival and contemporary images, Mei Seva creates a visual story that captures the ongoing struggles and moments of triumph for those impacted by displacement and circumstance. PICTORIAL STORY FIRE AND FORGE Alexandros Zilos delves deep into the harsh reality of sulfur mining, while also capturing the allure of the blue fire phenomenon created by sulfur deposits in the crater. PICTORIAL STORY IN-VISIBLE PAIN Through black and white self-portraiture, Isabelle brings to light the stark reality of living with chronic pain — a reality often dismissed by a world that requires physical evidence to believe in one’s suffering. INTERVIEW CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. PICTORIAL STORY CELEBRATION OF LIFE Ahsanul Haque Fahim's photography captures Holi in Bangladesh, celebrating life with vibrant colors and reflecting human emotions, diversity, and interconnectedness in Dhaka's streets. INTERVIEW THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerizing, evocative images that honor the craft's rich heritage. LIMINAL SPACES IN CONVERSATION WITH ANNA TUT Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. READ INTERVIEW SELECTED STORIES FINDING HOPE AT THE UKRAINIAN BORDER When the war broke out in Ukraine, Sonia Goydenko volunteered her services. She describes her personal journey. RUNNING TO NOWHERE Documentary photographer Christina Simons travelled to Central America embarking on a visual journey to pursue, share and expose the...Why? END OF AN ERA Mish Aminoff opens her aperture, revealing her impressions on the days following the Queen’s death leading to the funeral procession. SOMETHING ABOUT THE FUTURE Francesca Tiboni investigates through a series of collaborative portraits with her daughter Cecilia her transition into adulthood. WONDERLAND Visual artist Karen Ghostlaw Pomarico invites us to step through her looking glass with her, and experience Wonderland for themselves. ZAINAB THE SUPER FARMER Anwar Sadat tells the story of super farmer Zainab who improved her standard of living through education programmes. MODERN NOMADS Callie Eh takes us to the steppes of Mongolia to document a family of nomadic herders. THE INVISIBLE WORKERS Adrian Whear traveled to Bangladesh where he was introduced to the people that churn out bricks by hard manual labour. ROCKETGIRL CHRONICLES These chronicles are a tribute to a family's strength and inspiration on how to find the possible in the seemingly impossible. AMY'S ASHES Photojournalist Camille J. Wheeler shares her impactful story about Scotty and his mother Amy. EXPLORE STORIES DAYDREAM IN MEMORIES OF YOUTH IN CONVERSATION WITH STEPHANIE DUPRIE ROUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. READ INTERVIEW SELECTED INTERVIEWS REPRESENTING THE PEOPLE Camille J. Wheeler documents Austin's streets, with a particular focus on its homeless community. COMEDIANS Steve Best documents the British comedy scene, backstage and on stage, the highs and lows, and the joy of being a comedian. QUARANTINE IN QUEENS Neil Kramer's humorous and compassionate lockdown diary has gone viral. ENROUTE TO THE PINES Robert Sherman shares his documentary series about drag queens celebrating the 'Invasion of the Pines'. SERVICE INTERRUPTION Wojciech Karlinski documented Poland train stations during the pandemic, highlighting their formal and aesthetic side. VOICES OF THE NILE Voices of the Nile by Bastien Massa and Arthur Larie is a project documenting the relationship of Ethiopians with the Blue Nile. BREAKS FROM REALITY The magic only dreams are made of become reality for viewers as they engage in the poetic imagery of Mariëtte Aernoudts. BEYOND THE STORY Through her documentary photography, Christina Simons is compelled to tell the stories of those who are unable to do so themselves. EXPLORE INTERVIEWS © Russell Cobb join the Pictorial Community >>> Media Partners BUILDING A COMMUNITY OF PHOTOGRAPHY If you are a photographer with a photo story to share then we would love to see it! We want to help support you and the work you create. Share your photography projects with us. submit © Bill Lacey

SPOTLIGHT ENZO CRISPINO Naples, ITALY see portfolio AARON RUBINO ABBIE BRIGGS ABHAY PATEL ABHISHEK SINGH ADAM SINCLAIR ADESH GAUR ADRIAN PELEGRIN ADRIAN TAN ADRIAN WHEAR AGATA LO MONACO AHMET HOJAMYRADOV AJ BERNSTEIN ALAN THEXTON ALESSANDRO GIUGNI ALEX FRAYNE ALEX GOTTFRIED BONDER ALEX RUTHERFORD ALEXANDRA AVLONITIS ALEXANDROS ZILOS ALEXEY STRECHEN ALICIA HABER AMY HOROWITZ AMY NEWTON McCONNEL ANA-MARIA ALB ANASTASIYA PENTYUKHINA GET ON THE LIST © John St.

2025 PHOTOGRAPHERS © Stephanie Duprie Routh STEPHANIE DUPRIE ROUTH Texas UNITED STATES

STEPHANIE DUPRIE ROUTH ARTIST'S STATEMENT // I use photography to explore themes of womanhood, the essence of place, and the transitions of human experience. My work involves layering and interventions to create different ways of seeing and considering identity. My work has been recognized by the Julia Margaret Cameron Awards, IPA Awards, and LensCulture. In 2024, I was nominated to apply for the Leica Oskar Barnack Award. My images are included in the collections of The Wittliff Collections, CENTER Image Library and Archive, Texas A&M University, Concordia University, Austin-Bergstrom International Airport, and The Loren at Lady Bird Lake, as well as private collections. I have exhibited my work in the United States, Japan, Italy, Spain, and India, through galleries and juried shows. My work has been published by RAW Magazine, FRAMES Magazine, PDN Magazine, National Geographic Traveler, Dodho Magazine, and The Austin Chronicle, as well as other independent photo reviews. I have participated in discussion panels and interviews conducted by art curators. My first monograph, Where the Ocean Drinks the Sky (2021), is installed in hotel rooms and has sold out two editions. My second book, Daydream in Memories of Youth (2024), received Honorable Mention from the Paris Photo Prize and the International Photography Awards. It was also named a Juror Top 5 pick in the IPA 2024 competition. I undertake assignments, commissions, and personal projects worldwide. LOCATION Texas UNITED STATES CAMERA/S Leica QP, Leica M10, Fuji XT-3 and Fuji XT-5 CATEGORY fine art, conceptual, street and documentary WEBSITE https://stephanieduprierouth.com/ @STEPHANIEDUPRIEROUTH FEATURES // Daydream in Memories of Youth

ADRIAN TAN be inspired Gallery // ARTIST STATEMENT // I vividly remember that one special moment when I first stumbled upon photos of candid human expressions and stylish contrast street work of some of the best photographers out there. The thought of capturing moments whilst playing with light and composition elements hit me. I'm Adrian, a passionate street photographer living in Singapore. Fascinated by the playful shadows and intentional blown out highlights of Trent Parke's photography and the aesthetically brilliant work of Thomas Leauthard, I headed out to the streets with an old camera in hand and never stop learning. LOCATION SINGAPORE CAMERA Olympus EM10 and Fujifilm X-Pro2 CATEGORY street, fine art @ADRIANO.RH FEATURES // Harmony of Contrasts

INTERVIEW February 24, 2023 COLORI SOSPESI NEL TEMPO. GEOMETRIE DI UN'ISOLA (COLOURS SUSPENDED IN TIME. GEOMETRIES OF AN ISLAND) Photography by Alessandro Giugni Interview by Karen Ghostlaw Pomarico Alessandro Giugni is a reportage photographer living and working in Milan, with a strong connection to the culture and traditions that make Italy his home. He believes that one must understand where they come from, and who they are, before they can translate authentic visual stories about others. Alessandro makes real connections by engaging the people around him on a daily basis in many different ways. He balances running his grandfather's coffee business, roasting and distributing one of the finest coffees in Italy, while as a lawyer with a law degree, Alessandro performs legal services for his community. These connections have become the foundation for inspiration for his reportage photography. For Alessandro they are all interconnected, and are the basis for his visual storytelling, finding the extraordinary in the ordinary in everyday life around him. Alessandro has a true respect for the people he engages, finding genuine interest in their traditions, and feeling true joy in sharing them. He shares in his own words: “For over 10 years I have been assiduously engaged in the study and deepening of every single aspect of photography in general. In recent years, I have found my genre of reference in reportage, resulting in some works that have been both published and exhibited in some important museum exhibitions. I love photography as I consider this art form as much a means of expressing myself as the main vehicle through which to narrate our time. If I had to give a definition of my way of photographing, I would answer that I feel the need to tell the story of human beings contextualized in the time in which we live, without hiding their strengths and weaknesses. My photographic works are never children of chance: I love observing society, its evolutions, the behavior and expressions of the people around me.” In December 2022, Alessandro had the honor of being awarded the ‘Fiorino d’Argento’, by the Municipality of Florence, in the presence of the highest Florentine authorities, with prestigious recognition of this international calibre. This recognition was bestowed upon Alessandro, during the renowned award ceremony of the XXXIX Edition of the Florence Prize in the spectacular setting of the Salone dei Cinquecento in Palazzo Vecchio. Today we have the pleasure of sharing Alessandro's colorful expressions and visual depictions of Burano with his brilliant series from his project ‘Colori Sospesi nel Tempo. Geometrie di un’Isola’. We are delighted to share his insightful views and process for visual storytelling. “The work ‘Colori Sospesi nel Tempo. Geometrie di un’Isola (Colours suspended in time. Geometries of an Island)’ stems from an intuition I had in July 2020 during a trip I made to the Island of Burano after many years of absence from that place. What had changed in me on that occasion compared to the last time I had visited that place was the critical approach with which, after specializing in reportage, I began to look at the reality around me. Today, I am no longer a mere spectator of the world and the events that take place in it, but a careful observer and curious seeker of the innermost reasons behind all the facets, even the most apparently trivial, of everyday life. This approach allows me not only to discover singular aspects of the lives of the people I frequent and the history of the places I visit, but at the same time ensures that I can create wide-ranging photographic projects. With reference to the Island of Burano, I discovered that the bright colours of the houses that adorn it were the result of the inhabitants' desire to allow those who were engaged in fishing for moeche (small crabs typical of the Venetian lagoon) to find their homes after long night fishing sessions, even in the thick fog that frequently grips these places during the long winter months. Each family, therefore, has been assigned a unique shade of colour.” “Since this is an island that, despite its small size, attracts an average of one and a half million tourists every year, I wanted to essentialise the presence of human beings as much as possible, focusing on the interconnection between natives and their pastel-coloured homes. So, I searched around me for everyday objects (such as bicycles, slippers, chairs, shoes, clotheslines, clothes hanging in the wind, brooms) and, playing on the contrast between the colours of the houses and the presence of the aforementioned objects, I created a story that transcends the boundaries of the physical world and rises to a dimension that I would call metaphysical, in a succession of photographs of places that seem suspended in time.” IN CONVERSATION WITH ALESSANDRO GIUGNI THE PICTORIAL LIST: Hello Alessandro, it is wonderful to share your photography with our community. Please tell us all a little about what first drew you to photography, and what inspired your interest and devotion to reportage photography? ALESSANDRO GIUGNI: Hi Karen, first of all I would like to express my enthusiasm and gratitude to you and the whole team at The Pictorial List for the opportunity you have given me by showing interest in my photography and for the amazing work you do! As for your question, I must confess that I cannot tell you exactly when my interest in photography generally blossomed. As happens with the greatest loves in life, the one for photography grew day after day, experience after experience, it slowly matured until it became disruptive: at that point, it was no longer possible to restrict it to a simple hobby and I felt the need to translate photography into a real job, finally dedicating to it the time I felt it deserved. The predilection for reportage, on the other hand, has a well-defined genesis. I realized that this would become my genre of reference after reading two books specifically: The Americans by Robert Frank and Morire di Classe by Gianni Berengo Gardin. The photographs contained in those works contributed to bringing about very strong changes in society. Just think that Berengo's work was instrumental in bringing to light the condition of the mentally ill detained in real prison facilities and was also fundamental to the promulgation of Law 180/1978, the so-called Basaglia Law, which led to the closure of asylum institutions in Italy. I have always paid particular attention to society, to its evolutions, to understanding the roots of customs and traditions. So how could I have preferred any other genre than reportage? TPL: Could you tell us what living in Milan has inspired in your work? What special qualities unique to Milan influence your street and the way you portray your community? AG: Living in Milan you certainly have endless opportunities in terms of everyday situations that can happen on the streets. What this city has given me most of all, however, is the ability to untangle the thin thread that connects the indifference and mistrust of the people who live there. In a place like Milan, where everything on the surface seems to be so close, human beings actually seem to be very distant from each other, inattentive to the needs of their neighbors and reluctant to open themselves up and share their time with other people. TPL: What importance does storytelling or key themes hold for you? AG: I find that defining a narrative line that acts as a thread between one's photographs is of vital importance. This is the case both when one is working on a specific theme and when one is photographing for pure pleasure. Having a precise awareness of one's archive means that, often and willingly, by going back and looking at photographs that are apparently unconnected, one is able to find a lowest common denominator and thus give rise to unexpected works. TPL: What are you trying to achieve artistically? What do you want your photographs to inspire, what would you like the viewer to take away with them from your work? AG: I will answer this question by allowing myself to slightly twist the initial part of it. More than an 'artistic' purpose, I pursue a 'social' purpose with my photography. Let me explain myself better. People nowadays pay less and less attention to the world around them, crushed as they are by the weight, which I would erroneously define as relative and autonomously often exaggerated, of responsibilities, of commitments that are more often than not superfluous. Most people live by projecting onto objects, onto often superfluous things, a misinterpreted need for inner searching, missing out in the process all that life and the world around them really have to offer. Here, in a context such as the one I have just described, I believe that photography, especially reportage photography, has a duty to operate in order to awaken consciences, unveiling those small, great realities that are often so close to us, but at the same time, because of our lifestyle, so distant. When I think of my country, Italy, I realize how much beauty it contains that is so little known. We have some of the most unique folk festivals, some small municipalities preserve traditional customs, we have beautiful places of worship, and almost forgotten rituals. If reportage photography has a task, I believe it is to shed light on this hidden world. TPL: What was the first camera you ever held in your hand, brought to eye, and released a shutter on? What is the camera you use now and your preferred focal length? Does the equipment you use help you in achieving your vision in your photography? What is on your wishlist? AG: My first camera was given to me by my paternal grandfather, to whom I was very close. I can't tell you the exact model name, it was one of those small Canon cameras from the early 2000s that were offered by petrol stations as a prize following the collection of almost endless loyalty points and that allowed, in addition to recording videos, to take photographs. I distinctly remember that the files had a maximum size of 1 megabyte! Thinking about it today, one can only smile. Today, after years of long experimentation and almost 10 years at Canon, I have found my perfect medium in Leica's M-system. I mainly work with film, although the practicality of digital, especially when traveling abroad, is unavoidable, which is why I always carry both my faithful M3 and an M-P 240 with me. I have chosen to stick with this system for a very simple reason: the intuitiveness of the rangefinder, which often leads me to be faster than the autofocus, the compact size of the M and the practicality of use make these cameras a natural extension of my eye and the most natural medium with which I have ever photographed. In addition, after years of practice, I have learnt never to close my left eye, which helps me to maintain eye contact with my subjects and to eliminate the shyness that people often put between themselves and the photographer, feeling strongly separated from them by the presence of the camera. I recently bought a Leica Q2 because of both the practicality it shares with the M-System and the impressive quality of the 28mm Summilux it carries. Having now defined my photographic vision around a focal length between 28mm and 21mm, I couldn't have made a better choice. I prefer this type of focal length for a very simple reason: thanks to it, I am obliged to immerse myself in the situations I want to tell, I have to establish a dialogue - which comes extremely naturally to me - with my subjects, I have to become part of the story myself in order to make my narrative true. Over the years, I have dedicated myself almost exclusively to black and white and have started to use film more and more frequently, eventually becoming my main medium. This choice depended on several factors: the non-immediate visualization of the shots, the pleasure of confronting chemistry, the desire to master every stage of the creative process, and learning how to also manage the development phase as required. Through film, moreover, I can build a material archive, which is impossible to achieve through the digital medium. TPL: Do you have any favourite artists or photographers you would like to share with us. If you could just choose one photographer to shoot alongside for a day...who would you choose? And why? AG: As I said at the beginning, two of my absolute favourite photographers are Gianni Berengo Gardin and Robert Frank. My photography, however, has been influenced by the work of many others. The suspended atmospheres of Luigi Ghirri, the harshness of Don McCullin's stories, the aesthetic and content perfection of Sebastiao Salgado, the order of the industrial architecture photographed by Gabriele Basilico, the surrealism of Ikko Narahara, the poignant simplicity of Deanna Dikeman, the indefinable perfection of Fan Ho's photographs, the symbolism of Shomei Tomatsu, the eroticism of Nobuyoshi Araki, the three-dimensionality of Hiroji Kubota's stories. Which one would I choose? I could not have any doubt about that. Definitely Gianni Berengo Gardin. A photographer who has explored the innermost realities of my country, the one who, in my opinion, more than any other compatriot has been able to build, with an immense photographic archive, a true historical memory of Italian tradition and culture. A photographic day with him is certainly worth more than decades of studies on our reality. And, as far as I am concerned, his photographic vision and the power of his photographs are and will be difficult to equal in the future. I have always paid particular attention to society, to its evolutions, to understanding the roots of customs and traditions. So how could I have preferred any other genre than reportage? TPL: What have been some of your most favorite places you find inspiration to explore through your photography, and what draws you there? AG: Without a shadow of a doubt, the two places that have been, and still are, able to inspire me the most are Venice and the entire hinterland of Tuscany. I say Venice, on the one hand, because of the incredible wealth of situations and happenings that take place along the city's narrow streets, and on the other hand because of the inexhaustible compositional opportunities offered by the mixture of canals, bridges, arches and historical monuments. It is no coincidence that one of my absolute favourite photographs was taken on a rainy day in Fondamenta Nove, one of Venice's Sestieri. On the other hand, I say the hinterland of Tuscany because of the unparalleled beauty of the villages and views that adorn the Chianti Valley and the Val d'Orcia. Places that seem suspended in time, constantly waiting to see their beauty and richness captured by the eye of an attentive photographer. TPL: When you photograph, do you usually have a concept in mind of what you want to achieve, or do you let the images just "come to you", or is it both? Please describe your process. AG: Let's say that even in this case, I think there is no universally valid answer. It depends on the situation. I'll give you an example to make it clearer what I mean when I say that it depends on the situation. If the work I am doing is the child of a long and painstaking planning, if it has been preceded by a long study of the subject matter of the reportage, then I certainly start off by moving from a narrative scheme that I have already devised beforehand and to which I want the photographs to conform. Beware, however, because this does not mean that I will remain bound to the aforementioned narrative scheme. For me, it operates as a guideline to steer the project in the right direction and without crossing boundaries that would make the narrative confusing. Since I am aware that reality and the situations one is faced with are almost never predictable, I have developed a strong sense of adaptation to what I am faced with and have learnt to rely on instinct. If, at the moment I go to take a photograph, I feel that something is right, I trust my photographic instinct and follow it without qualms. It is intuition, the child of years of experience, of acquired photographic culture and of all the images of the great masters that have been studied, that gives rise to truly good work. The proof of what I am saying can be found in many of my works, which were born on paper in one way and then evolved in my mind, as a consequence of cogent situations, almost by chance, by instinct precisely, in a totally different way. TPL: What are some challenges that you have faced as a photographer, how did you meet them and overcome them? Do you have any advice you would share from your personal experiences? AG: I believe that the most important challenges I have faced in my photographic journey are basically two. Firstly, the need to create for myself a cultural and technical background so vast that I can face any adversity and, at the same time, so solid that I can develop a real awareness of how to make meaningful work from start to finish. Although many people claim to have enough culture to face any challenge and to live in serenity, I personally believe that one never stops studying. Secondly, I believe that the greatest challenge for a reportage photographer is to overcome people's distrust. When you have to relate to other human beings, you have to take into account that not everyone has the same sensitivity. Not everyone, for instance, might like to be photographed. I often see self-proclaimed photographers in the streets pointing their lens in the faces of people going about their daily lives and photographing them without any respect. That, to my way of seeing things, is the best way to receive a lot of insults and to cause harm even to those who, like me and many other photographers I have met along the way, are aware of what it means to have ethics. The first rule should be one and simple: respect. Respect for privacy, respect for the state of mind of others, respect for the dignity of others, respect for the history, life and experience of those who become the subject of one of our photographs. We cannot know what the people on the other side of the lens are going through or experiencing. Asking permission or even simply smiling, being willing to explain our work, to invest our time in giving something of ourselves in return to those who have given us a moment of their lives, can be a great way to almost never have problems in a reportage or a simple street photography session. TPL: With the diversity in your work, how do you manage a work/photography balance? AG: This is definitely the most difficult question to answer. I must say that it is not at all easy to disentangle myself between running the coffee company originally founded by my grandfather, working in my father's law firm and reporting. I believe there is no universally valid answer other than having learnt to distribute the time of my day in a way that does not negatively affect any of the above activities. I generally dedicate the mornings to running the business and the afternoons to working in the law firm, while the evenings are devoted as much to training and meditation as to developing and filing photographic work. In order to be able to carry out my reportages fully, I set dates well in advance for trips or simple travels and, at that point, I organize my other work commitments so that I can have whole days available for the realization of the photographic work. TPL: Are there any special projects that you are currently working on that you would like to let everyone know about? What are some of your photography goals? Where do you hope to see yourself in five years? AG: I am currently working on what I consider to be my most ambitious project to date. For the past few months, in fact, I have been pursuing a photographic investigation of the esotericism of the Catholic Church, a story I am telling by periodically staying for a few days in ancient monasteries and taking part in the life of the monastic communities there. I have also already found the title for the work, namely In Silentio et In Spe Erit Fortitudo Vestra, a title I have taken from a passage in the Bible, more precisely from the Book of Isaiah (30:15). We will have the opportunity to talk more about this work in the future. I do not, however, make predictions about where I might be in five years' time. I prefer the course of events to set the course. I firmly believe that commitment and dedication always pay off and that results, if you really believe in what you do, will come. TPL: "When I’m not out photographing (I like) to... AG: My time is almost entirely devoted to running my coffee company and working with my father in his law firm. The rest of my time is spent with my family and my partner, components of my life that, although listed last, are always at the top of my priority list." Thank you Alessandro for your bright and colorful reportage of Burano, and for sharing the secrets behind the colors. We are delighted to share his insightful views and process for visual storytelling. Please check out the rest of his work he has shared with us on our website, you will see some of his influences in reportage in black and white, where light and shadow become his visual aids. Follow his links and learn more about our artist, and share his love of Italy. VIEW ALESSANDRO'S PORTFOLIO Website >>> Instagram >>> read more interviews >>> DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. 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GABRIEL SOLLBERGER be inspired Gallery // ARTIST STATEMENT // I am addicted to light and constantly looking for special moments in everyday life. Even though I love landscape photography and big vistas, the images that resonate most with me are usually the ones showing something that most would consider banal. I try to capture such situations in a way that allows everybody to see what I found special about them. It can be a special angle of light, an unusual juxtaposition or a feeling of solitude in an empty man made landscape; anything that elevates an unspectacular scene to something beautiful, something worth protecting. LOCATION Dundee SCOTLAND CAMERA Sony A7iii, Minox 35 ML, Canon EOS 550D CATEGORY landscapes, cityscapes, topographics, architecture @SOUL_BERGER FEATURES // Topographical Vistas