INTERVIEW INTERVIEW August 14, 2020 PHOTOS PUNCTUATING LIFE Photography by Suzanne Phoenix Interview by Melanie Meggs Suzanne Phoenix, a Melbourne-based photographer, has been using her camera to capture people and places through events, live music and performance, documenting street and daily life. Unconstrained by judgement, Suzanne's lens unlocks a world of beauty and wonder, allowing her to explore and grow in a creative way. Her unique style of photography is both captivating and thought-provoking, as she often focuses on topics which need more representation, pushing herself beyond her boundaries. It is this certain kind of magic which has earned her much recognition and respect in the photographic world. With her passion for photography pulsing through her veins, Suzanne punctuates her life with photographs that tell vivid stories and make an impact. Come along with us as we explore Suzanne's inspiring journey. An artist serves their community. - Amanda Palmer “When I worry about focusing too much on things that I am close to, love and am part of and think I should be working bigger, I remember the way I can best serve is in those very places.” IN CONVERSATION WITH SUZANNE PHOENIX THE PICTORIAL LIST: Suzanne, when did you start getting interested in photography? SUZANNE PHOENIX: Photography has been a love of my life. My family and my Nana showed great respect and importance of photographs. My Nana was terrible at it, always with a thumb over the lens, a shadow or missing the subject completely. I now adore and treasure her photos, they are completely surreal, you couldn’t make these photos if you tried. I have photographed since before I was 10 years of age, unfortunately it’s not one of those cool ‘my grandparents gave me their box brownie’ kind of stories. It was a red plastic Kmart job. I really only thought I could take it more seriously in about 2012. I am mostly self-trained; I learn best through doing. I have participated in a few photography and artist/photo books masterclasses with Stephen Dupont, and Kate Baker was my mentor for several years. I have done many and varied jobs and still do other work alongside my photography, like most artists I know. I have been a cherry picker, Feng Shui consultant, filing clerk to CEO, lots of work in community settings, neighbourhood houses and local government. TPL: Where has photography taken you? I heard you say in an interview that you were a shy person. How has photography helped you to overcome this barrier? SP: Photography has taken me everywhere! Well not everywhere, but a lot of places. From, taxidermy championships, jelly wrestling, ute musters, sex shops, protests, dirt drag races, death metal gigs to a drag queen festival in the desert. I will always be a shy person underneath. Putting myself out there is a skill I developed firstly by becoming confident in myself and through my working career. But photography has taken it to a whole new level. If I have a reason to be somewhere, I can be comfortable, and photography gives me that reason. TPL: Even though you don’t like to label yourself with a certain style of photography, where does your main passion lie...what excites you? SP: People and place I think excite me the most. People at both ends of the spectrum from just being themselves to being completely extreme. And moments, it’s all about the perfect, often unseen, moments. TPL: How do you choose your subjects and your projects? Where do you find your inspiration? SP: This relates to the previous question, the everyday and the extreme, and just things I love in life. Around the next corner, in a facial expression and human exchange. Projects are often about focusing on an area where I want to see more representation or an interpretation by a female gaze. TPL: Who are your favourite artists or photographers? Who has mostly influenced your style? SP: Rennie Ellis, Diane Arbus, Patrick Pound, Nan Goldin, Agent Cleave, Amy Taylor, Jack Picone, David Wadelton, Megan Lewis, Stephen Dupont, Betty Grumble and Cash Savage. All these artists have influenced my style in different ways. Some influenced (and continue to influence) my approach, to know when to be brave, step forward and when to stay in the shadows and observe. Projects are often about focusing on an area where I want to see more representation or an interpretation by a female gaze. TPL: Victoria is unfortunately going through it's second wave of COVID-19, and some areas are faced with total lockdown whilst other areas statewide are on level 3 or 4 restrictions...regarding your Project ISOLATION PORTRAITS, what are your feelings and the general feeling of your community second time around? SP: In the second stage of the project the community felt very different. Restrictions were still in place until the end of May, and then relaxed a little in June, but we were still in isolation and encouraged to stay home. Some people were returning to the workplace and transitioning from home schooling. People seemed to be going back to the usual busyness of their pre-COVID-19 lives. There was less willingness and ability to participate in this series. Many people also appeared tired, frustrated and worn down. I plan to commence stage 3 shortly and I imagine the feeling will be different again. I am continuing with this series partly because it is a rare opportunity to document but also because it keeps me photographing. I lost all of my photography business when COVID hit. TPL: Has your style of photographing changed since you first started? SP: I’m really not sure. I probably didn’t have a style at the beginning. I try to not box myself into having just one style and keep challenging myself to learn different ways of shooting and creating diverse work. TPL: Do you think equipment is important for achieving your vision in your photography? What would you say to someone else just starting out? SP: My only real comment on equipment is that I like to use a camera and lens that is small and quiet. This enables me to create imagery without people thinking I am serious; they barely notice me. And if I have engaged with them, they are not intimidated by the equipment and rarely put up a facade. It is helpful for me to have the right equipment for particular settings like music festival, but I usually just carry one camera and lens and create what I can with what I have. To someone wanting to start out in my genre of photography, I’d just say get out there and shoot. Read books, look at the photos of the greats and the emerging and go to exhibitions. But most importantly, just shoot. TPL: What are some of your goals as an artist? SP: My art helps me to navigate the world, it’s joys and its challenges. My main goal is that photography stays that way for me. To be making work I am proud of. Making a living. Not compromising my ethics. Experiencing life. Making a difference. TPL: Are there any special projects you are currently working on? SP: I am working on ‘Isolation Portraits – Stage 3’ while we are in stage 3 restrictions. Alongside this I have commenced a long-term series of nudes. 2021 sees the 10th year of my International Women's Day series and I have a few big plans for this. All new portraits will have a focus entirely on BIPOC ( Black, Indigenous, People of Colour ). Other aspects of the series are yet to be announced but it will include a self-publication and look back at the past 9 years. TPL: “When I am not out photographing, I (like to)... SP: Think about photography.” Suzanne Phoenix's photography creates an opportunity for us to view the world through her unique artist's lens. Her work often pushes boundaries and opens up conversations about topics that are often overlooked. By combining her passion for photography with her desire to represent and challenge the status quo, Suzanne has created artwork that speaks for itself. Use the links below to see more of Suzanne's inspiring work and learn more about the artist and her message. VIEW SUZANNE'S PORTFOLIO Read ISOLATION PORTRAITS by Suzanne Suzanne's website >>> Instagram >>> read more interviews >>> MARCH FORWARD Through photography, Suzanne Phoenix creates a space for representation, recognition, and resistance — ensuring that the voices of women and gender-diverse people are seen, heard, and celebrated. FLUX: Exploring Form, Luminescence, and Motion Amy Newton-McConnel embraces unpredictability, finding structure within chaos and allowing light to guide the composition. AN ODE TO SPONTANEITY AND SERENDIPITY Meera Nerurkar captures not just what is seen but also what is felt, turning the everyday into something worth a second glance. THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth. FUTURE HACKNEY Don Travis and Wayne Crichlow are the photographers and community advocates behind Future Hackney, merging photographic activism and social engagement to amplify inner-city marginalized communities' voices. DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons.

PICTORIAL STORY PICTORIAL STORY August 24, 2024 THE RED POPPY AND THE SUN Photography and Story by Mei Seva Introduction by Melanie Meggs Mei Seva is a storyteller who uses her camera to capture moments and reveal the layered narratives of human experience, migration, and socio-political transformation. Born in Elbasan, Albania, Mei’s journey as a documentary photographer and visual artist finds its heart in the profound dislocations of leaving one’s homeland — a journey she intimately understands. Mei’s photographic exploration spans continents, echoing the reverberations of her own familial upheavals. Now based in New York City, United States, her work resonates with hues of migration’s melancholy and the stark realities of inequality. Her images, imbued with a serene palette and a tender gaze, juxtapose the tranquility of form with the weight of human struggle. Each frame tells a story — a testament to resilience, a testament to loss. Graduating with a combination of Peace and Conflict Studies and Art from Hampshire College in Massachusetts, United States, Mei’s academic journey enriches her artistic perspective, imbuing her work with a profound depth that goes beyond aesthetics. Exhibitions from Portland to London bear witness to her unwavering exploration of societal fault lines, where her photographs serve as conduits for dialogue on environmental degradation, cultural identity, and the enduring impacts of geopolitical unrest. Her 2022 outdoor installation, funded by the Amherst Arts Council in Massachusetts, shows Mei’s commitment to public discourse, weaving together refugee narratives through photography. It is in these public spaces that Mei's art moves beyond the gallery, becoming a mirror reflecting our collective humanity. Central to her practice is the narrative of her own heritage, rooted in Albania’s tumultuous past and the harsh realities of economic disparity. Through the eyes of her grandparents, figures etched with both stoicism and sorrow, Mei chronicles Albania’s journey — from the fall of communism to the impacts of neoliberalism. In her ongoing documentary project, shot on 35mm film, Mei intertwines archival imagery with familial memoirs, painting a tableau of resilience against the backdrop of Albania’s changing landscape. Here, every photograph becomes a testament to endurance, a bridge across generations, and a solemn plea for understanding in a world where borders are both physical and metaphysical. Mei’s journey is more than an artistic pursuit; it is a quest for empathy and a testament to the power of storytelling. In the chiaroscuro of her photographs, viewers find not just images but reflections of their own narratives — fragments of hope, pieces of memory, and the unyielding spirit that binds us all. There is one photograph imprinted in my brain of my grandpa. The photograph was taken the day I left Albania for America when I was six years old. I am sitting on his lap outside the airport, and he is wearing sunglasses that hide his red eyes, red from the tears. Despite being thousands of miles apart from them for most of my life, my grandparents have been a guiding force, serving as stable parental figures despite massive cultural and, at times, linguistic barriers between us. Every year that I choose to go back to the “motherland,” to my family, we are forced to face the pain of goodbyes. How do you say goodbye for 360 days or more, accepting the missed birthdays, holidays, mornings, and nights? “We could fill buckets with all the tears we’ve shed at airports,” said a family member to my grandma, who was expressing sorrow at my leaving so soon. Touching on themes such as immigration, social inequality, the legacy of communism, and the impacts of neoliberalism, my long-term documentary photography project aims to bridge the gap between Albania’s past and present through the lives of my family, particularly my grandpa, Fatmir Zavalina. Born to a family of farmers and then a member of the Communist Party from a young age, he has witnessed Albania’s massive social and political upheavals, from the early days of communism to the fall of the regime, a civil uprising, and the country’s slow rebuilding and recent transformations. He is a symbol of Albania’s history and its turbulent past and is the protagonist of this story. However, my grandma and other extended family will serve as supporting characters, aiming to show how my family has been affected by Albania’s political instability. Albania is one of the poorest countries in Europe and has faced a mass exodus of people since the fall of communism. The Albanian diaspora, estimated at 8 million, is larger than the population of the entire country, estimated at 2.8 million. My grandparents have faced the pains of immigration and family separation firsthand, having both of their children and all three grandchildren leave Albania. Through archival imagery, family photos, writing, and photographs of sites of significance in my family’s lives, my project illustrates the passage of time and illuminates how political systems affect the lives of everyday people. Shot primarily on 35mm, the analog quality of the photographs lends itself to the conversation with the past my project aims to achieve. © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva © Mei Seva In summary, Mei Seva’s body of work reflects the strength and complexity of human experience in the face of migration and societal upheaval. Through her photography, she goes beyond documentation and offers a thoughtful examination of Albania’s history and its effects on future generations. By blending archival and contemporary images, Mei creates a visual story that captures the ongoing struggles and moments of triumph for those impacted by displacement and circumstance. She transforms personal grief and familial history into a universal language of compassion and resilience. Her work sheds light on the unseen threads of displacement and identity, but also encourages viewers to engage in a larger conversation about the impact of political and economic forces on individual lives. Her work serves as a reminder of the ability of art to bridge gaps, provoke introspection, and foster a deeper understanding of the human experience. view Mei Seva's portfolio Website >>> Instagram >>> The views, thoughts, and opinions expressed in the text belong solely to the author/s, and are not necessarily shared by The Pictorial List and the team. read more stories >>> VANISHING VENICE Lorenzo Vitali’s portrayal of Venice is an almost surreal experience — where time dissolves, and the viewer is left with the sensation of stepping into a dreamscape. CLAY AND ASHES Abdulla Shinose CK explores the challenges faced by Kumhar Gram's potters, balancing tradition and adaptation in the face of modern pressures. ISLAND Enzo Crispino’s photographic series, “Nêsos,” invites viewers into an introspective journey that mirrors the artist’s rediscovery of his voice in photography after a prolonged period of creative estrangement. BEYOND THE BRICKS Amid Bangladesh’s dynamic urban growth, Anwar Ehtesham’s photography takes us beyond statistics and headlines, revealing the hidden lives of the laborers working tirelessly in the nation’s brick kilns. OAXACA In Oaxaca, Tommaso Stefanori captures Día de los Muertos, exploring the convergence of life and death, human connections, and enduring cultural rituals through evocative photographs of tradition and emotion. BEHIND THE PLANTS Wayan Barre documents Cancer Alley residents facing pollution and economic challenges, shedding light on their resilience and the impacts of environmental injustice. THE RED POPPY AND THE SUN By blending archival and contemporary images, Mei Seva creates a visual story that captures the ongoing struggles and moments of triumph for those impacted by displacement and circumstance. FIRE AND FORGE Alexandros Zilos delves deep into the harsh reality of sulfur mining, while also capturing the allure of the blue fire phenomenon created by sulfur deposits in the crater. IN-VISIBLE PAIN Through black and white self-portraiture, Isabelle brings to light the stark reality of living with chronic pain — a reality often dismissed by a world that requires physical evidence to believe in one’s suffering. CELEBRATION OF LIFE Ahsanul Haque Fahim's photography captures Holi in Bangladesh, celebrating life with vibrant colors and reflecting human emotions, diversity, and interconnectedness in Dhaka's streets. KOALA COUNTRY Sean Paris invites viewers on a transformative journey, challenging our perceptions and fostering a new appreciation for rural Australia through mesmerizing infrared photography. MOMMIE Arlene Gottfried’s poignant exploration of motherhood in “Mommie” is not just a collection of photographs but a profound tribute to the enduring bonds of family and the universal experiences of love, loss, and resilience. BIFRÖST In "Bifröst," Romain Coudrier masterfully captures Norway's timeless beauty, blending myth with modernity through black and white photography. A stunning exploration. MUD Dedipya Basak's documentary project explores an 800-year-old lake's struggle against global warming, highlighting its relevance and urgency in modern times. A WORLD WITHIN REACH In his Cuba project, Pedro Vidal celebrates human resilience and warmth through captivating imagery, revealing photography's profound ability to encapsulate emotions and memories. UNVEILING VULNERABILITY In a world where masculinity is often synonymous with stoicism and strength, Francesca Tiboni challenges us to reevaluate our perceptions of masculinity, inviting us to embrace the complexity of the male emotional experience. TRANSCENDENTS: SPIRIT MEDIUMS IN BURMA AND THAILAND Mariette Pathy Allen's visual narrative celebrates authenticity, spotlighting Spirit Mediums' enigmatic presence in both possession and daily life. She portrays them as essential to cultures steeped in Animism, reflecting the enduring essence of human authenticity. COALESCENCE Visual diptychs intricately depicting the intimate exchange between a mother and daughter, transcending personal narratives to explore universal themes of transition, acceptance, and the beauty of change. IN THE FOOTSTEPS OF ANSEL ADAMS In following the footsteps of the masterful Ansel Adams, Karin Svadlenak Gomez not only paid homage to his timeless work but also embarked on a transformative journey. PARALELL REALITIES Through her lens, Catia Montagna explores the impact of socioeconomic factors and social norms on our daily lives, revealing the subtle poetry of small, insignificant moments that capture the ‘existential’ and the ephemeral, in the human condition. A TALE OF NATURE AND HERITAGE With her words and photographs, Ana-Maria Alb invites readers to join her on a journey through the breathtaking Carpathians. ON THE TRAIL OF LOVE LOST Through Sasha’s photo essay, we are given a glimpse into a beautiful love story and the unbreakable strength and resilience of the human spirit. Join us as we explore Sasha Ivanov’s heartfelt tribute to Lydia and Nikolai. SAHIB: THE FRANKINCENSE BOY France Leclerc’s documentary exploration embraces the community finding captivating stories for her visual translations. Her story takes us to the village of Poshina, where we meet Sahib. THEY HAVE GONE Lorenzo Vitali felt compelled to explore the landscapes of Eastern Veneto, to understand its emotional affective relationship and document it through his photography. I AM WATER Paola Ferrarotti explores her deep connection with the water and how it has transformed her understanding of life and herself.

INTERVIEW INTERVIEW July 20, 2020 BEAUTIFUL GEORGIA Photography by Ahmet Hojamyradov Interview by Melanie Meggs Ahmet Hojamyradov, a young and talented photographer from Minsk, Belarus, has been capturing the breathtaking beauty of nature through his lens for over a year now. Starting off just as a hobby Ahmet experimented with various genres, landscape photography has now become his primary passion. His landscapes remind us of our true smallness in comparison to the overwhelming beauty of nature. Recently, Ahmet has returned to Minsk after a journey through Georgia which has inspired him to share some of his most captivating photographs with us. Through these images, we can explore the mesmerizing landscapes of Georgia, and be reminded of the immense beauty that exists all around the world. Join us as we explore the spectacular work of Ahmet Hojamyradov, a photographer who captures the beauty of nature through his artistic lens. “A year ago, I had a tough time. My friends, Alexey and Valeria motivated me to try photography as a hobby. I have loved it since then.” IN CONVERSATION WITH AHMET HOJAMYRADOV THE PICTORIAL LIST: Ahmet, where do you find your inspiration to photograph? AHMET HOJAMYRADOV: Mostly, I find inspiration in traveling, people and architecture. TPL: Has your style of photographing changed since you first started? AH: Yes, it has! I started with architecture photography. Then it smoothly changed into landscape photography. Nowadays I do landscapes, some astrophotography and a pinch of portraits. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? AH: Peter McKinnon, Alen Palander, Kai Böttcher, John Bozinov, Hannes Stier, Gueorgui Pinkhassov and many others. There are a lot of great artists whom I adore. But Peter is the one who influenced the most. I love his approach to shooting and editing his photos and videos TPL: Where is your favourite place to photograph? AH: I love shooting in the mountains and cities. Mostly, I find inspiration in traveling, people and architecture. TPL: Do you think equipment is important in achieving your vision in your photography? What would you say to someone just starting out? Any tips you have learnt from others? AH: Yes, but not always! How you use your equipment is much more important. If you are new to photography, I would recommend not to get stuck in one style. Experiment with various genres! Sooner or later you will level up your photo game in general. Passion and diligence, I guess . To become a good photographer, it is essential to know everything about your camera. You will spend less time to set up your camera, that you can focus on your shot. TPL: Have you ever been involved in the artistic world before photography? AH: No, I’ve haven't. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? AH: In the nearest future, I am planning to do some portrait series. Please, stand by! TPL: If I wasn't photographing what would I be doing?... AH: Probably, I would create music. We want to thank Ahmet for sharing his spectacular photographic works with our viewers and inspire them to take up a new appreciation for the world around us. His eye for capturing stunning views of the Georgian landscape is truly remarkable and we suggest that you check out his Instagram for more of his photography. VIEW AHMET'S PORTFOLIO Instagram >>> read more interviews >>> MARCH FORWARD Through photography, Suzanne Phoenix creates a space for representation, recognition, and resistance — ensuring that the voices of women and gender-diverse people are seen, heard, and celebrated. FLUX: Exploring Form, Luminescence, and Motion Amy Newton-McConnel embraces unpredictability, finding structure within chaos and allowing light to guide the composition. AN ODE TO SPONTANEITY AND SERENDIPITY Meera Nerurkar captures not just what is seen but also what is felt, turning the everyday into something worth a second glance. THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth. FUTURE HACKNEY Don Travis and Wayne Crichlow are the photographers and community advocates behind Future Hackney, merging photographic activism and social engagement to amplify inner-city marginalized communities' voices. DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons.

INTERVIEW INTERVIEW November 9, 2020 UNPLANNED MOMENTS Photography by Ashish Patel Interview by Melanie Meggs Ashish Patel is a Delhi based street and documentary photography who only started photographing about a year and a half ago. His main focus is to show the candidness of a scene and make it look extraordinary. Learning mostly from his mentors he gets his inspiration from the Indian people going about their everyday lives. “I was born in Kanpur, Uttar Pradesh. I live in New Delhi, India. Photography has always been a part of my journey. Although its meaning kept changing in my life. During school, it was the capturing memories phase. I used to click pictures of my friends and also self-portraits to keep with me as a memory.” IN CONVERSATION WITH ASHISH PATEL THE PICTORIAL LIST: Ashish please tell us, when did you become interested in photography? ASHISH PATEL: Things changed when I moved to Delhi from Kanpur for my engineering studies. It was the event capturing phase. During a college event, I borrowed a camera from a friend and covered it through the lens. It was the first time I clicked something with a DSLR, and to my surprise, the results were quite good (I had clicked those pictures on auto-mode). I didn't know anything about how a camera works. So I entered the learning phase, I went searching on YouTube on how the manual mode works and what the settings are. I spent hours practising and improving my skills. I kept clicking basic photographs of sunsets and flowers, everything that I came across, and through that process, I’ve learned a few things on how a camera functions. TPL: Where do you find your inspiration? What do you want to express through your photography? And what are some of the elements you always try to include in your photography? AP: I think I learn from people every day. I learn from my mentors and I get inspiration from so many people. To me one of the basic characteristics of street photography is candidness. I feel that as a street photographer it is my duty to show the candid street. Photography has taught me many things and the most important one is patience. I have been an impatient person my whole life but now, I can wait for a perfect shot for hours. I can stand at a position for several minutes to capture that perfect moment. It feels like a responsibility and I like that. Being a street photographer, I find my own voice in my photos. In street photography I look out for some unusual things and then create some illusion. In street photography what you hide is equally important as what you reveal. TPL: Do you have any favourite artists or photographers you would like to share with us? AP: Mr. Raghu Rai and Mr. Vineet Vohra Being a street photographer, I find my own voice in my photos. TPL: Does the equipment you use help you in achieving your vision in your photography? What camera do you use? Do you have a preferred lens/focal length? AP: Absolutely yes, being a street photographer, I feel that your presence of mind matters more than the camera equipment. I use a Nikon D5600 and prefer to shoot 18-55mm. TPL: Have you ever been involved in the artistic world before photography? What are some of your goals as an artist? Where do you see yourself or hope to see yourself in five years? AP: Photographs are the universal language of our era. Everyone has hundreds, maybe thousands in their pocket. Weightless, they turn the scale when the argument is: What happened here? Images don’t age or warp. A great photographer’s strings never go out of tune but as a participant in the formal artistic world of museums and galleries? No, only as a visitor. I want to work as a photographer for Magnum Photos after 5 years. TPL: "When I am not out photographing, I (like to)… AP: Listen to music, travel, hang out with friends." Learning mostly from his mentors, Ashish gets his inspiration from the Indian people in their everyday life. Connect with Ashish through Instagram and see more of his photography. VIEW ASHISH'S PORTFOLIO Instagram >>> read more interviews >>> MARCH FORWARD Through photography, Suzanne Phoenix creates a space for representation, recognition, and resistance — ensuring that the voices of women and gender-diverse people are seen, heard, and celebrated. FLUX: Exploring Form, Luminescence, and Motion Amy Newton-McConnel embraces unpredictability, finding structure within chaos and allowing light to guide the composition. AN ODE TO SPONTANEITY AND SERENDIPITY Meera Nerurkar captures not just what is seen but also what is felt, turning the everyday into something worth a second glance. THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth. FUTURE HACKNEY Don Travis and Wayne Crichlow are the photographers and community advocates behind Future Hackney, merging photographic activism and social engagement to amplify inner-city marginalized communities' voices. DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons.

INTERVIEW INTERVIEW February 25, 2022 MAKING CONNECTIONS Photography by Vin Sharma Interview by Karen Ghostlaw Pomarico For Vin Sharma her photographic journeys evolve around her family. They are the inspiration that opens her eyes to see, excites her mind to think, and motivates her to create. Vin has made significant connections with her family, sharing intimate time together on a family road trip they took in the Summer of 2017. At that time Vin had no idea how this experience would give them the basic tools to manage as a family through a global pandemic. Vin’s project THE GREAT AMERICAN ROAD TRIP is an intimate family voyage, examining the connections, as well as the disconnections made along the way. We asked Vin to share some of this work, to reflect the inspiration that drives her to create these lovely documentaries about her family. “The only way I understood how to express this feeling was through photography. This notion came together the instant I became a parent. Suddenly, the idea of family being the inspiration for my identity and my expression was clear. This was the point in my life where documenting this great appreciation became essential. For my own peace of mind and for my own sense of belonging.” IN CONVERSATION WITH VIN SHARMA THE PICTORIAL LIST: Vin please tell us about yourself, and what your relationship is with the camera. VIN SHARMA: The daughter of Indian immigrants, raised in Western Canada, I now call Brooklyn, New York my home. My relationship with the camera is a self taught one that reflects the passage of time and the liminal moments of our lives. The camera is an opportunity to document, engage and experience a vast world of emotions as well as those shared experiences. It is a compulsion that continues to drive me to pick up a camera every day. TPL: Tell us about your family, and how you have defined your family time. Is there a special time you share together? VS: We are a family of four, including a ‘covid’ puppy we adopted during the first few months of the pandemic. Our special time has remained the same since we became a family and came together - our evening meals at our kitchen table. They are the hours where we can leave the day behind us and reflect - these are the times we nourish our bodies as well as our souls, simply by being present in the same space. TPL: Vin, your family has played a major role in your photography projects. Describe their inspiration. VS: The inspiration comes from my own recollections of childhood and wondering where I belong. Growing up in Canada during the 70’s, I was visibly different. When we spent time in India, I was also seen as an outsider. I have always been somewhere in between these two places. With age, I realized that it did not matter where I ‘thought’ I belonged. I belonged to my family and they belonged to me. The only way I understood how to express this feeling was through photography. This notion came together the instant I became a parent. Suddenly, the idea of family being the inspiration for my identity and my expression was clear. This was the point in my life where documenting this great appreciation became essential. For my own peace of mind and for my own sense of belonging. The inspiration from my family comes from great acceptance of the varied compass of human emotion. Editor's Note: You can read DOMESTIC WASTELAND here on the website via link below. An authentic portrait of Vin's family and their personal journey through Covid lockdown. TPL: Your project THE GREAT AMERICAN ROAD TRIP Summer, 2017 spanned the states of Texas, New Mexico, Arizona, Utah. Do you think these times you shared as a family, away from other influences on your road trip: helped you when you were confined to your home VS: THE GREAT AMERICAN ROAD TRIP definitely helped us during the pandemic. Being locked inside a moving vehicle for hours on end, in the middle of what felt like nowhere, with the same people forced us to accept each other. It’s not like we had anywhere else to go… That time was something to fall back on as we went into lockdown. Who can say how these last two years would have unfolded without the hours spent in our car. TPL: You photograph beautiful moments of connections between family, good or maybe not so good interactions and connections. From these visual journeys do you find new ways of thinking and engaging each other? VS: This is not something I have thought about - perhaps I don’t put much time or thought into finding new ways of engaging. I try to play off the cues of everything around me, of the people I’m photographing. Leaving myself open is perhaps the way I find new ways to engage. That is when I am most comfortable with the camera. TPL: The written word is important to you, you write with lovely intention, and thoughtful direction. What came first, the chicken or the egg? Did your written word inspire your photography? Or has photography inspired your written word? VS: Indeed, that is an ongoing question. What came first? For me, the photography came first, although the written narrative quickly followed. More as a word association game to see what ideas broke through in writing. Now, it seems that writing and photography go hand in hand. The impact of the script is undeniable and a very useful aspect of understanding photography. In the midst of winter, I found there was, within me, an invincible summer. And that makes me happy. For it says that no matter how hard the world pushes against me, within me, there's something stronger – something better, pushing right back. - Albert Camus TPL: Are there any artists that have influenced your work? If so, who were they and what was the influence? VS: Sally Mann’s ‘Immediate Family’ was the first photobook I ever flipped through. Since then, she has been a tremendous influence. Not only through her photography but also in her writing. The beautiful intimacy with which she invited the viewer into her family life remains an inspiration. Dayanita Singh is another photographer I admire greatly. Her holistic approach to her work as well as her ideas of bringing the museum experience to the viewer have been a constant influence. The idea that photography is meant to be enjoyed by all resonates deeply. Jhumpa Lahiri is a writer I have always been drawn to. Her ease of expression is thoughtful and honest. As an Indian woman growing up in a very different culture, as I have, Ms. Lahiri’s writing has influenced the way I express my own ideas of identity - an identity which is tied in with my family. TPL: Documentary photography tells so many stories that as photographers, stay with us. They may even change the way we see or the way we tell stories. A cause with a direct effect. Is there a special photographic moment you can recall that will always remain with you, that changed your view of the world in which you shoot in? VS: In 1976 on a visit to India, I had my photograph taken in a formal studio. It was the first real moment that created a lasting photographic memory. The photographer asked me to stand in a very specific, rigid manner and I was dressed in traditional North Indian attire, which was far more extravagant than my everyday clothes. My Grandparent's neighbours, two lovely sisters, had taken me out for the day to have my photograph taken in a local studio. A few days later when they brought the picture back to me, I was shocked. It was the first time I looked at a proper photograph of myself. I could recognize myself, I could see the sense of me, yet I also saw potential. A visual story that had many possibilities. Also one that provided a snapshot of my cultural identity. Is that how the photographer saw me? Is that how the two sisters saw me, a doll to be dressed up and photographed? That image marked the beginning of my curiosity with character perception and how others influence our personal awareness. TPL: What are any lasting impressions you would like to leave the viewer when viewing your photographs? What is their ‘Take Away’? VS: I share my story, in the hopes that others can relate. In the hopes that others will understand the experiences that connect us. The ‘take away’ may not be in my hands. This is my effort to reach out, to create invisible threads that bind. To show that in this difficult time, we are not as alone as we may think. Whatever your definition of family and home is, there is always a safe space. We only have to reach out and shape it for ourselves. Most of all, we have everything to gain by sharing our intimate lives and emotions. Making connections and shared human experiences - these form the foundation of all I have shared and what I hope the viewer will take with them. Portrait of Vin in 1976 TPL: Does the equipment you use help you in achieving your vision in your photography? What camera do you use? Do you have a preferred lens/focal length? VS: It would be misleading if I said the equipment I use didn’t help my vision. I shoot with the Canon EOS R5 and it gives me a great deal of confidence. Although it does not take photographs on its own, I tend to use the highest aperture setting with a 50mm lens. TPL: What are some of your goals as an artist or photographer? Where do you hope to see yourself in five years? VS: My goals have changed in the last two years - what works best for me is the ‘one day at a time’ idea. In terms of photography, I hope to continue exploring the idea of family and home, as well as investigating cultural identity in visual forms. My hopes for five years from now are to continue what I am doing. Observing the passage of time, recognizing the times in between the turning points of our lives as well as visual collaborations with other artists. Concrete notions of place, time and career achievements seem too far into the unknown at this point in time. For now, I am happy to continue to work, to share and to hopefully be recognized on a more global platform. TPL: "When I am not out photographing, I (like to)… VS: When no one else is here in my home, I sit at my piano and play. Simply for myself. Late at night is when I wield my paintbrushes and listen to the sound of pigment brushing against paper. Drawing, painting, creating - these are my first loves of the visual world. And of course, there is sleep. I like to sleep." For Vin Sharma her photographic journeys evolve around her family. They are the inspiration that opens her eyes to see. We thank Vin for sharing her intimate moments with us. Connect with Vin by using the links below. VIEW VIN'S PORTFOLIO Read DOMESTIC WASTELAND by Vin Sharma Website >>> Instagram >>> read more interviews >>> MARCH FORWARD Through photography, Suzanne Phoenix creates a space for representation, recognition, and resistance — ensuring that the voices of women and gender-diverse people are seen, heard, and celebrated. FLUX: Exploring Form, Luminescence, and Motion Amy Newton-McConnel embraces unpredictability, finding structure within chaos and allowing light to guide the composition. AN ODE TO SPONTANEITY AND SERENDIPITY Meera Nerurkar captures not just what is seen but also what is felt, turning the everyday into something worth a second glance. THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth. FUTURE HACKNEY Don Travis and Wayne Crichlow are the photographers and community advocates behind Future Hackney, merging photographic activism and social engagement to amplify inner-city marginalized communities' voices. DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons.

Born in Italy but grew up with Argentine passport due to my father’s line of work, nowadays I hold both nationalities dearly. I discovered photography in my teens as a way to freeze memories of the things that impressed me most but it quickly became a direct means of communication. The decision to become professional soon followed. I ended up studying journalism and photojournalism at ASU in the US. A couple of years after graduation I had moved to Argentina and worked as staff photographer for Lugares magazine, from newspaper la Nacion, with whom I still collaborate to this day. After moving to Italy in 1999, I started a collaboration with French photo agency SIPA/IMAGE in Paris which lasted several years. During that time I focused mainly in South America but also did work in Central and North America. My work has been featured in BBC Wildlife magazine, Animan Switzerland, Terra in Brazil, La Nacion, LFI recently and others. I focused on editorial, wildlife, documentary, and human interest work mostly and specialised in South America. During that time I also worked on personal projects in the Bolivian Andes documenting salt and tin miners and remote native tribes. I also covered a lot of miles in Patagonia, Northern Argentina and China during the years to follow. Then came a difficult time between the digital and analogue world and a crisis that affected many professionals as well as the agencies, including myself. I kind of lost my way in photography altogether at that time. The digital transition was extremely difficult for me and I stepped away for a while. I started again professionally with digital equipment in 2013. At first covering high speed motorcycle racing and eventually covering 24h Le Mans and a few Superbike World Championship races, until 2015. During the last five years, I’ve been trying to get back to my true photographic nature and approaching again documentary work, as well as preparing new projects. Lately I have been trying to consolidate my prior documentary work done mostly in analogue during the 90's with the more recent work in digital. FEDERICO QUINTANA be inspired Gallery // ARTIST STATEMENT // Born in Italy but grew up with Argentine passport due to my father’s line of work, nowadays I hold both nationalities dearly. I discovered photography in my teens as a way to freeze memories of the things that impressed me most but it quickly became a direct means of communication. The decision to become professional soon followed. I ended up studying journalism and photojournalism at ASU in the US. A couple of years after graduation I had moved to Argentina and worked as staff photographer for Lugares magazine, from newspaper la Nacion, with whom I still collaborate to this day. After moving to Italy in 1999, I started a collaboration with French photo agency SIPA/IMAGE in Paris which lasted several years. During that time I focused mainly in South America but also did work in Central and North America. My work has been featured in BBC Wildlife magazine, Animan Switzerland, Terra in Brazil, La Nacion, LFI recently and others. I focused on editorial, wildlife, documentary, and human interest work mostly and specialised in South America. During that time I also worked on personal projects in the Bolivian Andes documenting salt and tin miners and remote native tribes. I also covered a lot of miles in Patagonia, Northern Argentina and China during the years to follow. Then came a difficult time between the digital and analogue world and a crisis that affected many professionals as well as the agencies, including myself. I kind of lost my way in photography altogether at that time. The digital transition was extremely difficult for me and I stepped away for a while. I started again professionally with digital equipment in 2013. At first covering high speed motorcycle racing and eventually covering 24h Le Mans and a few Superbike World Championship races, until 2015. During the last five years, I’ve been trying to get back to my true photographic nature and approaching again documentary work, as well as preparing new projects. Lately I have been trying to consolidate my prior documentary work done mostly in analogue during the 90's with the more recent work in digital. LOCATION ITALY CAMERA Leica M6, Fuji x-pro2, Fuji X100T, Leica M9-P, Leica MMonochrom, Nikon’s F4, Fm2, F5, F100, D3s, Df current CATEGORY editorial, documentary, photojournalism, street @FEDERICOQUINTANA @FEDERICOQUINTANAPHOTOGRAPHY FEATURES // Ghosts of the Andes On Assignment

PICTORIAL STORY PICTORIAL STORY July 31, 2020 PANDEMIC POETRY Photo collages and story by Victoria González García Introduction by Melanie Meggs Victoria González García has an eye for capturing beauty and a heart for portraying social issues. This Argentinian photographer based in Madrid, is no stranger to using her art to make a statement. During the Covid-19 pandemic crisis, she sought out to use her camera to capture an issue that has come to represent this tumultuous period – the pollution caused by discarded protective masks and gloves. Through a project of visual poetry, Victoria has made it her mission to bring attention to this all-too-common problem. Follow her personal account as she shines a light on the environmental effects of this pandemic. From the first moment the Covid-19 health emergency was declared in Madrid, I began to record everything. The declaration caught me in the middle of the city. On the way back to my house on my bike I stopped and took pictures of everything that was happening around me. Madrid, the city where there is a bar on every corner, where people are out and about no matter what time it is, the city that exudes vitality and noise; a city where, little by little, a science fiction film was beginning, my city, being silenced right in front of my eyes. As the days went by on my trips to the supermarket, once a week, I began to notice that the streets were getting dirtier and dirtier and that the urban waste was no longer the same. It had changed. I began to feel that space had mutated completely. It was impossible not to see the plastic masks and gloves, of all colors and sizes, that were polluting every space on the sidewalk or street, flying and pirouetting in the wind. I felt the need to immortalize everything that my eyes saw in amazement. Due to the great capacity of transmission of the coronavirus, the obligatory use of disposable masks and gloves, and the bad waste management practices of their users, the contamination of our planet seemed to grow and grow, overflowing. The pandemic changed some of our daily habits. We were locked up and we were supposed to generate less waste, but the opposite happened. During the course of the quarantine I observed many profiles on social networks with different photo postings that referred to trips and, for the most part, all proclaimed the urgency of being outdoors, of living with nature. How contradictory and ironic it is to desire those sites, but to do nothing to care for them and preserve them. This is how POETICS OF THE PANDEMIC was born, a visual reflection of the 50 days that the quarantine lasted in Madrid. In the project I use my own photographs and some in the public domain, as well as videos with still images. I counterpose images of the waste generated in the pandemic with natural scenarios, looking for a complementarity and, at the same time, a visual reflection of this great problem that grows hand in hand with Covid-19. The coronavirus will pass, but the rubbish will stay. The idea of using images in the public domain was born out of the impossibility of traveling and moving to places outside my home. I use visual poetry as an instrument, an experimental form in which the image, in all its facets, prevails over the other components, taking into account that artistic creation is already a discourse in itself. The isolation made me go through all states of mind, but through photography and art I was able to sublimate my anguish. In my personal case, it was a time of much productivity: I took up old projects and developed others. Among these is this project, with which I wish to generate awareness through my photographs, about the use and disposal, mainly, of those elements that protect us against the spread of the coronavirus. © Victoria González García © Victoria González García © Victoria González García © Victoria González García © Victoria González García © Victoria González García © Victoria González García © Victoria González García © Victoria González García © Victoria González García © Victoria González García © Victoria González García This is my appeal to society, to people's sense of responsibility and individual conscience, so that they no longer throw these disposable elements on the public streets. Since masks and gloves can generate not only a health problem (since some pathogens use garbage as a vector for spreading), but also a big ecological problem, especially in the marine ecosystem. There is already evidence from non-governmental organizations that the oceans are suffering from the ravages of Covid-19. In addition to the existing problem of ocean pollution with microplastics, there is now the sad fact that the waste from the pandemic is being added to the problem. Gloves and masks are not biodegradable, so they can remain in our seas for hundreds of years. As I said a few lines above: the coronavirus will pass, but the rubbish will not. This is also part of the pandemic's impact. view Victoria's portfolio Read an interview with Victoria >>> Instagram >>> The views, thoughts, and opinions expressed in the text belong solely to the author, and are not necessarily shared by The Pictorial List and the team. read more stories >>> VANISHING VENICE Lorenzo Vitali’s portrayal of Venice is an almost surreal experience — where time dissolves, and the viewer is left with the sensation of stepping into a dreamscape. CLAY AND ASHES Abdulla Shinose CK explores the challenges faced by Kumhar Gram's potters, balancing tradition and adaptation in the face of modern pressures. ISLAND Enzo Crispino’s photographic series, “Nêsos,” invites viewers into an introspective journey that mirrors the artist’s rediscovery of his voice in photography after a prolonged period of creative estrangement. BEYOND THE BRICKS Amid Bangladesh’s dynamic urban growth, Anwar Ehtesham’s photography takes us beyond statistics and headlines, revealing the hidden lives of the laborers working tirelessly in the nation’s brick kilns. OAXACA In Oaxaca, Tommaso Stefanori captures Día de los Muertos, exploring the convergence of life and death, human connections, and enduring cultural rituals through evocative photographs of tradition and emotion. BEHIND THE PLANTS Wayan Barre documents Cancer Alley residents facing pollution and economic challenges, shedding light on their resilience and the impacts of environmental injustice. THE RED POPPY AND THE SUN By blending archival and contemporary images, Mei Seva creates a visual story that captures the ongoing struggles and moments of triumph for those impacted by displacement and circumstance. FIRE AND FORGE Alexandros Zilos delves deep into the harsh reality of sulfur mining, while also capturing the allure of the blue fire phenomenon created by sulfur deposits in the crater. IN-VISIBLE PAIN Through black and white self-portraiture, Isabelle brings to light the stark reality of living with chronic pain — a reality often dismissed by a world that requires physical evidence to believe in one’s suffering. CELEBRATION OF LIFE Ahsanul Haque Fahim's photography captures Holi in Bangladesh, celebrating life with vibrant colors and reflecting human emotions, diversity, and interconnectedness in Dhaka's streets. KOALA COUNTRY Sean Paris invites viewers on a transformative journey, challenging our perceptions and fostering a new appreciation for rural Australia through mesmerizing infrared photography. MOMMIE Arlene Gottfried’s poignant exploration of motherhood in “Mommie” is not just a collection of photographs but a profound tribute to the enduring bonds of family and the universal experiences of love, loss, and resilience. BIFRÖST In "Bifröst," Romain Coudrier masterfully captures Norway's timeless beauty, blending myth with modernity through black and white photography. A stunning exploration. MUD Dedipya Basak's documentary project explores an 800-year-old lake's struggle against global warming, highlighting its relevance and urgency in modern times. A WORLD WITHIN REACH In his Cuba project, Pedro Vidal celebrates human resilience and warmth through captivating imagery, revealing photography's profound ability to encapsulate emotions and memories. UNVEILING VULNERABILITY In a world where masculinity is often synonymous with stoicism and strength, Francesca Tiboni challenges us to reevaluate our perceptions of masculinity, inviting us to embrace the complexity of the male emotional experience. TRANSCENDENTS: SPIRIT MEDIUMS IN BURMA AND THAILAND Mariette Pathy Allen's visual narrative celebrates authenticity, spotlighting Spirit Mediums' enigmatic presence in both possession and daily life. She portrays them as essential to cultures steeped in Animism, reflecting the enduring essence of human authenticity. COALESCENCE Visual diptychs intricately depicting the intimate exchange between a mother and daughter, transcending personal narratives to explore universal themes of transition, acceptance, and the beauty of change. IN THE FOOTSTEPS OF ANSEL ADAMS In following the footsteps of the masterful Ansel Adams, Karin Svadlenak Gomez not only paid homage to his timeless work but also embarked on a transformative journey. PARALELL REALITIES Through her lens, Catia Montagna explores the impact of socioeconomic factors and social norms on our daily lives, revealing the subtle poetry of small, insignificant moments that capture the ‘existential’ and the ephemeral, in the human condition. A TALE OF NATURE AND HERITAGE With her words and photographs, Ana-Maria Alb invites readers to join her on a journey through the breathtaking Carpathians. ON THE TRAIL OF LOVE LOST Through Sasha’s photo essay, we are given a glimpse into a beautiful love story and the unbreakable strength and resilience of the human spirit. Join us as we explore Sasha Ivanov’s heartfelt tribute to Lydia and Nikolai. SAHIB: THE FRANKINCENSE BOY France Leclerc’s documentary exploration embraces the community finding captivating stories for her visual translations. Her story takes us to the village of Poshina, where we meet Sahib. THEY HAVE GONE Lorenzo Vitali felt compelled to explore the landscapes of Eastern Veneto, to understand its emotional affective relationship and document it through his photography. I AM WATER Paola Ferrarotti explores her deep connection with the water and how it has transformed her understanding of life and herself.

Based in the Ruhr Area in Germany, I am working as a teacher at a primary school. In my free time I love to draw or to take pictures with my Leica. I have an enormous passion for fine arts since I was little. In my presented series I want to show the beauty of the often underestimated region, I am living in. The Ruhr Area has a huge industrial tradition. I edit all my pictures in black and white, because I'd like to reduce my objects to their essentials. Furthermore I have the opportunity to focus on contrasts, shapes, textures by working like this. SARAH LUHSE be inspired Gallery // ARTIST'S STATEMENT // Based in the Ruhr Area in Germany, I am working as a teacher at a primary school. In my free time I love to draw or to take pictures with my Leica. I have an enormous passion for fine arts since I was little. In my presented series I want to show the beauty of the often underestimated region, I am living in. The Ruhr Area has a huge industrial tradition. I edit all my pictures in black and white, because I'd like to reduce my objects to their essentials. Furthermore I have the opportunity to focus on contrasts, shapes, textures by working like this. LOCATION Ruhr Area GERMANY CAMERA Leica Q2 CATEGORY architecture, urban FEATURES // Ruhr Perspectives

INTERVIEW INTERVIEW November 16, 2020 CROSSINGS Photography by Tony Reddrop Interview by Melanie Meggs Life is full of unexpected turns, and for Tony Reddrop, that turn came in his late thirties. Tony had been working for years, and as he grew a little bit older and wiser, he decided to take a leap of faith. He left his job and embraced his newfound passion for photography. It was a blessing in disguise, and it has led Tony to great success and recognition. Tony's work has been featured in Australia, New Zealand and internationally in all types of media forms. His bodies of work are held in several institutions in Australia, and it has attracted the attention of many. His series of images CROSSINGS reflect the people of a small semi-rural town in New Zealand he lives in, and the light and shadow of his images tell a story of mystery and anonymity. The journey of Tony Reddrop is inspiring and will surely leave an impression. What he has been able to capture through his lens is truly remarkable and unique. From the hustle and bustle of a big city to the quietness of a small rural town, Tony Reddrop continues to share his story through his beautifully composed images. “I kept observing people walking across certain crossings in town at different times of the day when the light was really mellow (glowing) and noticed many people were wearing really great colours, that blended with the crossings and the backgrounds. The way I shoot a lot of the time, under exposed and not fully showing the person, worked really well, so I kept going back to the different locations, which when you live in a small town of 90,000 people, is not a lot. The idea of the series is how you can live in a town for years, but not really feel you know the people, who are just passing mysterious shadow figures. The images in the series show an insight into what could be something darker, lying just under the surface, that has become increasingly more visible in the town, health, and social issues.” IN CONVERSATION WITH TONY REDDROP THE PICTORIAL LIST: Tony please tell us about yourself? When did you start getting into photography? TONY REDDROP: I am an Australian photographer (from Melbourne originally) living in the North Island of New Zealand for the past 12 years. I am also a dad to three girls, so juggling time has become an art form. I started photography later in life, in early 2000, did some short courses at tech, was a wedding photographer's assistant (didn’t last long), then a commercial photographer's assistant, did some more formal college study (two goes at that), then some time at press photography, starting at local papers, working up to the daily's. So it would be fair to say, I had done and tried a bit of everything, before finding what I wanted to do, documentary and portrait photography. Add to all the above a few years spent walking the streets of Melbourne taking photos of people and whatever interested me, usually light and shadow, all on black and white film. I tend to look and observe, and capture images when something catches my eye, the light, shapes, shadows, colour, or interesting people, things that would make a great environmental portrait, or stories that can make great documentary. I usually don’t take a lot of images every time I am out shooting, and I shoot to the mood of the area I am in. I have exhibited my work since 2000, mainly solo shows, in Australia and New Zealand, and have bodies of work held in collections of various national and state organisations in Australia. I have shown work at international photo festivals and had my work featured on radio, television, and in print. TPL: Where do you find your inspiration to photograph? TR: I mainly find inspiration from things I see, and people I meet in everyday life. Also inspiration from the many different photographers on Instagram who are doing longer term projects. TPL: Is there anything you want to express through your photography? And what are some of the elements you always try to include in your photographs? TR: Humanity and what we are really seeing in the images of the people. Colour, light and shadows, a story... TPL: Do you prefer to photograph alone or with friends? TR: Always alone. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? TR: I made a point of not looking at photography books, for the first couple of years, so I would not be influenced by others. Believe in yourself! Because you must always believe in your talent, it gives you the strength to keep going. TPL: Has your style of photographing changed since you first started? TR: My style has changed over the years, the biggest shift has been in the past six years, after returning to photography, after an eight year hiatus. Images I take now are mostly colour, and have even more contrast than when I first started. I now tend to look and observe more, shoot less, but more quality, and if it's not happening, I don’t worry. TPL: How does the equipment you use help you in achieving your vision in your photography? Do you have a preferred lens/focal length? TR: I use (as I always have) a prime lens (23 mm/35 mm equivalent) and mirrorless cameras. I have used SLRs. All usually set around f2.8. Looking like a tourist or a happy snapper, helps me to fit in, is less intrusive. TPL: Where is your favourite place to photograph? TR: Melbourne City. So much going on, and the light, and the surrounding suburbs... TPL: Are there any special projects you are currently working on that you would like to let everyone know about? TR: Over the summer break, I want to start documenting the major change to a small rural town of 700 people. It is having a railway freight hub built just outside the town, like 800 yards out of town. The freight hub will be 7 km long, operating 24/7, so the noise, light pollution etc, is going to change peoples' lives forever. Add to this a new ring road to bring big trucks to the rail yard, that will run through or close to the town. Paradise lost. TPL: What are some of your goals as an artist? Where do you see yourself or hope to see yourself in five years? TR: Publish a book, or books. Get the funding to do so. Getting and doing commissioned work and projects, globally. Major public exhibitions, globally. Getting a web page up (aaah the money). Family first too. A financial patron, who is involved in the arts. TPL: “When I am not out photographing, I (like to)... TR: Stay at home spending time with the family, watching good documentaries and films.” Tony Reddrop's journey in photography has been a truly inspiring story of how late starts can still be successful. His experience and wisdom have truly come through in his work, which has been widely celebrated in Australia, New Zealand and internationally. Tony's series is just a glimpse of his talent, as it captures the beauty of people in a rural town. To see more of Tony's projects and explore his work further, use the links below. VIEW TONY'S PORTFOLIO Tony's website >>> Instagram >>> read more interviews >>> MARCH FORWARD Through photography, Suzanne Phoenix creates a space for representation, recognition, and resistance — ensuring that the voices of women and gender-diverse people are seen, heard, and celebrated. FLUX: Exploring Form, Luminescence, and Motion Amy Newton-McConnel embraces unpredictability, finding structure within chaos and allowing light to guide the composition. AN ODE TO SPONTANEITY AND SERENDIPITY Meera Nerurkar captures not just what is seen but also what is felt, turning the everyday into something worth a second glance. THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth. FUTURE HACKNEY Don Travis and Wayne Crichlow are the photographers and community advocates behind Future Hackney, merging photographic activism and social engagement to amplify inner-city marginalized communities' voices. DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons.

INTERVIEW INTERVIEW October 14, 2020 SPECIAL LIGHT Photography by Assia Starke Interview by Karin Svadlenak Gomez Assia Starke was born in Russia, but has lived in Austria half of her life. She has been fascinated in photography since childhood, having grown up watching her father develop photos in an improvised darkroom at home. She renewed her interest in photography when she became a mother and now finds inspiration in everything around her. In her photos she tries to include lines, patterns and emotions, and she always reminds herself that you have to let your inner self decide what makes a good picture. Assia shared some of her travel photos from Morocco and other places with us. We asked her to tell us more about what drives her passion. “Nature, the world around me gives me inspiration. I can get touched to tears by a beautiful sunrise or sunset but also be fascinated by the green glossy wings of a bug or the pattern of a maple leaf in the back-light.” IN CONVERSATION WITH ASSIA STARKE THE PICTORIAL LIST: Assia please tell us about yourself. When did you start getting interested in photography? ASSIA STARKE: I was born in Moscow and grew up there, went to school and to the University. My first job as a tourist guide took me through the country and a little bit through the world. I guess, this is where and when my passion for travelling started, although the way I do it, the perception is very different now. I did not take many pictures on the way then but it is still interesting to compare the pictures I bring now from my journeys to those early ones. My encounter with photography started many many years ago as I was allowed to watch my father print black and white photos in our bathroom – the only room without windows in our small apartment in Moscow (where I was born and grew up). My father was a hobby photographer. He was very much interested in nature but most of the pictures I know were family photos. Photography can be a very time consuming hobby, so I guess he sacrificed some of the time he would have liked to work on it for the family - to spend more time with my brother and me...but he passed his photography passion on to us - it became my brother's hobby as well. I was so much fascinated by this magical moment when the image was slowly emerging on the white paper that I wanted to try it myself. And so I took my first pictures with the fully manual Praktica film camera with a Carl Zeiss 50mm f 2.0 lens – which I am still using with an adaptor on the digital cameras now...the so called imperfection of this lens (measured by today’s standards) is its magic – again compared to the technically more advanced but too sober “modern” lenses. I also printed my pictures myself – even with dodging and burning here and there – but of course those were only childish first attempts. I then studied, moved to another country with a new job, married – and only when my daughter was born, I picked up the camera again. TPL: What was it like, growing up in Russia, and when did you move to Vienna? AS: I personally think that I had a very happy childhood. I had loving parents who took good care of me and supported me in my development. I was very fond of reading and could read for many hours non-stop. Children had access to a lot of 'culture' - museums, theatres were cheap, libraries free...there were many activities - sports, music shows, drawing and painting classes - that were free as well, and many teachers were real enthusiasts (as they did not got paid much...). I do not think that many children of my generation got the impression that they were suppressed in any way and were not living in a free society...These are things that you start thinking about and understand when you get older. I came to Vienna with a job for a joint venture (I started working for them in Moscow) - planned for a year. It has been more than 20 years now. TPL: Did you have any exposure to photography, as in art in books or exhibitions, back then in Russia? AS: I do not think so, not photography. I often went to the Pushkin Museum in Moscow and to the Hermitage when travelling to St. Petersburg, and we also had big albums with paintings from those museums - and I loved to go through them (well, with childish awe) - and then I discovered the Impressionists... so these are my 2 big 'loves' - the light of the old masters and the colours and style of the impressionists. As I cannot paint, it comes out through photography, I guess. TPL: Where do you find your inspiration? AS: Nature, the world around me gives me inspiration. I can get touched to tears by a beautiful sunrise or sunset but also be fascinated by the green glossy wings of a bug or the pattern of a maple leaf in the back-light. TPL: Is there anything you want to express through your photography? And what are some of the elements you always try to include in your photographs? AS: My first digital camera made me want to make better pictures – I started reading and watching, joined a couple of online communities – this educated me a lot, of course… at first I learned what I liked and did not like, then I learned the rules – and then I found out that what makes good pictures is letting your inner self make them (knowing the rules at the back of your head still – this helps a lot, of course). The ultimate and crucial thing is light of course, and I always try to include lines, patterns and emotions (when photographing people which does not happen very often, I must admit). Being able to combine photography with my second passion – travelling makes me happy. Being able to combine photography with my second passion – travelling makes me happy. TPL: Do you prefer to photograph alone or with friends? AS: I prefer to photograph alone so that I can take my time but even with people around I get so much carried away that I tend not to notice them. TPL: Who or what would you say has has mostly inspired your style? AS: I do not think I am advanced enough to say that I have found my own style already…my interests are too widely spread. And I must say that I am fascinated and most impressed by other people’s good photos in genres that I cannot or do not do myself – I am so much attracted by black and white photography (with very high contrast) – and I myself mostly do colour, by street photography – and I myself mostly do travel and landscape, by artistic still life – and my still life shots are more about geometry - shapes, lines and patterns… I love impressionism – I think, it is a way of thinking and can come out in different ways. TPL: How does the equipment you use help you in achieving your vision in your photography? Do you have a preferred lens/focal length? AS: My mostly used gear are zooms – 24-70mm and 70-200mm – but sometimes my soul calls for dreamy bokeh – so my father’s 50mm Carl Zeiss and my other favorite Canon 50mm f1.2 come out to warm my heart. TPL: What are some of your goals as an artist? Where do you see yourself or hope to see yourself in five years? AS: What are my goals? I hope not to get stuck and bored by my own photography. I will keep trying out new things and I also hope to be able to show the beauty of nature and love that is in the air and share it with other people – my way of trying to make this world at least a little bit better through it… Life and photography are so diverse and there is place for everyone, any style, any opinion. TPL: "When I am not out photographing, I (like to)… AS: My 9 to 5 job can be very time consuming. I started learning Spanish as we were planning to go to Latin America next year...but now - who knows. I enjoy reading (not much lately, I must admit) and cinema, hiking and Nordic walking are my other hobbies." We take the opportunity to thank Assia for sharing her travel and landscape photography with us. Special light inspires us in all of them. Follow her travels by connecting with Assia on Instagram. VIEW ASSIA'S PORTFOLIO Instagram >>> read more interviews >>> MARCH FORWARD Through photography, Suzanne Phoenix creates a space for representation, recognition, and resistance — ensuring that the voices of women and gender-diverse people are seen, heard, and celebrated. FLUX: Exploring Form, Luminescence, and Motion Amy Newton-McConnel embraces unpredictability, finding structure within chaos and allowing light to guide the composition. AN ODE TO SPONTANEITY AND SERENDIPITY Meera Nerurkar captures not just what is seen but also what is felt, turning the everyday into something worth a second glance. THAT’S HOW IT IS Luisa Montagna explores the fluid nature of reality - how it shifts depending on the observer, emphasizing that subjective perception takes precedence over objective truth. FUTURE HACKNEY Don Travis and Wayne Crichlow are the photographers and community advocates behind Future Hackney, merging photographic activism and social engagement to amplify inner-city marginalized communities' voices. DAYDREAM IN MEMORIES OF YOUTH Stephanie Duprie Routh's new book and exhibition serves as a layered visual diary that examines sensuality, through retrospection while examining the complexities of aging. LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons.

For me, photography is a form of deep listening to connect with what surrounds me. FRANCESCA TIBONI be inspired Gallery // ARTIST'S STATEMENT // For me, photography is a form of deep listening to connect with what surrounds me. LOCATION Cagliari ITALY CAMERA Leica M10 CATEGORY street, documentary WEBSITE https://www.francescatiboni.com/ @FRATIBS FEATURES // Something About The Future The Silences Where We See Unveiling Vulnerability

BOOK BOOK May 3, 2021 GROUNDED Photography by Samantha Brown Words by Samantha Brown and Melanie Meggs Samantha Brown is a British-Canadian photographer, and a digital nomad. Over the last year Samantha has documented the pandemic, mostly from the back of her campervan 'Juno', whilst travelling safely in line with local lockdown restrictions. GROUNDED is her first book. How does a pandemic affect a physical place, and our sense of self within it? That's the question that Samantha pondered on a ten month, socially distanced journey in 2020. Departing India prior to the grounding of flights in March, Samantha documented the empty streets of Bristol during the first lockdown, before venturing to Europe via a deserted ferry as restrictions eased. Along the way, she encountered an out-of-season, out-of-time atmosphere that haunted every landscape, allowing her to explore themes such as alienation, loneliness and the isolation of travel. GROUNDED is a photo book of visible beauty towards a deeper well of immersive, indefinable emotion filled with promise and hope. Every page is a joy to look at by itself. The book can be understood as a travel memoir, too, inspiring those who are wanting to begin a similar journey. Grounded is presented as a special boxed book with a signed 10x8" print. Available exclusively from www.artdecomagpie.com (ADM Publishing). First edition run of 150 copies. Published: April 2021 by ADM Publishing Book - 70pp softback book on 170gsm paper. 350gsm cover with matt laminate. Perfect bound. Digitally printed. 253mmx203mm. ISBN: 978-1-9997596-3-6 READ INTERVIEW CLICK ON IMAGES TO ENLARGE