INTERVIEW May 20, 2022 BREAKS FROM REALITY Photography by Mariëtte Aernoudts Story and Interview by Karen Ghostlaw Pomarico Mariëtte Aernoudts is an artist living and creating art in a small village in Raamsdonksveer, about an hour drive south of Amsterdam. Mariëtte is an autodidact photographer and image maker creating images visually depicting her own poetic world of fairytales. The magic only dreams are made of, become the reality the viewers are immersed in, when they engage the visual stories Mariëtte creates through her photography and poetic imagery. Mariëtte would always photograph her own children, and this led to her interests in photoshop. She enjoyed making photographic montages, expanding her abilities to create these fantastical worlds where her fairytales would soon play out. Mariëtte began engaging children in her neighborhoods and in the streets to practice and experiment with this new idea of portraiture as a montage. She started working conceptually, creating a narrative for each image, often alienating her subjects creating solitary environments. Mariëtte tells us, “I am always looking for new and innovative ways to add reflections of my own feelings and emotions to my photos and aim to take the viewer just a little step beyond the ordinary.” This inner reflection adds depth and soul to her poetic fairytales. Mariëtte was given some good advice once that has become an important thread in her work and has become part of the way Mariëtte approaches and creates her work. They told Mariëtte to only make series that are close to her, hold meaning for her. In her series of work titled OBSTACLES is a photographic autobiography that tells the visual story of living with anxiety through a series of images. Mariëtte wanted to express the consequences of anxiety in many ways. “Shall I, or Shall I Not, also known as Obstacles, was made to break through the taboo around living with anxiety. Millions of people have to deal with this, it is always hidden and in my opinion not accepted and is viewed as a sign of weakness.” Mariëtte depicts her subjects in conflict with the struggles they face, but also in the light, not darkness, exposing the realities not hiding them. Mariëtte's trilogy of poetic images in her tryptic THE JOURNEY, conveys the whimsical story about a young girl being very curious in life. The young girl starts in the morning and her return is in the evening. “What did she experience?!? That’s totally up to the viewer to interpret,” says Mariëtte. Mariëtte brings us along for the journey allowing us to participate in the adventure. One of Mariëtte’s favorite things in photography to explore is caching motion. The freedom of the movement elicits feelings of spirit of adventure and childlike joy in the playful acts of having fun. Mariëtte loves working with colors to express the fun depicted through these playful images saturated with a palette of hues expressive of the emotions and spirited wiles of youth. Mariëtte has been a member of an ambitious, small photography club for the past seven years. The goal of the club is to help each other achieve a higher level of knowledge to accomplish their photographic goals. Mariëtte is challenging herself with social themes in a variety of series. She is not trying to tell her story with documentary images, but instead she creates her fairytales through symbolism and visual poetry. Mariëtte says this new work is very relaxing and has found it to be a good way to get more connectivity to nature. I had the absolute pleasure to interview Mariëtte and this is what she shared with us at The Pictorial List to inspire you all with. “I always want to express emotions in my photography or at least try to make people curious about the story in the photo. Often the viewer can make their own story by ‘reading’ the scene.” IN CONVERSATION WITH MARIËTTE AERNOUDTS THE PICTORIAL LIST: Mariëtte please tell us about yourself. How does where you are from influence your work and when did your journey into photography begin? MARIËTTE AERNOUDTS: I was born in a little village in the south of the Netherlands. We had enough possibilities to play outside and used our imagination with the available situation without toys. In our village we had no cultural life, no cinema, no museum and at home we never discussed the subjects. Photography was not in my life at all. But I loved books, and had many adventures in the stories. Nowadays I live in a village in the middle of the country and spend my days mainly with photography in different ways: reading about it, experimenting, watching photos on the internet and I post sometimes, and also I work on commission. My journey began by using my husband's analog camera. Mainly photographed our children, on birthdays, during holidays and special occasions. I wanted to make memories for the future as I don’t have any photo of myself as a child. TPL: What was the first camera you ever held in your hand, brought to eye, and released a shutter on? What is the camera you use now? Does the equipment you use help you in achieving your vision in your photography? MA: The first camera I held was an analog Yashica, don’t recall the type. I shot with an auto. Nowadays I have a Canon 5D Mark III and a Fuji TX3 which I always take along. I always shoot with my own camera settings and photography is always a challenge now to make the desired result as I see/feel things. TPL: You create these worlds of fantasy and illusion, with poetic notes of authenticity. You often work with children as your subject. Tell us why you choose your subjects, and how they personally have influenced your work. MA: I think I use the subjects because they bring me into a nicer world, softer and it is a little escape from reality. Children are so open and behave so naturally, I love their sincere expressions. 'Obstacles 1 - Pulling Your Life Together' © Mariëtte Aernoudts 'Obstacles 2 - Shall I' © Mariëtte Aernoudts 'The Journey I' © Mariëtte Aernoudts 'The Journey II' © Mariëtte Aernoudts 'The Journey III' © Mariëtte Aernoudts 'Colours - Red' © Mariëtte Aernoudts 'Colours - Yellow' © Mariëtte Aernoudts 'Colours - Orange' © Mariëtte Aernoudts 'Colours - Green' © Mariëtte Aernoudts 'Colours - Blue' © Mariëtte Aernoudts 'Cloudy Days' © Mariëtte Aernoudts TPL: Nature and the environment play important roles in your work, often seeing humanity mimic nature, or your environments mimic humanity, there is a strong connection. Tell us about these connections, and how they set the stage for your portraits. MA: Most of the time my models are selected based on their expressive faces and attitude. They are children or adults who make me feel their mood. For the portraits they don’t need a scene or setting because their expression moves me so much that this tells the whole story. TPL: In your series ‘Obstacles’ you address the challenges one faces when they are challenged with Anxiety Disorder, tell us the passion that drives this study. MA: In fact I myself have been managing my anxiety disorder since I was ten. It made my life a daily struggle and not many people knew about it. I lived to survive each day as good and ‘normal’ as possible but my anxiety became a hindrance in many ways. It was lonely because I thought I was the only one but through the years, talking about it, I met more and more people with the same problem. This is an underestimated problem and hard to understand. Therefore I wanted to break the taboo and shame by ‘showing’ it with my photos to achieve more understanding. I am always looking for new and innovative ways to add reflections of my own feelings and emotions to my photos and aim to take the viewer just a little step beyond the ordinary. TPL: Do you feel your work has therapeutic or healing qualities? Do you try to portray hope and possibilities through your studies and work? MA: I hope so! For me my work is a way to relax, have fun making it and sometimes it makes me very happy. It would be awesome when viewers feel the same. I always want to express emotions in my photography or at least try to make people curious about the story in the photo. Often the viewer can make an own story by ‘reading’ the scene. TPL: You directly engage your subjects whether in eye contact or through body language, it is honest, and genuine. Tell us the importance of this. MA: It is very important to read body language because this tells emotions of a person and all my models are always authentic and natural. I always work with them one on one, with the presence of one parent. Try to make contact as close to themselves and my emotions as possible. Before we start we have a long chat to get acquainted. Eyes are the soul of every person. TPL: In your series of single images, light plays an inherent role in the way you illuminate and define your subject. Talk about your quality of light and what it represents in these works of art. How long has Portraiture been a subject you have studied through photography? MA: My most used light is available light. Just a slight change of position of the head or body can make such a big difference. What I love to use is backlight to make materials like clothing or textures a bit transparent. It makes me wonder everytime when I reach this result. Light is a fantastic tool to work and play with. Sometimes the light enters a room or in plants in a way I really love and then want to catch it immediately before it will change. Actually, since I had my children, about 36 years. It all started then. The last 13 years I have spent more and more time on it. Then I started courses and workshops. The things I want to learn I look up on the internet and experiment just as long as I know how to do them. Once it took me a year to learn an act in Photoshop! 'Stairway to Heaven' © Mariëtte Aernoudts 'Worried' © Mariëtte Aernoudts 'Escaping' © Mariëtte Aernoudts 'Little Mona Lisa' © Mariëtte Aernoudts 'Autumn Thoughts' © Mariëtte Aernoudts TPL: Do you have any favorite artists or photographers you would like to share with us, and the reason for their significance? MA: I love the light Rembrandt used in his paintings and the colors of the Italian painter Rafaël. The photo portraits of Stephan Vanfleteren impress me very much, the way he captures the emotion of people is stunning. Sally Mann inspires me by her uninhibited child photography. My favorite Dutch photographers are Danielle van Zadelhoff, Carla Kogelman and Anton Corbijn. TPL: Are there any other photographic projects you are working on, or have planned in the near future? Where do you hope to see yourself in five years? MA: At the moment I am working on a project with mother and child. The way to imagine the story differs sometimes but work is in progress. In five years I hope to be healthy enough to keep on doing what I am doing now. TPL: “When I am not out photographing, I (like to)… MA: To take walks (not too far) together with my husband, have fun with my grandchildren and start to attend more art classes.” Mariëtte’s photography speaks to the fantastical worlds she has created or captured in the eyes of her subjects, and often times portrayed in the body language of their gestures. Mariëtte creates her spaces with details that add intrigue to her subjects, capturing your curiosity, captivating you to, smile with them, dance and sing with them, laugh and play with them, think with them, and maybe even cry with them. When Mariëtte chooses deep dark spaces to place her subjects in, the eyes become the intrigue, asking you to look deeper, to sink into their soul. VIEW MARIËTTE'S PORTFOLIO Website >>> Instagram >>> read more interviews >>> LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual.

INTERVIEW March 3, 2020 LET THERE BE LIGHT Photography by Kevin Icabales Interview by Melanie Meggs Whether it's capturing candid moments or telling a unique story, Filipino street photographer Kevin Icabales has a style all his own. With a bit of tongue-in-cheek humour, he has been able to capture a scene in a way that only he can. In this interview with Kevin, we ask him about his journey into street photography and what motivates him to pursue such unique and creative photography. From his beginnings to his current success, we explore the art of candid photography through the lens of Kevin Icabales. And God said, let there be light, and there was light. - GENESIS 1:3 “Photography is all about light. Seeing and experiencing the wonders of His creation urges me to see beyond what I cannot do. I know that I can be creative because He created me in His own image and likeness.” IN CONVERSATION WITH KEVIN ICABALES THE PICTORIAL LIST: Kevin, can you start off by telling us about how you first became interested in photography? KEVIN ICABALES: I started photography after I graduated from college. My twin aunts bought me a DSLR for a graduation gift. I started shooting weddings and concerts. I realized that I love taking pictures of decisive moments or candids. That passion led me into street photography and I knew where I was called to do. TPL: Where do you find your inspiration? KI: I find my inspiration from my family, when I let them evaluate my work, and also, how they will respond emotionally towards my photos. Also, seeing the viewers change their ways and making them reflect their lives from my photographs makes me eager to continue doing so. TPL: Has your style of photographing changed since you first started out? KI: My style of photographing has changed a lot when I started street photography. I am more aware of what to put and exclude inside my frame. It is like making music with lots of scales in your mind, then eventually you will pick the best melody that works. For me, this genre should be the start of all aspiring photographers. You will not just learn the technical stuff but also it will build your character as well. TPL: Where is your favourite place to photograph? KI: My favorite place to shoot is around metro Manila in the Philippines. TPL: Do you think equipment is important in achieving your vision in your photography? What would you say to someone just starting out? KI: I believe that an equipment can never outdo what your vision wants to create. These are just mediums of your creation. Let us break the mindset that says, "You take good pictures because you have an expensive camera". You cannot say that "the food is delicious because the stove is expensive", same goes with photography. If you have the means to buy higher equipment, then go for it. But always remember that the best camera is the one that you have at the present time. I find my inspiration from my family, when I let them evaluate my work, and also, how they will respond emotionally towards my photos. TPL: What characteristics do you think you need to become a photographer? What’s your tips or advice for someone in your genre? KI: Always be strong and humble. Be a man or a woman of integrity because it all starts there. Be open and accept constructive criticisms towards you and your works. Meet new like-minded people, build rapport and inspire one another because each of you is a unique individual. TPL: Have you ever been involved in the artistic world before photography? KI: I was inclined to music before photography. I was a guitar and vocals in our rock band when I was in college and I also write songs. TPL: Do you have any favourite artists or photographers you would like to share with us? KI: My favorite photographers are Henri Cartier-Bresson, Robert Doisneau, Garry Winogrand and Elliott Erwitt. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? KI: I am currently working on an Ad Gone Wrong project. I'll let you know once available. TPL: "If I wasn’t photographing what would I be doing?... KI: Singing and songwriting." In his rise to street photography excellence, Kevin Icabales has truly found his own unique style. His candid images and creative eye for storytelling have made him a successful photographer. As he continues to explore the art of capturing candid moments, be sure to follow Kevin on Instagram to stay up-to-date with all of his photography. With his unique vision, Kevin Icabales will no doubt continue to make waves in the world of street photography. VIEW KEVIN'S PORTFOLIO Kevin's website >>> Kevin's instagram >>> Kevin's facebook >>> read more interviews >>> LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual.

INTERVIEW April 29, 2020 BEAUTIFUL COINCIDENCES Photography by Adrian Whear Interview by Bill Lacey Adrian Whear is an autodidact from Melbourne who is renowned for his captivating street photography. He had a burning curiosity and passion for photography, but it wasn't until his travels to Ethiopia and Morocco that Adrian developed a deep understanding of the medium and its potential. His ever-evolving style has earned him the admiration of critics around the world. But there is another side to this story. In 2016, Adrian's life took a dramatic turn when he was involved in a serious accident while commuting home from work. Fortunately, three years after the accident, Adrian still found it within himself to seek out adventure and inspiration. He began a journey to Hoi An, Vietnam, where he met Etienne Bosset, a travel photographer who taught Adrian valuable lessons about travel and documentary photography. With newfound insight and understanding, Adrian returned to his beloved hometown of Melbourne, determined to capture life through his lens. Through his intimate exploration of the streets and alleyways, Adrian has crafted a unique vision that transcends traditional boundaries. In this article, we will explore Adrian's journey - from his accident to his photographic endeavors in Melbourne - and how this unlikely autodidact has become an inspiration to photographers around the world. “My journey from happy snapper to more serious photography probably started in 2015 when I travelled through Ethiopia and Morocco. I took a snap in Casablanca of a woman walking past a mural that looked exactly like her, at that at the time I thought it was just an incredible coincidence that I captured. I have since learnt that these 'coincidences' are all around us, we just have to be attuned to our surroundings.” IN CONVERSATION WITH ADRIAN WHEAR THE PICTORIAL LIST: Adrian, please tell us something about yourself and how it influenced you finding your way into street photography? ADRIAN WHEAR: Life often takes unexpected turns. For me, that was 2016, when I went through every cyclists worst nightmare. On my commute home from work I was hit by a car. I suffered some quite severe facial and dental injuries. It took three years, three surgeries and a team of dental professionals (oral and maxillofacial surgeons, endodontists, prosthodontists and my trusted dentist) to repair my mouth. It was after my second surgery in 2017, that I decided I just needed a break from it all, so I decided that 10 days in Hoi An would be good for my mental and physical well being. In Hoi An, I joined a local travel photographer, Etienne Bosset on one of his photo walks. A lot of what Etienne said about travel and documentary photography resonated with me. Upon returning to Melbourne I started to make the effort to go out and walk the streets and alleys of my hometown Melbourne and its inner suburbs, and in the process I started to discover my home cities true soul. From there I just photographed whatever captured my attention, slowly forming an understanding, vision and style for my photography. Where do you find your inspiration? From the world around me, documentary photography has taught me to be much more attuned to my surroundings. I want to capture and show this world that I see, that is right there in front of people yet it is in their blind spot. Also I enjoy following the work of some amazingly talented photographers on Instagram. TPL: Has your style of photographing changed since you first started? AW: Most definitely, I would say my street photography has matured more towards minimalism and artistic street photography whilst I have a growing interest for documentary photography. TPL: Who are your favourite artists/photographers and the reason for their significance? AW: I am not a street photographer that has followed the works of the renown artists of the genre, nor have I completed any photography qualification. I am a mostly a self-taught amateur photographer. TPL: Where is your favourite place to photograph? AW: Well Melbourne is where I live and I so love its many small grungy alleys, they have so much character. When travelling, anywhere in Asia for its mix of culture, people and food what more could you want! In 2019, I spent an incredible three weeks in Bangladesh but that story is for another time. From the world around me, photography has taught me to be much more attuned to my surroundings. I want to capture and show this world that I see, that is right there in front of people yet it is in their blind spot. TPL: Do you think equipment is important in achieving your vision in your photography? What would you say to someone just starting out? AW: So my photography being of the street and documentary genre. Of course the equipment is important, a SLR camera, and knowing how to use it in full manual mode, gives you full control to achieve your creative vision. But it is the creative vision that is what makes you a photographer not the equipment. I'll use a cycling analogy here, Chris Froome is a four times Tour de France winner. Now put me on Froome's bike and Froome on a cheap department store bike. Who would win this race? Obviously Froome, as the best cycling equipment in the world would not give me the talent of Chris Froome. You must work hard at your craft, trying to develop your skill and knowledge each and every time you go out to shoot. So if someone were starting, I would say to to concentrate on your observation skills (sort of like active listening but from a visual sense) and to let go of technical perfection, story is more important. TPL: What important skills do you think you need to become a good street photographer? What’s your tips or advice for someone in your genre? AW: For me, the most important skills of the street photographer would be: Observation - already discussed Interpretation -Take the scene and find the story then compose to tell your story. Try to predict how people will interact within your scene (do they create long shadows, can you use the shadows to create a silhouette?). Visualisation - Imagine what you want the final image to look like. Will it be black and white, high key, low key etc. Then photograph with that image in mind. Patience - I often head out so excited to shoot and spend the first half an hour to an hour snapping pics just for the sake of snapping pics. Slow down, be patient, take your time and concentrate of being an observer. Once you have your scene then wait and wait and wait...for the right subject to complete your story to enter the scene (maybe someone in a hat or with an umbrella). You might need to revisit a location on a number of occasions to capture that shot. My tip for a street photographer get a good pair of walking shoes. You've just gotta walk and walk and walk. Get out and about to see the light at different times of the day, and to find locations that you might want to revisit. Also remember to enjoy the walk. You will not always capture interesting photos but you can always have a great walk! TPL: Have you ever been involved in the artistic world before photography? AW: Nope my background is in Science. Before photography I would have argued that I did not have one creative bone in my body. As a kid I even failed in drawing stick figures! TPL: Are there any special projects you are currently working on that you would like to let everyone know about? AW: Well actually yes, I recently collaborated with a Singaporean photographer on an urban dance project. He travels to different cities to photograph dancers in urban scenes. He asked me to collaborate on his Melbourne shoots. I always have shot candid so it was interesting to observe him structure and build a scene. We photographed a range of dance styles including ballet, jazz, contemporary, break dance and even krumping (which I had not heard of until this project). TPL: "If I wasn't photographing what would I be doing?... AW: Easy one, cycling and watching my beloved Western Bulldogs." Adrian's photography gives us an insight into his unique understanding, vision and style of the world around him. As Adrian continues to share his perspective with us through his photographs, we can all be inspired to create our own visions. View the links below to see more of Adrian's photography and gain inspiration for your own creativity. VIEW ADRIAN'S PORTFOLIO Read THE INVISIBLE WORKERS Read PRAYING FOR PEACE Instagram >>> read more interviews >>> LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual.

INTERVIEW April 15, 2020 CATCHING GLIMPSES OF LIFE Photography by Alexey Strechen Interview by Melanie Meggs Gripped by a desire to capture moments in time, the Belarusian photographer Alexey Strechen has taken to the streets of Moscow with a camera in hand. Despite recently beginning his photography journey, Alexey already knows what he wants to achieve with his work: to catch a glimpse of the characters that make up the fabric of modern life. With a unique style that often creates a sense of intrigue, Alexey's photographs often leave viewers questioning the story within the frame. Follow his journey as we take a closer look at this emerging photographer and his creative approach to art. “I started taking photographs regularly quite recently, in March last year. My girlfriend made me have an Instagram account. At first, I did not know what I could upload to the network. I found photos from a trip to Italy and began to post. Then I picked up a camera and went outside to make some extra stuff. And here we go.” IN CONVERSATION WITH ALEXEY STRECHEN THE PICTORIAL LIST: Alexey, where do you find your inspiration? ALEXEY STRECHEN: Inspiration in street photography is quite simple. You just need to force yourself to go out and start taking pictures until the first one that interests you. The rest will flow like a river. TPL: You are new to photography, describe your style. AS: Over the year of experimenting with colors, lighting, and composition, my idea of photography has changed a lot. The first six months I took pictures on the Nikon D3200. The lens was catching everything that was around me. As a result, my photos were like a set of completely different pictures. Now I’m trying to find my own style. I guess I don’t like photographing just architecture, just people or just nature. I like to capture moments in the photo. The faces of the main characters in my photographs are usually hidden in whole or in part. The final photographs often turn out a little gloomy, but from this the moments become only brighter. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? AS: Alan Schaller is the first person whose Instagram account I show people when they ask me this question. I am motivated by his photos. I would like to be able to develop thoughts and plots in photographs the way he does. TPL: Where is your favourite place to shoot? AS: In street photography, you’re constantly looking for new places. I like what I'm doing now in Moscow. There are many places for experimentation. This allows your photos to reach a new level. The final photographs often turn out a little gloomy, but from this the moments become only brighter. TPL: Have you ever been involved in the artistic world before photography? AS: No I haven't. TPL: Do you think equipment is important in achieving your vision in your photography? AS: Canon EOS 80D is my main content creation tool. But equipment is always in second place. This is just a tool that helps you realize your ideas. The most popular photo at the moment in my account was taken on the iPhone XR. I was afraid to continue taking pictures on Canon in such rainy weather, but I took a couple more pictures on the phone until I caught a man running across the road with an umbrella. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? AS: Now I'm working on creation my first portrait series. Stay tuned! TPL: "If I wasn't photographing what would I be doing?... AS: I’m not a professional photographer. Photography is my hobby and only a part of my life." Experimenting with colours, lighting and composition, Alexey catches glimpses of life on the streets of Russia. Visit Alexey's Instagram to follow his journey. VIEW ALEXEY'S PORTFOLIO Instagram >>> read more interviews >>> LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual.

INTERVIEW March 5, 2020 AN OBSERVED REALISM Photography by Melanie Meggs Interview by Karin Svadlenak Gomez As people, we are often defined by our experiences – some good, some bad – that shape who we are and how we interact with the world around us. For one Australian visual artist, her near-death experience was the light that shone a new path in her life, leading her to explore photography as a creative outlet and a way to escape from reality. Melanie Meggs is an artist and visionary photographer, whose work speaks to the depths of the human experience. With a background in Fine Arts and years of field experience, Melanie has a unique talent for creating scenarios through strangers on the streets, exploring the intersections of reality and fiction. Her photography is often satirical humorous and serves as a psychological representation of her escape from the everyday. The creative mind behind The Pictorial List, Melanie's artistry runs deep and her thought-provoking works give viewers a rare insight into her world. Through her lens, she invites us to join her on a journey of exploration, allowing us to take a glimpse of the reality she has created for herself. Her works are captivating, mysterious and simply beautiful. Melanie's story is inspiring and her works serve as a reminder that art can be used to explore and express the depths of our inner lives. Join us as we go behind the lens with Melanie Meggs to discover how photography changed her life. You'll miss the best things if you keep your eyes shut. - Dr. Seuss “From a young age, I have been completely mesmerized by people and their complex interactions in different scenarios. I intently observe and analyse their behavior and social relationships, as I find it incredibly fascinating.” IN CONVERSATION WITH MELANIE MEGGS THE PICTORIAL LIST: Melanie, when did you start getting interested in photography? MELANIE MEGGS: As far back as I can remember, I have always had a passion for photography. It all started when I was a young child and I would snap pictures of everything around me with my trusty camera. When I began studying art, I was overjoyed to receive my first SLR camera - a secondhand Nikon FE. I still have that camera to this day and it holds a special place in my heart. While I was initially more interested in the theoretical side of photography, I loved the experience of working in the darkroom and seeing my images come to life before my eyes. Although it's been many years since then, those memories remain vivid and exciting. A few years ago, my life was almost taken away from me by Sepsis (Streptococcal Toxic Shock Syndrome), but I used that experience to change my perspective on life. I was very lucky to have survived. I began to appreciate life in a new light, taking a camera out with me on my daily rehab walks to keep me company. Through my viewfinder, I was able to escape the reality of my illness and everyday life. Even today, photography remains a place of solace for me. TPL: Where do you find your inspiration? MM: I derive my inspiration from my passion for painting. Though I can no longer paint with the same skill as before, I have discovered a way to incorporate my love for painting into my photography. I now paint with my eyes, capturing beauty through the lens of my camera. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? MM: I have forever been inspired by artists such as Jeffrey Smart, Edward Hopper and David Hockney. The way they created these precisionist depicted scenes of urban landscapes that were full of playful allusions appealed to me very early on in my life. I recently have found inspiration in the conceptual photographic works of Ben Thomas and Maria Svarbova. TPL: Has your style of photographing changed since you first started? MM: Certainly, my approach to photography has evolved over time, and I anticipate that it will continue to evolve as I gain new insights and knowledge. TPL: Where is your favourite place to photograph? MM: I really enjoy taking photos at the beach these days. People there seem more carefree and happy, which makes for great photos. I recently visited Japan, and it was a photographer's dream come true. There were endless opportunities for amazing shots, and the people there were wonderful. I'm already planning to go back again in the future. I also love experimenting with different techniques in art galleries and museums. It's a fun way to challenge myself and create something unique. I now paint with my eyes, capturing beauty through the lens of my camera. TPL: Do you think equipment is important in achieving your vision in your photography? What is your current camera and why did you choose it? Is there anything on your wishlist? MM: I would love to have a camera with weather-sealed medium format or full frame capabilities to successfully achieve my photography objectives. This feature is crucial to my work, as I often capture images in sandy or wet surroundings, and it is essential to the quality of my work. Additionally, I aspire to produce enormous prints in the future, and having a camera with more megapixels will help me achieve this goal. I currently use the Olympus OMD EM II and mostly use my prime lenses 17mm (35mm equiv) and 85mm (170mm equiv). I have a deep affection for my Olympus camera. Its 5-point stabilization, lightweight design, and ability to produce stunning colors makes me hesitant to invest in a new camera at the moment. On my wishlist, emphasis on WISH!...a Leica or a Hasselblad...I shall just keep dreaming at the moment though. TPL: Have you ever been involved in the artistic world before photography? MM: I have a diverse background in the arts, having studied Fine Arts with a focus on art history, painting, and printmaking. Additionally, I studied music and can play the tenor horn, trumpet, and tuba. From 2012, I co-owned a homewares, florist store, and gallery with my close friend, where we showcased the work of talented Australian artisans. Our store also featured our own handmade timber furniture and homeware designs. Sadly in 2018, we had to close the store due to my illness. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? MM: The Pictorial List!...A worldwide online community photography platform that delves into the intricacies and splendor of all types of photography. We have numerous exciting concepts in the works and can't wait to share them with you! TPL: “When I am not out photographing, I (like to)… MM: Something creative! Enjoying life on sunny days.” A combination of observed realism and a touch of quirkiness abounds in Melanie's photographs. Join Melanie on Instagram for a glimpse into her life as she pursues her passion for photography. VIEW MEL'S PORTFOLIO Mel's Instagram >>> read more interviews >>> LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual.

INTERVIEW August 23, 2021 THE LIVES OF THIS CITY Photography by Olivier Fardel Interview by Melanie Meggs Olivier Fardel is a passionate photographer from France, who captures fleeting moments of emotion and solitude in his images. His work is a celebration of the subtle beauty in the everyday – finding those remarkable characters that add a richness to the empty streets of Toulon. Olivier’s photos are a window into the lives of those we pass on the street, capturing the loneliness and vulnerability of strangers in a single frame. He invites us to look beyond our everyday lives and find the beauty in every corner of our cities. His photos show us that even in moments of solitude we can find a connection with one another. Olivier’s work reveals to us that even in the most unexpected places, there is a beauty to be found. His images tell stories of moments of intimacy and resilience, as his lens penetrates beyond what we can see with our physical eyes. He gives us an insight into the lives of people who otherwise go unnoticed, and highlights their strength and courage as they move through life. Join us as we take a journey through Olivier’s work – exploring his inspirations and motivations behind his photography. As he takes us into his world, we discover how he immortalises these fleeting moments forever in a few hundredths of a second, and how he reveals characters who seem very lonely but so visible at the same time. “This series reveals characters who seem very lonely to me, too often but ultimately so visible. They parade in one direction, go in the other direction, come to meet us then move away and leave us. These men and women, who are they? I started this series in early 2019 with a quest for these remarkable characters, often in bright colors, with a particular background or foreground that sometimes seems to play with their charismatic silhouettes. With a little poetry and tenderness, shadows and looks, this new episode of a dozen characters finally has a thirteenth because in this holiday season, particular in more than one way, it is important to not to be left alone.” IN CONVERSATION WITH OLIVIER FARDEL TPL: Olivier please tell us about yourself. What was that moment that sparked your interest to pursue photography? OF: I have a university education and after that I followed a very varied professional career without any connection to photography. I live in Toulon in the south of France but I am from Dunkirk in the north. I am therefore imbued with a maritime city. A personal event made me want to walk around with a camera to occupy my mind and not let my thoughts wander aimlessly. I began by photographing the maritime coast before leaving for the West Indies and Africa, where I realised that I was taking pictures of the urban activity. This particularly interested me. I did not show my photographs until I realised they had to be live and therefore to be shared. TPL: What does photography mean to you? OF: First of all, it is giving importance to all things that interest me. It can be a particular emotion caused by a puzzle of elements, a contrast of colors or activity, a game between the different elements that make up the scene. A few years ago, I had fun taking and sharing a daily photograph at 7:31 pm. Beyond finding what I could photograph at this precise moment, I imposed myself an additional constraint of always accompanying it with a title that had to be found in just a few minutes. I realised that titling or accompanying a photo with a short title or slogan allowed me to play with the image. This title is often a word game or a turn of word that echoes my photographic intention. TPL: How would you describe your photography style? OF: It is quite difficult to describe it...because I am as well attracted by the color as by the black and white. I try to give the subject of the photo a certain particular closeness to the viewer. If I don't walk around enough in the streets to have material for street photography, I photograph the nature of our garden, for example. I often use the black and white in order to play on contrasts and minimalism. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? OF: Harry Gruyaert is clearly my favorite artist. Probably because I find in the atmosphere of these Belgian, maritime and travel series, elements of my childhood and my life, but also because most of these published photos are taken during personal trips where his photographic research is permanent. I also like the photos of Meyerowitz, Depardon, Erwitt and Jean-Christophe Béchet. TPL: Does the equipment you use help you in achieving your vision in your photography? What camera do you use? Do you have a preferred lens/focal length? Do you spend a lot of time editing? OF: I have a Canon 6D that I mainly use for photos in the personal circle of the sea, the mountains, nature and a Lumix GX8 for urban walks. I often use a 20mm with the Lumix which forces me, for my series "The lives of this city", to move around a lot to frame the characters as I wish. I don't like to use the phone because it is too old to take good quality photos and allow me to shoot in raw format and thus do a bit of post processing before editing fairly short in time. I love to ensure that my wife and daughter can thrive and marvel at the beautiful things in life and what I see through the lens. TPL: The past year and a half has been tough on many artists. How have you been feeling through this time, both personally and as a photographer? OF: Personally, fine. Having a garden and being able to continue working or teleworking were assets to live through these periods of confinement. We had a travel restriction that made walks impossible and at this moment I fell back on the lives of the garden. The situation opened up new photographic horizons for me. TPL: What are some of your goals as an artist and photographer? Where do you hope to see yourself in five years? OF: I have no other goals than to continue to have fun and to arouse emotion, a smile or astonishment in the eyes of those who will want to look at my photos on my website. One day, it's true, I would like to exhibit to see those reactions and give more importance to messages that I sometimes try to convey. TPL: Are there any projects you are currently working on that you would like to let everyone know about? OF: I continue the series THE LIVES OF THIS CITY in which I try to reconcile charismatic silhouettes with particular urban backgrounds, therefore a very colorful series. In parallel, I will continue, without leaving my home, the series LE BONJOUR D'ALFRED. The series is graphically in total opposition as it is minimalist in color and detail, it deals with these city birds which tend to be less and less numerous. TPL: "When I am not out photographing, I (like to)… OF: I love to ensure that my wife and daughter can thrive and marvel at the beautiful things in life and what I see through the lens." Olivier Fardel’s work is a vivid reminder of the beauty that exists all around us, even in the most unexpected places. His photos remind us of the importance of taking time to appreciate the everyday moments and find connection with those around us. VIEW OLIVIER'S PORTFOLIO Website >>> Instagram >>> read more interviews >>> LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual.

INTERVIEW May 5, 2023 CROSSING THE AVENUE Photography by Juan Sostre Interview by Bill Lacey Driven by passion, hunting for the right light, the right expression, the right pose…photographer Juan Sostre’s work is at once recognizable. Bold, in your face, sometimes pretty, sometimes anything but. Filled with boundless energy on the street, he is both a fly on the wall and a bulldog with a flash. Walking with Juan on the street is both exciting and informative. He’s a walking masterclass of street technique. He shoots without hesitation where others might. Raw, edgy, in black and white or color, Juan's street portraits unearth something below the surface that most fail to capture. Juan is also an amazing curator of street photography. His AVENUE magazine features some of the best street photographers to be found anywhere. His layouts, selections…always the right choices. A magazine that is both fun to flip through yet deserves a spot on the bookshelf along with some of the best photo books in your collection. Juan shoots with a 28mm lens on a Leica Q2, a Ricoh GR3, and a Fuji X100V, which allows him to get up close and personal. These raw and edgy shots transport the viewer to the very heart of this snapshot in time. If you’re lucky enough to walk with him on the street, you’ll likely see things in a whole new way. So take a walk with us, feast your eyes on his amazing work, and cross the avenue with Juan Sostre. “My street photography is 80% candid shots and 20% staged. I’m more a hunter than a fisher. Those candid shots are ones in which you can feel the action, the movement, the spontaneous second in life unexpectedly, without necessarily having the subject entirely in the frame or straight. The 28mm focus length allows me to archive those compositions and get close enough to capture their breath and get my artistic vision. Like a Fly, I'm there seeing you from the point of view that the human eyes are not used to seeing. Maybe in silence, or maybe I make you uncomfortable. I hope the viewer feels and gets that when they see my work. Even when I’m not closer to my subject, I still want to keep that point of view, where my composition makes you see what human eyes are not used to approaching.” IN CONVERSATION WITH JUAN SOSTRE THE PICTORIAL LIST: Welcome Juan! To get started please tell our readers about yourself. What would you say first drew you to photography? JUAN SOSTRE: I studied Image & Design at La Escuela de Artes de Puerto Rico in Old San Juan, where I took a basic photography class, learning how to work in a dark room. It was not until a few years later, in 2007, that my passion for photography started showing up when I needed to start capturing my son's mom's belly. After my son was born, I started capturing those same moments for other families. In 2017, Puerto Rico was ravaged and flooded by Hurricane Maria, and that was when I fled to California to start a new life with my son. I knew I needed extra money since I was without a job and living off my savings for the first few months. Unfortunately, I was forced to sell my camera just to make sure that I had enough money to put food on the table for my son. I was blessed to get a job in an Advertising Agency as Creative lead / Senior Art Director here in California, but it wasn’t until 2020 that I started to find my footing with my work and life. TPL: What was the first camera you ever held in your hand, brought to your eye, and released a shutter on? What is the camera you use now, and your preferred focal length? Does the equipment you use help you in achieving your vision in your photography? JS: After using a Canon for years, I bought a Fujifilm X100V 35mm-equivalent focal to use in my day-by-day commute on the train between San Jose and San Francisco. It was that time when the pandemic hit us, and I tried my hardest to keep shooting as much as possible, even shooting portraits at my place with some models, just to get to know my gear. Then I discovered the Ricoh GRIII 28mm through a friend, and I knew from then on that was going to be my preferred focal length. Since September 2022, I have been shooting with a Leica Q2 28mm as my main camera, and it completely helps me to archive my vision in photography. TPL: When you take pictures, do you usually have a concept in mind of what you want to shoot, or do you let the images just "come to you," or is it both? Please describe your process. JS: I never go out with something in mind. I love being spontaneous and a hunter and going with the vibe of the day. Maybe I can make a stop for a few minutes and be a fisher depending on the location and weather. Most of the time, I keep walking to see what shows in front of me, and then I press the shutter without any hesitation. I barely use my viewfinder to get those points of view. I may look at it or at the screen to see if I got the shot, which I always shoot in black and white and lets me focus on the composition of the frame and don’t get distracted by the colors that I already saw. And never go back home and look at my frames the same day since I don’t want to get influenced by the excitement of my day if it was a good one. TPL: How do you educate yourself to take better photos? JS: First, I go out there and shoot as much as possible. Either local in the Bay Area, especially in San Francisco, or travel to other countries to have a different stage and people cultures. Collaborating with my colleagues and having a great conversation about photography with a beer in hand, sharing feedback about our work with respect. Also buying books and a lot of YouTube videos related to film or digital photography. TPL: Do you have any favorite artists or photographers you would like to share with us and the reason for their significance? JS: When I was an art student, I was a big fan of Salvador Dalí and René Magritte, among many others. The same with photography, I have been influenced by a few great names like Mark Cohen, Bruce Gilden, Saul Leiter, Garry Winogrand, and many others as well. Without taking credit away from so many talented ones on Instagram and my colleagues and friends, photographers with whom I walk the street and shoot monthly, and others in other cities. I have learned from each of them, and I'm grateful for that. I will say Mark Cohen’s work has been my biggest inspiration to be the fly I am today. TPL: What have been some of your most favorite places you find inspiration to explore through your photography, and what draws you there? The City of San Francisco, I will say, because it is where I’m shooting most of the time. The diversity of neighborhoods and people. The weather changes constantly. But saying that, I will say that I have been to New York, London, and Barcelona recently, and each city is unique and inspires me in different ways. The way I approach my subjects, the weather, and the time of the day, and I’m looking forward to continuing to discover more cities that can make me grow and keep me inspired on the streets. I love being spontaneous and a hunter and going with the vibe of the day. TPL: What are the origins of The Avenue magazine? JS: As a creative designer, when I started shooting in the Bay Area, I noticed that there was not a platform out there, such as a magazine or zine, to showcase the work of talented street photographers. We only had Instagram, where everyone was sharing their photos, but for me, it isn't the same feeling. A better one that you can grab in your hand, start flipping pages and start your own collection of good work. I started designing and curating by myself "The Avenue - Street Photography Magazine." The support was great from the first edition. After the first one, I felt the need to expand it outside of the Bay Area and has been the best decision I made. Since then, more street photographers around the world have been part of it in different editions and have arrived in countries I never expected. My mission has always been to highlight those well-known photographers and incoming ones to allow them to share the same space and share the different styles of street photography and learn from each other. TPL: What are the greatest challenges of publishing a magazine? JS: I will say for me, the biggest challenge is having a good budget to produce the magazine. I do the design and curate it, and then I send it to a fulfillment that takes care of the printing and shipping. Which means they take 90% of the profit. People think that I'm making money out of it, but it is not like that. I just continue because I feel and know that we need The Avenue Magazine and more platforms like this one to keep showcasing the great talent out there. It is not the same to see a frame on Instagram as having it printed, like back in the day. I respect and admire the other magazines out there that are doing the same in the east side and around the world since I don't see them as competition; I just see them as colleagues that are helping to expand our vision. I have so much passion for this magazine and believe in the talented street photographers out there that I know one day I will be producing and taking care of everything in-house, and I hope to keep counting on the support of the community to keep going. TPL: What is the most rewarding part of being a photographer for you? JS: Wow! Seeing the final product printed and turning that second that will not come back into a lifetime one where people can appreciate it per year. Connecting with others around the world that share my same passion. There are so many rewarding moments. TPL: Are there any special projects that you are currently working on that you would like to let everyone know about? JS: Yes! I’m actually getting ready to be part of a Street Photography Collective Exhibition called “THROUGH OUR EYES” on May 6th in San Francisco, California, where I will be sharing walls with my super-talented friends Harry Williams, Demondre Ward, Patrick Stevens, Harvey Castro, and Stephen Laszlo. I feel honored about this one. After that show, I want to continue working on a project based in Downtown San Jose and start giving form to it. Then I will get ready to curate the work submitted by photographers for issue #5 of The Avenue Magazine. TPL: What are some of your photography goals? Where do you hope to see yourself in five years? JS: As a street photographer, one of my goals is to continue traveling to other cities, like Tokyo, Colombia, Brazil, and many others, to step up my game. Meet more local photographers from those cities and share the street with them. I’d like to continue showing my work in collective exhibitions and one day make my own on my island of Puerto Rico. I’d love to curate and be a judge in one of the prestige street photography festivals in the next five years. Last but not least, get to publish my second book and get it designed by a close friend. TPL: “When I am not out photographing, I (like to)… JS: When I’m not on the street with my camera, maybe I’m at home designing, but the truth is that I switch from being a photographer to being “Papi.” I spend most of my time with my teenage son and looking at what to do to create memories with him.” Juan's work captures the attitude and emotion of the streets in a way that is both captivating and inspiring. His mastery of technique and ability to observe the world around him, allows us to experience the street in a whole different light. So use the links below and feast your eyes on his amazing work. Get ready to be transported by the street photography of Juan Sostre. VIEW JUAN'S PORTFOLIO Juan's website >>> Juan's instagram >>> AVENUE magazine >>> read more interviews >>> LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual.

INTERVIEW February 22, 2021 THE CREATIVE CIRCLE Photography by John Lillie Interview by Melanie Meggs John Lillie is a man of many talents. From his years as a triathlete to his lifelong passion for photography, his story is one of profound transformation and artistic discovery. John found himself inspired by the world of triathlon, captivated by its challenge and energy. As he immersed himself in the sport, he quickly developed an entrepreneurial spirit and launched his own triathlon magazine. However, it was not until he bought a camera to capture images for the magazine that his passion for photography truly blossomed. Since then, John has dedicated himself to the craft, taking summer courses at St Martins Art College and immersing himself in street and portrait photography. Now retired and living in Spain, he has been able to bring his creative vision to life through his work. His focus is to make images that combine design, information and emotion. John’s dedication has paid off; in 2020, he had six exhibitions of his work in galleries and exhibition spaces. His passion for capturing the beauty of everyday life has only grown and he continues to explore creativity and experimentation as he further develops his craft. “From my days of producing a print magazine each photo I took back then would involve some forward planning; how I would use the picture, where it would go, landscape, portrait or double page spread, all these options would be considered. Also, using film and paying for every frame, plus the processing fees, kept my shot rate low. I continue with this same mindset.” IN CONVERSATION WITH JOHN LILLIE TPL: John please tell us about yourself. How did you become interested in photography? JL: I am an Englishman, born in 1945. In my youth my passion was cycle racing. After racing I had various businesses - I have always been self employed. While working I still rode my bike and also played squash which led me into triathlon. I was a triathlete for a few years (a four times Ironman finisher). One day I was so disgruntled with the existing triathlon media that on a whim I started my own triathlon magazine (it still exists). I did not have a budget to pay for pictures so I bought a camera. This is how I became interest in photography. I stopped being the editor after 7 years but kept my Canon EOS1s and said goodbye to Fujifilm Velvia and gave up taking snaps. Twenty years later (2015) I bought a used Fujifil XT1 with pancake lens and walked around taking pictures of my locale. By now I was retired and living in Spain. Since then I have immersed myself in photography. To get some education, I have taken various summer courses at St Martins Art College in London, specialising in street and portrait photography. A little while ago I started printing and framing my best pictures, I liked seeing them in print so much that I put my energies into finding galleries and exhibition spaces. I have had six exhibitions in 2020. TPL: When you go out to photograph, do you have a concept in mind of what you want to photograph, or do you just let the images 'come to you', or is it both? JL: I look at people; not landscapes, not architecture, not animals, just humans. TPL: Do you have a favorite place(s) to photograph? JL: Somewhere new, different from home, a busy place, probably any foreign city, the more foreign the better. In 2019 I visited Kathmandu, a dirty, dusty, poor beleaguered city. But full of wonderful, amazing and beautiful Nepalese people. I made a collection of pictures that I am proud of, I hope to revisit one day. I look at people; not landscapes, not architecture, not animals, just humans. TPL: Do you have any favorite artists or photographers you would like to share with us, and the reason for their significance? JL: I am inspired by many famous photographers and I regularly buy books (mostly second hand) but these four I like a lot: Mary Ellen Mark for her storytelling, André Kertész for his graphic design, Philippe Halsman for being astonishing and Duane Michals for a bit of all of them. Looking at some of these classic photos inspired me to take similar pictures which led me to a series of Homages - It’s fun to make a very similar but not a carbon copy of the original. I had my friends dress as Picasso and emulated the Robert Doisneau photo with bread in place of Picasso’s hands. I was visiting friends in Bali and bread wasn’t easy available so a couple of Picasso's had bananas for hands. TPL: What are some of your goals as an artist? Where do you see yourself or do you hope to see yourself in five years? JL: I like to print and hang my pictures in public spaces, it completes the creative circle. TPL: When I am not out photographing, I (like to)… JL: To keep moving; I still do my best to keep fit. John Lillie's story is one of dedication, creativity, and resilience. His transformation from triathlete to award-winning photographer is inspiring, and a testament to the power of hard work and passion. John has dedicated his life to capturing the beauty of everyday life, and his work has been recognized in exhibitions across the world. He continues to explore and develop his craft, and we can't wait to see what else he produces. To get more familiar with John's photography, be sure to view his work through the links below. VIEW JOHN'S PORTFOLIO John's website >>> Instagram >>> read more interviews >>> LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual.

INTERVIEW June 15, 2020 OBSERVING LIFE UNFOLDING Photography by Pepijn Thijsse Interview by John St. Pepijn Thijsse is a traveler who, born in The Netherlands and having grown up in the sunshine city of Brisbane, Australia, has now ventured overseas on a one-year mid-career break to focus on his passion for photography and exploration. But more than that, he has set out to capture the world he sees and the human condition he experiences through street photography, an undertaking that gives him insight into different cultures and societies in all their diverse forms. His is a story of curiosity, creativity, and a never-ending mission to observe and document the world around him. Join us as we explore Pepijn’s story and find out what inspires his unique style of photography. “From quite a young age I developed an interest in photography, while my parents took me and my sister (11 and 9 years old) travelling around the world for a year in the late 1980s. I really was an explorer back then and wanted to capture what I saw but at that age in those days, getting a camera wasn't as easy as now. When I was 17, I bought a used Canon film camera with macro filters and was blown away by the insect world I found in the backyard (I still love macro). I took the camera on some solo trips in my early 20s and became obsessed with capturing 'cultural life' in foreign countries. I’m also fascinated by this ridiculously diverse planet we live on, which means I like too many types of photography, from insect macro to sweeping landscapes and of course, my favourite, street photography.” IN CONVERSATION WITH PEPIJN THIJSSE THE PICTORIAL LIST: Pepijn, where do you find your inspiration to photograph? PEPIJN THIJSSE: Bit cliche but the world itself in all its bizarre and spectacularly diverse aspects is my inspiration. This is the reason I struggle to settle on one style of photography and end up dabbling in many - macro, landscape, nature, street, abstract, love them all. TPL: Do you have a quote or saying that resonates with you the most? PT: That's a good question and I can't think of a quote off the top off my head so had to do some digging...all I came up with is Monty Python's tune of "always look on the bright side of life" - this is because I inevitably tend to drift toward the negative (perhaps reflected in my photography) and I must always remind myself to step back and take a balanced view. TPL: Where is your favourite place(s) to photograph? PT: Anywhere I haven't been before, especially if it's culturally distinct from what I'm used to or seen before. That immediately gives me energy, motivation, and joy. I guess it takes me back to that 'exploratory' side I had as a kid; obviously something that remains to this day and hopefully until my last. Favourite places so far - the older suburbs of Istanbul, Egypt, Italy and Ukraine. TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? PT: Very difficult question because if I'm honest I can barely name any of the 'great' photographers (a disgrace I know) except one that I like a lot, Fan Ho. In terms of artists, Rembrandt's use of light is amazing, those paintings seen in the flesh really do beggar belief - true mastery. I was heavily inspired by a bunch of mostly amateur street/documentary photographers I discovered on Flickr around 2015. After searching, I know one is Sohail Karmani (think he's a professional). More recently, Instagram is so full of talent it's almost overwhelming - I need to ignore it sometimes so I can focus! TPL: Has your style of photographing changed since you first started? PT: It has since it's covered quite a span of years and genres but when I think about it, fundamentally it remains quite similar in terms of the scenes I look for and the process. However, now I go out with particular images in mind or spend quite some time at a scene, previously it was far more random. Always look on the bright side of life - Monty Python. I inevitably tend to drift toward the negative (perhaps reflected in my photography) and I must always remind myself to step back and take a balanced view. TPL: Do you think equipment is important in achieving your vision in your photography? What would you say to someone just starting out? PT: Depends on what your vision is but generally I would say no equipment barely matters...to an extent haha. I think it does play a role in my street photography because I like to shoot in very low light and sometimes with a very shallow depth of field. Here equipment does start to make a difference especially if you (like me) review your photos over-critically on a large screen. I cannot do what I do with a smartphone, I can recall just a few keepers from my phone. For someone just starting out, grab the camera and kit zoom lens you can easily afford and that 'feels right' in the hand (size, ergonomics) and spend a while shooting with that until you find the focal length you seem to prefer. Then maybe buy a prime lens, I'm a big fan of primes as they really help hone your compositional skills, a critical element of any good photo. Any camera made in the last 10 years is highly capable and likely beyond the technical requirements for street. And watch YouTube tutorials, in moderation! TPL: What characteristics do you think you need to become a photographer? What’s your tips or advice for someone in your genre? PT: I think patience and commitment is central. Taking great photos (the output), like anything, requires a level of effort (input), a process of learning as well as a lot of trial and error. I think it's proportional, if you really commit and put in the miles you will see results. Understanding of gear plays a far, far smaller role. My advice is to try allocate a minimum amount of time per week to go out and shoot, irrespective of weather etc. In fact my experience is that it's the times I thought weren't worth going out for (e.g. raining) that yielded the best results. Maybe each time choose a theme like "get a close up of someone in a window" so you can concentrate. And spend some (lesser) time learning from others through YouTube etc, there is so much useful material out there it's ridiculous. TPL: Have you ever been involved in the artistic world before photography? PT: I have because my mum is an artist (painter) and so growing up art was always in the family. I think other forms of art are definitely worth looking at in terms of what they might offer your photography, particularly in the use colour and composition. TPL: Are there any special projects you are currently working on that you would like to let everyone know about? PT: Unfortunately there isn't a grand plan or indeed much structure to my photography so no projects as such, other than the broadest ongoing project of capturing life in all it's bizarre forms as I see it. TPL: "If I wasn't photographing what would I be doing?... PT: Mountain biking most likely." Pepijn Thijsse's story is a testament to the power of curiosity, creativity, and exploration in the pursuit of one's dreams. His journey of discovery is an ongoing mission to observe and document the world he experiences through street photography, and an opportunity to immerse himself in different cultures and societies. He is an inspiration to us all and his unique style of photography is something to behold. If you'd like to see more of Pepijn's work, be sure to follow him on Instagram and stay tuned for more from this amazing traveler and photographer. VIEW PEPIJN'S PORTFOLIO View Pepijn's website >>> Instagram >>> read more interviews >>> LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual.

INTERVIEW October 7, 2022 A MAN'S BEST FRIENDS Photography by Chetan Verma Interview by Melanie Meggs For as long as he can remember, photography has been an undeniable force in Chetan Verma's life. From the days of his grandfather's film camera to the moments of discovery of street photography a decade later, the power of the lens to capture life in its many forms has been a constant source of wonder and inspiration. Chetan's journey with photography has now taken him to a new stage, as he focuses his lens on one of the most ubiquitous street sights of India – the affable dog. Finding them pretty much everywhere on the streets in India, anyone documenting the streets are bound to encounter them. Chetan points out that, over the past several years, he has made great strides in his relationship with dogs, going from being initially terrified of them to making them the focal point in these pictures. Through his long term project Chetan has created a wonderful unexpected connection to an unexpected community. As he shares his story and his photographs, we are invited to join Chetan on his journey of discovery – a journey that has led him to explore the beauty of life through the eyes of a camera, and to find moments of joy and connection in the most unlikely places. “Street photography, to me, is fun. The fact that no moment can be repeated gives me the challenge of how to make that moment more interesting. It helps me to remember how life is full of so many interesting possibilities.” IN CONVERSATION WITH CHETAN VERMA THE PICTORIAL LIST: Welcome Chetan, please tell us about yourself. CHETAN VERMA: I grew up in Mathura in the state of Uttar Pradesh, India. It's a small town but is well known throughout India and the world (if I may say that) as the birth place of Lord Krishna. Although I have been a student of science, I have always had good taste in music and arts in general. My aunt studied arts, and was deep into drawing and painting. My grandfather, who had retired as a doctor from the Army, was a great storyteller. And although I grew up in a large joint family, I was always his favorite and so he never stopped from playing with his film camera too occasionally. And though these things may seem small, I truly believe that all of this had a great impact on me and my taste in the arts in general. At present I work as a Software Engineer with an Investment Bank in Gurgaon, India where I live with my lovely wife Pooja and our 11 year old daughter Aanya. TPL: What drew you to photography? What was that moment that you decided to pick up a camera? Talk to us about your photographic experience on the streets of India. CV: After I did my Master's in Computer Science, the next couple of years went by quickly - job, marriage and everything in-between. Then just after marriage, I got a chance to work in the United States for around 2 years. We were in our mid twenties, and so the idea was to visit as many places in the USA as possible and to save those memories, I bought a point-and-shoot camera. I captured some beautiful memories in the USA and we returned back to India in a couple of years. Then it was around 2016, the time of mid-life crisis for me, when those philosophical questions started to creep in my mind - what am I doing, how can I find happiness, what do I really love doing. And it was my wife who helped me find the answer - "Just pick your camera, go out, and shoot", she said. And like a good husband, I followed her advice 😉. I came across some groups who would go out and shoot in Delhi, which is just an hour's drive from Gurgaon. The groups would mostly go to the historical monuments, and Delhi has so many of them. I am an introvert, so these photowalks helped me a lot to get confident walking with the camera and being able to shoot. Delhi is heavily populated so it's impossible to shoot without people getting in the frame. Even if this sounds unbelievable, trust me, this is true. And so one walk turned to another, and soon I started getting comfortable going out solo. I was shooting everything - monuments, flowers, walls, people - you name it. Then one day I came across the gallery of Navin Vatsa on Instagram - I am sure it was that day when I really got hooked to this genre of street photography. I will talk more about this later as I can see there is a question further down that is more apt for talking about Navin's work. TPL: When you take pictures, do you usually have a concept in mind of what you want to shoot, or do you let the images just "come to you", or is it both? Please describe your process. CV: Street Photography is all about the moment, and so by its nature, it can't be planned. I go out with my camera with a clean mind, and then let my intuition guide me. If I see an interesting stage on the street, say light falling at a certain angle, or an interesting graffiti on the wall, and if I think a specific subject crossing my frame will make for an interesting moment, I do wait, but not for long. I prefer coming back to the same location next time rather than waiting for hours at a spot. Having a concept in mind could be an interesting way to challenge oneself, but since I normally go out for photography only over the weeked, I do not have this luxury at the moment. I make the best of the time I get for photography. TPL: What have been some of your most favorite places you find inspiration to explore through your photography, and what draws you there? CV: What I absolutely love about Street Photography is that one doesn't need an 'ideal' location for it. Many great photographers have done amazing work simply documenting their neighbourhood. Still, if I were to list some of my favourite places, Delhi would top the list, as that is where I live and so it is always accessible. Knowing a place helps, as you understand the dynamics of it - the more you visit a place, the more you know of when it's empty, when it is crowded, where and how will the light and shadow play, and so many other things that are quite important for Street Photography. It's a city in the mix, modernity of South Delhi and Gurgaon with their high rises and shopping malls, the narrow lanes of Old Delhi with its chaos, the banks of river Yamuna where at times you get a glimpse of a life full of peace. Three years back I got a chance to visit London for work for 2 weeks, and so over the two weekends I explored whatever was humanly possible and fell in love with the art galleries and the streets. TPL: What role has the digital community played in your photography journey thus far? CV: If it's social media you are talking about, then I truly believe these platforms are simply tools - how you use them is up to you. You can use it to share your work with the whole world, get feedback, observe and learn how the master's shoot and so many other great things for improving your photography. I have been active on Instagram for a couple of years now and I personally like it a lot for the kind of reach it has. Of course there are some things I do not like about it - including the way it has started giving undue focus on video's and the promotional content, but I think the pro's weigh much more heavily against the con's at the moment for Instagram. I don’t believe that one photograph is better than another; rather one is more interesting than another. So, basically, 'you get what you take'. If the objects in front of the camera are interesting enough ‘you take them’, and if they are not 'you make them'. - Obie Oberholzer TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance? CV: Navin Vatsa would top the list for me. I consider him my Guru of sorts - in my initial days while I was new to Street Photography, it was his work that got me hooked to the genre. Then as I understood it more, I came across works of many other masters of Street Photography. His images are very strong emotionally, and I think that is the prime reason why I connect with them being quite an emotional person myself. Apart from Navin Vatsa, some of my favourites are Vineet Vohra, Henri Cartier-Bresson, Alan Schaller, and Matt Stuart. TPL: If you could just choose one photographer to shoot alongside for a day...who would you choose? And why? CV: This is a really tough one. If it has to be one, then I will prefer to go along with one who can teach me most. The reason I say so is that explaining and teaching someone how you work, think and act is such a tricky part, so I am sure not all great photographers would make good teachers of Photography. So my reason is purely selfish - I would like to go with one who helps me grow most as a photographer. TPL: Do you have a favorite photography/art quote that has been an inspiration to you? CV: Many learned and enlightened beings, including great photographers have said this one thing in one way or another - "There is no shortcut to practice"...and I truly believe in it. It's one thing to read books and attend workshops, but nothing is going to be fruitful if I do not go out and shoot. TPL: What was the first camera you ever held in your hand, brought to eye, and released a shutter on? What is the camera you use now? Does the equipment you use help you in achieving your vision in your photography? What is on your wishlist? CV: I am 100% sure it was my grandfather's film camera, but unfortunately I have forgotten which brand or model it was. There is a high probability that it could be lying in some box at our ancestral home, and I hope to discover it one day. Currently I have a Nikon D750, which I must say is a fantastic camera. I have recently bought a Fujifilm XE4 as well for times when I want something compact during travel. As for my wishlist, I hope to save money and buy a Leica someday. I really want to experience first hand why pretty much all the great photographers use a Leica 😊 TPL: What are some of your goals as a photographer? Where do you hope to see yourself in five years? CV: I have just one goal, to be able to "see" better from a photographer's point of view. Photography is a hobby and passion for me, and I want myself to be a forever learner in this field. TPL: “When I am not out photographing, I (like to)… CV: Travelling, playing chess and spending time with family, to name a few.” Chetan Verma's journey with photography has taken him on an incredible adventure, allowing him to capture the beauty of life and form a connection with an unexpected community. His story reminds us of the power of photography to surprise us and to connect us with others. VIEW CHETAN'S PORTFOLIO Instagram >>> read more interviews >>> LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual.

INTERVIEW September 13, 2024 THROUGH MY FIRST LENS: The Rastro and My Photography Beginnings Photography by Carmen Solana Cires Interview by Karen Ghostlaw Pomarico Welcome to an exploration of Madrid’s iconic open-air market through the eyes of Carmen Solana Cires, a 23-year-old photographer whose passion for capturing life’s subtleties is reflected in her latest project, “El Rastro.” Carmen’s journey into photography is strongly influenced by her early experiences and family connections, all of which have shaped her artistic vision. El Rastro is Madrid’s most famous and historic flea market, renowned for its vibrant atmosphere, eclectic mix of goods, and deep cultural significance. Held every Sunday and public holiday, El Rastro is more than just a market; it’s a living testament to Madrid’s rich history and diverse urban life. El Rastro’s origins date back to the Middle Ages, when merchants would gather to exchange goods along trade routes near the Rastro neighborhood of Madrid. The Name El Rastro translates to “The Trail.” This trail is thought to come from the blood trail left by livestock being transported to and from nearby slaughterhouses and tanneries. In the 16th century ‘rastro’ was used as a synonym for butcher’s shop or abattoir. In the 1730s, the neighborhood began to take shape into the market it is today. With the arrival of ‘ropavejeros’, the people who sold used clothing and goods from makeshift stalls on the streets, it became a place for the community to gather. The buying and selling of merchandise connected the surrounding communities through trade and commerce. It operates today as a growing population and extended community, embracing its long history of traditions, where something old can become new again. El Rastro is situated in the La Latina neighborhood, one of Madrid’s most spirited and historic areas. The market stretches from the Plaza de Cascorro to the Ronda de Toledo, weaving through a maze of narrow streets and alleys. Over the years the El Rastro market has become a contemporary hotspot, with over 1,000 vendors selling a variety of items, including secondhand clothing, antiques, craftwork, books, old photographs, rare coins, jewelry, vinyl, and more. The market also has themed streets, such as Calle San Cayetano, known as "Painters' street", where permanent stalls sell paintings, drawings, and art supplies. In addition to shopping, visitors can enjoy live music, improvised theater, and magic shows. This sprawling layout creates a unique shopping experience, where vendors set up their stalls in every available space, from the street corners to the doorways of local shops. El Rastro is not just a market; it is a cultural and social hub. It embodies the essence of Madrid’s dynamic life, serving as a gathering place where locals and visitors mingle. The market is a reflection of the city’s diverse character, showcasing a wide range of goods and the stories of the people who sell them. As we delve into this interview, Carmen will share her personal story, her inspirations, and the profound impact of her project on both her and her community. Join us as we discover how Carmen’s work not only highlights the rich history of Madrid’s iconic market but also brings to light the broader narratives of human connection and artistic expression. “El Rastro is an open-air market held every Sunday in the Lavapiés neighborhood, where second-hand objects are sold. The stalls are spread around Plaza de Cascorro, Ribera de Curtidores street and its surroundings. What strikes me most about the Rastro is the great variety of objects that can be found, from different past decades, and the diversity of people who visit it.” IN CONVERSATION WITH CARMEN SOLANA CIRES THE PICTORIAL LIST: Hello Carmen, it is a pleasure for us to present your project, “El Rastro”, let's get to know you a bit better, and introduce you to our community. Please tell us a little more about yourself. Where you are from, your connections to your community, and influences your community or family have given to you? CARMEN SOLANA: Since I was a child, I’ve always been passionate about photography, although I couldn’t say exactly why. When I realized that I wanted to dedicate myself to this, I decided to study Audiovisual Communication and Digital Photography at the Francisco de Vitoria University. This career has allowed me to develop my skills and knowledge in the field of image and sound, thanks in large part to two professors who have marked me deeply: Pablo García Sacristán (@pablo_garcia_sacristan) and Baldesca Samper Díaz (@baldescasamper), both photographers. My connection with photography also has family roots. On both maternal and paternal sides, I have relatives who are into photography as a hobby. One of them was my paternal grandfather, whom I never got to meet. Interestingly, my family always said that I was like a reincarnation of him. Over the years, I developed tastes and hobbies very similar to his, including photography, without my knowing that it was also one of his passions. After I finished my degree, my father showed me all the awards my grandfather had won in competitions and all the cameras and albums he had kept as heirlooms. Growing up surrounded by cameras and photo albums has been a great inspiration for me, teaching me to appreciate the power of images to tell stories and capture meaningful moments. Madrid, with its rich cultural diversity and vibrant urban scenes, has been the perfect setting for my development as a photographer. The city offers endless opportunities to capture unique moments and has a very active artistic community that has allowed me to grow and learn from other professionals in the industry. I am excited to introduce “El Rastro” to our community. This project is not only an extension of my passion for photography, but also an opportunity to connect with others and share my view of the world through my lens. I appreciate the opportunity to introduce myself and look forward to meeting and learning from all of you. TPL: When was the first time you picked up a camera and held it to your eye? What was that experience like, what inspired you to become a photographer? CARMEN: I don’t remember exactly the first time I picked up a camera, but I do remember the moment I realized I wanted to pursue photography. That’s when I realized it was something I was intrigued and passionate about. Whenever we would drive home from my grandmother’s house, my mother, my brother and I, I would always ask to ride in the passenger seat, because there was a stretch of road where we would come out of a tunnel and into a long, wide street. We almost always came back at sunset time so there was a spectacular sunset from that street. Every Saturday, I would take a picture of the sky with my cell phone, through the front window of the car. Every day, the sky was different. One day, my mother asked me why I photographed the same sky every week from the same street. I explained that I was fascinated to see the different sunsets, how the colors changed and reflected different lights on the surrounding buildings, the different types of clouds each day, etc. all in one place. How curious it seemed to me all the different shapes the same place could have. It was at that moment when I realized that I was deeply attracted to the idea of observing the things I liked and capturing them with my eyes, trying to transmit the beauty with which I saw them. TPL: What inspired this project? What is the importance of the connections to the surrounding streets, to the community? Who are the people that run the booths, sell the goods? Is this primarily for tourists? Or is this a place that supports the local economy, and people from surrounding communities shop here? CARMEN: The project of photographing “El Rastro” in Madrid was born out of my fascination for the daily life and rich history that is breathed in this emblematic market. “El Rastro” is not just a place to buy and sell; it is a microcosm of Madrid's cultural diversity, a space where stories, traditions and people from all walks of life converge. I wanted to capture the essence of this place, its vitality and unique character, through my lens. Connections to the surrounding streets and community are central to “El Rastro”. The narrow streets and alleys surrounding the market are part of its identity, creating an almost magical atmosphere that attracts locals and visitors alike. The relationships between the merchants and the neighbors are the soul of “El Rastro”. Many of the vendors have had stalls there for generations, passing the trade from father to son, creating a deep sense of community and belonging. The people manning the stalls are as diverse as the products they sell. We found everything from antique dealers and collectors to artisans and clothing and food vendors. Each has a unique story and a personal connection to the market, which further enriches the “El Rastro” experience. Although “El Rastro” attracts many tourists, it remains an important pillar of the local economy. Madrileños and residents of nearby neighborhoods frequent the market, not only to shop, but also to socialize and enjoy the atmosphere. “El Rastro” supports the local economy by providing a space for small merchants and artisans to sell their products and keep their traditions alive. In short, this project is inspired by the cultural richness and vibrant community life of “El Rastro”. Through my photographs, I hope to capture and share the importance of this market for both locals and visitors, showing its essential role in the economy and culture of Madrid. TPL: What have you learned from your work on this project, how will this inspire work in the future? CARMEN: Working on the project of photographing “El Rastro” in Madrid has been an incredibly enriching experience. I have learned so much about the cultural diversity and daily life of my city, and about the importance of the human connections that are woven in places like this market. Each photograph tells a unique story, and each person I've met has taught me something valuable about resilience, tradition, and community. One of the most significant learnings has been understanding how a place can be a meeting point for different generations, cultures and lifestyles. “El Rastro” is not just a market, it is a reflection of the history and soul of Madrid. This project has taught me to take a closer look and appreciate the details that we often overlook in our daily routine. In addition, interacting with vendors and visitors has shown me the importance of keeping our traditions alive and supporting the local economy. I have seen firsthand how the market is not only a place of commerce, but also a space for socializing and community connection. In the future, this project will inspire my work in several ways. First, it has reaffirmed for me the importance of capturing the essence of places and people with authenticity and empathy. It has also motivated me to continue exploring and documenting other aspects of urban life and local communities, always seeking to tell stories that highlight the beauty and beauty of the place. Finally, this project has strengthened my desire to use photography as a tool for connection and understanding between people. I hope to continue to create images that are not only visually appealing, but also convey a deep sense of place and humanity. TPL: When you photograph, what is your intention for the viewer? What do you want them to take away from your work? What is your take away? CARMEN: When I photograph, my intention is for the viewer to become immersed in the scene and feel a deep connection to the captured moment. I want my photographs to convey emotions and aesthetically offer a sense of peace and harmony. I like there to be a visual order that invites reflection and enjoyment of the details. Playing with light, shapes and framing is fundamental in my work. I use light to create unique atmospheres and highlight aspects that might go unnoticed. Shapes and framing allow me to guide the viewer's gaze, highlighting elements that I consider essential to understand the story behind the image. I hope that those who see my photographs will take away an enriching visual experience, allowing them to see the beauty in the everyday and appreciate the simplicity of the moments captured. I want them to feel the calm and order that I try to capture, and for each image to invite them to stop and take a closer look. In short, I want my photographs to be a window to moments of serenity and beauty, and to inspire viewers to appreciate the small details and the light that surrounds us in our daily lives. TPL: Who are some photographers that have influenced your visual storytelling? Do you have a favorite quote you would like to share? CARMEN: In my photography, my influences go beyond other photographers; they extend to three main areas: photography, graphic design and music. These three disciplines are the sources of inspiration that nourish my work every day. In the field of photography, the first reference is Chema Madoz, a conceptual artist who presents everyday objects transformed in a surrealistic way, creating optical illusions that alter their original use. The results can convey messages ranging from humor and irony to drama, without losing their intrinsic beauty. The second photographer who inspires me is Pablo Gil, a Spanish photographer known for his excellent use of analog photography. Most of his images capture everyday moments with his friends, hobbies and the places he visits. Finally, Megan Clark, an American photographer, combines concert photography with graphic design, creating final images with innovative and surprising colors, shapes, lights and framing. Her ability to merge these elements deeply inspires me. In the field of graphic design, Alan Fletcher, known as the father of British graphic design, is a seminal figure for me. His ability to play with expressive typography and bold colors, along with a clear visual language, demonstrates that graphic design is more than a decorative element; it has great utility, especially in advertising. Another reference in graphic design is Paula Scher, whose impressive works mix shapes, sizes, typographies and colors, creating unique and visually stunning collages. Finally, music is an essential part of my daily creative process. It accompanies me in every photographic project and inspires me deeply in every creative process behind them, not only when I listen to it, but also when I see video clips or album covers. Music drives me to create and explore new forms and styles of photography, influenced by the genre, the beat and the artist. Photography, graphic design and music - intertwine in my work, providing a rich source of inspiration that is reflected in each of my images. TPL: What drives you to be a documentary photographer? What inspires your product photography? Do you enjoy the studio work as much as events and reportage? CARMEN: What drives me to become a documentary photographer is the fascination for naturalness, spontaneity and the rawness of reality. Documentary photography allows me to capture moments as they are, without artifice, showing a truth that may vary depending on the eye that observes it, but that remains intact in its essence. I am attracted to the idea of documenting life as it presents itself to me, capturing the beauty and rawness of the everyday. To photograph products, I am inspired by the possibility of transforming and redesigning reality. Unlike documentary photography, here I have the freedom to play with the object, to disrupt its form and presentation to offer completely new and unique perspectives. This contrast allows me to explore my creativity in a different way, reinventing and experimenting with each shot. I love studio work as much as event and reportage work. Studio work gives me complete control over all the elements, allowing me to manipulate light, shadows and framing with precision to get the desired result. It is a space where I can experiment and perfect every detail. On the other hand, events and reportage offer me the adrenaline of unpredictability and the opportunity to capture unrepeatable moments with authenticity and spontaneity. In my mind, documentary photography and product photography are two completely different, but equally exciting worlds. I couldn’t live without either, as each offers me a unique way to express myself and connect with my environment and my audience. TPL: Tell us about one of the standout moments you have had documenting and reporting, photographing a product, and a special event back story. CARMEN: One of the highlights of my time documenting and reporting was a family trip to Covadonga in Asturias. This trip was especially meaningful to me, as Covadonga is my grandmother’s birthplace, which added a personal and emotional layer to the experience. During the trip, I focused on capturing not only the landscapes and landmarks of the region, but also the intimate and authentic moments we shared as a family. Rather than photographing strangers or environments with no personal connection, my images starred my family members and the places that hold great meaning for them. The process of documenting this journey was like creating a totally natural and personal “documentary”. I focused on capturing the essence of our interactions and the beauty of the places from an intimate and familiar perspective. Each photo told a part of our story, showing the emotions, landscapes and everyday moments that made the trip memorable. This approach allowed me to create a lasting and authentic memory for my family and gave me deep satisfaction as a photographer in seeing how photography can capture not only reality, but also emotions and personal connection to the environment. This type of work reminds me of the power of photography to tell meaningful and personal stories, making each image a genuine reflection of the lived experience. TPL: Tell us how graphic design influences your photography? CARMEN: Graphic design influences my photography in a significant way, especially in the field of product photography. As I mentioned earlier, in this type of photography, I like to play with transforming and redesigning reality. This is where graphic design comes into play, as it allows me to explore creativity by manipulating visual elements and offering unique perspectives. The graphic design approach inspires me to experiment with compositions, colors and shapes, elevating product presentation to a whole new level. This freedom to redesign and disrupt reality aligns with the principles of graphic design, where visual balance and effective communication are crucial. In addition, the studio work in photography, which I mentioned previously, also benefits greatly from graphic design concepts. The ability to control lighting, shadows and framing with precision allows me to apply graphic principles to create images that are not only aesthetically pleasing, but also tell a coherent and visually impactful story. In short, graphic design enriches my photography by giving me tools and perspectives that allow me to reinvent and experiment with each shot, whether in the studio or capturing spontaneous moments. This multidisciplinary approach helps me to better connect with my audience and to express my ideas more creatively and effectively. TPL: Where do you see yourself in 5 years, what would be your dream photography job? CARMEN: Five years from now, I envision myself working in an environment where I feel completely at ease, surrounded by people with whom I can interact and collaborate. As someone who enjoys dealing with both clients and colleagues, I am looking for a position that combines my passion for photography with a dynamic and social environment. My goal is to be with a company that allows me to always have a camera by my side and be involved in photography projects in the advertising and events field. My dream photography job would be to be able to make a living from product photography, where I have the freedom to explore and express my creativity. I would love to receive assignments for advertising campaigns, where I can contribute innovative and fresh images that capture the essence of each brand. The possibility of working in an environment that trusts my creative vision and allows me to develop new ideas for each project would be ideal for me. TPL: What have you learned about becoming a photographer, entering the field? What were some of the biggest challenges you have faced? How did you overcome them? What do you feel could support young photographers, how can we inspire young eyes and minds of the future? CARMEN: The profession of photography is undoubtedly a tough one and is often faced with the underestimation of the value and importance of the work we do. It is not easy to make a living from photography alone, and many times we must struggle to have our effort and talent recognized and adequately compensated. Despite these challenges, it is essential to persist and stay motivated. One of the biggest challenges I have faced has been being self-employed for the first six months after finishing college. Throwing myself into the real world with limited knowledge about how the industry works and striving to assert myself in a competitive environment was a challenging experience. I overcome this obstacle through perseverance, continuous learning and building a network of contacts that allowed me to grow professionally. For young photographers, my advice would be to stay passionate and persevere. The field of photography is constantly expanding, and its value is being recognized more and more, especially in an increasingly visual world. Taking advantage of this trend and staying on top of new technologies and approaches can be very beneficial. Inspiring the young eyes and minds of the future means showing them that photography is not just a hobby, but a valuable and evolving profession, full of opportunities for those who are willing to work hard and keep learning. TPL: When you are not out photographing, where would we find you, where is your happy place, what do you do there? CARMEN: When I’m not photographing, my happy place is always associated with being surrounded by my people. It doesn’t matter if we are traveling, enjoying our trusted bar or exploring the most remote corner of the world; the essential is the company of friends and family. My happiness lies in those shared moments, full of laughter and good company. Whether it’s a lively conversation, a spontaneous adventure or a simple get-together, being with the people I love is what really fills me with joy and makes me feel in my happy place. Carmen has helped us gain a deeper understanding of her artistic journey and the inspiration behind her compelling project, “El Rastro.” Carmen’s dedication to capturing the essence of Madrid’s iconic market reveals a profound appreciation for the cultural and social dynamics that define her city. Her reflections on photography, influence from family and mentors, and the insights gained from her work offer a glimpse into the thoughtful and empathetic approach she brings to her craft. As Carmen continues to explore and document urban life through her lens, her work stands as a testament to the power of photography to connect us with the beauty and complexity of everyday moments. Her photographic project became a celebration of the city’s cultural heritage making the human connections that breathe life into the streets. Carmen captures the essence of everyday life, weaving together personal history and artistic vision sharing her visual story that resonates with authenticity and empathy. Her journey from a childhood fascination with sunsets to a professional career in photography underscores the transformative power of capturing moments in time. Through “El Rastro,” Carmen invites us to see Madrid not just as a city, but as a living, breathing narrative filled with life, color, and endless possibility. Take this opportunity to explore more of Carmen’s work and let her take you on her photographic journey of becoming an inspiring visual storyteller. Young creative eyes defining a new future in photography. VIEW CARMEN'S PORTFOLIO Website >>> Instagram >>> read more interviews >>> LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual.

INTERVIEW September 6, 2024 FRAGMENTS OF MEMORY An Ode to the Umrigar Residence Photography by Dasha Darvaj Umrigar Interview by Melanie Meggs In the landscape of contemporary visual arts, Dasha Darvaj Umrigar emerges as a promising and insightful talent. Currently a second year Communication Design student at the Indus Valley School of Art and Architecture, Dasha brings a unique perspective shaped by her upbringing in Karachi, a city in Pakistan renowned for its dynamic interplay of light and life. Her artistic journey is marked by a passion for storytelling through both compelling visuals and intimate photography. Dasha’s education in Communication Design has been instrumental in refining her visual narrative skills. Her dedication to exploring various mediums reflects a relentless pursuit of artistic growth and innovation. In her work, she gravitates toward photographs that transcend mere aesthetics, striving instead to forge a profound emotional connection with her audience. Her fascination with capturing the beauty within the mundane and the ordinary is evident in her attention to light, shadow, texture, and color — elements that transform everyday scenes into extraordinary visual experiences. As Dasha progresses in her studies, she aspires not only to excel as a photographer but also to delve into UI/UX design and Graphic Design. Her ambition is to evoke emotions and foster meaningful dialogue through her visual creations. Her latest project, a poignant photo story for her third-semester assignment, captures the melancholy of a once vibrant home now reduced to whispers of solitude. The narrative unfolds through images of empty rooms and fading memories, portraying a space where laughter and tears have long since dissipated. This project embodies Dasha’s commitment to exploring the intersection of memory and decay, offering viewers a contemplative reflection on the remnants of lives lived and lost. Join us as we uncover the layers of Dasha Darvaj Umrigar’s creative journey. Her insights and reflections will offer a richer understanding of how she is navigating the realms of visual art, from her formative experiences in Karachi to her current explorations in Communication Design. An Ode to the Umrigar Residence Once a bustling home to the family of seventeen, its walls now echo whispers of silence. In every nook, a tale, a memory remains. Laughter and tears, fading memories and shattered dreams, with each crack, the place they once called home, piece by piece, falls apart. Empty rooms and murmurs of solitude; the remnants of those who lived and were lost. IN CONVERSATION WITH DASHA DARVAJ UMRIGAR THE PICTORIAL LIST: Hello Dasha, thank you for sharing your personal photo story “An Ode to the Umrigar Residence” for your third-semester assignment. Please tell our readers about the creative process behind the story of the home that once housed seventeen people. What inspired you to delve into this particular narrative, and how do you hope it resonates with viewers? DASHA: The creative process for this photo essay stemmed from my desire to learn more about my family history and their connection to this house. Growing up, I heard numerous stories from my father of how he, his siblings, cousins, his uncle and aunt all lived happily together under one roof. It was the stories growing up that inspired me to preserve the legacy of those who once lived there and many who were lost. I believe choosing to work around a personal narrative revolving around family ties, the struggles they faced, and stories of shared space are universal themes that almost every one of us can relate to. Through my work, I aimed to build a connection with my audience while inspiring them to reflect on their own familial spaces and the bonds they share. TPL: Can you share any challenges you faced while working on your photo story and how you overcame them? DASHA: One of the most important challenges that I faced was deciding how to portray the house without missing out on other important elements. Even though the house was decaying, it still remained a lived-in space with my uncle residing there. To overcome this, I had to spend a lot of time interviewing my uncle, understanding his emotions attached to the house and visiting the house several times. Balancing the two was difficult, but I finally chose to show the house through his eyes while ensuring other important parts were covered too. TPL: What inspired you to pursue photography, and how did you start your journey in this field? DASHA: I believe I always felt emotionally attached to this medium of expression and was naturally drawn towards it. Therefore, having gotten the chance to explore this passion further I decided to take photography as a course for my 3rd semester at my university. TPL: Your journey as a Communication Design student at Indus Valley School of Art and Architecture seems to be quite formative. How has your academic experience shaped your approach to visual storytelling? DASHA: One of the ways that the curriculum here at IVSAA has helped shape my approach to visual storytelling is through their emphasis on critical thinking and research. The curriculum is designed in a way that we are able to challenge and question things. We are taught a diverse range of courses and have experimented with a variety of different mediums. This versatility has helped me grow and expand my thinking. Additionally, collaborating with peers from different interdisciplinary departments has always helped broaden my horizon. With guidance from my instructors and the overall experience combined so far has all played a pivotal role in honing my skills. TPL: Karachi, your city of origin, is known for its vibrant and dynamic environment. How has the city's unique character influenced your artistic vision and practice? DASHA: I believe people are walking stories and the unique mix of culture and traditions has served as a major influence in the way I see life. The city’s bustling markets, vibrant streets and people have inspired me to create work that is deep, authentic and engaging. TPL: In your work, you mention a focus on capturing the beauty in the mundane and ordinary. Can you elaborate on how you find and transform these everyday scenes into extraordinary visual experiences? DASHA: I constantly find myself looking at things and observing which I feel serves as the foundation for my practical approach. I believe in noticing things that often go unnoticed. Using my knowledge of design principles and elements I am looking for interesting shadows, the subtle expressions on people’s faces and the play of light. By using these observations, I enjoy experimenting with angles, compositions, light and shadow while capturing everyday moments. I believe people are walking stories and the unique mix of culture and traditions has served as a major influence in the way I see life. TPL: Photographers Arif Mahmood and Nirav Patel have been significant influences on your work. Can you describe a specific aspect of their photography that has deeply impacted your own creative process? DASHA: I am deeply fascinated with the way photographer Arif Mahmood is able to capture the rawness of the people he meets, the places he visits. His ability to tell real unfiltered stories is what catches my eye. While Mahmood’s work focuses on creating deeper narratives, I am equally captivated with the way Nirav Patel looks at light. It almost feels like he is worshiping towards it through his photographs. His shots are intimate, ethereal and experimental. Through his work, I see how light can be both moody and emotional. Both their influences combined have taught me to look at things differently and develop an expressive approach. TPL: In what ways do you believe your background in Communication Design will complement your photography, and how do the skills from one discipline inform the other? How do you see the role of emerging technologies and media in shaping the future of visual storytelling? DASHA: My background in Communication Design complements my photography in several ways. The principles of design, the in-depth study of colour theory and typography play an integral part in creating compelling visuals. Understanding balance and harmony, analyzing negative and positive space help me create images that are not only aesthetically pleasing but also impactful. As for the role of emerging technologies and media, with the advancements in technology, photography will take a new shape pushing boundaries of traditional storytelling. These advancements I believe will help create a much more immersive experience for viewers. TPL: What role do you think your personal experience will play in your future artistic practice, and will you incorporate elements of your own life into your visual stories? DASHA: Personal experiences remain a crucial aspect of my creative practice. By incorporating elements from my own life, I believe I’ll be able to create authentic work that is able to resonate with a wider audience. TPL: What was the first camera you ever held in your hand, brought to eye, and released a shutter on? What camera/s do you currently use? Do you have anything on your Wishlist? DASHA: The first camera that I ever held was the Canon Digital IXUS 950 IS. Currently I use the Canon 600D model. A Fuji film camera is definitely on my Wishlist. TPL: How do you see your artistic practice evolving over the next few years, and what are your long-term goals as both a photographer and a designer? DASHA: Over the next few years I see myself exploring new techniques and experimenting with different approaches of storytelling. By blending the two fields, I also see myself delving into photojournalism. TPL: When you're not creating work, what else moves your world, Dasha? What would we find you doing if not photography? DASHA: When I’m not creating work, I love helping around the kitchen with my mother. Cooking together is our kind of therapy, helping us unwind from our busy schedules. Besides that, you could also find me immersed in a good book. Dasha Darvaj Umrigar’s practice is centered on the intersection of personal narrative and visual storytelling. Informed by her upbringing in Karachi and her studies at the Indus Valley School of Art and Architecture, her work investigates themes of memory, space, and the quiet power of everyday moments. With an eye for composition and a sensitivity to light, she turns ordinary scenes into reflections on time and experience. As Dasha continues her exploration of both photography and design, she remains committed to expanding her approach, blending disciplines to create work that speaks to a deeper connection between image and story. VIEW DASHA'S PORTFOLIO Instagram >>> read more interviews >>> LIMINAL SPACES Through her art, Anna Tut aims to bring attention to the complexities of femininity, challenging societal norms and highlighting the often, unseen emotional landscapes women navigate daily. DO YOU SEE MY SILENT TEARS DRYING UP THE STREETS? Justine Georget's photography explores the melancholy and detachment of urban life, capturing the silent struggles and emotional depth of city dwellers through her thoughtful street compositions. LA EDITION Step into the world of John Kayacan, where Los Angeles comes alive in cinematic frames—vibrant streets, hidden corners, and untold stories unfold in every shot, revealing the soul of the city. THROUGH MY FIRST LENS Discover the vibrant world of Madrid’s El Rastro through Carmen Solana Cires' lens. Her project captures the market's rich history, cultural diversity, and the essence of human connection. FRAGMENTS OF MEMORY Dasha Darvaj Umrigar's third-semester photo story captures the melancholic transformation of a once vibrant home, now reduced to mere whispers of solitude and loss. THE ART OF ANALOGUE In a digital era, Paul Cooklin's devotion to analogue photography elevates his work to timeless artistry, where light and chemistry intertwine, creating mesmerising, evocative images that honour the craft's rich heritage. CONNECTED DICHOTOMIES Tatyana Mazok's photography transcends art, weaving life's threads into evocative diptychs that reveal interconnected narratives, challenging us to see the beauty and complexity in our shared experiences. EPHEMERAL RHYTHMS Edwin Carungay's "Boardwalk Diary" captures the vibrant, raw essence of life at the Santa Cruz Boardwalk, celebrating the diverse and unfiltered humanity that converges along California's iconic coastline. THE ART OF SELF Mia Depaola's photography inspires self-awareness, capturing the beauty of the human spirit and immortalizing it through her insightful lens. TRUE LIFE IMPRESSIONS Matthias Godde's meticulously curates photographs that blend observation with introspection, resonating with profound emotional depth and infused with wit, irony, and occasional absurdity. NATURE KNOWS NO PAUSE Through her photographs Ann Petruckevitch captures the resilience of nature amidst the challenges of climate change, serving as a reflection on humanity’s relationship with the natural world. URBAN ECHOES Through his project “Echo,” Rowell B. Timoteo extends an invitation to explore the vibrant streets of San Fernando, where his lens captures the nuanced interplay of light, shadow, and human emotion. COLORS OF A GREY CITY In Rafa Rojas' photography project, we witness the convergence of passion and purpose, a visual ode to the city of São Paulo he calls home. PRIMAL INSTINCT Tara Sellios invites us to explore the interplay of life and death, of decay and beauty, and to find within that juxtaposition a reflection of our own existential journey. OPPORTUNITIES The Pictorial List partners with International Photography Awards, enhancing resources for photographers worldwide. We interview IPA founder Hossein Farmani, a visionary in photography. MINIMALIST REVERIE Nazanin Davari's minimalist style invites you to an imaginative world where silence and freedom converge, painting unseen beauty with her lens. THE AUTHENTIC GAZE: THE DON'T SMILE PROJECT Delve into the visual anthology of urban youth, a collection of moments where the mundane transcends into the profound, sparked by the click of Amy Horowitz's camera. BLACK AND WHITE WITH A THREAD OF RED Valeria Cunha is fascinated by the street, using it as inspiration to find structure amidst the confusion. Her photography creates intriguing connections and relationships through dynamic compositions that convey emotion. TALES OF A CITY With a passion for exploring the world through his camera lens, Seigar brings a unique perspective to his art, infused with reflections, colors, and icons. 18 >> 20 Elsa Arrais composed a simultaneously artistic, emotional, poetic and imagery portrait of her city in a predetermined period of time. WOMEN WARRIORS OF AZERBAIJAN Fidan Nazimqizi is aware of distinct challenges the women in her community are confronted with on a daily basis. Their struggles have become a focus for her photography. SHOOT NEW YORK CITY Leanne Staples is a passionate and driven street photographer whose honest perspective of city life captures both its simplicity and complexity. TRANSTEMPORAL Russell Cobb is an incredible photographer and storyteller who offers viewers a chance to step into the past and explore the nuances of culture and history. A LOVE SONG TO THE AMERICAN WEST We have the pleasure of seeing and hearing the visual stories created between photographer, Ross Taylor and musician, Russick Smith. As the wind sweeps through the landscapes the notes of a cello fill every void. JESSE'S STORY Jesse’s story becomes a timeless testament of an unconventional and successful fighter. Andrée Thorpe invites us to reflect on the inspiring journey of this brave individual.