May 28, 2021
THE HUMAN EXPERIENCE
Photography by Kevin To
Interview by Melanie Meggs
The world of street and documentary photography has a new voice in Kevin To. With an eye heavily influenced by the photojournalists and humanists of the past, Kevin's work is a stunning reminder of what can be achieved when the camera meets life on the streets. His images capture the emotions and stories of everyday individuals, giving viewers a glimpse into a world they may never have experienced otherwise. Kevin has traveled extensively, using photography as his tool to bring stories and moments to life that are reminiscent of the golden days. Join us as we explore his creative journey and discover what inspires this talented artist.
“What I want to express is the beauty and joy of everyday life. When working on a project or a specific story I try to expand that to include a wider range of the human experience.”
IN CONVERSATION WITH KEVIN TO
THE PICTORIAL LIST: Kevin please tell us about yourself. How did you become interested in photography?
KEVIN TO: I was born in suburban Northern Virginia, just outside Washington DC. Was based in South Sinai for the past six months and now I’ve just arrived in Istanbul, Turkey.
I grew up in a big family where my aunts, uncles, and cousins were all into some form of art as their hobbies, that form being mostly photography. Most them are landscape, wildlife and wedding photographers. But they were always taking photographs during family dinners and events, so it was inevitable that I picked one up sooner or later.
TPL: Where do you find your inspiration?
KT: I find a lot of it through film and music. But I also find a lot of inspiration through just talking to people. Hearing about their life experiences and their perspective on things, it helps me view things differently.
TPL: What happens when you go out with your camera? Do people respond positively to you, or do you sometimes get negative reactions? If yes, how do you handle it?
KT: I’ve found that when I take my camera out most of the time people respond positively. Occasionally negative reactions occur, and the easiest way to diffuse these situations is to smile and explain. I find that a conversation about what I’m doing and why I took a photo of the person tends to allow them to understand, and more often than not they leave with a smile as well. The initial reaction of “why did you take that photo of me!?” Really scares photographers, but that’s normal and if I wasn’t in a good mood I’d probably react the same way if someone did that to me.
TPL: Do you have a favourite place to go and photograph?
KT: Wherever I happen to be. My favorite images are definitely made when I’m traveling and when my eyes get to see familiar things in a foreign setting. New colors, sounds, smells, cultures, and energy levels put me into a creative flow.
TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance?
KT: Some of my favorite photographers include Philip-Lorca diCorcia, Juergen Teller, Andre Kertesz, and William Eggleston.
Film directors I always revisit and love are Andrei Tarkovsky, Claire Denis, Lucrecia Martel, Wim Wenders, Wong Kar Wai.
And so many others.
New colors, sounds, smells, cultures, and energy levels put me into a creative flow.
TPL: When you take pictures, do you usually have a concept in mind of what you want to shoot, or do you let the images just "come to you", or is it both?
KT: If it’s a project then absolutely I have images in my head that I want to make. Telling a story through images is the same as writing one, so certain images that give context and move the story forward are essential. But If I’m just wandering about, then most of the time I let the images come to me, no matter the time or day.
TPL: Does the equipment you use help you in achieving your vision in your photography? What camera do you use? Do you have a preferred lens/focal length?
KT: The equipment does affect the way I shoot and how I go about achieving my vision. I shot mostly with film in the past but now since I’m traveling I’ve switched over to digital.
The camera I grab most of the time is my Ricoh GR. It’s the perfect camera in my opinion, and it brings me the most joy with the most ease. The wide angle lens allows me to capture moments on the fly.
TPL: What are some of your goals as an artist or photographer? Where do you hope to see yourself in five years?
KT: Some of my goals include having a solo exhibition in the future and have a few more books published.
In five years I hope to be a photojournalist for an international photo agency like Getty Images or Reuters.