Based in southern Spain, Héctor Morón is a self-taught fine-art photographer, whose work originates from an optically captured scene, subsequently transformed through long exposure and in-camera motion. This process destabilizes architectural coherence and spatial legibility, allowing built environments to compress, blur, and accumulate. Light assumes material density, geometry functions as a structuring constraint, and movement is rendered as regulated flow rather than expressive gesture. The city is thus reconstituted as an affective and conceptual terrain rather than a descriptive one.

Héctor situates this approach within his self-defined framework of Allegorical Abstractionism, a practice that reframes photography as a mode of visual translation rather than representation. Drawing on expressionist strategies and a Mediterranean sensitivity to luminosity, his work articulates a dialogue between perceptual experience and technological mediation. Within this series, urban space becomes a site where abstraction operates not as aesthetic withdrawal, but as analytic method.

The recurring presence of the sun functions as a destabilized symbolic anchor. Traditionally associated with origin, continuity, and illumination, it appears here refracted, displaced, or reproduced through artificial means. Pressed against architectural surfaces or fragmented into neon surrogates, the sun signals a collapse between natural and synthetic orders. Even images that suggest retreat or distance remain chromatically bound to the city’s visual regime, reinforcing the impossibility of exteriority.

Urban Solitude Under a Technified Sun avoids critique in favor of sustained observation. Isolation is not staged as emotional disruption but understood as a structural condition embedded within contemporary urban design. Héctor Morón’s photographs neither accuse nor resolve. Instead, they render visible the quiet persistence of systems in which human presence becomes momentary, peripheral, and increasingly optional.