April 9, 2021
Photography by Drew A. Kelley
Interview by Karin Svadlenak Gomez
Drew A. Kelley is a remarkable photojournalist, capturing the vivid and diverse moments of Southern California in black and white film with a passion for storytelling. This talented creative continually seeks out new experiences, finding inspiration through art galleries, used book stores, music, and newspaper reports. Driven by a love of art and photojournalism alike, Drew’s work is an intricate blend of both. He captures life’s moments with an eye for detail that brings both beauty and emotion to his photographs. Whether he’s working on a tight deadline or using his own time to craft another passion project, Drew’s commitment to his art shines through each beautiful capture.
“My goal is to accurately document, without bias, the lives of people that lack a voice. Style wise, I am obsessed with moments and layers. I feel I’ve done something right if the viewers’ eyes are moving around the photograph and not moving to the next.”
IN CONVERSATION WITH DREW A. KELLEY
THE PICTORIAL LIST: Drew please tell us about yourself. How did you become interested in photography?
DREW A KELLEY: I was born in Long Beach, California in the mid 1980’s but I grew up in Chino Hills, a suburb outside Los Angeles. Living in Southern California during the 1990’s, my love for photography grew concurrently with my passion for skateboarding. Anytime we went out, I brought my camera and tried to capture the perfect moment. Eventually I started documenting the culture behind skateboarding and that’s when my passion for photojournalism began.
TPL: Where do you find inspiration to photograph?
DAK: My quick answer is reading newspapers.
Other than newspapers, I find inspiration by visiting art galleries, used book stores or searching for new music. It’s hard to explain the feeling of listening to a good song for the first time but that vibe inspires me to create something equally as great. Used books also provide me with that same level of inspiration. Flipping through pages of photographs by photojournalists before me is very grounding and encouraging at the same time.
TPL: You are a photojournalist. What happens when you go out with your camera? Do people respond positively to you, or do you sometimes get negative reactions? If yes, how do you handle it?
DAK: When I document news events, the subjects are typically indifferent and my job is clear. Outside of news events, rapport is of the utmost importance. Repeatedly visiting people or places is essential to put your subjects at ease. My end goal is to earn the ability to be a fly on the wall.
TPL: Do you have a favourite place to photograph?
DAK: My favorite place to photograph is any place that hasn’t been overly documented. I am drawn to places and sub cultures that aren’t easily accessible. If I am not giving my audience the opportunity to see something they typically couldn’t then I’m not doing my job.
TPL: When you take pictures, do you usually have a concept in mind of what you want to shoot, or do you let the images just "come to you", or is it both?
DAK: I’ve learned not to previsualize too much. Early in my career I would think of the perfect image as I drove to my assignment. Rather than flowing with my subject and capturing natural moments, I would be chasing an idealized photo in my mind.
Having a goal or the ability to previsualize is important but being able to react to what is in front of you is even more valuable.
TPL: Does the equipment you use help you in achieving your vision in your photography? What camera do you use? Do you have a preferred lens/focal length?
DAK: I don’t think it matters what camera you use, your vision is your vision, unless the camera you are using is technically getting in the way. I strictly use Canon SLRs because I know the controls by heart. Currently, I can move fluidly as I work with my subjects but if I needed to relearn my equipment I wouldn’t be able to capture the same moments.
TPL: Do you have any favourite artists or photographers you would like to share with us, and the reason for their significance?
DAK: My love for photojournalism is equal to my love of art. Photojournalists like Matt Black, Sebastião Salgado and James Nachtwey have been a constant inspiration throughout my career but artists like Sofia Enriquez and Carlos Ramirez, from the California high desert, equally inspire me with their work. It has always been important to me to stay open and allow inspiration to come from anywhere and everywhere.
TPL: What are some of your goals as a photographer? Where do you hope to see yourself in five years?
DAK: My goal as a photojournalist is simply to shoot more. In five years I hope to see myself working more with film, either black and white or color.